Collyhurst Cheetham Circular

It’s Friday, the rain has almost stopped and I have a job to do.

The putative William Mitchell totem in Eastford Square is being moved.

Having taken a particular interest in this particular piece of public art for some time – I need to go and take a little look.

But what will we see along the way, as we hasten along Rochdale Road?

Which once looked like this, way back when in 1904.

Though some things inevitably come and go, as some things are prone to do.

The city is undergoing yet another reinvention as Manchester becomes – an attractive place to invest and do business.

See, I am doing a new thing!

Now it springs up; do you not perceive it?

I am making a way in the wilderness and streams in the wasteland.

Isaiah 43:19

Once there was a gas works here – adjoining Gould Street, seen here in 1958.

The Gould Street Gas Works was a gas manufacturing plant located in Manchester, England. Originally built in 1824, the plant was operated by the Manchester Corporation Gas Department and was in operation from 1833 to 1969. It was named after the street on which it was located, which was named after John Gould, who was a prominent Manchester businessman in the 19th century.

Derelict Manchester

The Gasworks New Town neighbourhood is one of seven envisioned by the £4bn Victoria North masterplan. It will feature nine buildings ranging from 8 to 34 storeys. The 6.6-acre site has most recently been home to a car park but the green development will overwhelmingly prioritise walking and cycling over driving. It will result in tens of millions of pounds being pumped into the city’s economy over the lifetime of the development.

Plans for a trailblazing city centre regeneration scheme that will create more than 1200 homes has been approved by Manchester City Council.

MCR Property

A total of 85 of the 1200, will be affordable homes available through Shared Ownership. 

Though as of March 31st 2023 ground is yet to be broken, no signs of the:

New centre of gravity for central Manchester that will create thousands of jobs and inject tens of millions of pounds into the city’s economy.

So you zig-zag wanderers, make the most of these wide open expanses of affordable car parking, while you can.

The future may yet be here today – or the next.

Let’s duck under the railway, through this sad damp pedestrian tunnel – the domain of the cash strapped daytime drinker, transient tagger and disaffected leaflet distributor.

Next thing you know you have emerged into the daylight on Dalton Street – we have been here before seeking the Collyhurst Cowboy.

Photograph: Dennis Hussey

Onwards to Eastford Square.

The shops and maisonettes are due to be demolished any day now – no longer to gaze open-eyed upon the former quarry of Sandhills.

Around the front the diggers have been a digging – digging up around the base of the totem.

The work is to be re-sited by the nearby tower blocks.

The end is nigh.

Heading now for Collyhurst Road and the Irk Valley – seen here in 1960.

Looking back on the Square and the Dalton Street flats – Humphries, Dalton, Roach, Vauxhall and Moss Brook Courts under construction.

Vauxhall Street now but a shadow of its former self – the last traces of industry long gone.

Reclaimed over time by trees and dense underbrush.

Crossing Collyhurst Road and up and over the railway via Barney’s Steps also known as the Lowry Steps.

LS Lowry

By the late 1950’s the whole of this area which we called Barney’s Tip became a refuse tip for Manchester City Council.

Britain from Above

The area is in the process of being reconfigured as a delightful country park.

The investment will also help develop an initial phase of the planned City River Park incorporating St Catherine’s Wood as part of a network of public open space, including improvements along the River Irk and works to improve flood resilience, unlocking the potential of the Irk Valley that will characterise the wider Northern Gateway project.

About Manchester

The first phase of the City River Park will begin work to transform former railway architecture to develop the new Viaduct Linear Park north of Victoria Train Station, new stepped public realm space – Red Bank Terraces, along with new green space by the River Irk and the key improvements to St Catherine’s Wood.  

Manchester Gov UK

The Victoria North Express is coming your way!

Pressing on we pass the Showman’s quarters.

Collingham Street is lined with trucks, trailers, stalls and mobile homes.

But there’s nothing temporary about this Cheetham Hill neighbourhood; most residents have lived here for years and many plan to spend the rest of their lives here.

Founded more than forty years ago, it was created by the Showman’s Guild of Great Britain – and it’s reserved exclusively for fairground workers both retired and current.

Built on Queens Road tip, a former rubbish dump, and rented out by Manchester Council, many of the 52 homes belong to older retired showmen or families for whom an itinerant lifestyle has become more challenging.

It’s a close-knit community with a unique shared history.

MEN.

Emerging eventually onto Rayburn Way.

Home to the Eden Girls Leadership Academy and Eden Boys Leadership Academy.

And a whole host of delightful light industrial units.

Let’s all go west – along North Street.

On the corner of Derby Street and Honey Street we find Hamnett & AndrewInsuflex Works

Later transformed into Linen Hire, though I fear that further linen hire may well be in abeyance, on a permanent basis.

What was happening at the Queens Arms back in 1966?

These were the older premises.

Then next door, the newer premises.

Photo: Alison G

The Queens Arms was held in high regard amongst the real ale crowd and had been a regular fixture in the Good Beer Guide.  

As recently as 2007 it was named the City Life Pub of the Year, 

Empress Brewery Co Ltd – 383 Chester Road, Old Trafford.

Registered as above May 1896 – 236 public houses. 

Acquired by Walker Cain Ltd. 1929 and brewing ceased.

Brewery History

The pub was extended in 1987.

Seen here in 2015 closed for the foreseeable.

Recently becoming Flamingo – well strike me pink!

Though not without its own particular issues it would seem, according to the MEN.

The licensing out of hours team has received noise complaints relating to the premises which was found to be open beyond permitted hours when visited. Officers also identified breaches of the Health Act during inspections in which people were seen smoking shisha pipes in an enclosed extension at the back.

We will leave the Flamingo be and head back into town – but not without giving a nod to this confusing collision between this self-made scrapyard-man chic gate and the ever changing skyline of overheated urban regeneration.

The new creation has come: The old has gone, the new is here!

Corinthians 5:17

Archival photographs – Manchester Local Image Collection

Prifysgol Abertawe – Swansea University

Campws Parc Singleton – Singleton Park campus

Whilst visiting the city for the launch of the Swansea Modernist’s book Abertawe Fodernaidd – it seemed only fitting to visit some Swansea Modernism.

Two weeks previously I had found myself at Aberystwyth University.

So I walked along the edge of the bay and cut up through the park to the University.

