Wigan Walk – 2026

It’s been four years since our 2022 Wigan Walk – so time to see if there has been a refreshing change.

Beginning with a trip to the former flicks, the Princes Cinema now trading as Pure nightclub, sometimes home to Singo Bingo.

Originally the site of New Princes Theatre, opened on the 1st May 1911, the cinema was demolished and replaced, on an adjacent plot, by Princes Cinema in 1933.

Onward now to see the three Telephone Exchanges.

Interwar

Sixties

Ofd special note the adjacent Electrical Substation of the day.

Plus extra added military history.

Seventies

Tucked in behind the Telephone Exchange are several streets of Edwardian social housing – the Spring Gardens Scheme of 1905.

The property is practically paying its way, and all the present generation has to find is a small sum of ninety odd pounds for sinking funds. For this we get fifty-nine families decently housed, the rateable value of the town increased, a slum abolished, an eyesore removed, the health of the inhabitants remarkably improved, their environment made clean, refined, and elevating, whilst our successors in 1959 will inherit an unencumbered estate.

Municipal Dreams

Next to the Wigan Post Office Sorting Office 1959.

Next we take a look at the Bus Station.

Wigan’s original bus station was on Market Square.

Image Wigan World

It was demolished in 1985 as part of a wider redevelopment of the town centre to make way for the Galleries Shopping Centre. A new bus station, built at a cost of £2.3 million, began construction in April 1986, and opened in November 1987.

Wikipedia

Transport for Greater Manchester commissioned Austin-Smith:Lord to design a replacement nineteen stand £15.7m bus station in Wigan Town Centre, the project was completed in October 2018.

Construction images – Bee Network.

Around the corner to the Wigan & Leigh College.

The original building of 1954 by Howard V Lobb G Grenfell Bains & Hargreaves, with later extension.

There have been several phases of redevelopment and new build in recent years.

This block of the Technical School has been demolished since my last visit.

Thomas Linacre Technical School for Boys mural 1954.

Image – RIBA pix

Across the road the former Grammar School.

Wigan Grammar School was founded in 1597 and closed in 1972, as part of the comprehensive education movement.

It then became Mesnes High School, and subsequently Wigan College’s Mesnes Building in 1989. 

Since 2003, it has been known as the Thomas Linacre Centre and is an out-patient department for the Wrightington Wigan and Leigh NHS Trust.

It was designated a Grade II listed building in 1997.

Architect: A E Munby

DJ Russ Winstanley was a former pupil, here he is in 1975 at the Wigan Casino holding up a copy of Footsee by Wigan’s Chosen Few b/w Seven Days Too Long by Chuck Wood.

On Millgate we find the former Wigan Civic Centre.

Once it was all boarded up with nowhere to go.

Subsequently resuscitated by Capital&Centric.

Across the way the new Library and Life Centre by Astudio and LCE Architects.

Down the road is the recently refurbished Leisure Centre.

Built on the site of the International Swimming Pool – opened 1968 demolished 2010.

Across the way to Scholes Comprehensive Development 1964

Five thirteen-storey tower blocks adjacent to Douglas House in Scholes were approved in 1964. Lower-rise housing and flats spread to the east. In 1968, a further 13-storey block, Boyswell House, was built at this eastern end of the Scholes Comprehensive Development Area. Almost 500 slum houses, housing 566 families, were demolished that same year and 581 new council homes completed.

Municipal Dreams

Image – Tower Block 1987

Next to the Roger Booth cop shop that became a Premier Inn.

A super-comfy bed, blackout curtains, a powerful shower and free Wi-Fi – our double rooms have everything you’ll need for a great night’s sleep.

Next door the Wigan & Leigh Courthouse 1992 Wigan MBC Architect.

Relief figure of justice by Christine Ward.

Onward to Brocol House – currently home to the Job Centre

Image – Wigan Peers

Originally built for the Inland Revenue one the site of the Brewers Arms – has the welcoming charm shared by the majority of Ministry of Works buildings of the period.

Nearly done – up the road to the County Playhouse.

Which masquerades as Ibiza.

The club’s atmosphere is defined by thumping music and a vibrant crowd eager to dance and celebrate. Its modern interior design complements the lively ambience, creating an inviting space for locals and visitors alike.

Construction began on the County Playhouse in 1916. However, due to a shortage of materials and labour during World War I, it was not completed until 1919.

Finally opened on 22nd December 1919 with The Hun Within – starring Dorothy Gish.

The County Playhouse closed on Sunday 13th November 1966 with Disney’s “The Sword and the Stone”. It was taken over by the Leeds Based Star Cinemas chain and they converted it into Star Bingo and Social Club opened on 24th November 1966.

MAS sales store 1982 – Frank Orrell Photography

The building has since been used as a discount store and Playhouse Club Café. It then became home to the 1,200 capacity Pure Nightclub. In the early-2000’s it became the Ibiza nightclub. The Pure nightclub move into the former Princes Cinema

Cinema Treasures

Time for a swift half in The George to end your tour?

Great for a local pint one of the cheapest in Wigan I believe, slightly rough at times but no fights just real local people who are generally friendly. Proper drinking gaff, and karaoke on certain nights.

Use Your Local

Dolphin Leisure Centre – Poole

Kingland Rd Poole BH15 1TN

Poole Dolphin Leisure Centre offers a modern gym with sixty stations, four pools including a main, teaching and diving pool, plus award-winning swimming and diving lessons. Enjoy casual swims, fitness sessions and a wide range of group classes for all ages. After your workout, relax in our sauna and experience fitness, fun and wellbeing all in one place.

I can’t speak for the facilities, or their general cleanliness, I don’t swim or have much time for leisure.

Walking around looking at things, taking pictures, chatting and such is my lifestyle choice and preoccupation.

So here’s a snapshot of the centre’s exterior, with particular attention paid to the concrete relief.

As an aside the nearby Dolphin Shopping Centre was once known as The Arndale.

In 1957 discussions began about creating a covered in shopping centre in the heart of Poole town centre, in a similar vein to those popular at the time in America. In 1963 property developers were invited by Poole Corporation to present schemes to develop this shopping centre as part of a redevelopment of the town.

The winning scheme was for a two million pound redevelopment by the Arndale Property Trust on land at High Street, Seldown Lane and Kingland Road] known as the Ladies Walking Field. One of the main reasons Arndale won was that their proposal incorporated a fully enclosed shopping centre. The scheme was to be designed by Leslie Jones and Partners in association with Geoffrey Hopkinson; Poole Borough Architect and Chief Planning Officer, the structural engineers were to be Bowden Sillett and Partners and the main contractors were to be Sir Lindsay Parkinson and Company.

The transformation of Poole Town Centre started in June 1966 when work began on a new road layout and construction of the shopping centre commenced in March 1967 when the then Mayor of Poole, Alderman Ron Hart, dug the first turf.

Bournemouth Echo

In 1989 an eight million pound refurbishment programme was carried out on the centre, which emerged with a new name ; The Dolphin Shopping Centre.

In February 2025, reinforced autoclaved aerated concrete RAAC was found at the shopping centre. The final Beales department store in the UK will close at the end of May 2025.

Wikipedia

To ensure the shopping centre remains popular and well occupied, the owner LGIM Real Assets is investing in the redevelopment of the internal malls and various retail buildings within the site. Designed by tp bennett, a programme of refurbishment is underway with the aim of delivering a more exciting and modern retail experience to help attract shoppers and retailers. The scheme includes new stores for H&M, New Look and JD Sports as well a new mixed-use leisure development, with a multiplex cinema, restaurants and a refreshed public realm.

