Sunday 2nd August 2015 – you awake and you’re still in Bournemouth and still in one piece, the possibility of late night stag and hen madness passed over without incident.
A quick look around town, then let’s get off to Pompey – where I was very proud to be a Polytechnic art student 1973/76, in good old Lion Terrace.
Last night’s late night drinking den with its fabulous faience frontage and doorstep mosaic.
Close by this tiled porch at The Branksome.
Built 1932 by Seal and Hardy as offices for the Bournemouth Echo, steel-framed, the main elevations faced in Monks Park Bath Stone.
Plans to redevelop the listed Daily Echo offices in Bournemouth were withdrawn shortly before they were due to be discussed by councillors.
That Group’s application to extend the Richmond Hill building to create more work space as well as a 30-bed hotel, café, gym and events space had been recommended for refusal before it was pulled from the agenda for Monday’s meeting.
The property benefits from modern and contemporary décor throughout, large balcony and views over the Town Centre itself.
This art deco cinema was built for ABC and designed by their regular architect William Glen, it opened in June 1937.
The ABC, originally the Westover Super Cinema, entertained audiences for almost 80 years before it was closed in 2017 – along with the nearby Odeon – to make way for a new Odeon multiplex at the BH2 complex.
In its rejected plans for the site, Libra Homes had pledged to restore the cinema’s original Art Deco frontage, if it survives under the cladding that was added in the 1960s.
Boscombe Pier – is the perfect vantage point to watch volleyball, table tennis and mini golf. If you are feeling adventurous, try scaling the nearby, purpose built boulders next to the pier or have a go at slacklining!
There are nearby are cafés, takeaways and beach shops all within walking distance from Boscombe Pier.The pier is free to enter and has a plethora of activies that individuals and families can enjoy!
Designed by Archibald Smith, the 600 foot pier opened on 28th July 1889. In 1924/5 and 1927, the head was renewed in high alumina concrete and, between 1958 and 1960, the neck was reconstructed using reinforced concrete.
The neck building is a design by the Borough Architects, demonstrating great verve and vivacity. The contemporary style associated with Frank Lloyd Wright’s Usonian houses and made popular with Californian homes in the 1940s was well suited to the requirements of an architecture that combined ‘sun and fun’. The contemporary style made a feature of expressing different elements or planes of a composition with different materials, and here the combination is honest and each element well detailed. The sweep of the cantilevered, boomerang-shaped roof is a particularly joyous feature. It is a building that would have been despised as being exactly of its date until recently; now it is a building that can be celebrated for that very reason, and a rare example of pier architecture from these years.
San Remo Towers a block of 164 flats, with penthouse and office, over basement garage. 1935-8 by Hector O’Hamilton.
Facilities offered as inclusive in this price included centralised hot water and central heating, an auto vac’ cleaning system, centralised telephones, a resident manager, a porter, daily maid, boot cleaning and window cleaning services. There was a Residents’ club with a reading room card room, billiard room and library, and a children’s recreation and games room. There were kiosks in the ground-floor lobbies selling tobacco and convenience items, where the staff took orders for the local tradesmen. The fifth-floor restaurant offered a la carte meals, which could be taken at pension rates of 38s per week. A simpler dinner cost 2/6d. The use of an American architect, Hector O Hamilton, may be an explanation for the building’s large range of facilities, including the grand underground car park and sophisticated servicing
Carlinford benefits from commanding views over Poole Bay looking to the Isle of Wight across to the Purbecks. Included in the annual service charge is a Caretaker, Gardener & the communal areas are kept in good order. A fabulous location and a great place to call home.
Running the length of the pier to catch the ferry across Southampton Water.
Where one is able to see many large ships.
St Patrick’s Catholic Church 1939
W.C. Mangan’s last church in the diocese, with a moderne Gothic character rather than the basilican style he favoured elsewhere. The design is not without character and is in the mainstream of brick church building around middle of the twentieth century.
First siting of Stymie Bold Italic/Profil since Devon
Sadly the Hovercraft Museum was closed – Founded 1987 as a registered charity, the Museum Trust is the worlds greatest collection of Hovercraft archive, film, and historic craft, dating back to to John Thonycroft’s 1870 air lubricated boat models and the then Dr. Cockerell’s 1955 annular jet experiments.