Singleton Park, and the Abbey, in which the university sits, were given to the borough of Swansea by John Henry Vivian, the 19th century Swansea copper magnate. The abbey was given to the university in 1923, but other campus developments, by and large, had to wait until after WW2, when a significant building programme was undertaken

The University’s foundation stone was laid by King George V on 19 July 1920 and 89 students (including eight female students) enrolled that same year. By September 1939, there were 65 staff and 485 students.

In 1947 there were just two permanent buildings on campus: Singleton Abbey and the library. The Principal, J S Fulton, recognised the need to expand the estate and had a vision of a self-contained community, with residential, social and academic facilities on a single site. His vision was to become the first university campus in the UK.

By 1960 a large-scale development programme was underway that would see the construction of new halls of residence, the Maths and Science Tower, and College House – later renamed Fulton House. The 1960s also saw the development of the “finite element method” by Professor Olek Zienkiewicz. His technique revolutionised the design and engineering of manufactured products, and Swansea was starting to stake its claim as an institution that demanded to be taken seriously.

Work began on the student village at Hendrefoelan in 1971, the South Wales Miners’ Library was established in 1973 and the Taliesin Arts Centre opened on campus in 1984. The Regional Schools of Nursing transferred to Swansea in 1992, and the College of Medicine opened in 2001. Technium Digital was completed in 2005 and, barely two years later, the University opened its Institute of Life Science, which commercialises the results of research undertaken in the Swansea University Medical School. Work commenced on a second Institute of Life Science in 2009.

In 2012 we began an ambitious campus expansion and development project, including the opening of our Bay Campus in 2015; which is home to the College of Engineering and the School of Management. In 2018 we opened the doors to two further projects, The College; Swansea University’s joint venture with Navitas (The International College Wales Swansea, ICWS) and the Computational Foundry; the home of the College of Science’s departments of Computer Science and Mathematics. 

Swansea.ac.uk

Before we get to the academic buildings here’s the Finance Building.

Formerly the School of Social Studies Building – Architects: Percy Thomas & Son 1960

RIBApix

Having been gifted the Singleton Abbey – the 1937 Library was the first new build on the site.

A competition was held in 1934 to find an architect to design a new library building.

The winner was Verner Owen Rees, a London architect with Welsh heritage. The Library opened in the autumn of 1937 and was known as the ‘New Library’, and has later become known as the ‘1937’ or ‘Law’ Library.  Miss Olive Busby, who had been the University’s librarian since 1920, moved to this new building and was famous for patrolling it for the next twenty years, ensuring everyone was being quiet!

Swansea.ac.uk

RIBApix

Around the corner is the building is The Mosque.

Next we encounter the Library and Information Building – Architects: Sir Percy Thomas & Son 1963

RIBApix

Onward to the Talbot Building

Then a swift right into the lea of the Faraday Building.

Walking beneath the Faraday Tower and looking back.

To our right Fulton House – This was built 1958-62 by Sir Percy Thomas & Son – design partner Norman Thomas. The decorative scheme in the main hall is by Misha Black; the panels of The Rape of Europa by Ceri Richards are an addition of 1970.

Fulton House, which was called College House from when it first opened in 1961 until 1986, is one of the most historically significant buildings on the Singleton Campus. Throughout the early 1950s, extensive plans were put in place to expand the Singleton site. At the core of this vision was a large building that could act as a meeting place, and a social and academic hub. This is what it became after 1961. The building contained common rooms, a music room, a coffee lounge, an extra library, a book shop and a barber’s shop.

Swansea.ac.uk

Photo: John Maltby

The building has a fine array of stairways.

And decorative details.

A recent addition Lifelines by Glyn Jones 1979.

This large wall hanging measuring H305cm x W620cm hangs on the wall opposite the Ceri Richards paintings. The hangings were very dusty and the nails holding the piece up were rusty. We were able to interview the artist to find out more about how the hanging was made. Glyn Jones used a blow torch to apply pitch and PVA medium to canvas and skrim fabric that he then attached to a geometric rope structure. Gouache paint was used and a solvent fixative spray allowed the colours to become imbibed into the PVA film. The hanging was made in six panels and then the horizontal rope ends glued together on site. These glued attachments had failed several times in the past and Jones had fixed them. With his permission we decided to come up with a new approach to these fixings. After cleaning the panels, we adhered magnets into the ends of the ropes so that they would click together easily. We reinforced the vertical ropes between the sections with nylon thread. Strong polyester was attached to the back of the top edge allowing a new hanging system where the strips were screwed into the wooden fixing battens. The hanging now looks much brighter and more colourful and detaching rope problem has been permanently resolved.

International Fine Art Conservation Studios

This generously spaced mural in the form of three splendid green, red, and blue shields in glazed plastic material and black cording is a creation in which the artist, Mr Glyn Jones symbolically portrays the Holy Trinity 

The centre shield, in green, represents God the Father as creator and sustainer.

On the right of the centre shield, that is on the right hand of God the Father, is the red shield which represents our Lord and Saviour.

On the left of the centre shield, that is, on the left hand of God the Father, is the blue shield which represents the Holy Spirit.

In other ways the mural is modern in its abstract technique. Its basic symbolism is simple: a shield is for protection and green fertility sustains all life. Mr Glyn Jones is to be congratulated on a study which appealingly and joyfully presents the Holy Trinity as a protective and creative life-force that is yet associated with the Cross. His is a new and attractive achievement in the artistic tradition of Celtic Christianity.

Steve Williams

Cutting back to the Digital Technium

Controversially plans for a £30 million Student Activity Centre at Swansea University’s Singleton campus have been revealed.

Bosses say the centre will form part of a new Student Precinct and, subject to planning permission, will replace the former Digital Technium building which was built in 2003 at a cost of £9.5million.

The scheme will replace the existing Digital Technium building and will be linked to the adjacent Grade II listed Fulton House, which will also be refurbished. Together, they will form the core of the new Student Precinct. Designs to resolve the surrounding streetscape and provide new access routes across the campus are also included.