It will be a huge transformation and there is a real local desire for it.

Says tp bennett’s James Painter. 

Part of wider improvement works in Poole, it is hoped that this major investment will enhance the customer experience, and reinforce the centre as a popular, family-friendly retail and entertainment destination.

Barclays House – Poole

Barclays House 1 Wimborne Road 

Photo 2012 – Peter Holmes

Barclays House was constructed by Barclays bank from 1972 to 1975 as part of a move to decentralise its offices from London.

The structure, was designed in the Brutalist style by architects Wilson, Mason and Partners. It consists of three main wings, each octagonal in plan, and dominates the town centre skyline.

Barclays first occupied the office in January 1976. The building’s basement is below sea level and is often flooded or damp, which prevented its use by the bank for storage. The structure has also sunk over time due to its significant mass

Barclays left the site in January 2022 and put the structure up for sale by sealed bid auction. The highest bidder was Bournemouth, Christchurch and Poole Council but they withdrew from the purchase in September 2022.

BCP offered £17 million, almost three times more than the next highest bidder, thought to be Fortitudo at £6.5 million, who wanted to demolish the structure and build three apartment towers.

In February 2023, boarding was put up around the building and the Bournemouth Daily Echo reported that a new buyer had been found. In November 2023, proposals for redevelopment to residential use were announced, 362 flats are proposed for the building.

Wikipedia

The main reception 28th January 1976.

Historic England

Photos 26th March 2025 – AD Coastalmedia

Town hall planner Gareth Ball has given the go-ahead for VCRE Four Poole Limited to convert the historic building into a 362-bedroom apartment block. 

No parking spaces will be available for the future residents, as noted by BCP case officer Mr Ball as being in accordance with the council’s rules. Instead, the development will come with 488 cycle spaces – or one space for every resident. The scheme will feature a gym, communal workspace, squash courts, a games room with table tennis, pool, video games, surfboard storage and a rooftop garden.

Barclays House was bought last year for £5.3 million, according to documents. 

Bournemouth Echo

Here are the photographs I took in May 2026 – incorporating the multi storey car park.

But what of the future?

This recent ARC project involves transforming the former Barclays building in Poole into 362 modern residential flats while preserving the existing building’s façade. This project focuses on revitalising a heritage landmark by repurposing it with innovative designs that offer easy access to public transport, exceed space standards for comfort and practicality, and create a strong sense of community through shared internal and external amenities.

Hamtun Street Mural – Southampton

The large and colourful mural in Hamtun Street in Southampton’s Old Town charts the history of the city from Roman Clausentum and Saxon Hamwic, to the modern docks and football.

Created in 1978 by influential artists Henry and Joyce Collins,

The mural was commissioned by Sainsbury’s to decorate the façade of their supermarket in Lordshill, Southampton.

The 19m long and 3m high mural consists of thirty seven concrete and glass mosaic panels depicting landmark buildings and iconicevents from Southampton’s history. 

Thanks to a grant from the Heritage Lottery Fund, the mural was cleaned and restored by ceramic artist Oliver Budd.

Artist and conservator Oliver Budd creates and restores mosaics for public and private commissions. Budd Mosaics was set up in 1960 by Kenneth Budd, a contemporary of Henry and Joyce Collins. Kenneth invented the technique of prefabricating mosaics in the studio on aluminium mesh panels.

By July 2011 it was installed at Hamtun Street in the heart of the Old Town.

Tudor House and Garden

Here it is with Castle House in the background.

Southampton Mural 2013.

A cross-section of the local community helped create a new mural depicting contemporary Southampton. The design was inspired by ideas from young people at Prince’s Trust, residents of Ironside Court, parents from St. John’s School and local people who attended mosaic workshops led by artist Joanna Dewfall.

Joanna Dewfall’s design captures the city’s iconic buildings, maritime industry and present-day life. The border, made during mosaic workshops, contains themes from past and present celebrating Southampton’s cultural diversity.

The new mural is located on Castle Way, round the corner from the Hamtun Street Mural.

My first encounter with the work of Henry and Joyce Collins, was on the side of the former BHS in Stockport.

I have subsequently visited their work in Bexhill on Sea.

Newcastle upon Tyne

And Cwmbran.

Warrington Walk

It’s a sunny day in May and we begin at Warrington Bank Quay station.

The first Warrington Bank Quay station opened on 4 July 1837.

The station was rebuilt when the line was electrified in 1973, a new power signal box covering an extended area was built east of the station for the electrification.

In 2009 a new entrance hall was completed, with a travel centre/ticket office and a shop.

The buffet on the London bound platforms was modernised.

Wikipedia

The station was once operated on a split level.

Next onwards to the Pyramid Arts extension 2002, a reworking by Studio BAAD of the former County Court and Inland Revenue Offices 1897-8 by Sir Henry Tanner.

Studio BAAD Ltd started winding up proceedings for a Creditors Voluntary Liquidation in April 2021 and the company was dissolved on 21 July 2021

The centre is currently closed – work began on the redevelopment, which has been funded by a £5 million grant from the Government, in July 2024.

The project aims to make the building more modern, accessible and fit for the future.

The redevelopment includes the addition of a new café and bar area while the Exhibition Hall will become a bigger capacity venue.

Across the way the Masonic Hall 1932-33 Albert Warburton.

Further along to Hilden House a former Department of Works and Pension building, currently undergoing a transformation into a residential block.

The £18m office to residential reset of the 52,400 sq ft building will offer a mix of one- and two-bedroom apartments in plans now approved by the local authority.

Caro Developments, working in tandem with architect Falconer Chester Hall, hopes to start construction later this year.

According to a planning statement submitted on the developer’s behalf by Savills, once complete, the five-storey block will offer residents a concierge service, a gym and wellness facility, a resident’s lounge, and a co-working area.

Place North West 2025

Way out of period but a notable Warrington landmark are the Golden Gates designed in 1862.

The gates were made for the International Exhibition of 1862, and then intended for Queen Victoria’s Sandringham home in Norfolk. Coalbrookdale found it hard to find a buyer for such grand gates, so Frederick Monks, one of the town’s earliest councillors, was able to buy and bring them to Warrington to stand at the front of the town hall lawn.  Monks also presented the cast iron Cromwell statue, designed by John Bell, to Warrington in 1899.

Warrington Gov

The Golden Gates are Grade II* Listed, along with the gate piers and the lamps which line the driveways at either side of the town hall

Up the road now to the Soap Works – first views from across the railway tracks.

Then over the bridge.

Joseph Crosfield was born in Warrington, the fourth son of George Crosfield and his wife Ann née Key. In 1814, Joseph’s apprenticeship having finished, at the age of 21 he decided to establish his own soap making business in Warrington.

In 1911 the company was purchased by Brunner, Mond & Company and 1919 it was absorbed into Lever Brothers. From 1929 Crosfield was a subsidiary of Unilever. In 1997 its Warrington speciality chemicals division that made ingredients for detergents and toothpastes was acquired by ICI and in 2001, Ineos Capital purchased the company. The name Crosfield was finally lost as it was renamed Ineos Silicas. In 2008 Ineos Silicas was merged with PQ Corporation, with the new company retaining the name of PQ Corporation.

Wikipedia

The Crosfield’s factory closed for good in October 2020.

Dante FS Group formally acquired four acres of the site this month for an undisclosed fee from EcoVyst.