So excited to be boarding yet another ferry.
Seeing Portsmouth for the first time in a long time.
Finding cheap digs at the Rydeview Hotel.
My partner and daughter stayed here recently and the warm reception we received was great, thought it was going to be real value for money however when getting into the family room, which was a decent size, the curtain was half hanging down, iron marks and stains on the carpet, dirty windows, mould on the bathroom ceiling, hole in the bathroom floor and a very random shower head coming from the toilet that was very unpleasant. When we checked in we asked about breakfast and we were told this was going to be an additional £3 – we thought this was great value for money for a full English only to be left hungry and out of pocket! My daughter had one slice of toast, we asked for the full English what we received was cold and hard beans, and un-cooked egg and a rank sausage, the eating area was dirty – cobwebs everywhere.
I too stayed in the Family room with a delightful mouse for company and enjoyed one of the worst meals I’ve ever not eaten.
I headed for the 5th Hants Volunteers where I formally kept company with Felim Egan, Norman Taylor and Ian Hunter way back when.
Drinking Gales HSB – formerly a local brew now owned by Fullers
Established in 1847 Gales Brewery (George Gale & Co. Ltd) was an old brewery situated in Horndean, on the edge of Waterlooville. It made the nutty HSB – Horndean Special Bitter and the newer Gales Bitter. It took its water from its own well situated under the brewery which is fed from the South Downs, and the yeast and liquor, coupled with the local brewing style, produced beers with a sparse head, quite dark in colour.
In late 2005 Fuller’s Brewery bought Gales for £92 million. In January 2006, Fuller’s began cutting jobs at the Horndean brewery, and it was announced on 27 February 2006 that the brewery would close at the end of March 2006, although distribution and warehousing would continue in the area.
It didn’t tater the same and the pub had been gutted – gutted.
I beat a retreat to the Barley Mow – where I fell in with a gang of former Poly students from the 70s – they had studied and never left.
Grub up at the Lord Nelson and saints preserve us, the first sighting of fried bread – not a single hash brownie to be seen. The square plate very much in keeping with the naval nomenclature.
This ‘square plate’ theory is one of the best-known examples of folk-etymology. The phrase exists, the square plates exist, and two and two make five. To be more precise, what we have here is a back-formation. Someone hears the phrase ‘square meal’ and then invents a plausible story to fit it.
Anyway it’s Saturday 1st August 2015 and time to make tracks another sunny day in prospect, so much to see and do in Dorset!
The White Horse is a Dorset country inn located in the picturesque village of Litton Cheney in the heart of the Bride Valley. A warm welcome awaits at this traditional rural pub with a roaring log fire, with honest home cooked food using seasonal, locally sourced, produce. Popular with walkers and cyclists, families alike. A perfect place to enjoy good food, great ales, wines and even better company.
My lamb was average but the vegetables were very, very poor, some of the peas were stuck together with ice.
The Hardy Monument stands on an exposed location above the village of Portesham in Dorset. It was built in 1844 in memory of Vice-Admiral Sir Thomas Masterman Hardy, Flag Captain of HMS Victory at the Battle of Trafalgar. Amongst other things, Hardy became famous as it was in his arms that Nelson died, saying the immortal words ‘Kiss me Hardy’.
Contemporary historians argue that this explanation is a Victorian invention, since the earliest recorded use of the term ‘Kismet’ in the English language does not appear until after 1805.
Others also claimed that Nelson had said “Kiss Emma, Hardy”, referring to his mistress and lover Lady Emma Hamilton.
Thomas Hardy was unavailable for comment.
There’s a long, long trail a-winding Into the land of my dreams, Where the nightingales are singing And the white moon beams.
A song my dad would sing me to sleep with, one of my earliest and sweetest memories, his lullabies were often those songs he remembered from his army days.
Following a morning of historical and linguistic conjecture we enter a land of architectural and historical conjecture, right here in Poundbury.
Poundbury is an urban extension to the Dorset county town of Dorchester, built on the principles of architecture and urban planning as advocated by The Prince of Wales in ‘A Vision of Britain’.
Poundbury, the Prince of Wales’s traditionalist village in Dorset, has long been mocked as a feudal Disneyland. But a growing and diverse community suggests it’s getting a lot of things right.
