Built 1961-1963 – architects Ivan Johnston & Partners of Liverpool.
The proposed modernistic architecture of the building, caused some qualms among members of Stockport’s Planning and Development Committee, which was still discussing the plans early in 1962, but in the end it was built much as the architect had intended.
A 70ft. spire on Bramhall-lane Davenport, will be a new landmark in Stockport next year when the no-labour-cost £41,000 chapel of the Mormons – The Church of Latter-Day Saints, from America – is expected to be complete. The Stockport branch of 150 members will fund over £8000 of the cost and will provide food, shelter and pocket money for volunteer builders from all over the country.
What a delight – the stunning surprise that awaits you, around one particular suburban corner of Bradford.
I had called ahead, to arrange the visit – the Reverend Dorothy Stewart had gracefully invited me to join members of the community and herself, one wild and windy Wednesday.
Steel frame and shuttered concrete with dark red brick walls in stretcher bond, and slate roofs.
Church of 1966 with attached hall of 1971, both designed by architect George Pace. Characterised by asymmetric arrangement of roofs, exposed structure and juxtaposition of materials, this is a complete and largely unaltered example of Pace’s work. The asphalt roof and windows are in very poor condition. Repair works to the roof were carried out in 2016 with funding from the National Lottery Heritage Fund’s former Grants for Places of Worship scheme.
The exterior is stark and angular, the body of the church is a broad rectangle with no division between nave and chancel, with a bell tower to the east, vestries to the north-west and a chapel to the west. At the western end is the church hall, added in 1971. Externally a single asymmetric roof covers the main body of the church, rising at the east end to form a mono-pitch section over the altar area and incorporating the bell tower. There is a porch at the east end of the north side, and a transept with a double pitch roof. To the west is a single storey, flat roof section with an entrance to the north, extending to the transept. West of the main body of the church on the south side is a separate roof, housing a chapel. To the west is the church hall, with a north-south asymmetric roof. All the windows are rectangular, of varying sizes, with plain glass in rectangular leaded lights. Lintels over the doors and the parapet of the flat roofed block are of shuttered concrete, as are the window surrounds.
The body of the church contains Victorian stripped oak bench pews derived from St John’s church in Little Horton, arranged with a central aisle. To the north side is a range of contemporary pews in wood with vertical slatted fronts, in front of the organ, recovered from St. Chrysostom’s Bradford , by Driver and Haigh of Bradford, which is housed in the transept with a matching front of vertical wooden slats.
Let’s take a look.
To the rear is the cylindrical font in white concrete with a wooden lid, set on a raised platform. Suspended above it is a large light fitting in black metal, inscribed around the edges with the words: “This font is erected by relatives and parishioners in memory of/ Beatrice May Parkin, for over forty years a Sunday School teacher and/ worker for St Saviour’s Church, who died 2nd March 1961”.
There is no separate chancel, and the finishes throughout are exposed brick, shuttered concrete and limed oak. The sanctuary area is in the south-east corner and consists of a tall angled purple brick reredos, topped with concrete, and a lower detached, angled purple brick pillar to each side each holding a shelf and incorporating a wooden seat. In front of the central reredos is an integral wooden bench with three backs, and a large black metal cross in the same style as those on the exterior but with more elaboration, fixed to the floor on a raised concrete block. To the fore is the altar table on a low raised platform. The whole is enclosed within an altar rail of iron and wood, open to the centre.
The main roof has exposed wooden trusses supported on concrete pillars and beams, with rafters and purlins also exposed creating a latticework pattern.
The whole interior order is orderly, calm and coherent, a simple consistency of materials and architectural intent.
The solid wood, studded chapel door has the words “I am the Good Shepherd” engraved on it. The chapel has exposed beams and rafters, and an altar to the north with iron and wood altar rail in front. Pews are as in the church. There is a mosaic plaque behind the altar which came from St John’s church in Little Horton.
Beyond to the west is the narthex, with shuttered concrete ceilings pierced by circular skylights, exposed brick walls and doors to the chapel, service rooms and hall.
Such a pleasure to visit such an enchanting church – it was a precious privilege to be welcomed by the congregation, warden and Reverend Dorothy.
Today on my way elsewhere, in search of something or other, I walked into the lobby of the CIS.
I asked permission from the Receptionist to take a few snaps, was referred to the Head of Security, who referred me to the Receptionist, who ‘phoned Paul, who turned out to be Steve, who thought that it would be OK.
So I did – here are those very snaps, my thanks to the cooperative staff of the Cooperative Insurance Society.
But the boozer is now up and running serving cask ale to throngs of first class thirsty customers.
The Yorkshire Brewhouse 1904 ended mid week when we’re normally closed but we were asked to open for a group of very thirsty sailors. We moved on to Reet, another Yorkshire Brewhouse beer and thanks to the football that one has gone too. It’s back to the YBH Faithful Stout once again. I’d come quick and get it while you can.
Once two pubs the Hessle Road Inn was subsumed by the Alexandra. The area was once home to the city’s Jewish Community – the cemetery survives next door.
There are Star of David motifs incorporated into the windows, sympathetic to this local heritage.