The latter firm will continue to operate from sections of the site, as will PQ Corporation, with Dante buying land closest to the train station, including the visible blue buildings and white Unilever tanks.

Renamed Platform at Bank Quay, the ‘next-generation, state-of-the-art modular data centre’ is ‘set to power the UK’s growing AI economy’ and bring high-tech jobs to the town.

Warrington Guardian

Across the way the Scared Heart RC Church 1894 Sinnott Sinnott and Powell.

Listed Grade II

We now approach the Pink Eye roundabout where we may view the Pink Eye Silo.

Middle right this Aero Photo of 1928 shows a much larger mill complex.

Also the site of an older bridge – later replaced by a pipe carrying structure.

We then follow the riverside green line path twixt Soap works and Mersey, heading toward the Transporter Bridge.

The route explained by the indispensable Friends of the Warrington Transporter Bridge.

Warrington Transporter Bridge aka Bank Quay Transporter Bridge or Crosfield’s Transporter Bridge across the River Mersey is a structural steel transporter bridge with a span of 200 feet.

It is 30 feet wide and 76 feet above high water level, with an overall length of 339 feet.

It was commissioned in 1916 and, although it has been out of use since about 1964, it is still standing. It was designed by William Henry Hunter and built by William Arrol and Co.

The Transporter Bridge was built to despatch finished product from the cement plant that had been built on the peninsula. It was originally designed to carry rail vehicles up to eighteen tons loaded weight.

The bridge was converted for road vehicles in 1940, and was certified to carry loads of up to thirty tons in 1953.

FOTWTB

This was my first visit in 2017 – recorded on Modern Mooch.

Highlight on any day out anywhere is the discovery of arcane British Rail typography.

There’s a brief history of Freightliner history right here.

Back now to Bank Quay and off to the Telephone Exchange.

This is the 1969 building designed by the MODBW, Reginald Norman Dixon with lead architect P Clinton.

Linked to the 1955 building designed by John Onslow Stevens.

Biggest thanks to Lisa Kinch who can be found over on Instagram, for all her informative research into telephone exchanges.

Toward the town centre and we pass the Bold Street Methodists Church – 1973-75.

Currently closed and for sale.

Thence to the Block 1 nightclub.

Medicine night club early 2000s.

Originally a Tetley’s house named The Woolpack.

Got served my first pint in there, I was only 14.

Karl Beckett

Coming down those stairs, I slipped and the heel came off my boot, I’d only had one drink – loved those boots.

Sue Duncan

This was the original Woolpack on the site.

Much of the town centre is dominated by the Golden Square shopping centre.

Designed in 1974 by Ardin and Brookes and Partners, since enlarged.

There is also extensive pedestrianisation and hard landscaping on the surrounding streets, carried out in 2002 by Landscape Design Associates with sculptural works by Howard Ben Tre.

Finally to the Bus Station which used to look like this:

Until it became an Interchange and looks a lot like this.

Warrington’s new bus interchange was opened on 21 August 2006. From 1979, bus users travelled from a facility on Golborne Street, but it was very unpopular due to its very dreary appearance. 

On The Buses.

Though the final word must go to an absent friend.

Where once the New Town House stood.

Built in 1976 to house the Warrington & Runcorn Development Corporation.

Visited by myself the Modern Mooch in 2021

Nobody actually likes brutalist buildings. 

They just pretend to like them to make themselves look cool, it’s like craft beer and food that comes in tiny portions.

William Mitchell Liverpool

Walking the streets of Liverpool?

Time on your hands wondering what to do?

Take a look at the work of William Mitchell!

Sculptor and designer, born in London 1925, where he continued to live. Studied at Southern College of Art in Portsmouth, at Royal College of Art and at British School in Rome; was an Abbey Award-winner. Went on to lecture widely and was a member of the design advisory board, Hammersmith College of Art and Trent Polytechnic. Also did work for Concrete Society and completed a frieze for Swiss Cottage Library.

artuk.org

First stop is 29 Hope street – where we have been before – william-mitchell-liverpool.

Federation House – 1965-66 Gilling Dodd & Partners

Originally home to the National Federation of Building Employees Investments.

Now how in part to The Shandon Bells – named for the chimes of St. Anne’s Church in Cork.

The church is noted for its eight bells, immortalised in the song The Bells of Shandon by Francis Sylvester Mahony. The largest weighs a little over one and a half tons and was originally cast by Abel Rudhall of Gloucester.

They first rang on 7 December 1752.

Church of_St_Anne Shandon

Curiously for an Irish themed pseudo-pub the exterior fascia is modelled on the Design Research Unit’s Watneys identity.

Here are some interiors of the then Coffee Moose from 2022

Next we’re off to liverpool-metropolitan-cathedral-of-christ-the-king.

The cathedral’s architect, Frederick Gibberd, was the winner of a worldwide design competition.

Construction began in 1962 and was completed in 1967.

William Mitchell designed the concrete relief below the bell, two front and two side doors.

Before the fire.

A woman has been charged with arson following a fire at a cathedral.

The blaze damaged doors and the gallery at Liverpool Metropolitan Cathedral on Mount Pleasant in the early hours of 29 May 2022.

A 35-year-old woman was charged with arson and possession of a controlled drug and remanded in custody, Merseyside Police said. 

The blaze did not enter the main part of the cathedral but caused smoke damage inside the building. 

There were no injuries in the fire.

BBC

Rendall Building – University of Liverpool

Rendall Building by Bryan & Norman Westwood, Piet & Partners 1964-6

Named after Gerald Henry Rendall who was an English educator and college administrator.

He was principal of University College Liverpool.

We have been here before at liverpool-university, exploring the space betwixt and between the two cathedrals.

On this occasion, I wish to draw attention to this relatively small but perfectly formed building – #432 on your maps.

Westwood, Piet & Partners were well-known architects during the post-war period in Britain and built a body of varied work including army barracks, retail and theatre design. An example of their work is the Congress Theatre in Eastbourne – Grade II* listed.

Photo Theolimeister

Originally built to accommodate the arts library and lecture rooms on the south campus as the University grew to accommodate larger numbers of students.

The current use as lecture and seminar rooms maintains the building’s use as a key learning space on campus.

Located in an area of the southern campus where Westwood, Piet & Partners designed four blocks resulting in a group which Pevsner described as the

Most coherent and satisfying part of the precinct. The massing and materiality of the external is complementary and respectful to the surrounding Georgian buildings.

Sculptural concrete panels above a brick base.

Between the concrete is ‘dalle de verre’ stained glass by Gillian Rees-Thomas.

she was also responsible for the side chapel windows at St Mark’s Broomhill Sheffield.

The courtyard contains a sculpture by Mitzi Solomon CunliffeThe Quickening previously located behind the School of Architecture.

Somebody at the University of Liverpool saw Mitzi’s work at the Festival of Britain and took note. She was immediately commissioned to create three items for the University: a public sculpture to go in the courtyard of the School of Civic Design’s new building, a decorative sculpture for the inside the building and the handles for its front-door.

The public sculpture, is in the form of a hand gently holding a dove. It stood in its original position for sixty-nine years until sent away for conservation and then relocated across campus in 2020, to outside the Rendall Building.

The other sculpture that Mitzi created for the building is easily the spikiest thing in our art collection. ‘Loosestrife’ is a number of tentacle-like arms that intertwine and project outwards. For many it looks like an assemblage of golden deer antlers but it may be based on spires of the flower called loosestrife.