Stridetreglown

Next to the Taliesin Arts Centre Architects: The Peter Moro Partnership 1984

Peter Moro is the forgotten co-designer of the Royal Festival Hall. A German émigré who had worked with Berthold Lubetkin’s famed practice, Tecton, in the 1930s, Moro was drafted in to help realise the Festival Hall in just two short years, in time for the Festival of Britain in 1951. With a team of his former students, he created many of the interiors we see today. For Moro, the Festival Hall was a stepping-stone to a career designing many of Britain’s finest post-war theatres, particularly Nottingham Playhouse, Plymouth Theatre Royal, and the renovated Bristol Old Vic. He and his colleagues also designed some exceptional one-off houses, as well as exhibitions, university buildings, schools, and council housing, collaborating with leading talents such as the designer Robin Day.

docomomo

Also notably the Gulbenkian Theatre at the University of Hull

Set in the heart of Swansea University’s Singleton campus we exist to enrich the cultural lives of individuals and communities across the region,  presenting arts experiences for audiences in our spaces and on the streets of Swansea.

Recently reshaped internally by Rio Architects.

Carl Cozier aka Holy Moly has added decorative details to the site.

Next door the Keir Hardie Building and its Neighbour the James Callaghan Building.

Heading back on ourselves toward the Wallace Building.

Percy Thomas was commissioned to design new buildings for science and engineering, but these plans were thwarted by cost constraints. However, following the appointment of John Fulton as principal in 1947, Thomas was re-engaged to prepare a new development plan.

British Listed Buildings

Of particular note are the cast panels forming a horizontal band along the elevation.

The entrance porch has a fine ceiling.

Along with etched glass window detailing.

Echoed in the stairway’s glass infill.

Opposite we find the Grove Building.

Alongside the Glyndŵr Building.

Heading now to the student residences the rear of Fulton House to the right

Swansea University Alumni Network

The earliest halls can be seen at the centre of this postcard.

Also to the left of this later postcard.

This card shows the Singleton campus of Swansea University. Top right, the abbey which was the university’s original building; beyond that the houses around St Helens – the sports ground where in August 1968 Sir Gary Sobers scored six sixes in an over for Nottinghamshire against Glamorgan.

wonkhe

Charlestown Towers

We have previously taken a look at Deepdale Court.

I returned last week to look at the remaining blocks.

Cartmel, Rusland and Somerton are all social housing.

Kentmere and Whitebeck have been adapted for senior citizens managed by Northwards Housing.

Freshfields formerly Grisedale is owned by private developers LPC Living and converted into a block of one, two and three bedroom homes.

Now, they boast floor-to-ceiling windows in the living spaces, modern fitted kitchens, and light wood-effect floors. Some also come with balconies.

A penthouse apartment, sold for £135,000 in 2008, even has a wrap-around outdoor terrace.

Manchester Evening News

The circular tiles within Grisedale’s entrance have been covered or removed.

Tower Block – 1987

Tunstall Court and Skelton Court have been demolished.

Let’s take a look back at the building of Victoria Avenue East – seen here in 1922.

The demands of an expanding industrial base and population created the need for new roads and housing.

There was subsequent development of inter-war semi-detached homes.

The urgent post-war need for temporary accommodation – was met by prefabricated structures.

Manchester City Council agreed to use the Phoenix model for their prefab estates.

A total of 43,206 Phoenix prefabs were built across the country, each one designed by the John Laing Group.

The Phoenix, designed by Laing and built by themselves as well as partners McAlpine and Henry Boot, looked much like an AIROH with a central front door. It was a two-bedroom in-situ preform design with steel frame, asbestos clad walls and an innovative roof of tubular steel poles with steel panels attached. Like all designs, it came pre-painted in magnolia, with green highlights on frames and skirting.

Phoenix prefabs cost £1,200 each constructed onsite, while the specially insulated version designed for use on the Isle of Lewis in the Hebrides cost £2,000.

Wikipedia

The prefabs were eventually demolished and along came the tower blocks – Architect J Austen Bent, whose work we have seen on the Wythenshawe Walk

In the distance Chadderton Power Station – demolished in 1986.

Photographs – Local Image Collection

Here are the blocks prior to and during the current renovation programme.

Kentmere

Cartmel

Somerton

Rusland

Here are the group as of February 2023.

I was thrilled to find that each of the blocks had variants within the typology of handmade tiles.

Kentmere

Somerton

Cartmel

Rusland

There seems to be no record of attribution for these tiles – happily they are still extant.

Go and take a look.

Prifysgol Aberystwyth University

Prifysgol Aberystwyth University – Penglais Campus SY23 3AH

Led by London Welshman Hugh Owen, a small group of patriots sought from the 1850s onwards to raise enough money by public and private subscription to establish a college of university status in Wales. A project of enormous ambition, the University opened its doors in 1872 initially with a handful of teachers and just twenty five students in what was then a half-finished hotel building – the Old College on the seafront. 

The first decade presented many challenges for the University’s survival. The generosity of a few individual benefactors and organised appeals for support from the ordinary people of Wales kept the University in being, and, perhaps more importantly, deeply rooted it in the minds and the affection of the Welsh people. A matter of considerable pride is that the University has made a significant contribution to the education of women, being one of the first institutions to admit female students. 

Since those early days, Aberystwyth University has gone from strength to strength and now has more than 6,000 students and 2,000 staff. As the institution grew, its main campus moved from Old College on the seafront to Penglais Hill. This finely landscaped site enjoys spectacular views over the historic market town of Aberystwyth and the Cardigan Bay coastline. New buildings, including major arts and science developments, halls of residence, a magnificent Arts Centre and sports facilities are located here.

aber.ac

1947 and the site is developing behind the National Library of Wales.

In 2023 we closely encounter – the Visualisation Centre Mathematics and Physics Department

Opened in 2007 – designed by Boyes Rees Architects.

Sadly a Welsh architecture practice which has ceased trading under the burden of late payments, leading to the loss of forty jobs.

BBC

Its near neighbour is the Cledwyn Building – Architect: Sir Percy Thomas 1883-1969.

It has recently been Grade II listed.

In 1935 Percy Thomas prepared a plan for the layout of a new campus, and was appointed as architect for the first three buildings to be constructed – Cledwyn, Pantycelyn and the swimming bath.  This marked the beginning of the move away from the college by the sea to the college on the hill. 

Built in a simple Georgian modern style, faced with Forest of Dean stonework, the building’s main entrance features a broad architrave adorned with low reliefs of agricultural scenes, and there are decorative circular stonework emblems in between the windows of the upper floor.

The carved stone work is by David Evans.

