Scarborough Coastal Stroll

This is one of many walks from South Bay Bathing Pool to South Bay Beach.

Today we begin at the Scarborough Library.

The Edward Bawden map was commissioned in 1931 by Tom Laughton, the hotelier of Pavilion Hotel in Scarborough.

I discovered Edward Bawden myself. I saw some illustrations of murals in the Illustrated London Newswhich had been carried out by Bawden at Morley College. The principal subject was a lodging house with a classical pediment and with the front walls taken out, so that the life in the house was shown from the basement to the attic. I found it delightful. I managed to find out where he lived, and I went to see him. I rang his bell; waiting on the steps I looked across the road and recognised the building that was the subject of the mural. At length a young and seemingly timid man came to the door; “There is your mural”, I said. He told me that I was the first person to spot his subject. He took me on a bus to see the paintings on the walls of Morley College.

The outcome was that he designed a wine list for the Pavilion Hotel, decorated a large ordnance map of Scarborough – (which when I left the hotel I gave to the children’s public library and also made an amusing perspective peepshow, which is still in my possession – Pavilions by the Sea was published in 1977.

The peepshow is on display on the first floor of Scarborough Art Gallery, where it still enchants children and adults alike.

Scarborough Museum and Galleries

The map is hand painted and based on the OS Map of 1926.

The map was fully restored and reframed in 2012 and now lives in Scarborough Library.

Bawden’s postcard for the Pavilion Hotel.

Tom Laughton was brother to Charles Laughton – the plaque is attached to their home the Victoria Hotel.

Enthused by Edward’s exquisite map I set off strolling along the seafront.

I always stop to pay my respects to these seriously neglected concrete beach chalets.

Thence to the former South Beach Bathing Pool designed by Scarborough’s former Borough Engineer, Harry W Smith.

Construction began shortly before the outbreak of WWI, and was taking place in December 1914, when Scarborough was bombarded by German ships. Workers were able to shelter, coincidentally, behind the new wall they had recently constructed for the pool.

Built in the Art Deco style, it measured 330ft long and 167 ft wide, and was filled naturally by fresh sea water, propelled into the pool by the tide each day – officially opened in 1915.

The pool closed in 1989.

Stories From Scarborough

Concrete Colonnade in the Post Modern manner.

Filey Brigg is barely visible through the mist.

The Scarborough Spa – boldly stands over the bay, beaches, and harbour, providing unrivalled views. With a lengthy and impressive past, it is a popular venue for touring performers and meetings, conferences, and training sessions.

The Spa dates back to the C18 when a mineral spring there became a place of fashionable resort. Originally there was just a timber embanked terrace to the shore. Later, in the early C19 a castellated building was raised. In 1858 Sir Joseph Paxton designed the new ashlar faced Spa pavilion raised on terrace with arcaded ground and first floor articulated by pilaster strips, seven bays, with projecting pilastered corner towers with balustraded parapets.

Grade II* Listed

Grand Hotel was chosen as one of Historic England’s seven wonders of the English seaside, as featured in the Daily Mail

Located in the town centre and built in 1863, the Grand Hotel Scarborough takes pride of place overlooking the town’s picturesque harbour and South Bay. This stunning Victorian building is an instantly recognisable landmark, and stands out amongst other hotels in Scarborough. 

We’ve stayed here a few times and we’ve never had a problem with our room. If you dont like lifts theres a lot of stairs but we like to keep fit anyway. Fridge was a bonus. Hairdryer, towels, three loo roll, towels, fan, iron, ironing board Good stock of tea and coffee, nice clean kettle. Paid for a room with a window and got unexpected sea view which was fab to wake up to. Gorgeous main area, singers on at nine, stayed in room thirteen no ghosts lol.

Will defo come again – thank you Grand Hotel.

Samantha K

Absolutely disgusting, the rooms was very dirty, full of dust, the room hasn’t been cleaned since the last person stayed as there body shape was still in the bed, bathroom had toothpaste all in the sink and the shower was absolutely filthy. Curtains are hanging off. Carpets are dirty. The food is very bad, cheap and under cooked. And most the food on the menu wasn’t even available. When speak to the staff I got verbal abuse from them and the chef told my partner to “f off”.. it’s just horrible experience. Do not wish this on anyone. You go outside to loads off homeless doing drugs and been drunk also. I actually ended having to leave and book an alternative accommodation.

Don’t stay here

Chloe S

Trip Advisor

Architect: Cuthbert Brodrick – 1863-67 an immense structure in red brick with tawny terracotta dressings, four storeys, basement, and storey at eaves cornice level, and two storey attic

Grade II* Listed

Olympia Leisure

This is the place to be, either to meet friends, make friends or just book a Party event for friends and family. With twelve lanes our Ten Pin Bowling Alley, with its modernised interior and updated scoring system is a fantastic place to relax.

We have fabulous balcony views of Scarborough’s Seafront and Bay and a Smoking Area. It’s the perfect venue for an office or workplace party, student celebration, holiday activity, or just a regular get together of friends.

Formerly the site of the Futurist Theatre

The Futurist Theatre was built to the design of Scarborough architect Frank Tugwell and opened on 27 June 1921 as a cine-variety theatre operated by William Catlin.

Originally it boasted a grandiose, ornate façade of robust, self-cleaning white glazed Carraraware tiles, the design of Henry Doulton.

This was later obscured during spring 1968 by a facelift of rectangular plain yellow cladding.

Demolition of the building began in June 2018 and was completed in August 2018.

The demolition and associated land works cost local taxpayers £3.91 million.

Wikipedia

Coney Island is a popular amusement centre located on Foreshore Road in Scarborough, offering a vibrant dose of classic seaside entertainment. It’s known for its unique architectural style and cool retro vibes that captivate visitors. This lively spot provides a welcoming atmosphere for all ages looking for fun by the coast.

Step inside Coney Island and discover a fantastic array of arcade games, ranging from exciting racing simulators where you can ‘drive’ sports cars and motorbikes, to a decent selection of both older and newer games. Beyond the flashing lights and sounds of the arcade, the centre also features a bowling alley, perfect for some friendly competition. Guests appreciate the ease of exchanging notes for coins at the desk, ensuring continuous play.

Yorkshire.com

I have been to t’other Coney Island – it looked like this.

Bradford Walk 2026

Here we are again – updating the 2020 post and subsequent 2024 visit.

Saturday 25th July arriving in bright sunshine at the Bradford Interchange – architects WC Brown City Architect and RL Moorcroft BR 1971.

Which has been transformed for the City of Culture 2025 by Bigg Design, with their multicoloured panels.

In addition there has been a transportation of the approach by Fereday Pollard, with the addition of seating in the newly landscaped plaza area.

Moving into the city centre there have been changes in the area between the Bradford Hotel and the Town Hall, it’s now a freshly landscaped space especially for pedestrians.

The NCP multi storey car park on Hall Ings has been demolished.

The demolition work is part of the Government-funded Transforming Cities Fund for Bradford.

Bradford Council, in partnership with the West Yorkshire Combined Authority, is bringing forward a flagship programme of forward-thinking transport schemes, alongside major public space enhancements, that will help us shape and drive forward Bradford’s future regeneration in the city centre and beyond.

Providing an accessible, attractive and cleaner alternative to car journeys is at the heart of the Leeds City Region Transforming Cities Fund, a major new programme of transport infrastructure investment secured as part of the West Yorkshire devolution deal. The programme, which is being delivered by the Combined Authority in partnership with local authorities, will be funded through £317 million from the Department for Transport plus local match funding up to £140 million.

Photo Telegraph and Argus.