Currently on display in the Victoria Gallery & Museum

‘Loosestrife’ had been recorded on its arrival as being made of bronze and had turned completely black over the years, probably because it was hung in an area where students smoked back in the day. When it was removed from the School of Civic Design building in 2018 and sent for cleaning, it was revealed to actually be made of brass. It is very heavy and takes four technicians with lifting gear to hang it for display.

mitzi-cunliffe-behind-the-mask

Mitzi was also responsible for the door handles across the way at the School of Civic Design.

Cardiff University

Sir Martin Evans and Tower Buildings

Lead architect Ivan Dale Owen of Sir Percy Thomas & Partners also responsible for the site’s 1960 masterplanning.

He then spent over a year working for Walter Gropius’s practice, The Architects Collaborative, in Cambridge, Massachusetts.He returned to Britain, where he became a senior architect/planner with William Holford & Partners in London, where he worked on plans for the reconstruction of London after the war.

He returned to Wales with health problems and in 1958 was hired by Percy Thomas & Son as an associate in their Cardiff office. By 1964, Percy Thomas & Son had become Sir Percy Thomas & Partners and Owen had become a partner. He changed the philosophy of the practice, transforming it with a contemporary modernist style.

Wikipedia

1970 Internet Archive

We have previously encountered his work at both Aberystwyth, Bangor and Swansea Universities.

Rio Architects worked with Cardiff University designing visually attractive, innovative and cost-effective buildings. The Rio team are enthusiastic and dedicated, taking time to meet the client Departments at all stages of the project to ensure that an informed and good working relationship is developed and maintained the innovative design of the new podium development for the School of Bioscience incorporates hexagonal shaped glass panels was developed in conjunction with Solaglas.

Ian Lomer

Director of Estates Development, Cardiff University

Arts and Social Studies Library designed by Faulkner-Brown Hendy Watkinson Stonor 1976

RIBA pix Josephine Reid

Music Department 1971 Alex Gordon Partnership.

RIBA pix Stanley Travers

Three Obliques – Walk In is a 1968 sculpture by Barbara Hepworth. Three casts exist; two are in private collections and a third is displayed outside the Cardiff University School of Music.

It is cast in bronze on a monumental scale.

Wikipedia

University of York – Fred Millett Reliefs

Having previously posted a history of the University of York’s Modernist architecture – here’s further information regarding Fred Millett’s concrete reliefs.

Fred Millett 1920–1980 was an English muralist, poster artist, and teacher at the Polytechnic of Central London. A number of his surviving works were commissioned by large British institutions including London Transport, London County Council and National Westminster Bank. The University of York commissioned Millett to create over 20 concrete relief panels that were to be integrated within the modular architecture of the Derwent and Langwith Colleges.

Millett’s panels created a cohesive group of works while also being distinctly different from one another due to the use of a variety of textures, geometric shapes and negative space. Larger, more detailed works follow the main covered walkways through Derwent College leading to Heslington Hall.

Under construction in November 1964. Photo: © Borthwick Institute for Archives:

Smaller, less detailed works were placed near accommodation blocks and laundry rooms which suggest that they were intended for the individual enjoyment of the students who live within the College rather than a university-wide viewing experience.

In a 1973 interview, Sir Andrew Derbyshire, who was the first project architect for the university, lamented that the project could not afford better finishes for the CLASP panels – such as adding white marble aggregate – but he did appreciate their appearance in bright sunlight or when they “glisten[ed] in the pouring rain.” Asked about the integration of the Millett sculptures to enliven the panels, he stated: “Yes. Well, that was an attempt. I would have liked it to have gone a bit further than that.” 

Written by Molly Bunter

This was my first visit to the campus, and having discovered the first of the reliefs, I cantered around from block to block, like a giddy one penny child in a seaside arcade – wondering where to look next.

Modern Mooch is saturated with set concrete here is a link to untold riches.

Harold Gosney – York Art Gallery

On Wednesday 4th January, I visited York Art Gallery.

I took a look at the pots and the paintings, ending with a stroll around the sculptures of Howard Gosney.

Having previously encountered his work at the Abbey Walk car park Grimsby in 2019.

Visiting again in 2025 prior to demolition.

Photo BBC

The Grimsby, Cleethorpes and District Civic Society has been campaigning to save the Harold Gosney reliefs on the 1960s Abbey Walk car park, which closed in May 2024 after North East Lincolnshire Council said it discovered structural defects. 

The authority has already taken 3D scans of the art and in an update said plans were in place to try and save one of each of the four designs, which are repeated on the building’s columns.

If they can be saved, the artwork would be put into storage until a new home is found, the council added.

January 2026

There are also works by Harold by the entrance to the Grimsby Central Library

And the Grim and Havelok themed copper relief on the side of Wilko store in Old Market Place.

All these works were first encountered on my Grimsby Walk for the modernist.

I was delighted to find that Harold himself was visiting the gallery with friends.

I stopped to chat and take a snap – thanking him for all his wonderful work and congratulating him on his excellent show.

Here is what I done seen.

Harold Gosney: Materials and Making
15 November 2025 – 28 June 2026
Included in general admission | Book now

Titled ‘Materials and Making’, this exhibition is a celebration of the work of renowned Yorkshire sculptor and artist, Harold Gosney – born 1937, who has spent over 65 years creating mixed media art pieces. 

The exhibition explores Gosney’s expert experimentation with various types of wood and metal throughout his career andconsiders the importance of drawing to his artistic practice. Materials and Making looks at how Gosney draws inspiration from his immediate environment and lived experiences, with horses, the human figure and music emerging as particularly influential subjects.

Featuring over 45 works, highlights include his striking ‘Four Horsemen of the Apocalypse’, crafted from copper and Perspex, the emotive ‘Father and Son, Bam’, his ‘Jazzman’, expertly carved from a single block of sycamore wood, and a trio of drawings depicting views of the nearby York Museum Gardens.

University of York – History

Though plans for a university in York first appeared as early as 1617, it would be over three centuries before they came to fruition. In 1960, permission was finally granted for the University of York to be built, marking the beginning of our journey.

Before the Second World War, Heslington was a quiet rural retreat with a local aristocracy, and a working agricultural village.

Fresh, young, forward-looking and enthusiastic, the University of York was known for its friendly atmosphere before it even opened its doors.

Planning and building the University happened with astonishing speed. In April 1960 the Government approved the establishment and less than three years, on 9 October 1963, the first students walked through the gates of Heslington Hall.

In the 1970s, college social life began to blossom.

Central Hall was the venue for The Who, The Kinks, Fairport Convention, John Martyn, Ian Dury and the Blockheads, Hot Chocolate, Humphrey Littleton, Acker Bilk, Paul Tortelier, Julian Bream, John Williams and others.

Paul and Linda McCartney appeared one day out of the blue with their new band Wings and performed a concert in Goodricke College Dining Room.

The beginning of the 1980s came with significant challenges for the University. 

The decade saw the start of cuts across higher education. Staff were exhorted to make economies including turning down their thermostats, recycling, and making telephone calls as short as possible. There was also a fire in the Department of Chemistry. 

In 1990, the Vice-Chancellor, Berrick Saul, recounted to court that York had been described by a senior member of the Universities Funding Council as “a well-run university with a relatively low profile.”

What a difference a decade makes.

By the end of the 1990s, York was dominating national league tables for research and teaching and was receiving international press coverage for achievement across the disciplines.