Poundbury should be completed by 2025, by which time it will be home to an estimated 4,500 people, increasing Dorchester’s population by a quarter. Then the Duchy will leave it to run itself. Krier, who is writing a book on Le Corbusier, says he and Prince Charles will then embark on their ultimate project: “We are going to build a small modernist town and show them how to do it.”
I myself cycled through in stunned silence, there was nobody about and the overall feel was one of a living filmset, opinion is deeply divided, I remain impartial – ride on.
Tiny vernacular bus shelter awaits bus and the sheltered.
Woodsford Castle is the surviving range of a 14th-century fortified manor house. King Edward III granted William de Whitefield a licence to crenellate in 1335. The house has the largest thatched roof in the county and has been restored by the Landmark Trust.
One of our favourite Landmarks, love the table-tennis, the new decor and carpet, spacious but warm.
An impressive 1960s church design, responding thoughtfully to the needs of the post-Vatican II liturgy. The function clearly dictates the form, resulting in a building that is visually memorable as well as fit for purpose. Little has been changed since 1971. The Triodetic spaceframe roof structure is not generally associated with churches but enables a large uninterrupted space for the celebration of the Mass. The interior furnishings and fittings are essential to the totality of the design.
The Roman Catholic Church of St Joseph of 1969-71 designed by Anthony Jaggard of John Stark & Partners is listed at Grade II – a bold exterior employing exposed brickwork, a mineral render, vertical glazing and sparse ornamentation.
I fell in love the very moment what I saw it, having climbed over a fence by the railway, as I remember.
Next ting you know I’m in an area of outstanding natural beauty.
Cycling down yet another leafy lane.
Catching the ferry with several other cyclists on our way to Poole.
Walked the bike along the crowded promenade into Bournemouth.
Passed the Grand Cinema.
Located in the Westbourne district of Bournemouth, the Grand Cinema Theatre opened on 18th December 1922 with a production of Anthony and Cleopatra performed on the stage. The following day it screened its first film A Prince of Lovers plus a Harold Lloyd short comedy.
It had a facade coverted with Carter’s Architectural Tiles, manufactured at the Carter pottery in Poole. There was a central bay over the entrance which was topped by a revolving globe, which was illuminated at night. The auditorium had a sliding roof which could be opened in hot summer weather. There was a lift which could be taken instead of the stairs to the balcony level and the cafe. The front of the orchestra pit barrier was also covered in Carter’s tiles.
It was taken over by an independent Snape Entertainments from 21st December 1953 and they operated it as a full time cinema until 8th October 1975 when the film They Love Sex was the last regular film shown. It went over to become a full time bingo club, until a mix of part week bingo and films were introduced from 27th March 1976.
Finally found, following another find a room farrago – a less that grand tiny room in a big hotel, full of stag and hen parties – as was the whole town.
Seeking solace in the Goat and Tricycle – a beer house that boasts a huge range of hand pulled cask ales including Wadworth classics: Horizon, 6X, Swordfish and Wadworth IPA. The pub also has up to six Guest ales which change every few days, so there is always plenty of variety to choose from.
I would have chosen to keep the original names, the recent trend for the comic rebranding is quite literally ridiculous.
It was originally two separate pubs The Pembroke Arms to the left, it’s old Marston’s Dolphin Brewery tiles intact. The Pembroke Shades where the bar is now, was on the right. The Shades ran a boxing club where Freddie Mills, who lived opposite, is said to have trained, he went on to win the World Light Heavyweight belt.
I worked in the Shades on and off for 8 years. I still see a lot of the old crew, I am about to set up a Shades Re-union – we had one some years ago it was fab!
Do you remember John Bell, he was part time glass collector, full time alcoholic. Mary the Irish Landlady – she ‘s still going strong, unfortunately John Bell passed away.
A beautiful coastal town with a regency feel which is ideal for visitors of all ages. Sat in the middle of spectacular countryside Sidmouth is home to beautiful beaches, stylish eating places and great shopping, with everything from unusual gifts, designer clothing and lifestyle goods available.
The day of my visit the Folk Festival was in full swing – I encountered hardened drunken cider drinkers, drunk in the park and more tie-dyed clothing, than you would consider it humanly possible to produce.