The area was once traversed by this elegant raised walkway.

The Bradford Hotel remains resolutely unmoved, recently it has been used as an Asylum Hotel, unsure that this is still so.

Located in the heart of central Bradford, The Bradford Hotel provides an elegant refuge in the midst of the bustling city.

Originally opened as the Norfolk Gardens Hotel, the hotel was completed in 1972 and opened in June of that year.

Architects – William Walker Partnership.

Adjacent is the Magistrates’ Court 1972.

City Architect WC Brown.

With a view through to One City Park 2024 Sheppard Robson.

One City Park in Bradford, England, draws attention with its striking architecture. The building’s curved design and forward-thinking concept create significant interest. For Sheppard Robson Architects, sustainability and the needs of people were paramount in the design. The facade of the complex features 1,700 glassfibre reinforced concrete elements from Rieder, making a distinctive design statement. The sandstone-coloured concrete components serve as both an architectural feature and a key element in creating a sustainable, visionary work environment.

Architonic

One City Park has been built on the site of the old Police Station opened in 1974 and demolished in 2010.

The area was once the centre of Will Alsop’s 2003 masterplan.

Which three years later are somewhat diluted:

The latest images of the scheme for the Bowl are generally disappointing and at the risk of a bad pun, the lake is now a watered-down version of Alsop’s vision.

Philip Veitch – of local practice Waller and Partners.

The Norfolk Gardens landscaping has opened up a fresh toward the Central Library 1965.

Architect – City Architect WC Brown with project architects G Sunderland and KLS Glen.

Next to the two Telephone Exchanges.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

Turn right around to take a look at the rear of the Ice Arena.

In January 1966 Mecca Leisure Limited opened the ice rink in Bradford under the name of the Silver Blades Ice Rink, it was reputed to be “The finest rink in the world”, with coloured lighting in the barriers, sparkling chandeliers over the ice, and a plush bar and restaurant.

The resplendently dressed skaters were entertained with organ music. The opening gala at the rink had performances by British skaters who had just returned from the World Championships, they included Sally Anne Stapleford, John Curry and ice dancers Bernard Ford and Diane Towler.

History

The take a turn around the bend to the front.

Let’s go up the hill to the University of Bradford.

The institution uses this image illustrating the transition of the BDP Richmond Building of 1964, to its contemporaneously clad iteration.

Out front is the tiled mural by Joe Mayo.

Some original seating has resisted transitioning.

The undercroft has not been so fortunate in resisting the chill wind of change.

We emerge into the clear light of day and the BDP designed Chesham and Horton blocks along with the former Nuclear Research Bunker.

Next back down into town to the shops that were shops.

Let’s hop to the Grade II-listed Co-op Sunwin House designed by CWS in house architect WA Johnson and JW Cropper in 1935. 

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Sunwin House had been – one of the most modern and stylish looking shops in Britain, when it was built in 1936, according to The 20th Century Society.

But the charity warned that the building, whose architectural style was inspired by Germany’s Bauhaus art movement, had stood empty for nearly 15 years and was in danger of creeping neglect.

Sunwin House, which was most recently used as a TJ Hughes department store after the firm went into administration in 2011, is one of 10 buildings featured on The 20th Century Society’s risk list for 2025.

BBC

The Freehold of Sunwin House, 65 Sunbridge Road, Bradford has been sold to a Bradford based investment company who have plans to refurbish the whole building principally based off a Retail/ Emporium use.

The building was purchased by Legal and General from the Co-operative Wholesale Society in 2005 subject to a lease to T J Hughes, who ceased trading in 2012. Following Administration, and the release and separation from the former Godwin Street Annexe, the original 95,000 sq ft Grade II Listed Store became an independent asset in 2017.

Holbeck Land

A stride away is the now closed Kirkgate Centre and MarketJohn Brunton and Partners 1975.

Demolition work will begin later this year to make way for the recently approved City Village development, comprising up to one thousand new homes, with the aim of creating a stronger, more welcoming, and sustainable future for Bradford.

Some residents have welcomed the changes, with the Kirkgate Centre previously described as a blight on the landscape. But others, like Barbara, lament the loss of the places they knew and loved.

Every time you go anywhere something has gone missing. Some of the changes are alright, some of them I think they could do without.

BBC

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

The William Mitchell concrete reliefs housed in the market are to be conserved along with the Fritz Steller tiles.

Higher up the hill John Brunton’s Highpoint has survived the call for demolition.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

It is now home to an innovative residential apartment complex with a community at its heart, which embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Redeveloped by Radii Living.

A tower block in Bradford likened to a structure from sci-fi movie Blade Runner has been named as the best brutalist building in the country.

Built in the 1970s, High Point, the former headquarters of the Huddersfield and Bradford Building Society, was recently converted into eighty seven flats as part of a £12m regeneration scheme.

National newspaper The Telegraph named the building top of its brutalist list – ahead of the Barbican, in London, Bristol’s Clifton Cathedral and Preston bus station.

Si Cunningham, who chairs Bradford Civic Society, said it remained one of the city’s

Most divisive buildings.

Symbolic of Bradford’s confidence and prosperity.

BBC

Highpoint’s neighbour the Oastler Centre is closed and awaiting demolition.

The Oastler Shopping Centre, formerly known as the John Street Market contained 176 stalls comprising a retail area, with an additional twenty three external shops and twenty seven storerooms. The cafes and stalls within the centre were various food, clothing and craft shops with some of the cafes and stalls having been in business since the 1960s.

The original outdoor open-air market was renovated to an indoor market in the early 1970s to make economic improvements to the upper side of the city centre and was named for the abolitionist Richard Oastler.

As part of the Bradford’s regeneration projects in line with the successful UK City of Culture 2025 bid, the Oastler Centre was scheduled to be demolished in late 2023 to make way for the new Darley Street Market.

Wikipedia

The Oastler Marker had its final day of trading on 28 June 2025.

The centre along with the nearby Kirkgate Market will be demolished and replaced with green space, housing and new commercial spaces in line with the new Darley Street Market and planned City Village, an area of green space nearby the site.

Happily the signage from the Oastler’s Fountains Coffee House has been preserved by the Bradford Industrial Museum.

Telephone Exchanges Bradford

A tale of two exchanges in one city – forty years apart.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Charles Dickens.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

My thanks to Lisa Kinch of tele_exchange over at Instagram for the facts.

Let’s circumnavigate the site.

Just to spoil the twosome allusions there was a third exchange – just as there was a Third Man, returning from the dead.

Bradford’s last manual exchange was on the corner of Nelson Street and Union Street, opposite Bradford Town Hall.

It was opened by the National Telephone Company around 1900 to replace a magneto manual exchange in Swan Arcade. It closed on Saturday 26 July 1947 when the current Bradford exchange was opened.

The area has now been redeveloped.

Telephone Exchanges.

Bradford Brighter Homes Exhibition January 1936.

100,000th telephone to be connected in Bradford 1953 – for the use of the Lord Mayor.

Photos courtesy of BT Archives.

Bradford Interchange

So here we are back in Bradford – updating elements of the 2020 walk.

Arriving right on time from Manchester Victoria at the Bradford Interchange.

First a little history,

Image – Disused Stations

The original railway station, named Bradford Exchange, was opened by the joint efforts of the Lancashire and Yorkshire Railway and the Great Northern Railway on 9 May 1850. The railway station with its 10 platforms was deemed too large and was again rebuilt, this time on a different site slightly further south.

Wikipedia

The Interchange was designed in 1962, it was hailed as a showpiece of European design when it opened in 1971.

Architects WC Brown Borough Architect and RL Moorcroft BR.