University Chancellor Dame Janet Baker at the opening of the University’s Baby Unit, October 1994 – York Digital Library

The 90s was characterised by advancement and recognition. York remained a popular choice among prospective students growing from 4,300 to 8,500 students without compromising its high entry standards. As the Sunday Times pointed out, “elitism does not appear to be the price of excellence at York”. York was one of only very few universities whose entry from state schools and colleges (around 80 per cent) was the same as the proportion of A-level students in the state system.

The introduction of official quality assessments and the proliferation of newspaper league tables saw the University’s stock rocket. After years of academic advancement, York began to get the recognition it deserved. National recognition attracted additional funding and investment. Research grants rose to over £20m per annum, and the University enjoyed one of the highest incomes per researcher in the higher education sector.

The Sir Jack Lyons Music Research Centre is opened by Roger Wright, controller of BBC Radio 3, 2004

The planning for Heslington East began in earnest in 2002 with the arrival of Brian Cantor as Vice-Chancellor. It took years of master-planning, liaison with interest groups, negotiations with land-owners and local communities, an 8-hour city planning meeting and a Public Inquiry to achieve the purchase of land and complex planning permissions for a site equal to the size of the original Heslington West campus. In 2009, the new Goodricke College opened as the first building on Heslington East.

At the time of the 40th anniversary in 2003, we wrote about Heslington East:

It will be everything that the designers of the original campus hoped for – integrated, landscaped and traffic-free, with a large expanse of water, and a very eager populace.

On 25th November 2010, we were named “University of the Year” at the Times Higher Education Awards, achieving praise from the judges for our “success in combining academic excellence with social inclusion, as well as its record in scientific discovery”.

The development of Campus East continued throughout the decade, with four new sites to accommodate academic departments and a variety of support and social buildings, including the Ron Cooke Hub and York Sports Village.

Campus West also saw much expansion and redevelopment during the 2010s, with the opening of the £13.8m Spring Lane Learning and Teaching Building and £16m Biology teaching and laboratory facility in 2016.

York History

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Founded in 1956 by architects Robert Matthew and Stirrat Johnson-Marshall, RMJM’s first offices were based in London and Edinburgh.

RMJM is now one of the largest architecture and design networks in the world. Services include architecture, development management, engineering, interior design, landscape design, lead consultancy, master planning, product design, specialist advisory services, and urban design

Wikipedia

Langwith College 1965 – photo Reginald Hugo de Burgh Galwey

Constructed using the Consortium of Local Authorities Special Programme – CLASP system, formed in 1957 by Local Authorities in England to develop a shared prefabricated system for the construction of school buildings. The resulting CLASP building system was initially developed by Charles Herbert Aslin, the county architect for Hertfordshire.

CLASP’s popularity in coal mining areas was in part because the system permitted fairly straightforward replacement of subsidence-damaged sections of building, and the lightness of the structures. The system was also later used for the construction of railway stations, offices, university buildings, and churches until the late 1970s.

Today, 3000 examples are still in use.

Photo – Keith Gibson 1965

The system utilised prefabricated light gauge steel frames which could be built economically up to a maximum of four storeys. The frames were finished in a variety of claddings and their modular nature could be employed to produce architecturally satisfying buildings. Initially developed solely for schools, the system was also used to provide offices and housing.

The cynics’ definition of the CLASP acronym, circulating in the 1970s, was:

collection of loosely assembled steel parts.

CLASP buildings fell out of favour in the late 1970s. Budgetary advances and changing architectural tastes made the scheme obsolete.

Wikipedia

Upper Level reading rooms Langwith College.

Walkway Derwent College with concrete relief by Fred Millett 1965

Photos 1965 Bill Toomey

Fred Millett 1920–1980 was a muralist and poster artist who exhibited at the Festival of Britain and was commissioned by London Transport, National Westminster Bank, University of York and the General Post Office. He also taught Perception and Communication at the Polytechnic of Central London.

Fred Millett – Sculpted Wall Raglan Estate Camden 1965


Originally part of the children’s playground, the work is a feature of a post war estate designed by Frank Scarlett in Kentish Town

Modernism in Metroland

Fred Millett – London Transport 1968

Covered walkway Derwent College.

Photo 1965 Reginald Hugo de Burgh Galwey

JB Morrell Library seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright.

Austin Wright 1911-1997 is a significant post-war sculptor whose personal and professional lives were deeply intertwined with the city of York. 

He was born on 4th June 1911 in Chester but spent his childhood in Cardiff. Though a largely self-taught artist, Austin took evening classes at Cardiff Art School. Austin attended New College, University of Oxford for his degree in Modern Languages before he started his teacher training. His first job as a teacher started in 1934 at The Downs, Malvern in Worcestershire. The school attracted artistic people. W.H. Auden taught English for example, and the art master organised a Dada exhibition one year. Here, Austin taught painting and sculpture as well as French and German.

York Civic Trust

Photo 1968 Keith Gibson

Library central stairway and lift shaft.

Covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Central Hall

Colloquially known as The Spaceship designed by John Speight, constructed in 1966–1968. The hall is seen as a tour de force of the university, appearing on merchandise and often used as a background for university publicity.

Wikipedia

It is Grade II listed.

Central lecture and recreation hall to the University of York, 1966-1968 by Robert Matthew, Johnson-Marshall & Partners with Stirrat Johnson-Marshall and Andrew Derbyshire as partners in charge, and John Speight as job architect.

* it forms part of a wave of seven new universities that improved access to higher education and marked the high point of publicly-funded architecture in post-war Britain;

* it is a physical manifestation of the University of York Development Plan, which was heralded as the beginning of contemporary university planning in Britain; 

* it continues a historic tradition established by late-C19/early-C20 ‘red brick’ universities of featuring a great hall for special events.

* it has an imaginative and bold design with a striking architectural form and massing that is the focus of the most dramatic views across the campus lake;

Photo 1968 Keith Gibson

Photo University of York

Concrete Linkbridge.

David Brown Laboratories the fluestack and water tower rising above the laboratory blocks.

Fluestack – extant.

Water Tower – demolished


Archive photographs RIBA pix.

Further information can be found here.

Squires Gate to Blackpool Pleasure Beach

On Wednesday 21st January, I boarded the 9.33 for Blackpool from Platform 14 Manchester Piccadilly station.

10.35 the train terminated at Preston – thus far and no further.

Thinking on my feet, I legged it rapido to Preston Bus Station and just about caught the 68 bus to Blackpool.

Already an hour or two behind time I elected to alight at Squires Gate, and take a walk along the South Promenade toward the town centre.

The promenade is home to a plethora of public art works and sculptural shelters.

The Great Promenade Show originated from the major redevelopment undertaken by the then Department for Environment, Food and Rural Affairs to replace and strengthen the 2km long South Promenade’s seawall flood defences. This £20 million project entailed removing the existing Victorian promenade and replacing it with a new well-designed concrete promenade on two levels. The upper level was to incorporate ’roundels’ every hundred metres, on which it was intended to site specially designed features, including wind shelters and visual displays possibly representative of the history of Blackpool. A Millennium Lottery bid was made by the Council to this end, though a commitment to start building had to be made before the outcome of the bid was known. The bid was unsuccessful, but the sites for visual features along the new promenade remained, as did the Council’s commitment to occupying them. At this point, responsibility for managing the project shifted from the Council’s Technical Services Department to its Education, Leisure and Cultural Services Division.