With a hey nonny no I left town – up a very steep hill.
At the top of the hill, I unexpectedly came upon an observatory.
It is both a historical observatory and home to an active amateur astronomical society. It is a centre for amateur astronomy, meteorology, radio astronomy, and the promotion of science education.
The observatory is regularly open to the public, staffed entirely by volunteers, and each summer hosts the South West Astronomy Fair.
Norman Lockyer was a Victorian amateur astronomer, who discovered the element Helium in the Sun’s corona in 1868 and was one of the founders of the science journal Nature in 1869. He became the director of the Solar Physics Observatory at South Kensington and the first professor of astronomical physics in the Normal School of Science – now the Royal College of Science, in 1887, he was knighted in 1897.
Using one’s own skill and ingenuity it is entirely possible to deduce that one arrived at such an august hill top observatory – at exactly X o’clock!
We’re now on the road to Beer, more of which in a moment first we’re on the way to Branscombe.
Characteristic Saxon chiselling on stones hidden in the turret staircase suggest the probability of an earlier, 10th century, Church on the site. Saint Winifred’s is among the oldest and most architecturally significant parish churches of Devon. The 12th century square central tower is one of only four completely Norman towers in Devon.
The church contains a rare surviving example of wall painting, dated about 1450 and discovered in 1911, the couple in this fragment illustrate Lust.
Sadly much of our ecclesiastical art was removed, destroyed or over painted during the Reformation, exacerbated by Cromwell and a general disdain for pictures and such.
Lust was also to be removed, destroyed or over painted.
The reverence for royal succession was and is actively encouraged.
The beautiful picturesque village of Beer is located on the UNESCO World Heritage Jurassic Coast in Devon. Surrounded by white chalk cliffs, the shingle beach is lined with fishing boats still bringing in their daily catches and is famous for its mackerel.
On the edge of the South West Coast Path, Beer has some of the most stunning coastal walks in the county, one of the best being from Seaton to Beer with dramatic views across the Jurassic Coastline. Beer was also named recently by Countryfile as the Top Picnic spot in the UK from Jubilee Gardens at the top of the headland, chose for its stunning view of the beach and village from the hillside.
A narrow lane leads to the bay, clogged with oversized Toytown motor cars, full of folk in search of something which they’re doing their level best to remove, destroy or over paint.
Toytown is home to Larry the Lamb,and his clever sidekick, Dennis the Dachshund. Each day a misunderstanding, often arising from a device created by the inventor, Mr. Inventor, occurs which involves Ernest the Policeman, the disgruntled Mr Growser the Grocer and the Mayor.
Delightful home compromised by the curse of the ubiquitous uPVC.
Whether you are looking for interesting attractions, wanting to explore stunning natural landscapes, experience thrilling outdoor activities, or just wanting somewhere to stay, eat or shop, you’ll find it all in Seaton.
I found a pie shop and a pastie.
I found an ironmongers with a Stymie Bold Italic/Profil fascia.
Frequented by men who tend to adopt a combative stance when confronted with displays of ironmongery.
I found the road to Lyme Regis and the Regent Cinema.
The Regent Cinema opened on 11th October 1937 with Hugh Wakefield in The Limping Man. It was built for and was operated by an independent exhibitor.
Bristol based architect William Henry Watkins designed a splendid Art Deco style inside the cinema which has seating on a stadium plan, originally the seating capacity was for 560. It has a raised section at the rear, rather than an overhanging balcony. Lighting in the auditorium is of a ‘Holophane’ type, which changes colours on the ceiling. The proscenium opening is 35 feet wide. There was a cafe located on the first floor level.
In recent Years it has been operated by the independent Scott Cinemas chain. The Regent Cinema has been recently restored. From October 2000, English Heritage gave it a Grade II Listed building status.
2016 – Following the devastating fire at the Regent Cinema on Tuesday 22nd March, we can now confirm that the auditorium block of the Regent has been damaged beyond repair, and will have to be rebuilt. Damage to front of house areas is largely cosmetic, and will be attended to as part of the wider build scheme. We have every intention to rebuild the cinema to its former glory.