The bus station featured a large ridge and furrow design of overall roof, which was subsequently demolished in 1999 to allow for a rebuilding of the bus station, which was opened in 2001.

Further down the line, the plans of 2020 are yet to be realised.

So the curved and tented canopy is still in place, with the addition of seating in the newly landscaped plaza area – designed by Fereday Pollard.

The area has replaced the former taxi rank and drop-off point, and has new paving, seating and planters.

Designs include a new pocket park, plaza and interiors, all formed as a high quality welcoming visual amenity whilst repairing the disparate components which form the backdrop of the proposals. In the plaza, a kaleidoscope of colours is complemented by a grid of generous planters with integrated seating and vibrantly coloured furniture to create a celebratory and flexible meeting space. The ‘Colours of Bradford’ introduce clarity and joy, with the new plaza serving as an extension to the station concourse, allowing meeting and dwell space to interact with the city and onward journeys. Reinforcing the moor to meadow narrative of our original scheme, the new pocket park creates a pollinator park, encouraging and promoting a connection with the wider surrounding landscape of Bradford and combined with the Tower of Now, pays tribute to the rich and varied cultures found in Bradford.

Fereday Pollard

With Bradford awarded the UK City of Culture 2025, and an expected 15 million visitors during its year of celebrations, the city is ready for its moment in the spotlight. As part of these exciting developments, Bigg Design and Fun Makes Good are transforming Bradford’s main bus and rail interchange with super-scale, multi-surface artworks that will create an exciting, welcoming gateway to the city.

Bigg Design

Their design work not a million miles from the prints and paintings of Richard Paul Lohse.

For me, this lower concourse always seems to have echoes of Jean-Luc Godard’s film Alphaville.

There are no special props or futuristic sets: instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings – which in 1965 were new and strange architectural designs, represent the city’s interiors. 

Up the steps to the bus station.

Barnsley Co-op

Having previously visited Barnsley to construct a Barnsley Walk, I returned to take the Modernists on the walk.

Previously puzzled by this mosaic clad Festival of Britain facade.

Subsequent observation and research revealed it to be an extension to a group of Barnsley Co-operative buildings.

I should have noted that the building of 1910, was the work of architect Arthur Walshingham, the terracotta and green faience, very much in the style of Northmoor Road.

And also his work here in Pendleton.

According to author Lynn Pearson:

The building housed grocery and footwear shops, an elegant marble floored entrance hall, a restaurant and assembly room. Its original shopfronts were mahogany with metal sills on a granite base, the windows were divided by columns with green faience shafts.

England’s Cooperative movement – an Architectural History.

The Barnsley building is loaded with decorative details.

Sadly the columns mentioned above were replaced, the mosaic from the later extension extended to give a misplaced sense of cohesion to the pairing.

The extension has a charm of its own – with an upper tier terrace bordered by a metal fence.

A concrete relief to the side.

The adjacent buildings were the 1885 central offices of the Barnsley British Cooperative Society.

The building is Grade II Listed.

In 2016 the Barnsley British Co-operative building, sited opposite the existing buildings, suffered a large fire and unfortunately had to be demolished due to safety concerns.

For more than a century it had been considered the place to shop in town. Many will recall it as the Co-op’s toy department where, every year, excited children would queue with mums and dads to meet Santa in his grotto at Christmas.

It closed in the 1980s.

In 1993 the plan was to turn the imposing Victorian Grade II listed building into a ’high class’ venue which it was anticipated would be aimed at a clientele in the 25-plus age group.

Barnsley Chronicle.

Concrete Chalets Scarborough 2026

Here we are again, following visits in 2020 and 2023.

There has been some low level maintenance undertaken to almost secure the site, and someone from the Corporation has given the walls a coat of paint, subsequently undone by the local scrawlers.

Who knows what fate awaits them?

I shall endeavour to keep you posted with further posts.

University of York – History

Though plans for a university in York first appeared as early as 1617, it would be over three centuries before they came to fruition. In 1960, permission was finally granted for the University of York to be built, marking the beginning of our journey.

Before the Second World War, Heslington was a quiet rural retreat with a local aristocracy, and a working agricultural village.

Fresh, young, forward-looking and enthusiastic, the University of York was known for its friendly atmosphere before it even opened its doors.

Planning and building the University happened with astonishing speed. In April 1960 the Government approved the establishment and less than three years, on 9 October 1963, the first students walked through the gates of Heslington Hall.

In the 1970s, college social life began to blossom.

Central Hall was the venue for The Who, The Kinks, Fairport Convention, John Martyn, Ian Dury and the Blockheads, Hot Chocolate, Humphrey Littleton, Acker Bilk, Paul Tortelier, Julian Bream, John Williams and others.

Paul and Linda McCartney appeared one day out of the blue with their new band Wings and performed a concert in Goodricke College Dining Room.

The beginning of the 1980s came with significant challenges for the University. 

The decade saw the start of cuts across higher education. Staff were exhorted to make economies including turning down their thermostats, recycling, and making telephone calls as short as possible. There was also a fire in the Department of Chemistry. 

In 1990, the Vice-Chancellor, Berrick Saul, recounted to court that York had been described by a senior member of the Universities Funding Council as “a well-run university with a relatively low profile.”

What a difference a decade makes.

By the end of the 1990s, York was dominating national league tables for research and teaching and was receiving international press coverage for achievement across the disciplines.

University Chancellor Dame Janet Baker at the opening of the University’s Baby Unit, October 1994 – York Digital Library

The 90s was characterised by advancement and recognition. York remained a popular choice among prospective students growing from 4,300 to 8,500 students without compromising its high entry standards. As the Sunday Times pointed out, “elitism does not appear to be the price of excellence at York”. York was one of only very few universities whose entry from state schools and colleges (around 80 per cent) was the same as the proportion of A-level students in the state system.

The introduction of official quality assessments and the proliferation of newspaper league tables saw the University’s stock rocket. After years of academic advancement, York began to get the recognition it deserved. National recognition attracted additional funding and investment. Research grants rose to over £20m per annum, and the University enjoyed one of the highest incomes per researcher in the higher education sector.

The Sir Jack Lyons Music Research Centre is opened by Roger Wright, controller of BBC Radio 3, 2004

The planning for Heslington East began in earnest in 2002 with the arrival of Brian Cantor as Vice-Chancellor. It took years of master-planning, liaison with interest groups, negotiations with land-owners and local communities, an 8-hour city planning meeting and a Public Inquiry to achieve the purchase of land and complex planning permissions for a site equal to the size of the original Heslington West campus. In 2009, the new Goodricke College opened as the first building on Heslington East.

At the time of the 40th anniversary in 2003, we wrote about Heslington East:

It will be everything that the designers of the original campus hoped for – integrated, landscaped and traffic-free, with a large expanse of water, and a very eager populace.

On 25th November 2010, we were named “University of the Year” at the Times Higher Education Awards, achieving praise from the judges for our “success in combining academic excellence with social inclusion, as well as its record in scientific discovery”.

The development of Campus East continued throughout the decade, with four new sites to accommodate academic departments and a variety of support and social buildings, including the Ron Cooke Hub and York Sports Village.

Campus West also saw much expansion and redevelopment during the 2010s, with the opening of the £13.8m Spring Lane Learning and Teaching Building and £16m Biology teaching and laboratory facility in 2016.

York History

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Founded in 1956 by architects Robert Matthew and Stirrat Johnson-Marshall, RMJM’s first offices were based in London and Edinburgh.