A Manchester-born sculptor who attended the Manchester School of Art, and won a scholarship to the Royal College of Art. After active service in the World War I, he resumed his studies at the Royal Academy, where he was instructed by Francis Derwent Wood. In 1922, he won the Landseer Prize and later went to work in the British School at Rome. He had been exhibiting at the Royal Academy since 1921. His works from the 1920’s are mainly highly stylised religious and mythological themes. 

During his stay in the United States, he executed some significant work for public buildings in New York. The locations there included Rockefeller Center, Radio City, Brooklyn Post Office, a bank on Wall Street, St Thomas’s Church on Fifth Avenue.

Here are the four decorative panels placed higher on the building.

Liss Llewellyn

Next to the Llandinam Building

Seen here under construction in 1963

On completion in deep winter.

Tucked away at the back is this decorative concrete relief lacking attribution but gaining an ashtray.

Backtracking now to the Physical Sciences Building completed in 1962 and opened in 1963 – Sir Percy Thomas Partnership

August 1st 1962: Arthur Chater

Immortalised in this elegant educational stamp set – designed by Mr Nicholas Jenkins of the Royal College of Art 

To the right of the entrance this striking mosaic – action is ossified in the manner of a semi-permanent Pollock.

Aberystwyth Arts Centre is one of a number of campus buildings designed by Dale Owen of Percy Thomas Partnership, and completed in 1970-1972.

Built to a strongly horizontal design using grey granite aggregrate, the facade is essentially an overhanging rectangle framing of glass with an off-centre overhang. The position of the building providing unobstructed panoramic views over the main piazza style concourse and the sea beyond.

Coflein

Ribapix: Stewart Bale 1970

Let’s take a look inside the Arts Centre – to the right an exceptional collection of ceramics.

At its inception the reception area – an exemplary example of integrated interior design and architecture.

Ribapix: John Maltby 1970

David Tinker’s striking cast aluminium relief.

David began lecturing at Cardiff College of Art, later teaching and holding administrative posts at University College of Wales in Aberystwyth, retiring in 1988 as director of the department of visual art.

ARTUK

David Tinker was prominent in so many aspects of the visual arts in Wales throughout the second half of the 20th Century as a painter, sculptor, teacher, and stage designer. 

Tinker is perhaps best known as one of three originators of the 56 Group with Eric Malthouse and Michael Edmonds, the new generation of young artists in Wales who were interested in modernism and keen to ally themselves to the international art world. 

The 56 Group had no manifesto and for the most part they acted as an exhibiting co-operative; not all were abstract painters and their work was stylistically very different from one another, but all shared radical ideals. Their orderly revolt against the establishment was unique in the history of art in Wales. 

They championed abstraction and allied themselves to European and American modernism, at a time when painters in Wales were being commended for recording the urban, rural and industrial face of Wales and its inhabitants. 

As might be expected, the art establishment more readily accepted 56 Group avant garde works, and those artists who had been achieving some success as painters of the contemporary scene suddenly found themselves side-stepped, and labelled parochial. 

The period 1966-1974 saw in his paintings a move toward hard-edged abstraction in which Tinker employed geometry-based structures, simple arithmetical problems, colour mixed from a restricted palette, and gentle tonal gradation. 

Free Library

Huddersfield Re-walked

I have walked this way before.

More than once, though that’s no reason not to do so again – so I did.

Saying hello to Harold.

Harold saying hello to us:

Nostalgia won’t pay the bills; the world doesn’t owe us a living; and we must harness the scientific revolution to win in the years to come. This scientific revolution is making it physically possible, for the first time in human history, to conquer poverty and disease, to move towards universal literacy, and to achieve for the whole people better living standards than those enjoyed by tiny privileged classes in previous epochs.

He warned change would have to reach every corner of the country; The Britain that is going to be formed in the white heat of this revolution will be no place for the restrictive practices or for outdated methods on either side of industry.

Fabian Society

Standing sentinel over one of Nikolaus Pevsner and John Betjeman’s favourite railway station front elevations.

Through a passage darkly.

Emerging into the light of day and the demolition of the Kirklees College 1969-72 by Borough Architect Charles Edmund Aspinall.

My thanks to the Metropolitan team who invited me in beyond the barriers.

We provide safe and efficient demolition services across a broad range of projects, from the small domestic dwelling to  large scale industrial units – we offer the complete solution. With excellent communication and impeccable health and safety standards, we can project manage the decommissioning a structure on time and on budget.

Edward VII is under wraps.

Everything else is up for smash and grab – including the later concrete block immortalised by Mandy Payne.

LIDL is coming – and some homes

The final details have now been signed off by the council and work on the six-acre site – which includes the Grade II-listed original Huddersfield Royal Infirmary – can now begin.

The vandal-hit and fire-damaged late 1960s and early 1970s college buildings are to be demolished and Lidl will build a new supermarket with a 127-space car park. The store will eventually replace the store on Castlegate.

The former hospital will be retained and the site will see 229 apartments and an office complex. The apartments are expected to be for older or retired people.

Huddersfield Hub

The inter-war infirmary is also destined for an imminent demise.

Next we take a turn around the bus station.

Changes are afoot for the buses.

Huddersfield’s £20M game-changing bus station is set to be completed by the end of 2025 with a living grass roof, sixty bike cycle hub, upgraded shops and new facilities

The project between West Yorkshire Combined Authority and Kirklees Council aims to transform one of West Yorkshire’s busiest bus stations, and uplift the area that surrounds it.

Over the way this diminutive commercial building – with a distinctive rectangular stopped clock and boldly incised gold leaf heraldic device.

Architects: Ronald Ward & Partners.

The same crew were also responsible for Millbank Tower

Crossing the road to the Civic Centre and the perennially empty piazza which along with the Magistrates Courts and Police Station was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Walking excitedly toward the Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble.

Magistrates Courts

Police Station

Dick Taverne served under Harold Wilson’s premiership in the 1960s, he served as a Home Office Minister from 1966 to 1968, Minister of State at the Treasury from 1968 to 1969 and then as Financial Secretary to the Treasury from 1969 to 1970.

In 1970, he helped to launch the Institute for Fiscal Studies, now an influential independent think tank and was the first Director, later chairman.

Wikipedia

A view up the road to Buxton House – Contractor J Gerrard.

J Gerrard & Sons Ltd’s tender for the contract was £146,210. 

