Haçienda Hazards

Hawker Typhoon 1945

Health and safety regulations state that markings should be placed around obstacles or dangerous locations. This includes where any of the following present a risk:

  • people tripping or falling
  • objects falling
  • people or vehicles colliding with objects

These markings should be made up of alternating red and white or yellow and black stripes of equal size at a 45 degree angle. Barricade tape can be used to satisfy this requirement as long as the tape is “commensurate with the scale of the obstacle or dangerous location in question”

Wikipedia

I hereby lay claim to this symbol, sign, icon, the combination of black and yellow, wherever it may appear, in this or any other world, in whatever shape, form, pattern or composition, be it civil or military. I hereby claim to be its originator and owner.

Leif Elggren 1977

Designed by Ben Kelly, upon recommendation by Factory graphic designer Peter Saville, upstairs consisted of a stage, dance area, bar, cloakroom, cafeteria area and balcony with a DJ booth. 

The Haçienda was opened on 21 May 1982, when the comedian Bernard Manning remarked to the audience:

I’ve played some shit-holes during my time, but this is really something.

His jokes did not go down well with the crowd and he returned his fee.

Wikipedia

Meanwhile in 2019

The black and yellow stripes on Manchester City’s away shirts were meant to be an uplifting homage to Manchester’s cultural heritage, but the choice of design now risks becoming a chip on the team’s shoulders.

The team’s jersey is embroiled in a controversy after Ben Kelly, the man who originally designed the stripes for famed Manchester nightclub the Haçienda, complained in a recent interview to Gaffer magazine that he was not credited or consulted by the creators of the football apparel.

When Manchester City and Puma launched the team’s 2019/20 kit last July, they said in a press release that the uniform paid tribute to the “Madchester” years of the late 1980s and early 1990s, when the city in north-west England became a hub of alternative music and dance culture.

Guardian

The Estate of Pieter Cornelis Mondriaan has remained silent on such matters.

What the FAC51 is wrong with folk?

All of which leads me to Altrincham – on Grosvenor Road beneath the A56.

I negotiated the concrete pillars – not once colliding with these immense hazards.

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