RMJM is now one of the largest architecture and design networks in the world. Services include architecture, development management, engineering, interior design, landscape design, lead consultancy, master planning, product design, specialist advisory services, and urban design

Wikipedia

Langwith College 1965 – photo Reginald Hugo de Burgh Galwey

Constructed using the Consortium of Local Authorities Special Programme – CLASP system, formed in 1957 by Local Authorities in England to develop a shared prefabricated system for the construction of school buildings. The resulting CLASP building system was initially developed by Charles Herbert Aslin, the county architect for Hertfordshire.

CLASP’s popularity in coal mining areas was in part because the system permitted fairly straightforward replacement of subsidence-damaged sections of building, and the lightness of the structures. The system was also later used for the construction of railway stations, offices, university buildings, and churches until the late 1970s.

Today, 3000 examples are still in use.

Photo – Keith Gibson 1965

The system utilised prefabricated light gauge steel frames which could be built economically up to a maximum of four storeys. The frames were finished in a variety of claddings and their modular nature could be employed to produce architecturally satisfying buildings. Initially developed solely for schools, the system was also used to provide offices and housing.

The cynics’ definition of the CLASP acronym, circulating in the 1970s, was:

collection of loosely assembled steel parts.

CLASP buildings fell out of favour in the late 1970s. Budgetary advances and changing architectural tastes made the scheme obsolete.

Wikipedia

Upper Level reading rooms Langwith College.

Walkway Derwent College with concrete relief by Fred Millett 1965

Photos 1965 Bill Toomey

Fred Millett 1920–1980 was a muralist and poster artist who exhibited at the Festival of Britain and was commissioned by London Transport, National Westminster Bank, University of York and the General Post Office. He also taught Perception and Communication at the Polytechnic of Central London.

Fred Millett – Sculpted Wall Raglan Estate Camden 1965


Originally part of the children’s playground, the work is a feature of a post war estate designed by Frank Scarlett in Kentish Town

Modernism in Metroland

Fred Millett – London Transport 1968

Covered walkway Derwent College.

Photo 1965 Reginald Hugo de Burgh Galwey

JB Morrell Library seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright.

Austin Wright 1911-1997 is a significant post-war sculptor whose personal and professional lives were deeply intertwined with the city of York. 

He was born on 4th June 1911 in Chester but spent his childhood in Cardiff. Though a largely self-taught artist, Austin took evening classes at Cardiff Art School. Austin attended New College, University of Oxford for his degree in Modern Languages before he started his teacher training. His first job as a teacher started in 1934 at The Downs, Malvern in Worcestershire. The school attracted artistic people. W.H. Auden taught English for example, and the art master organised a Dada exhibition one year. Here, Austin taught painting and sculpture as well as French and German.

York Civic Trust

Photo 1968 Keith Gibson

Library central stairway and lift shaft.

Covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Central Hall

Colloquially known as The Spaceship designed by John Speight, constructed in 1966–1968. The hall is seen as a tour de force of the university, appearing on merchandise and often used as a background for university publicity.

Wikipedia

It is Grade II listed.

Central lecture and recreation hall to the University of York, 1966-1968 by Robert Matthew, Johnson-Marshall & Partners with Stirrat Johnson-Marshall and Andrew Derbyshire as partners in charge, and John Speight as job architect.

* it forms part of a wave of seven new universities that improved access to higher education and marked the high point of publicly-funded architecture in post-war Britain;

* it is a physical manifestation of the University of York Development Plan, which was heralded as the beginning of contemporary university planning in Britain; 

* it continues a historic tradition established by late-C19/early-C20 ‘red brick’ universities of featuring a great hall for special events.

* it has an imaginative and bold design with a striking architectural form and massing that is the focus of the most dramatic views across the campus lake;

Photo 1968 Keith Gibson

Photo University of York

Concrete Linkbridge.

David Brown Laboratories the fluestack and water tower rising above the laboratory blocks.

Fluestack – extant.

Water Tower – demolished


Archive photographs RIBA pix.

Further information can be found here.

Barnsley – Sheffield Road Development

OS 1888-1915

OS 1948-1975

Two seven storey blocks containing one hundred and ten dwellings.

One seven storey block containing fifty six dwellings.

Buckley House, Britannia House and Albion House

Original Commissioning Authority: Barnsley County Borough Council

1987 Miles Glendenning

1984 Miles Glendenning

Tower Block

Albion House, then Barnsley’s newest block of flats, had a most appropriate opening in 1977

The new block – the third of three on the development off Sheffield Road at a cost of £600,000.

The opening ceremony was carried out out by a former resident of Albion Street, Councillor Fred Lunn, the then leader of Barnsley Council.

He welcomed the passing of the old streets, but mourned the passing of the community spirit.

Buckley Street 1960 – Old Barnsley in Colour

Clearance 1967

And he combined the unveiling of the plaque in the seven-storey building with an appeal for a residents’ association to be formed.

Barnsley Chronicle

Here are the flats on Monday 26th January 2026 – set in rolling grassland surrounded by mature trees.

All Saints Church – Rudston

School Lane Rudston Driffield YO25 4UY

We were wandering by bicycle in the Wolds – we came to see All Saints Church in Rudston.

I was particularly intrigued by the Twentieth Century stained glass.

Grade II Listed All Saints sits in the grounds of the famous Rudston megalith , this alone clearly points to the area being of ritual use thousands of years before this Norman church was erected. At 26 feet high, it is the tallest standing stone in Britain. The megalith was set here around 2000 BC, after being quarried and transported from the Cleveland Hills, west of Whitby.

It is a lovely early Norman church built around the year 1100 by William Peverel, lord of the manor. Of that Norman church, the tower remains, and you can still trace the original west entrance in the stonework at the west end of the church.

The Norman building was extended in the 13th century when both north and south aisles were added, along with the name and chancel arch. In the sanctuary is a slightly later sedilia.

National Churches Trust

Most of the Stained Glass in the Windows is modern, designed by John Hardman Studios – 1954-56, and replacing 19th century glass by Capronnier of Brussels and Hodgson of York, destroyed by a land mine in the second world war. The various depictions speak for themselves and these pleasing windows are worth examining, particularly the east window above the altar. It has four panels, the left one depicting SS Peter, Paul, James, John, Ethelburga and the Venerable Bede, the two central panels show the Blessed Virgin Mary and the child Jesus, and the living Christ ‘Reigning from the cross.’ The panel on the right shows northern saints Wilfrid, Cuthbert, Chad, John of Beverley, Alcuin of York, Oswald, Edwin, and most unusually William Wilberforce, MP for Hull and then Yorkshire, who pioneered the abolition of slavery.

Rudston Parish Council

Birmingham Museum have digitised Images of original stained glass designs by John Hardman.

Design for Stained Glass Window for Notre Dame Church Fall River Massachusetts USA – 1921

Chancel North Window by Arthur Lucien Ward 1915

Depicting Sir Alexander Macdonald playing the organ surrounded by a choir – We Praise Thee O God. Sir Alexander gave the organ, and was organist and choirmaster for nearly 50 years.

He designed for AR Mowbray from around the time of the First World War into the 1930s.

Millennium Window by Ann Sotheran.

Having completed five years at York Art School, then work experience with Harry Harvey FMGP, Ann chose to specialise in stained glass. After working as Harry’s studio assistant for several years, she set up her own workshop in 1987.

The Sower window by Harry Harvey – 1956.

Harry William Harvey FMGP born 1922 died 2011, was born in Birmingham and received his initial training in stained glass from the local firm of Pierce & Cutler. After the war he joined Wippells of Exeter, before moving to York at the instigation of another Wippells old boy, Harry Stammers, with whom he worked until establishing his own studio in 1956. He also collaborated over many years with Joseph Fisher of Shrigley & Hunt. Two of his assistants, Ann Sotheran and Sep Waugh also went on to establish their own studios.