The Queensgate Market and Piazza Centre is at the heart of redevelopment plans.

The vision is to create an inclusive space where families, residents and visitors can enjoy a vibrant mix of music, arts, food and more in one central area, overlooking a stunning new urban park.

Kirklees Together

The Market is currently closed.

The Piazza repurposed – currently housing the regeneration exhibition.

The council plans to demolish the Piazza Centre and create a new events/live music venue, a food hall, a museum and art gallery, a new library and a new multi-storey car park, all centred around a new Town Park.

Huddersfield Hub

I do hope that the decorative panels and door handles survive.

Wandered around the University Campus as the light faded.

Barbara Hepworth Building Architects: AHR

Named after one of the Twentieth Century’s finest artists, the space nurtures a new and inspired generation of designers. Through visual and physical connection, the environment encourages students to work together, stimulating communication and ingenuity, the ingredients of successful collaboration.

Take that to the bank/s

Keep savin’, keep buildin’
That interest for our love
Take that to the bank
Keep savin’, keep buildin’
That interest for our love
Take that to the bank

Shalamar

HSBC was designed by Peter Womersley, who also designed the thoroughly modern private house, Farnley Hey, near Castle Hill, which won the RIBA Bronze Medal in 1958.

Halifax Building Society

Having walked around town for more hours than enough I sought respite in The Sportsman and a glass of Squawk multi-berry fruited sour

Deepdale Court – Blackley

Deepdale Court Northwold Drive Manchester M9 7HX

On the way betwixt somewhere and there I took time to come here.

A tower block on high ground on the edge of Blackley.

One of nine seventeen-storey blocks containing eight hundred and forty six dwellings.

Committee approval date: 1967

Building contractor: Direct Municipal Labour

The two blocks that were demolished were Tunstall Court and Skelton Court.


Freshfields as listed is the new name for Grisedale Court as was sold by council and now private flats.

There are 16 floors in each block, 15 on one side and 16 on the other side

This area is known as the Charlestown Towers.

Tower Block

1987 – Grisedale Court with circular tiles in the entrance.

Over time the balconies have been boxed in and more recently the glazing replaced.

I was particularly interested in the hand made tiles inside the entrance – very much in the style of William Mitchell.

Portwood – 2023

Where are we?

We once were lost, but are we saved?

A remnant from a discarded photographic album locates us in Cornwall.

The Ordnance Survey places us at the heart of the Industrial Revolution.

Now we are in the shadow of Tesco Extra and a recently opened Porsche dealership.

As of 2022, the supermarket chain had a brand value of roughly 9.91 billion US dollars.

Porsche Automobile Holding SE net worth as of January 2023 is 16.51 US dollars.

By the side of the River Tame and the M60 Motorway

The 19th-century industrial concentrations in the above-named urban areas resulted in the Tame being a much polluted waterway. As well as industrial pollution from the dyes and bleaches used in textile mills, effluent from specialised paper-making cigarette papers, engineering effluents, including base metal washings from battery manufacture, phenols from the huge coal-gas plant in Denton, rain-wash from roads and abandoned coal spoil heaps there was also the sewage effluent from the surrounding population. Up to two-thirds of the river’s flow at its confluence with the Goyt had passed through a sewage works. The anti-pollution efforts of the last thirty years of the 20th century have resulted in positive fauna distributions.

Wikipedia

There is a plot of land to the left of Porsche which remains undeveloped, I often walk around this area, what would have once been for myself and others the place of childhood high jinx.

Now it is the domain of the fly-tipper, the home of the homeless, a war zone for a species which has declared war upon itself.

A desert of detritus, interpolated with tangles of brambles, seas of teasels and the ubiquitous buddleia.

This is the unofficial showroom for the unofficial Anthropocene Epoch – always crashing in a different car, during increasingly unseasonal weather, the superabundance of abundance.

It seems that the sun may set on us, before the sun finally sets.

Let’s take a peep at Portwood.

Game over.

Vehicle use affects our whole quality of local life. Traffic can be dangerous and intimidating, dividing communities and making street life unpleasant, whilst air pollution and traffic noise can make urban living uncomfortable.

Environmental Protection UK

The impacts of mass consumption are: Misuse of land and resources, exporting pollution and waste from rich countries to poor countries, obesity due to excessive consumption, a cycle of waste, disparities and poverty.

Global Issues

Chorley Police Station and Magistrates’ Court

St Thomas’s Road Chorley PR7 1RZ

The police station and magistrates’ court at Chorley was designed to replace a building from 1896 – a weights and measures plaque from the original building was retained and remounted at the foot of the new building.

The two buildings were set adjacent one another and around a newly formed square with one side made up of the rear of the existing town hall. This small civic group was intended to relate to one another in scale, but was markedly contrasting in its material make-up.

County Architect’s Report: 1963-64.

The design team was Roger Booth, Lancashire County Architect; C.A. Spivey, Assistant County Architect; D.B. Stephenson, Design Architect; and D.G. Edwards, A.G. Gass, responsible for the detailed design and construction. The seven-storey in-situ concrete framed main block was the last bespoke police station to be built in Lancashire, following this the department developed a systemised concrete construction method which was deployed across the county. The dramatic cantilevers gave the new building a stature and presence that signalled authority. The lower levels were accessed by ramps and provided space for police vehicles. To enter the police station one ascended a set of external stairs across a pool that once contained koi carp – fittingly, one boy described the new building as a ‘fishtank’ upon its completion. The magistrates’ court was finished externally in a grey brick and carried the signature pyramid rooflights that were synonymous with the Department.

Many thanks to Richard at Mainstream Modern

This is one of many Roger Booth police stations I have visited – Bonny Street Blackpool under threat, Bury long gone and the extant variant in Morecambe

The Magistrates’ Court is up for sale:

Coun Alistair Bradley, Leader of Chorley Council, confirmed that the council had enquired to take ownership of the building but that this was knocked back.

He said: We’ve enquired about taking the building on but the owners, the Ministry of Justice, has said they want to take it to market.

Lancashire Post

The building is being advertised as a potential site for a future office, residential, restaurant and bar, leisure, entertainment, and hotel.

Asked about its future, Chorley councillor Aaron Beaver told Lancs Live he had heard no news of developments but desperately wanted to see something happen with the building, he said:

It’s a perfect location. There’s lots of things it could be used for. 

