Bouncing betwixt and between Bonnard and Bill Viola from Tate Modern to the Royal Academy I took a detour to The Barbican – in search of the Dorothy Annan tiled mural.
Having failed conspicuously to find it, following an extensive and discursive wander, I did the wise thing and asked.
My thanks to the helpful resident and his young son.
Redirected and on course for our deferred engagement, Dorothy and I met at last on an underpass.
I also recently discovered a Barbican Manchester mash up – Gerrards of Swinton fulfilled their largest ever single order for the site – my thanks to David Roughley for the information and illustration.
Heaton Norris Park’s elevated position gives stunning views of the Stockport town centre skyline and of the Cheshire plain. The central position of the Park means that it is a green retreat for shoppers and local residents. Also it is within easy reach of the Stockport town centre. The land for this park was acquired by public subscription and as a gift from Lord Egerton.Work on laying out the site as a public park began in May 1873, and it was formally opened on June 5th 1875. Since then it has undergone a number of changes. The construction of the M60 has shaved several acres off the park’s size.
The park began life as Drabble Ash Pleasure Gardens – entrance strictly by token only, as commemorated on the BHS Murals in Merseyway.
5 November 1905 – Edward VII declares his eldest daughter The Princess Louise, Duchess of Fife, the Princess Royal.
He also orders that the daughters of Princess Louise, Lady Alexandra Duff and Lady Maud Duff are to be styled as Princesses of the United Kingdom of Great Britain and Ireland with the style Highness.
So they built a big bonfire on bonfire night at Heaton Norris Park – sometimes they still do.
In 1935 the area seems to be little more than windswept cinders and thin forlorn grass, traversed by broad uneven paths – overlooking the dark industrial mire below.
Into the 1960s and although now there is the provision of a children’s play area, the park is still in need of a little more care and attention, the immediate surroundings a dense dark warren of industrial activity and terraced housing.
In 1968 the construction of two twelve storey Stockport County Borough Council residential blocks begins, alongside the recreation grounds, Heaton and Norris Towers, creating 136 new homes.
The 1970s sees the banked gardens bedded out with summer flowers and a crazy golf course on the edge of the bowling area. Both of these features are now a thing of the past, the future financing, care and maintenance of our parks is always precarious, especially during times of central government funding cuts and enforced austerity.
The park now has a Friends group to support it, along with I Love Heaton Norris. The area is cared for and used by all ages and interests children’s play, bowls, tennis, conservation area, football, picnic and floral areas – somewhere and something to be very proud of, social spaces for sociable people.
Mitzi Solomon Cunliffe January 1st 1918 December 30th 2006
American born, resident of Didsbury Manchester, sculptor and designer, responsible for, amongst other things, the BAFTA mask.
Her first large scale commission was two pieces for the Festival of Britain in 1951. One, known as Root Bodied Forth, shows figures emerging from a tree, and was displayed at the entrance of the Festival. The second, a pair of bronze handles in the form of hands, adorned the Regatta Restaurant. She created a similar piece, in the form of knots, in 1952 which remains at the School of Civic Design at Liverpool University, along with The Quickening in the rear courtyard.
Cunliffe developed a technique for mass-producing abstract designs in relief in concrete, as architectural decoration, which she described as sculpture by the yard. She used the technique to decorate buildings throughout the UK, but particularly in and around Manchester.
Particularly this example of four modular panels named Cosmos, set in the wall of the student halls of residence in Owens Park, Fallowfield, Manchester.
Sited on Deiniol Road Bangor, the 1970’s laboratory building of the University is often cited as the ugliest building in Britain.
Erchyllbeth y flwyddyn posits Mr Madge.
It was never going to win that many friends in a city of Victorian brick and stone.
The University along with the GPO have dragged Bangor kicking and screaming into the Twentieth Century, dotting the landscape with post war architecture – though try as a I might no record can be found of the Brambell Building’s history or authorship.
Suffice to say that it has survived the slings and arrows of cultural and local vocal criticism and continues to function as a scientific research centre of some standing.
And as an addendum the adjacent and equally surviving Chemistry Tower seems to have weathered the winters of discontent.
Built in 1973 scheduled to be closed and demolished in ten days time.
The future is not so red rosey for yet another traditional local market.
A typically boxy arrangement of steel, concrete, asbestos glass and brick, the complex of trading units, stalls and parking is not without charm. Though as with many other developments of its type, it seems to be without friends, then inevitably without customers and traders.
Following a template originated at London’s Borough Market, developers and councils seem to favour the modern artisan over the proletarian . This concept when meshed with the multi-plex and chain restaurant/bar amalgam, provides a shiny new future, for the shiny new shape of all our retail and leisure needs.
So ta-ta to another world of hats and socks, fruit and veg, workwear for workers.