Public Art Online

The Frankenstein Project by Tony Stallard

Like a sinister exhibit in one of Blackpool ‘s Victorian freak shows, the skeleton of a killer whale made from pulsating dark blue neon can be viewed through portholes within a metal tank like a decompression chamber.

The work was subsequently removed.

The structure has been on display for the public to enjoy for over 15 years and was deemed unsightly due to corrosion, which is why the decision was taken to remove it. PTSG Building Access Specialists Ltd planned the decommissioning and contract crane lift from start to completion.

PTSG

Water Wings by Bruce Williams

Designed to be viewed in motion from the adjacent tram track and road, the photographic image of a swimming child laser cut into an 8m long curved stainless steel screen gradually resolves and disappears again as the viewer moves past.

Glam Rocks by Peter Freeman

Inspired by Las Vegas and the Blackpool Illuminations, three large pebble-like modelled shapes glitter after dark, as hundreds of fibre optic light points on their surface slowly change colour and sparkle.

They Shoot Horses, Don’t They? by Michael Trainor and The Art Department

Blackpool is known as the “ballroom capital of Britain”. This rotating ball 6m in diameter, covered in almost 47,000 mirrors, has been claimed as the world’s largest mirror ball, and is named after the 1969 film about a depression era ballroom marathon in the USA.

Desire by Chris Knight

An abstract sculpture 8m high, contrasting rusty corten steel with shiny stainless steel spikes, inspired by the town’s reputation as a destination for ‘dirty weekends’, and its hidden ‘fetish scene’. It casts the shadow of a spiky heart on the promenade.

Swivelling Wind Shelters by Ian McChesney with Atelier One

Three 8m high, stainless steel shelters turn like weather vanes, keeping their occupants away from the prevailing wind. Designed by architect Ian McChesney, in collaboration with engineers Atelier One, the graceful sculptural form of the shelters, shaped like whales’ flukes, is structured like an aircraft wing, vibrating in strong gusts of wind.

Sandcastle the UK’s largest indoor water park.

Sandcastle opened on 26 June 1986 on the site of the former South Shore Open Air Baths as a joint public/private partnership. Operation of the facility was taken back into Blackpool Council ownership in 2003. A significant investment in new attractions costing £5.5M was also agreed, which was delivered in two phases, with the second opening in 2006 on time and on budget.

In 2012, Sandcastle opened two new Aztec-themed slides, one with a chamber called ‘Aztec Falls’, and a toboggan-like slide called ‘Montazooma’.

Wikipedia

Situated adjacent to the South Pier at Blackpool was the open- air swimming bath. Elliptical in form, it was designed in the renaissance style of architecture, with white ivory terracotta, known as ‘Marmola’. It was said to be the largest and finest of its kind in the world and similar in design to the colosseum of ancient Rome.

Built at a cost of around £70,000, Designed by JC Robinson – Borough Architect, it was officially opened on the 9th June 1923, the same day as the first Blackpool Carnival, by the Mayor of Blackpool, Councillor Henry Brooks. The opening ceremony was followed by a short swimming exhibition in which Blackpool swimmer Lucy Morton took part. The following year Lucy was to win a gold medal in the 1924 Paris Olympics.

Sadly in 1983, following years of neglect and falling attendances, the bath was demolished.

Blackpool CC

Pleasure Beach Casino and Cafe 1937-40

Built to the designs of Joseph Emberton for Leonard Thompson; restored and altered 1972 and 1977-9 by Keith Ingham. Reinforced concrete in the International Modern style. Circular plan, the circle broken by three principal projections marking the main entrance and foyer, the main exit and the main public stairs. The key to the plan were the central kitchens on the ground and first floors, serving (on the former) a number of restaurants and (on the latter) a banqueting room. Kitchens now on first floor only. The result is a sequence of intriguingly curved rooms; originally there was no public access to this inner core area or directly across the building, but this has now been provided. The basement contained stores, a billiard room and sports facilities, now in mixed use. Between ground and first floor is a mezzanine office range, with private flat over. Top floor built as roof garden, provided with a glazed curtain wall in c.1940 by Emberton and largely infilled as an extra floor in 1972. 

Historic England

Charing Cross Station – Glasgow

Dating from 1886, it was originally part of the Glasgow City and District Railway, the first underground railway in Scotland, and as such the station is built below the surface of the surrounding streets. The station was built using the cut and cover method, with the original walls being visible on the open air section at the western end of the platforms.

In 1968 it was demolished due to it being in the path of the new Glasgow Inner Ring Road, and the surface access to the station was moved to its eastern end, with a new surface building constructed as part of the Elmbank Gardens office complex in 1971 – the building was designed by the Richard Seifert & Partners.

Wikipedia

I was there in 2024 to photograph the Charles Anderson mural.

Constructed in situ – one third has now been removed at the northern end

Charles Anderson studied drawing and painting at Glasgow School of Art under David Donaldson, Mary Armour etc, graduating with Diploma in 1959.  The following year he entered  The Royal Scottish Academy painting competition for Post Graduate students and  won the Chalmers Bursary.  Joan Eardley – one of the adjudicators- took a keen interest in his work and encouraged him to exhibit at the RSA the same year. 

Following a period of five years teaching art,  He worked as a professional mural painter and sculptor for the next thirty years on major art and design projects throughout the United Kingdom, carrying out commissions for  a wide variety of clients including local authorities, property developers, banks and major insurance companies.    His most prestigious commission to date was the result of winning a national sculpture competition to provide a  bronze figurative group  which is entitled “The Community”  for Livingston New Town in 1996.  In early 1997  he returned  to the painting of easel pictures and  contributed to the annual exhibitions of The Royal Glasgow Institute, the Royal  Scottish Society  of  Painters in Watercolours, The Royal Scottish Academy and The Paisley Art Institute. He has works in various private collections throughout the U.K. and abroad.

Charles Anderson Art

The £250m transformation of the Charing Cross area of Glasgow has been given the go-ahead.

The project including new homes, student accommodation, hotel space and local services has been approved by Glasgow City Council.

Developers CXG Glasgow also plan to knock down the 300 Bath Street office building, which bridges the M8 motorway.

Further detailed applications will need to go before the council for approval before the Charing Cross Gateway project can begin.

BBC 2024

Ardwick Walk Again

1824

1904

2025

Previously in February 2022 I walked the fair streets of Ardwick.

Three and a bit years on it was time to see what had been coming and going on.

The Central Manchester Primary Substation on Travis Street is still there.

The building was cladded with a COR-TEN® steel envelope, the nature of which was relatively complex.

Corten steel sets itself apart due to the inclusion of unique alloying elements: chromium, nickel, copper and added phosphorous which gives the steel its self-protecting properties.

Architect: Walker Simpson

Immediately adjacent are Platforms Thirteen and Fourteen, bridged over the roadway by this vast concrete construction.

Platform 14 is primitive, I understand totally from an infrastructure standpoint because it’s on a bypass line on a bridge, but it gets too overcrowded and is windswept. The rest of the station is ok. Platforms 13/14 have not changed in 40 years, grim.

We the pass to the former BT Building – architects JW Hammond 1973.

Originally conceived as a hotel, there were no takers at the time, so it became the BT HQ.

Currently Marriot Hotel Piccadilly

Comprising 338 rooms, Manchester Marriott Hotel Piccadilly is near a shopping district, a 10-minute ride from Etihad Stadium. Offering a location right in the centre of a beautiful neighbourhood, this comfortable hotel boasts a lounge bar along with city views.