If you were to knock it down, there’s all sorts of things which could be built there. If you were to convert it to something like flats, it could be tricky because there’s not many windows.

Commenting on the progress of the sale since it’s closure, he added:

I wouldn’t say it’s slow moving, I’d say it’s not moving.

Lancs Live

We eagerly await any possible developments.

Whilst walking around the adjoining Police Station.

UMIST Missed

Whilst Oxford Road echoes to the sound of Freshers fleet of foot.

UMIST is only home to fallen leaves and a palpable air of melancholia.

The last of the students have left and a crew of hi-vis workers are busy stripping the remains of days long gone.

We have all walked on by before and will again – though with heavier heart, into an all too uncertain future – for only the Holloway Wall is listed.

Now a grand redevelopment project has been unveiled to tend to that. According to the developer’s website, the plan promises to accelerate growth, partnership and collaboration.

Christened ID Manchester, the plans could see the area hacked into a glass maze of ultra-modern offices, apartments and hotels. 

Mancunian Matters 2021

Liverpool – Cathedral to Cathedral

Beginning at Frederick Gibberd’sMetropolitan Cathedral of Christ the King.

Walking toward Giles Gilbert Scott’sAnglican Cathedral via the University Campus.

We are greeted by William Mitchell’s sliding door panels.

Let’s take a look inside.

Above is the tower with large areas of stained glass designed by John Piper and Patrick Reyntiens in three colours – yellow, blue and red, representing the Trinity. 

On the altar, the candlesticks are by RY Goodden and the bronze crucifix is by Elisabeth Frink. Above the altar is a baldachino designed by Gibberd as a crown-like structure composed of aluminium rods, which incorporates loudspeakers and lights. Around the interior are metal Stations of the Cross, designed by Sean Rice. Rice also designed the lectern, which includes two entwined eagles. In the Chapel of Reconciliation, the stained glass was designed by Margaret Traherne. Stephen Foster designed, carved and painted the panelling in the Chapel of St. Joseph. The Lady Chapel contains a statue of the Virgin and Child by Robert Brumby and stained glass by Margaret Traherne. In the Blessed Sacrament Chapel is a reredos and stained glass by Ceri Richards and a small statue of the Risen Christ by Arthur Dooley. In the Chapel of Unity is a bronze stoup by Virginio Ciminaghi, and a mosaic of the Pentecost by Hungarian artist Georg Mayer-Marton which was moved from the Church of the Holy Ghost, Netherton, when it was demolished in 1989. The gates of the Baptistry were designed by David Atkins.

On now to the University.

Vine & Chestnut Houses by Gerald Beech 1967-70

Computing Services Electrical Engineering & Electronics by Yorke, Rosenberg & Mardall 1962-74

Harold Cohen Library 1938 – Harold A Dod of Willink & Dod

Learning by Eric Kennington 1938

Sherrington Buildings 1951-57 – Weightman & Bullen.

These days of peace foster learning

Let There be light!

Dental Hospital 1965-69 Anthony Clark Partnership

Royal Liverpool Hospital 1978 Holford Associates.

Designed by NBBJ and HKS – The Royal Hospital is one of the national infrastructure schemes being delivered under a Government PFI contract, with work having started in 2014 led by now-collapsed contractor Carillion.

After Carillion went into administration, further issues were uncovered during a structural review by Arup in 2018, including that the cladding on the building was unsafe and the project had to be reviewed and re-costed as a result. The targeted completion date is now five years later than planned.

Place Northwest

William Henry Duncan Building 2017 by AHR Architects

Life Sciences Building

Mathematics and Oceanography Building 1961 by Bryan & Norman Westwood & Partners

Metal screen 1961 by John McCarthy also responsible for the Concrete Wall at the New Century Hall Manchester.

The History and Essence of Mathematics 1961 terrossa ferrata panes by John McCarthy.

Central Teaching Hub by Robert Gardner-Medwin in association with Saunders Boston and Brock 1965-67

Abstract Reliefs by David Le Marchant Brock in collaboration with Frederick Bushe.

Big Bird 1964 by Sir Frank Rowling

Square with Two Circles by Barbara Hepworth 1964

Re-sited from its original setting.

Just around the corner a Relief by Hubert Dalwood aka Nibs

Senate House by Tom Mellor & Partners 1966-68

Chadwick Building by Sir Basil Spence 1963-68

Abstract mosaic Geoffrey Clarke.

Three Uprights by Hubert Dalwood 1960

Materials Innovation Factory by Fairhursts Design Group 2016

Muspratt Lecture Theatre

Bubble Chamber Tracks by Geoffrey Clarke 1968

Donnan and Robert Robinson Building

Oliver Lodge Building by Tom Mellor & Partners 1966-68

Sports Centre by Denys Lasdun 1963-66

Bedford House by Gerald Beech 1965-66

Gordon Stephenson Building by Gordon Stephenson 1950-51

Door handles by Mitzi Solomon-Cunliffe.

Rendall Building by Bryan & Norman Westwood, Piet & Partners 1964-6

Between the concrete is glass by Gillian Rees-Thomas – she was also responsible for the side chapel windows at St Mark’s Broomhill Sheffield.

Within the courtyard site Mitzi Solomon Cunliffe’sQuickening 1951

Roxby Building by Bryan & Norman Westwood, Piet & Partners 1961-66

South Teaching Hub by Bryan & Norman Westwood, Piet & Partners 1961-66

Sydney Jones Library by Sir Basil Spence

Further Reading: Liverpool Campus Built Heritage

Onward now taking in some sites along the way.

Philharmonic Hall by Herbert J Rowse 1936-69

Federation House by Gilling Dod and Partners 1965-66

Relief Decoration by William Mitchell

The University of Nottingham

The Main Campus based on Jesse Boot’s Highfield parkland incorporating Lenton House and Lenton Hall. Boot along with his architect Percy Morley Holder developed a building scheme in 1921, achieving university status in 1948.

DH Lawrence Pavilion architect Marsh & Grochowski 1998-2001

Portland BuildingT Cecil Howitt 1949 -56

Trent Building architect: P Morley Horder 1922-28

Portland Building extended in 2001-3 architects: Michael Hopkins & Partners

Further additions to the rear 2013

The New Theatre was established in 1969, and was originally housed in the Archaeology and Classics building of the University of Nottingham. In 2001 an extended foyer was added to the building, following a donation from an alumnus of the university.