Visit Stained Glass

And when a great multitude had gathered, and they had come to Him from every city, He spoke by a parable: “A sower went out to sow his seed. And as he sowed, some fell by the wayside; and it was trampled down, and the birds of the air devoured it. Some fell on rock; and as soon as it sprang up, it withered away because it lacked moisture. And some fell among thorns, and the thorns sprang up with it and choked it. But others fell on good ground, sprang up, and yielded a crop a hundredfold.” When He had said these things He cried, “He who has ears to hear, let him hear!” 

Luke 8:4-8

There is something of Graham Sutherland in the thorny angularity of the design.

Along with the lighter touch of Edward Bawden.

Later in the week I discovered more of Harry Harvey’s work, in nearby All Saints Kilham – the chancel north window 1967.

Depicting on the right Orlando Gibbons, Henry Purcell, JS Bach, St Hilary. Whilst on the left there is John Dunstable, St Gregory, St Ambrose and John Merbeeke.

Market Stall – Halifax

I was taking folks on a Modernist walk around Halifax – I aways arrive hours early.

Having time to spare, I took a slight detour through the Halifax Borough Market.

Visiting Halifax Borough Market for the first time feels a bit like taking a step back in time. This award-winning market was first opened in 1896 and has been the beating heart of the town ever since. Its Victorian splendour can be seen throughout – on the ornate clock-tower, in the glass roof and on the intricate carvings. Décor and atmosphere combine to create a shopping experience that just cannot be matched.

Calderdale Gov

The Markets and Fairs Committee decided in 1890 to replace the overflowing market place with a new structure. Local architects Joseph and John Leeming were engaged to draw up plans. A £50,000 loan was obtained by the Corporation the following year, with the final cost rising to £130,000, which was £20,000 over budget. Work began in October 1892 and progressed slowly, until the market was officially opened on 25 July 1896 by the Duke and Duchess of York, who later became King George V and Queen Mary.

Wikipedia

The life of the market along with the high street faces an uncertain future, the local authority are doing their best to ensure that both have a future.

Through UK Government funding, we’re updating this iconic Victorian market. We’re creating a warmer and more welcoming place for people to shop, eat, drink and spend time.

Future High Streets

I have very fond memories of shopping with my mam on Ashton Market, and use my local market here in Stockport. I love the conviviality and the stimulating visual displays, the overcrowded abundance, a florid cornucopia of goods and services.

However, in this instance I was beguiled by an empty stall, the former home of Illuminate Electrical Supplies.

Gone now are the rich variety of shades, plugs, flexes, batteries and lamps, what remains are the bare bones of making do.

Odds and ends, fixtures and fittings, fitted in as and when.

Haley Hill Flats Halifax – Again

Here we are again making our way beneath Burdock Way and up to Haley Hill, the New Bank Development – aka Range Lane.

Built in 1964 – Architects Leonard Vincent and Ray Gorbing.

Tower Block 1987.

Subsequently overclad

Sadly the Beech Hill Flats in the centre of Halifax have been demolished.

Rhodar

It was a slightly overcast day, flattish light on the flats, so the photographs became monochrome.

Several Yorkshire Reservoirs

To begin at the beginning, to begin at Baitings Reservoir.

Wakefield Corporation Waterworks started impounding the valley of the River Ryburn in the 1930s, with Ryburn Reservoir being completed in 1933. Construction on Baitings took place 20 years later with completion in 1956.  Baitings Bridge, on an old road linking Yorkshire and Lancashire, was to be flooded under the reservoir so a concrete viaduct was built. During spells of very hot weather and drought conditions, the old packhorse bridge is revealed.

Wakefield Express: 31st August 1955

The dam head is a curved structure that is 1,540 feet long and over 160 feet high. The reservoir covers 59 acres and has a catchment of 1,830 acres , and when it is full, it holds over 113,000,000 cubic feet of water. The dam took eight years to complete at a cost of £1.4 million, and is located at 840 feet above sea level. A tunnel connects reservoirs in valleys to the north with Baitings to allow for the transfer of water. Manshead Tunnel is 8,000 feet long and was opened in 1962.

Wikipedia

Inconveniently, the footpath to the lower Ryburn Reservoir was closed – we were diverted over the dam.

We took the pathway to Booth Wood Reservoir – over Pike End and beyond.

We dropped down beneath the Booth Wood Dam.

Booth Wood Reservoir is a man-made upland reservoir that lies north of the M62 motorway and south of the A672 road near to Rishworth and Ripponden in Calderdale, West Yorkshire. The reservoir was approved for construction in 1966 and completed in 1971.

It supplies water to Wakefield.

The reservoir dams the Booth Dean Clough watercourse and takes water directly from the surrounding moorland. It has a plain concrete crest on the dam head which is straight and extends to a length of 1,150 feet and a height of 157 feet.

Wikipedia

Below is a dinky pumping station, tucked beneath the dam.

We took a precipitous path through the wood – up to the level of the reservoir.

Under the the M62 and past the infamous Stott Hall Farm.

Stott Hall Farm is a farm located between the eastbound and westbound carriageways of the M62 motorway in Calderdale. It is the only farm in the UK situated in the middle of a motorway and was built in the 18th century on Moss Moor. It lies south of Booth Wood Reservoir where the carriageways are separated between junctions 22 and 23. The road divides for much of its length between the Windy Hill and Deanhead cuttings because of the surrounding geography; but a myth persists that it was split because Ken and Beth Wild refused to sell. However, the farm was actually owned by Yorkshire Water at the time the M62 was built.

Wikipedia

We walked over the upland moors to meet with the Catchwater, which formerly fed the Ringstone Edge Reservoir, prior to the construction of the motorway cutting.

Climbing again over Cow Gate Hill to meet the Saddleworth Road.

Crossing the motorway and dropping down to meet the Scammonden Dam.

Scammonden Dam is part of the M62 motorway between junctions 22 and 23, the only such structure in Britain. Its construction by the Ministry of Transport and Huddersfield Corporation Waterworks required the passing of the Huddersfield Corporation Act 1965. The motorway dam spans the Deanhead Valley in the Pennines between Huddersfield and Rochdale and the main contractor for the project was  Sir Alfred McAlpine & Sons.

It was designed by Rofe, Kennard and Lapworth

Surveying began in November 1961 and the route of the carriageway was determined in mid 1963. Excavation in the Deanhead Valley commenced the following year and for the dam in 1966. This required the removal of 25,200,000 cu ft of peat bog to reach the solid rock base nearly 43 ft below ground level. Material excavated elsewhere on the line of the motorway, clay from cuttings between Lofthouse and Gildersome, and 3.4 million cubic metres from the Deanhead excavations was used to build the dam’s embankment which is 2,051 ft in length and 207 ft above the original valley floor. The embankment is 1,427 ft wide at its base and 180 ft at road level.

Wikipedia

Barry Skilbeck: Flickr

Scammonden steps comprises five flights of steps up the hillside from the valley below. Totaling 458 steps, the cumulative step count when ascending each of the five flights is 95, 200, 287, 363 then 458.

At the base of the dam is this delightful Pumping House.

The motorway, which was dependent on the completion of the dam, was opened to traffic on 20th December 1970 and officially opened by Queen Elizabeth II who unveiled a plaque near the valve tower of Scammonden Water on 14 October 1971.

Ascending and looking back toward Scammonden Bridge also known locally as the Brown Cow Bridge – after the nearby Brown Cow Inn, now closed, spans the Deanhead cutting carrying the B6114.