It is supported on the most magnificent piloti.

Over the road the Holloway Wall 1968 – Grade II listed but its remodelling is in the air.

The developer’s architects now propose to ‘reimagine’ the artwork and incorporate it into the foyer of the new office building. However, this ‘reimagining’ requires large sections of the artwork to be removed by cutting away and ‘folding’ around 30% of the sculpture.

Modernist

The remainder of the UMIST site is also under threat – only the Renold Building is listed and to be retained intact.

Lecture Theatre, along with the Maths and Sciences Building.

Seen here under construction before the arrival of the Mancunian Way extension.

The Mancunian Way extension opened in 1992.

From beneath the roadway we can see the Ferranti Building.

Crossing over to see the Brunswick Estate, built in the Sixties and Seventies and recently refurbished.

S4B is a partnership leading the £106m regeneration of Brunswick, Manchester. The Brunswick Regeneration PFI is a combination of government funding, private investment and expertise that will revitalise Brunswick. Improvements will include council home refurbishments, new homes for sale and to rent and an improved neighbourhood design.

Pro Manchester

Long gone lost estate pub from the estate – King William IV a former Chesters then Whitbread estate pub was built in 1967. Closed in 1996 when it was converted to residential property. It had a brief spell 1991 to 1995 as brewery premises for the Dobbin’s West Coast Brewery, during this period the interior was stripped out to accommodate the brewery paraphernalia.

We take a jog around the block to see the concrete relief that clads the road ramp.

Where there was once a giant Cooperative Store there is now a light industrial and retail estate.

And the Honey Bear Discounter has become Spirit Studios.

And the Barracks has become the Fabric Church.

The Diocese of Manchester has been working in partnership with the Church Revitalisation Trust to open Fabric Church and refurbish the building, following a successful bid to the Church of England’s Strategic Mission and Ministry Investment Board.

We’re excited to be working alongside Fabric Church on the transformation of the Grade II listed former Ardwick Barracks in Manchester. This ambitious refurbishment project will see the historic site reimagined as a vibrant community hub, featuring a new worship hall, community café, offices, meeting spaces, and more.

Hexaconsulting

Alongside Ardwick Green Park there are new housing developments nearing completion.

Ardwick Green combines contemporary design with great light infused spaces, offering stylish homes with a modern twist, private parking, outdoor spaces and a welcoming community atmosphere an urban retreat that truly feels like home.

With the city just moments away, living at Ardwick Green will give homeowners easy access to Manchester City Centre and beyond with its vibrant social scene, bustling business landscape and extensive transport network on your doorstep. 

Step Places

The area is home to a mixed and mongrel bunch of homes.

Though these interwar flats, seen here in 1956, are now long gone.

Within the park is a glacial erratic, which arrived following the Last Glacial Period .

Without which much of what we understand as the modern age would possibly not now exist.

It appears to be green slate from the Lake District, the native underlying rock in this part of Manchester is a red sandstone.

Postcard of 1906

The Apollo of course prevails. – seen here in 1958

Architects: Peter Cummings Alex M Irvine

Opened on 29th August 1938 the interior decorations were carried out by noted interior designers Mollo & Egan with the Holophane lighting designed by R Gillespie Williams.

This Sixties municipal building remains a mystery.

Actor Harry H Corbett visiting his childhood area in 1969, he lived on Earl Street and later in Wythenshawe.

Northern Quarter Car Park – Manchester

Here we am again two years on, following my previous visit.

It seems that you are not long for this world – destined for an ultra elevated multi-storey heaven.

An eyesore Northern Quarter car park is to be demolished to make way for a new development. Four new public squares will be built, the council has announced.

MEN

Glenbrook’s proposal for the 1.5-acre site, designed by Tim Groom Architects, will feature 20% affordable provision, in line with the city council’s aspirations.

The new neighbourhood will also feature four public squares and green spaces, a flexible community and gallery space, and commercial units for local independent businesses and food and beverage outlets.

“The Church St site represents a unique opportunity in the heart of the Northern Quarter, a neighbourhood and community that is alive with energy and creativity, and Glenbrook is delighted to play an important role in its future growth,” said Ian Sherry, director at Glenbrook.

Place North West

In this bang up to the minute computer generated image, it seems that the art work Big Boys Toy will be preserved.

Taken down from its top spot above the Tib Street stairs and service tower.

The remainder, one assumes, descends to the ultra modern land of land fill.

Here’s one that someone made earlier.

Ta-ra my aromatic and neglected old pal.

Other Manchester car parks are available.

Newcastle Walkways

These are the streets in the sky passing between the Central Motorway, Saville Place and Oxford Street.

Streets constrained by infrastructure, a University and doomed leisure provision.

Welcome to Newbridge Hotel Newcastle upon Tyne – a charming oasis located in the heart of the vibrant city, just a short stroll from the renowned Theatre Royal and beautiful St James’ Park. Whether you’re visiting for business or leisure, the location ensures that you have easy access to the best of Newcastle, including fantastic shopping at Eldon Square and local attractions like the Metro Radio Arena.

Discover the essence of Newcastle from Newbridge Hotel, where every stay becomes a unique experience tailored to your needs.

Two sets of protestors gathered outside the New Bridge Hotel in Newcastle, as “Newcastle Welcomes Refugees” stood up to “Send Them Back” protesters who want an end to migrants being housed in the hotel.

Northern Echo

I have been here before and posted upon the subject of Newcastle Underpasses.

This is an inland island of anonymity, home to pigeons, shake can shakers and the terminally curious.

It always rains on Saturdays.

Happily, the sun always shines on Sunday.

Hidden within and upon the walls of the walkways are these two cast concrete panels – the work of guerrilla artist Euan Lynn.

North east property group Gainford has unveiled its revised plan for a £170m residential and hotel project to transform Newcastle’s skyline.

It plans to redevelop a former Premier Inn site on New Bridge Street, with a 29-storey tower of 185 flats, alongside a separate 150-bedroom hotel, and bars, restaurants, and leisure space.

Construction Enquirer

Peterlee Town Centre

Once more to Peterlee having posted posts on the Apollo Pavillion, housing and housing history.

Plans for the new town centre started to be developed in 1960 by Chief Architect Roy Gazzard. The process would go through eight sets of revisions before they were finally approved in 1968. Yoden Way was then pedestrianised, and the small row of shops built in 1950’s was incorporated into the new shopping precinct, forming the north western end of Yoden Way. Like many other town centres across Britain undergoing modernisation, the high-street was split onto two levels, with ramps providing access to raised walkways.

The construction of Lee House – named after Peter Lee, started in 1974. Once completed, the Development Corporation moved its Headquarters from Old Shotton Hall to Lee House in 1976, occupying the building until it was sold in 1984 and remaining staff relocated to Newton Aycliffe.

Enhancing the built environment, Peterlee Town Centre was furnished with play equipment, an ornamental pond, open air escalators, and a sculpture by John Pasmore – son of Victor.

These features were later removed after the town centre was sold to Teesdale Investments – Peterlee Limited in 1985.

Peterlee History

Access ramp at the bottom end of Yoden Way, prior to the construction of Lee House in 1973.

It’s 2021 and I arrive at the Bus Station.

Immediately adjacent is Ridgemount House. – once home to the Job Centre.

Firefighters were called to the disused Ridgemount House on Bede Way in Peterlee on Wednesday August 16th 2023 at about 8.20pm after reports of a blaze.