The summer of 2012 saw an extensive redevelopment of the building housing the New Theatre. The former Archaeology and Classics building was demolished from the site; leaving the New Theatre as a freestanding building. Parts of the old building were retained and repurposed as new rehearsal rooms, and a studio space; as well as a significant remodelling of the dressing room, and extending the foyer.

Architects: Maber

University Library architects: Faulkner Brown, Henry, Watkinson & Stonor 1971-73

The collection of buildings in University Park Campus, colloquially known as Science City, was first masterplanned by Basil Spence in 1959. His vision was largely realised by Renton Howard Wood Associates during the 1960s. Since then, numerous additions and alterations have been made to suit the ever increasing student numbers and the changing needs of the University.

Sir Clive Granger Building

A view over the Science Buildings by Basil Spence 1955 and partner Andrew Renton 1961 onward.

Mathematical Sciences 2012 William Saunders

George Green Library by Hopkins Architects 2017

The University of Nottingham needed to double the size of its existing academic library to cater for an expansion in serious scientific study. Hopkins Architects faced the difficult task of doubling the size of a rather unremarkable 1960’s building – designed by Basil Spence, on a tight sloping site.

Architecture.com

Pope Building leading to the Engineering Science Learning Centre by Hopkins Architects 2011

Chemistry Department

Coates Building by Basil Spence

Tower Building by Andrew Renton 1963-65

Refurbishment work is taking place to develop flexible workspaces, including offices, conference and meeting rooms, while the building will also accommodate hospitality and events rooms. The university also plans to include a restaurant, coffee bar, a deli-shop and a top-floor sky lounge.

West Bridgford Wire

Jubilee Campus

Jubilee Campus is a modern purpose-built campus which now extends to 65 acres and is located only one mile from University Park. The initial phase was opened by Her Majesty the Queen in 1999. The state-of-the-art facilities now include:

  • The Schools of Education – including CELE and Computer Science
  • The Nottingham University Business School
  • The National College for Leadership of Schools and Children’s Services 
  • Sports Centre
  • University of Nottingham Innovation Park
  • 4000 third party purpose-built student residences within half a mile radius of the campus

Central to the development of the site has been the setting of high BREEAM Standards – an holistic approach to achieve ESG, health, and net zero goals. ​It is owned by BRE – a profit-for-purpose organisation with over 100 years of building science and research background.

Built on the former site of the immense Number 3 Raleigh Bicycle Factory – which was opened by Field Marshal Lord Montgomery in 1957.

At its peak in the 1950s, Raleigh employed 7000 people on a 40 acre site that covered most of Lenton Boulevard, Triumph Road and Orston Drive.

In May 1999, Raleigh announced that it was to cease volume production of frames in the UK. The frame welding robots, installed in 1996, were auctioned off in December 1999.

Bikebiz

Alan Oakley – who designed the Raleigh Chopper

Famously home to Alan Sillitoe/Arthur Seaton/Albert Finney in Saturday Night and Sunday Morning.

Advanced Manufacturing Building by Bond Bryan Architects 2018

University of Nottingham RAD Building 2017 Lewis & Hickey Ltd

Enjoying a prime location on the University of Nottingham’s Jubilee Campus, the building provides a number of multidisciplinary and specifically designed laboratory spaces, as well as high quality single and multiple occupancy offices, technical support bases and breakout spaces.

RIBA

Jubilee Conference Centre 2008 Hopkins Architects

Set within 65 acres of lakeside grounds, close to Nottingham city centre, The Jubilee hotel & conferences offers an innovative setting for events, along with all the comforts of a modern hotel.

If you are looking for sustainable venue hire, look no further. With a range of meetings spaces, breakout areas and bedrooms; The Jubilee is perfect for event and conferences organisers looking for a light, airy and relaxing setting.

GSK Carbon Neutral Laboratory 2014 by Fairhursts Design Group

Designed to minimise the impact on the environment of its construction and operation. The design of the building is made up of modules manufactured off-site. The building support pillars and trusses are made from a combination of German spruce, Austrian Spruce, and American red cedar.

The designers used computational fluid dynamics to design the curved roof. This enables ventilation of the building by taking advantage of the prevailing wind. One of the laboratories is also ventilated in this way, to determine the viability of doing so elsewhere. The building also features a green roof, and solar panels that cover 45 per cent of the roof area and provide up to 230.9 kW. The four towers on the roof hide the building’s plant equipment. Additionally, a 125-kilowatt biofuel combined heat and power system was built on-site, providing the majority of heat needed for the buildings.

Wikipedia

Ingenuity Centre by Bond Bryan 2017

Alucraft designed fabricated and delivered the façade,

At first glance the centre appears to be a hi-tech structure that would not look out of place in a sci-fi movie, with a complex array of metal fins forming a metallic bronze-coloured circular envelope that seems to float around a central core.

Keep looking though and some of the design cues are clearly industrial – the metallic external envelope echoing the form of some finely machined, mechanical component or even the patterned tread of a tyre.

Building Construction Design

Romax Technology Centre by Tomlinson 2015

Aerospace Technology Building by William Saunders 2012

Sir Colin Campbell Building by Bond Bryan 2011 – with Arup acting as structural and services engineer.

Si Yuan Centre of Contemporary Chinese Studies

Xu Yafen Building and Yang Fujia Building by MAKE 2008

Aspire is a 60-metre tall, red and orange steel sculpture by Ken Shuttleworth of MAKE, and was, until overtaken by Anish Kapoor’s Orbit, the tallest free standing public work of art in the United Kingdom. It is taller than  Nelson’s Column, the Angel of the North, and the Statue of Liberty  

The name Aspire was chosen after a competition to name the sculpture, which was open to staff and students at the university.

The Nottingham Geospatial Building by Maber Architects 2010

Energy Technologies Building by Maber Architects 2018

A showcase £6.5m research centre, which brings together world-class experts in energy research, has chosen ALUCOBOND® A2 from 3A Composites GmbH, finished in Sakura 917 from its spectra colour series for its cladding.