The bridge was built for the West Riding County Council to the designs of the county surveyor, Colonel S Maynard Lovell.

It opened to traffic on Monday 18 May 1970 by Major Bruce Eccles – Huddersfield Transport ran buses to see the bridge.

Wikipedia

We took the tunnel through the dam.

We walked back through Spring Royd, to meet the Newhey Road and onward to Outland and the bus back to Huddersfield.

My sincere thanks to my erstwhile and educated guide Mr Phil Wood – so ably steering us along our watery way.

Doncaster Modernism – Revisited Again.

The third time by the banks of the Don – first time around in May 2019, subsequently in October 2020.

So much can change in so short a time, post-pandemic and every town is doing its level best to build back better.

The vision includes:

  • Ensuring the centre is a focus for business and enterprise.
  • Building on the success of the current markets and raising the aspirations and functions of the markets.
  • Recognising the city core as the heart of the economy and the borough and the place where the image of Doncaster is most clearly reflected. 
  • Enhancing green spaces and waterways to create a better setting for visitors, investments and city heritage.
  • Developing the civic and cultural quarter and reinforcing the retail and leisure core through better links and public space improvements.
  • Developing city-scale functions and assets, to become a stronger draw for business, workers, visitors and inward investment.
  • Developing and bidding for new city-wide cultural venues, a University and Research and Development facilities.
  • Rebranding Doncaster as a location of choice for regional businesses.

Masterplan

Arriving by train and ascending into the light – here’s the station lights.

The railway station has sharpened up its apron and facade.

We have transformed the station forecourt. It has become a quality gateway which delivers a great first impression for visitors arriving in Doncaster by train. This will help stimulate interest from investors and developers, helping to attract new investment and create jobs for the borough and wider region.

Doncaster.gov

Celebrating engineering, speed and connectivity and stretching forty metres in length the public art at Doncaster Station consists of forty seven monoliths which are a nod to Doncaster’s past, present and future. With a fountain and three impressive water walls, the art takes centre stage in the new public space as you step out of the train station and head into the town centre.

The concept was devised by Doncaster Council and further developed by Chris Brammall.

CB Arts manufactured and installed the piece

Typically the high and low streets of Britain’s industrial towns and cities, are an amalgam of architectural style and fashion, spanning at least two or three centuries.

Faience fronted interwar developments abound.

Neo-classical speculative shopping arcades.

Revamped Victorian pub facades.

Behind the buff faience frontage is a lovely, small two-room pub with a well preserved interior created under plans of 1934. It was remodelled by the Grimsby brewers Hewitt Brothers Ltd who were Doncaster’s biggest pub owners for many years.

Pub Heritage

Originally a Gent’s Outfitters, this deco-gem was topped off with the Nags Head Hotel.

This grade II listed pub is now in retail use, though Vision Value, are it seems, on the move.

Lost pubs project.

Of course, every town had a Burton’s – the tailor of taste.

This post war infill has that distinctive Festival of Britain feel, original metal window frames, Portland stone and blueish slate like panels.

The revamped Frenchgate Shopping Centre, officially opened on October 4th 1968, has in places an upper tier, resistant to zinc over cladding.

The centre has been the heart of the city for over 40 years and was originally called the Arndale Centre because it was built, owned and managed by the Arndale Group. It was renamed in 1988 after a change of ownership, with the new name reflecting the name of the street which passes to the east of the centre and which is one of Doncaster’s main shopping streets.

The sale of the centre came just a year after Frenchgate had undergone a £200 million facelift to transform it into the country’s first shopping centre with integrated public transport and retail interchange.

Wikipedia

There are plans to rework the shopping centre.

We propose this is fundamentally transformed though the addition of apartments that wrap along the back of the first-floor retail with a further 2.5 new storeys placed on top. We also feel additional height -up to seven or eight storeys, is justifiable to the corner of Frenchgate and Trafford Way.

TODD Architects

The Lovers were once located in the Arndale, removed to a local garden, unloved – then later reinstated in the Waterdale Centre, where we will embrace them a little later.

Turn right to take in the 1920s mosaic remake remodel of the Grade II listed Blue Building.

The Blue Building which used to be the Doncaster Design Centre and Tourist Information Centre was originally the home of John Whitaker, a wine merchant, and son of James Whitaker who was Mayor of Doncaster in 1758.

In 1925 the complete building was demolished apart from the facade which was retained and given a facing of decorative blue tiles. The intention was to build a shopping arcade from High Street to Printing Office Street. Only part of the arcade, known as the  Westminster Arcade was built. It had a number of shops, the largest being that of Woodhouse & Co Furnishers.

Doncaster Heritage Trail

Two adjacent 60s extensions – to the right a redundant post office to the left an almost redundant telephone exchange, with the earlier brick built exchange in smack dab the middle.

Turn another corner and it’s all at the Co-op now – the Grade II listed Danum Co-operativeBuilding, department store and offices: 1938-40 designed by T H Johnson & Son for the Doncaster Co-operative Society Ltd. 

Over the road a zig-zag Halifax Building Society branch, tightly contorted by its corner footprint.

To the right of the Danum, this former Boyes store, having relocated to the Wilko site, the building is ripe for residential conversion.

To the left the Colonnades Shopping Centre a fierce angular glass and brick bunker of mixed office and retail space – the sole occupant seeming to be Home Bargains.

A £3.3m makeover of the Colonnades shopping mall in Doncaster town centre was completed in 2019.

The scheme of works was co-ordinated by Doncaster Council and funded by the Sheffield City Region Local Growth Fund.

Built in the 1980s, the brick built building received a major overhaul. The investment saw the visual appearance enhanced inside and out. The five floors were transformed into the prime office space needed in the town centre and the enhancements to the retail area were also finished.

The shift in the town’s axis to the Frenchgate and Market areas, seems to have taken the wind out of its sails.

The former flicks now a redundant pale brick behemoth – no more and ABC.

Architects: C Jack Foster and Alan Morgan

Doncaster’s new £250,000 ABC cinema, part of the Golden Acres development near the town centre, was opened on May 18th 1967.

Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the three screens for 477, 201 and 135.

The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film Doctor Zhivago.

Cinema Treasures

The Golden Acres development seemed to have morphed into the Waterdale Centre.

It is currently being reshaped to provide a line of desire twixt the Civic and Cultural areas, from the town centre. There are still the remnants of homes, shops and a pub amongst the demolition – almost inevitably there is new paving.

Waterdale is a well-known part of Doncaster’s town centre. During its heyday it was a bustling area with people flocking to shops and the like – it was a place you had to visit while you were in town. However, it had suffered a steady decline which continued when the southern bus station closed – Frenchgate Interchange opening, and Doncaster College moved to the Hub at the Waterfront. With limited public transport entering the area and no student population on its doorstep, less people had reason to pass through.

Demolition of the College.

The Civic and Cultural Quarter is transforming Waterdale reconnecting it to the town centre. The quality and content of the plans is raising the profile of this part of town to new levels. The carefully thought out layout and consistent building design is giving the area a clear identity. It is already becoming a big attraction that draws people in and encourages redevelopment in the neighbouring areas.

Doncaster Gov

The relocated Lovers are still in love.

The weary walker is diverted toward the Civic Quarter Car Park.

The former Civic Offices are to be demolished.

Demolition of the Central Library is well under way.

Facing the former library we find the CAST Theatre, Civic Buildings and Savoy Cinema, grouped around Sir Nigel Gresley Square.

Within the square is a frieze, salvaged from the former Gaumont Cinema, the work of sculptor Newbury Abbot Trent.