Crews found a fire had broken out in the first floor of the building, which was found to be the home of thousands of pounds worth of cannabis plants back in 2020, after a man converted two floors for use as a drug farm.

Tarlochan Singh, owner of Ridgemount House, has been prosecuted following the discovery of several serious fire safety breaches at the property.

Northern Echo

To the right is the Eden Bar and Vibe.

Readers have voted Peterlee nightspot Vibe as the ‘most tragic hometown club’ in the North East

Formerly known as The Dance Factory, Vibe, in Peterlee town centre, is a place famous for it’s almost impossible to get off ‘tramp stamp’ and next door neighbour The Lodge, where many locals will go for pre-drinks and some karaoke before heading to the club.

Chronicle Live

The bar which once boasted a bijou rotunda with an exclusive upper terrace, has now closed.

Back in 1973 the hotel was badged as the Norseman.

The giants of Sporting Lisbon faced Sunderland in the European Cup Winners Cup and they spent the build-up to the tie in the Norseman Hotel. They met local children, took a walk in the dene, signed autographs and even tried riding a Chopper bike. The side lost 2-1 at Roker Park to a talented Sunderland team before overcoming the Black Cats 2-0 back in Portugal.

Sunderland Echo

The rear rotunda is now a derelict shell.

Back in 2021 Sambuca was the other town centre bar – badged with Olde English type.

Formerly the Red Lion a Cameron’s estate pub.

April 20th 2014 – Happy Easter everyone.
We are open today all the way to 10pm – £2 bottles VHFs, house spirits only £3 double, buckets £4, Corona £2.50 selected shots 50p, cider cans £1 + £2 
Karaoke – from now on everyone who sings gets a free shot
Then we have the best in all your favourite dance ‘n’ house tunes to take you into Monday.

Onward to the Shopping Centre.

Yoden Way looking towards Lee House in 1977.

Photographs: JR James

The 1950’s shops are still in situ.

Though some of the original architectural detailing and features are no more.

Lee House is still standing but vacant.

Lee House was once home to charity and community groups, but in 2015 the building owners ordered them to vacate the property. Even the building’s clock has stopped working and has been stuck on the same ten-past-two reading.

However, Durham County Council has now confirmed the building is in new hands. Economic development manager Graham Wood said: “We have worked with the previous owner to try to ensure the building is secured while we await proposals for its long-term future. 

Sunderland Echo

© Lynda Golightly / Art UK

Four fire engines rushed to Lee House on Upper Yoden Way in Peterlee on Friday afternoon September 19th 2025 after a fire broke out on the first floor of the seven floor building.

Northern Echo

Clean-up campaigner Tidy Ted and Peterlee Mayor Councillor John Dickinson were helping youngsters to tidy up in the Peterlee Dene area in 1989.

Where are they now – when we need them most?

Apollo Pavilion – Peterlee 2025

Apollo Pavilion Oakerside Drive Peterlee County Durham

Second time around for the Victor Pasmore Pavilion – having been here in 2021.

Children sitting on the Apollo Pavilion 1973 © The Pasmore Estate

The idea for the Apollo Pavilion was the culmination of Victor Pasmore’s involvement with the planning and design of the new town of Peterlee in County Durham which began in 1954 with his appointment by AV Williams, the General Manager, as a consultant architectural designer to the Corporation. The brief was to inject a new initiative into the new town’s design, which had been limited by practical and financial constraints. The early departure of Berthold Lubetkin from the original design team, and the limitations imposed by building on land subject to underground mining, had led to a deterioration in the quality of the architecture being produced at Peterlee.

Peterlee Gov

Victor Pasmore in front of the grafitti-covered Apollo Pavilion © Durham Record Office

The Apollo Pavilion, created by Victor Pasmore in 1969, is designated at Grade II* for the following principal reasons: Architectural interest: the structure is of very high architectural quality, forming the centrepiece of a registered landscape Artistic quality: the only truly three-dimensional work by the internationally known artist Victor Pasmore, the Pavilion is an abstract work of art, a demonstration of Constructivist ideas on a large scale and an expression of brutalist architecture Setting: the setting of the structure is the centrepiece of the registered Pavilion Landscape and as such survives intact.

Historic England

Saturday 20th September was a day of persistent rain, we arrived by bus and walked undeterred to the site – here’s what we saw.

Many thanks to Euan Lynn for leading this Modernist walk.

St Mary’s Church Interior

Broadfield Drive Leyland Lancashire PR25 1PD

May I first thanks Parish Administrator Catherine, for taking the time to open the church for our visiting group of Modernists this Saturday – and providing us with the warmest of welcomes, along with a brew and a biscuit or two.

The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation stone in 1962  and the new church was completed ready for its consecration and dedication by Archbishop Beck in April 1964.

The church is a testament to the ambition, imagination and optimism of its age. Significantly, the building was the collaborative work of both immigrant and native architects, artists and designers.

This has been celebrated by Owen Hatherley’s recent book The Alienation Effect.

A folded slab roof of ninety five feet in diameter, its concrete cast on site, bearing the marks of the wooden shuttering, contrasting with the smooth surface of the pre-cast valley beams.

The Crucifix Rex frame is by Alan Roberts and the ceramic figure by Adam Kossowski.

The organ is designed by JW Walker & Son.

The candlesticks and metal furnishings in all the Chapels were fashioned in the foundry of Messrs Bagnall of Kirkby to the design of Robin McGhie.

The curved benches are of Ghana mahogany and were made by the Robert Thompson Craftsmen of Kilburn, the steel work by GS Graham of Stokesley. The distinctive Mouseman mouse can be found on several of the bench ends.

Dalle de Verre stained glass by Patrick Reyntiens, thirty-six panels abstract totalling two hundred and thirty three feet in length.

The theme for the windows is taken from the first nine verses of Genesis, and the passage of Proverbs c. vii. Amorphous undifferentiated matter with the beginnings of definition and pattern, with here and there the promise of order and system.

The Stations of the Cross are the work of Liverpool sculptor Arthur Dooley.

The Chapel of the Blessed Sacrament is designed to seat one hundred and twenty.

The lettering on the green marble frieze is by George Thomas.

The tabernacle, crystal lamp and altar furniture were designed by Robin McGhie.

The tapestry, designed by architect Jerzy Faczynski and woven by the Edinburgh Tapestry Company, under H Jefferson Barnes and Anthony Brennan.

The etched glass panels are also by Jerzy Faczynski.

This is a church whose design and integral interior order and design, sits alongside both Coventry Cathedral and Liverpool Cathedral of Christ the King.

The finest materials and skills, working in harmony to produce a majestic whole.

Take a look outside too!

St Mary’s Church Exterior.

Broadfield Drive Leyland Lancashire PR25 1PD

I was first here in 2019 – it was raining, so snapping the exterior was a soggy task.

Returning in 2025 on a sunny day was a blessing.

This is a suburban church with the ambition of a Modernist cathedral – a radical construction in concrete, brick, stone and glass.

It more than deserves its Grade II Listing.

The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century.  The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation  stone  in  1962  and  the  new  church  was  completed  ready  for  its consecration and dedication by Archbishop Beck in April 1964.

Dalle de Verre stained glass by Patrick Reyntiens.

Large polychrome ceramic mural representing the Last Judgment by Adam Kossowski occupies the width of the porch above the two double-doored entrances.

Let’s take a turn around this stunning building – the etched glass on the Chapel of the Blessed Sacrament is by Jerzy Faczynski.

Take a look inside too!