Institute of Mental Health by BENOY 2012

The House for a Gordian Knot by Ekkehard Altenburger

Business School South

Dearing Building

Computer Science Building

The Exchange Building

The Sir Harry and Lady Djanogly LRC architect Sir Michael Hopkins 1999

A single floor spirals up through the building in the manner of FL Wright’s Guggenheim Museum

The library was named after the philanthropists Sir Harry and Lady Djanogly who gave a significant contribution towards the cost of its construction. Sir Harry Djanogly is the father of Jonathan Djanogly, who became MP for Huntingdon in 2001.

Wikipedia

Business School North 2003

The Atrium

John Player & Sons Bonded Warehouse by William Cowlin and Son 1938-39

Mouchel System concrete construction.

Mouchel’s involvement with the iron industry, and his ties with France, brought him into close proximity with the French engineer François Hennebique (1842-1921), who had been a contractor in Brussels. A self-educated builder, Hennebique had patented an idea of strengthening concrete using iron and steel bars – a forerunner to the widespread modern reinforced-concrete method used in construction today.

Engineering timelines

Sadly – returning in September the last building had been recently demolished.

Many thanks to Elain Harwood from whose Pevsner Guide much of the information was garnered

IRK VALLEY #TWO

Having walked and cycled twixt Victoria Station and Blackley, I returned once more to the Hexagon Tower to resume my explorations towards the source in Royton.

Beginning on Delaunays Road and onwards along Blackley New Road.

The footpath falls away from the main road to the wooded valley.

Returning to the road I was distracted by Sandyhill Court and the reliefs which I discovered there.

I was also taken with with this electrical substation.

We are encouraged to be wild about Blackley Vale a reclaimed landfill site.

Across the Victoria Avenue Bridge and down the other side.

Emerging by Sainsbury’s and picking up the path again.

Onwards under the M60 Motorway.

The M60 was developed by connecting and consolidating the existing motorway sections of the M63M62, and an extended M66. It came into existence as the M60 in 2000, with the completion of the eastern side opening in October.

The original plan called for a completely new motorway, but policy change led to the plan which created the current motorway. As soon as it opened, the motorway got close to its projected maximum volume on significant sections.

Hey look there’s Alkrington Hall!

This Palladian mansion was designed and built in 1736 by renowned architect, Giacomo Leoni, who had also been responsible for significant alterations to Lyme Hall during the same period.  

Offering an infusion of historical significance coupled with an abundance of living space throughout, Alkrington Hall East, simply must be viewed to be appreciated in full.  

During the early 1770’s, the Hall became the largest museum outside of London, when the Hall’s owner, Sir Ashton Lever, exhibited his private collection of natural objects, including live animals. Remaining as an imposing symbol of Leoni’s work, Alkrington Hall remains one of only a few surviving examples throughout England.  

In modern times, the Hall has since been carefully and sympathetically separated into 4 sections, and we are pleased to be offering for sale the largest portion of the Hall, with a total floor area comprising of over 7500 SQFT, and living accommodation spread over 4 floors.  

Sold for £825,00 in 2021 Savills

Seen here in 1870

Next thing you know you find yourself in Middleton, where the Irk sort of disappears – you sort of get lost and sort of follow the wrong track, eventually ending up back where you should have been in the first place.

Don’t follow Wince Brook – it’s so far from right that it’s wrong – right?

Take a walk up Oldham Road to see Warwick Mill instead.

1907 by G Stott of J Stott and Sons – Red brick with internal cast-iron frame.

Grade II Listed

There was and Oval Partnership planning for a retail development in 2014 which failed to materialise.

The converted building will provide a showcase for Chinese manufacturers of construction-related products looking to enter the UK and wider European markets. Products on display will include tiles, lighting, furniture, kitchenware, sanitary ware and curtains. A second phase will see the construction of a new building alongside effectively doubling the floor space. In addition the brief includes a range of restaurant, leisure, culture and entertainment facilities threaded through the building. The conversion will open up the existing building in a dramatic way, maximizing permeability and providing a strong visual connection back into the town, promoting public access through the building to the attractive south-facing waterside of the mill.

Permeability failed to be maximised, sadly.

Ambitious plans to refurbish Grade II listed Warwick Mill to create new homes and breathe life into an important building and part of Middleton’s history have been drawn up. 

Warwick Mill has recently changed ownership and the new owners, Kam Lei Fong (UK) Ltd, have been working with Rochdale Borough Council over the last nine months to develop proposals to redevelop the site.

Rochdale Council

So far so CGI good- the town eagerly awaits a surfeit of high end SUV owners.

Former clog wearing mill workers remain silent on such matters.

The Job Centre steadfastly remains a Job Centre.

The river reappears here in back of the Middleton Arena.

Proceeding in a disorderly manner.

Emerging by this substantial substation.

Across the way is Lodge Mill.

A Middleton couple has saved the oldest surviving mill in the town after a two-year renovation project.

Located on Townley Street, Lodge Mill was built in the mid-1800s and was originally a silk weaving mill. It went on to cotton weaving and cloth dying, then to a home for many different small local businesses. Sadly, in the early 2000s, it fell into disrepair and became derelict.

Martin Cove and Paula Hickey bought Lodge Mill on 1 April 2019 and immediately set about replacing and repairing the roof. They also installed a 19.4kw solar PV system so the mill became its own little power station that summer.

In August 2019, the couple opened a small ice cream shop on the ground floor of the mill – named the Ice Cream Shop at Lodge – selling locally-made ice cream from Birch Farm, Heywood.

The ice cream is made using cream from Tetlow Farm’s dairy herd at Slattocks – Martin explained.

Rochdale Online

It was £2.25 for two scoops and a flake – a welcome oasis on a warmish day.

Sadly in December 2021 there was a serious fire, work has since been done to repair the roof.

A poorly signed footpath takes you back riverside by way of assorted industrial debris.

Still very much in use the Vitafoam Mill

Founded in 1949 on £100 capital, Vitafoam started its original operation manufacturing latex foam products in Oldham, Greater Manchester.

After establishing the business, the company made a major move to its current site in Middleton, Manchester in 1955, acquiring two empty former cotton mills to cope with increased demand.

By 1963, Vitafoam had added the manufacture of polyurethane foam to its business and was providing product speciality for upholstery and bedding markets.

As Vitafoam entered the new millennium the company had made great strides in supplying external foam converters. These rely on Vitafoam to be their business partner and provide their foam needs. This trend continues to grow from strength to strength and is supplemented by our own group conversion companies.