The Gaumont Palace Theatre in Hall Gate at the corner of Thorne Road, Doncaster opened on 3rd September 1934 with Jesse Matthews in Evergreen.

It was designed by architects WE Trent and W Sydney Trent.

In 1949 WH Price the Borough Surveyor produced an outline plan for the area, with a green space at its heart, it was never realised. In 1955 Frederick Gibberd produced his plan to include a ten storey Town Hall, Art School, Technical College and Civic Theatre, revised and reduced in 1963 – eventually his Police Station and Law Courts were completed in 1969.

The former NHS Clinic at the ‘T Junction’ is transformed into a day care service.

The former Museum and Art Gallery now an archive and local studies centre.

The building was designed in the office of the Doncaster Borough Architect’s Department in a team led by borough architect Mr LJ Tucker. 

The ceramic designs were a later addition when it was discovered that the large open areas of glass overheated almost everything inside, the work was undertaken by LJ Tucker and family.

The sculptural work by Franta Belsky, now has a skip for company.

As a footnote the work by Fabio Barraclough reveals a murky past.

Barraclough was born in Madrid in 1923, to a Spanish mother and Yorkshire father who founded Madrid’s Chamber of Commerce. He moved to London with his family in the 1930s as a refugee from Francoist Spain. He taught fine art and sculpture at Rugby School, where colleagues considered him “highly entertaining, a most unorthodox and highly gifted” teacher. He established himself during the 1960s and early 1970s as an authority on sculpture, publishing in academic journals and becoming a member of the Royal British Society of Sculptors.

In 2000, it was revealed that Barraclough, while outwardly living the life of anti-apartheid activist since the 1970s, had been a paid informant of the South African state security police. The media was used to promote his image as a “brilliant, liberal artist with apparently impeccable credentials” in order to gain public trust, while he was funnelling money from anti-apartheid groups to the police. He died on 6th January 2019.

Wikipedia

Over the way faros the green sward is St Peter in Chains RC – A large and striking design by JH Langtry-Langton, incorporating important furnishings by J F Bentley from the predecessor church, along with good furnishings of the 1970s. The churches houses the modern successor to the medieval shrine of Our Lady of Doncaster.

Figurative stained glass by Patrick Feeny for Hardman in 1973 and abstract glass fitted in 2000 as part of reordering and revival of the shrine.

Further information on Taking Stock.

A special mention for the Danum Cultural Hub

Designed by architects Bond Bryan and built by main contractor Willmott Dixon, the new cultural and learning hub has been created following the restoration of four existing buildings. 

A key focal point of the scheme is the restored frontage of the Edwardian former Doncaster High School for Girls, which has been framed by Senior’s slimline SF52 aluminium curtain wall and showcased within a new steel-frame building. The glazed facade, which was fabricated and installed by Senior’s supply chain partner Chemplas, also features Senior’s aluminium commercial doors.

RIBA Journal

Where I was delighted to see Sir Nigel Gresley’s hat.

Bradford Revisited

We arrive at and begin our journey at the Interchange – the bus station is closed, along with the station entrance.

Bradford accepts that it is a part of the Northern Supercity stretching from Coast to Coast – Liverpool to Hull. Every existing town and new settlement must be unique. People belong to their own hotspot as well as Coast to Coast. Bradford as a dispersed centre will give it individuality as well as becoming synonymous with the whole new city. Bradford is a mini version of the whole. It is composed of a series of mini hotspots which will each act as a focus for each square kilometre.

Bradford has the topography to allow every citizen to wake up to a view – both physical and mental. Their collective ambition can create a place of extraordinary difference.

Will Alsop

We have of course been here before.

Bradford Interchange will get a new entrance and other improvements to bring it up to standard, the city council said. 

The NCP car park on Hall Ings would be demolished to create a new pedestrianised entrance.

BBC

The Interchange opened in 1971 was the first of its kind in the country, designed by the BR regional team headed by RL Moorcroft and the City Architect.

Onward to the Magistrates’ Courts designed by City Architect Clifford Brown in 1972.

Bradford is in the process of paving and puzzling pedestrians, as it becomes City of Culture in 2025.

So we wind our way over the inner ring road, advisedly avoiding the filled in underpasses.

The former Central Library awaits us, designed in 1965 by Clifford Brown – a striking podium and tower, currently home to council offices.

Next door the Sir Henry Mitchell House home to the Children’s Services.

Sir Henry Mitchell 1824 1898 was a mill owner and Mayor.

Moving further along the Telephone Exchange of 1936, design by architect FA Key.

Partner to the Telephone Exchange of 1976 by architect Trevor H Hanson for PSA

The gates were open and we were afforded a view of these delightful vents.

Next to the Ice Arena topped off with Wardley House – Sanctuary accommodation for key workers and students.

Wardley House is equipped with all the modern amenities you need for a comfortable and connected life as a key worker. The rent includes high-speed broadband and building-wide Wi-Fi, utility bills, and contents insurance. Our top-notch facilities comprise a large common room with a pool table, flat-screen TV, and live BT Sport – the perfect social space.

Up the hill and around the bend to the University of Bradford – the main Richmond Building fronted by Joe Mayo’s tiles.

At the University of Bradford our focus is on creating the conditions for social, cultural and economic impact. We will achieve this by using our proud heritage as a springboard and remaining steadfast in our commitment to equality, diversity and inclusion. We will harness our strengths in research, innovation, teaching and partnerships to extend our reputation, influence and impact. All of this will create a values-led culture that is inclusive and effective in enriching lives and benefitting society.

The undercroft has undergone a major refurb rethink – transformed into a Goth Disco.

We emerge unscathed into the clear light of day and the BDP designed Chesham and Horton blocks.

The mosaic covered columns remain unclad.

Let’s hop to the Grade II-listed Co-op designed by CWS in house architect WA Johnson and JW Cropper in 1935.

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Demolished despite protests in 1960.

In 2019 the Architectural Heritage Fund announced a £5,000 Project Viability Grant to Freedom Studios Ltd.

The money funded a viability study to investigate the potential of building becoming a multi-use cultural hub.

As of May 2024, sadly there is no cultural hub.

Next we hot foot it to the Kirkgate Centre and Market – John Brunton and Partners 1975.

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

Janice Ivory and Lisa Donison didn’t hold back in their criticism of the centre in its current state.

Thank God for that, was Janice’s reaction to the news the building was set to be bulldozed, although an exact date for its closure remains unknown.

It’s just a concrete monstrosity, she said of its design, which Historic England said was lacking architectural flair.

It’s just an ugly building, added Lisa.

Once dubbed Bradford’s space age retail destination, Kirkgate Shopping Centre will soon be no more. 

The city centre landmark, which opened for business as an Arndale in 1976, has been denied listed status by Historic England – paving the way for its demolition.

BBC

Geoffrey Cowley from Wibsey, who was in town for an eye appointment, said demolishing it:

Might be the right thing to do.

There are plans to remove and display the William Mitchell panels along with these other examples of his work.

In-situ at Highpoint.

In storage – removed from the Bradford And Bingley Building Society.

Artist Bernd Trasberger plans an artistic project, which involves repurposing Fritz Steller’s tile works.

As Ken Kesey so rightly said – Further!

Up to Highpoint designed by John Brunton and Partners 1973.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

High Point is the perfect site for the first Radii development. Now perceived as an exemplar of the Brutalist style, this eight-storey titan, has languished derelict and in disrepair for many years in the heart of Bradford City Centre.

Our regeneration of High Point into an innovative residential apartment complex with a community at its heart, embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Sharp, chic and spacious apartments available. Furnished to the highest standards throughout and with the flex to provide you with office space if required – this is modern city living that’s easy on your eye and your pocket.

Radiiliving

And finally the cafe that is not a cafe – Fountains, where the griddle no longer grills, the lights are always out and the shutters tightly shut, ain’t nobody home.

Wishing nothing but well for this West Riding gem – Bradford City of Culture and cultures and culture.

Balmoral Car Park – Scarborough

North St Scarborough YO11 1LU

Last day of the holidays and we’re off to Balmoral!

No not that Balmoral the other Balmoral, the car park attached to the Balmoral Centre, built in 1974 – with little or no reference to the Highland baronial.

Though the old Balmoral Hotel had to be removed in 1973.

Scarborough is a beloved seaside resort and we’re pleased to have secured these well-known, popular parades, bringing them into our in-house portfolio.

We are committed to focusing our efforts on regional retail centres and neighbourhood parades where we can see there is incredible potential. The Balmoral Centre and Bar House provide us with significant opportunities to add significant value and we are already looking to identify how we can revitalise these centres further. We hope to make announcements on how we can achieve this over the next few months.

This is the Coast

The staff at this car park are always friendly and really helpful.

You can tell they take pride in their car park.

We stay in this car park every time we come to Scarborough and stay in Britannia hotels, we find it safe and secure to park your car, the staff are very helpful and polite and keep the car park in tip top condition.

We will always park here great opening and closing times also five minute walk to Royal and Grand Hotel and shops.

Parkopedia

It’s tucked in behind B&M

Don’t go up the ramp Steve, the entrance is around the corner.

Up in the lift to level six – to the East it was misty, whilst to the West it was not.

Down another level and still not a sign of any cars.

Back up to the top of the world.

Westfield Estate – Sheffield

I was asked to give a talk for Photo North in response to Sean Madner’s photographs.

Speaking on behalf of the Sheffield Modernists.

On the day, I was eager to visit the Westfield Estate for the first time.

Westfield Estate Mosborough, formerly Waterthorpe Farm Estate, a rural township which was subsumed by Sheffield’s expanding housing schemes.

Mosborough, a vastly expanding village, eight miles North East of Chesterfield and six miles South East of Sheffield.

Waterthorpe Housing Estate near Beighton named after Waterthorpe – formerly Walterthorpe Farm.

Path which goes behind houses on Short Brook Close 1974

The Waterthorpe and Westfield housing estates were built from mid-1970s and were added to over a number of years. Eventually linking with both the old council estate of Beighton and the new estate of Halfway, the estates house a condensed significant number of almost wholly local authority owned properties following the phasing down and demolition of the original estates around Parson Cross and Shiregreen in the north of the city.

Wikipedia

Eastcroft Glen 1986

May Tree Lane

Archive photographs – Picture Sheffield

So I jumped the tram from Sheffield Station to Halfway alighting at Waterthorpe.

A long rambling ride, rolling in and out of rolling hills.

I headed over the footbridge and into the heart of the estate.

Concrete Chalets Again – Scarborough

Well here we are again.

Previously on Modern Mooch.

The wind, sea, rain and sand continues to erode the beleaguered beach huts.

Moore Street Substation – Inside Out

I have walked around the exterior on more than one occasion.

This concrete enclosed, collection of transformers and switchgear.

Electricity substation. 1968 to designs by consulting architects Jefferson, Sheard and Partners, Sheffield, led by Bryan Jefferson, in association with the Regional Civil Engineers’ Department of the CEGB North East Region. Contractors, Longden & Sons Ltd, Sheffield. Reinforced concrete frame with board-marked finish with formwork bolt marks, construction and daywork joints emphasised, concrete floor slabs, blue engineering facing bricks, cladding panels of Cornish granite aggregate.

Historic England

The good folk at Sensoria and The Black Dog staged My Brutal Life inside the building – using the void created by the non-expansion of expanded demand for electricity.

The exhibition features work by Bill Stephenson, Mick Jones, Mandy Payne, Martin Dust, Scott Amoeba, Richard Davis, Jen Orpin, Alun Cocks, Human Studio, Sean Madner, Helen Angell and The Black Dog.

Let’s take a look outside inside out.

Thanks.

Martins Bank – Eyre Street Sheffield

176 Eyre Street Sheffield Yorkshire S1 4QZ

Opened in 1961, Martins Bank’s branch at Sheffield Moor is new and purpose built, occupying space left in the Sheffield Moor area by the bombing of the second world war. Time flies however, and more than fifty years on, the building is empty and awaiting the next chapter of its life.

Note the olivetti shop incorporated into the bank building.

Our New Branch at Sheffield Moor owes its existence to the extensive replanning of this area of Sheffield. Part of it was destroyed during the war and the remainder has been or is in course of being pulled down as the plan unfolds for the creation of a brand new shopping area.

It is really too far from the old commercial quarter to be effectively served by our branch at West Street and so the banks are moving in. It is a beautiful modern building with interior decor which responds to the full blaze of sunshine most cheerfully, or, on a dark day when the illuminated ceiling has to be switched on, creates an oasis of light, warmth and welcome which makes it a pleasure to step inside.

Martin’s Bank Archive

Today the building is, sadly, a shadow of its former self.

Other Sheffield banks are available- William Deacon’s, where refurbishment seems to be taking place.

some images © Martins Bank Archive Collections

Burdock Way – Halifax

One man who saw the wisdom of building a road infrastructure to deal with high volumes of traffic passing through Halifax and to provide convenient links to the M62.

That man was prominent town councillor John Burdock.

Burdock Way, the modern flyover system, was opened in 1973 to take the A58 and A629 traffic over the River Hebble.

Peter Tuffrey: From The Yorkshire Post Archive

Faced with the problem of very high volumes of through traffic in its town centre, and with the impending construction of the M62 too far to the south to provide relief for the town, Halifax needed a bypass. The steep sided valley that the town centre inhabits prevented a conventional road from being built around the town, and so in the early 1970’s construction began on Burdock Way – one of the most adventurous relief road schemes built in Britain, certainly by a town the size of Halifax.

Only one phase of the futuristic road was ever built, but what exists is a partially grade-separated dual carriageway that runs through deep trenches and over tall viaducts close to the heart of the town. At its eastern end is a truly byzantine piece of traffic engineering that stretches the definition of a roundabout to its limit.

Roads

In October 1971 the official celebrations went anything but according to plan. It had been decided to give the people of Halifax a half day holiday so they could attend the opening, but there were not enough police on duty to control the sightseers. It was impossible to get complete silence for the speeches and arrangements to tell the artillery guns at Southowram Road when to fire broke down. They were fired prematurely while an archdeacon was offering prayers. The Mayor, HC McCrae, finally managed to announce that the bridge was officially open and he scurried back to the town hall where he hosted a banquet.

Burdock Way has never been fully completed as it is missing certain sections envisaged in the early 1960s plans. There are a number of reasons for this, but it is mainly owing to West Yorkshire County Council’s cost cutting in the 1970s. 

Yorkshire Post

This is the Valley of the Gwangi in the West Riding – minus the dinosaurs.

An urban chasm, the gulf between everything and nothing.

North Bridge is a Victorian iron and stone bridge crossing the valley of the River Hebble, connecting the town to roads to Bradford and Leeds. Replacing an earlier six arch stone bridge it was raised to allow the subsequent construction of the Halifax High Level Railway beneath it, along with an adjoining station.

Opened in 1871 amid chaotic crowd scenes it carried increasingly heavy traffic until it was by-passed by the Burdock Way in 1973.

It remains in use for local traffic.