2019 – The WTW-Scott Cinema group is still actively engaged in a potential rebuild scheme for the Lyme Regis cinema. We’re currently working on our fourth set of design proposals, from which we need to reach the point where the rebuild scheme is both financially and architecturally viable. At present, we have not consulted with local authorities as there is little point in wasting everybody’s time presenting a scheme design that isn’t viable. New build cinemas are architecturally very complicated, and the Lyme Regis venue being a listed building presents challenges to overcome, all of which add significantly to any build schedule. Once we have a viable, workable scheme, we look forward to working with the local authority and Historic England to progress this.
The remainder of my time in Lyme was spent desperately seeking a bed for the night, to no avail. Following multiple enquiries and dead end directions to no-go destinations, I headed out of town.
Bridport bound – where I chanced upon a Pub/B&B the magnificent Lord Nelson where the owners allowed me to store my bike in the ninepin bowling alley.
I sat in the beer garden at the Lord Nelson and boozed – chatting to a local lad that worked in the local brewery, brewing the local beer, that was served in this very same local pub.
Palmers Ales are brewed in one of Britain’s oldest and prettiest breweries and have been since 1794. The only thatched brewery in the UK, Palmers sits adjacent to the river Brit just a mile from Dorset’s Jurassic Coast. All our fine ales are brewed using water from our own naturally rising spring.
Our Head Brewer uses only the finest Maris Otter malt and carefully selected whole leaf hops to produce ales in a way they have been made for generations. Palmers historic brewhouse has a traditional Mash Tun, an open top Copper, along with top fermentation, this is the way ale should be brewed.
I finished up somewhere else, sat outside chatting to someone else, about something else.
Drew up a list of buildings, made plans – dream on.
The best laid schemes o’ mice an’ men gang aft a-gley.
However, whilst on my 2015 cycle tour of the south west coast I arrived almost accidentally yet serendipitously outside Babbacombe Model Village.
A good place to visit as dogs are welcome and this is important to us. The models were very cleverly designed and each one is recognisable and very funny anecdotes and labels. It was much bigger than it looked but flowed easily and was fun and charming to walk around. There is also a free mini crazy golf room which makes a change to not charge for something like this and a joy to see. I really enjoyed myself and it is all so well maintained you can feel the passion of the people creating it.
I went in – how could I have done otherwise?
Many of the buildings reflect the areas’ Seaside Moderne styles, from the holiday chalets to the substantial Modernist Villa, plus all the up to the minute services and infrastructure one would expect in a modern model village.
Tuesday 28th July 2015 waking up early on the outskirts of Okehampton – I went next door to explore – the Wash and Go.
I went back to Okehampton.
Headed out of town along the old railway line to Plymouth – where rests the solemn remains of previous railway activity and Meldon Quarry.
It’s believed that the first quarrying began around the late 1700s when the local limestone was extracted. Over the years this gradually gave over to aggregate quarrying and apelite quarrying until it final closure. The original owners of the quarry were the London and South Western Railway and then came Britsh Rail and finally EEC Aggregates.
Crossing Meldon Viaduct.
Meldon Viaduct carried the London and South Western Railway across the West Okement River at Meldon on Dartmoor. The truss bridge, which was constructed from wrought iron and cast iron not stone or brick arches, was built under the direction of the LSWR’s chief engineer, WR Galbraith. After taking three years to build, the dual-tracked bridge opened to rail traffic in 1874. Usage was limited to certain classes of locomotive because the viaduct had an axle load limit. Although regular services were withdrawn in 1968, the bridge was used for shunting by a local quarry. In the 1990s the remaining single line was removed after the viaduct was deemed to be too weak to carry rail traffic.
The crossing is now used by The Granite Way, a long-distance cycle track across Dartmoor. The viaduct, which is a Scheduled Monument, is now one of only two such surviving railway bridges in the United Kingdom that uses wrought iron lattice piers to support the cast iron trusses – the other is Bennerley Viaduct between Nottinghamshire and Derbyshire.
Architects– Percy Bartlett and William Henry Watkins
Built on the site of the Andrews New Picture Palace, which had opened in 1910, and was demolished in 1930. The Gaumont Palace was opened on 16th November 1931 with Jack Hulbert in “The Ghost Train” and Sydney Howard in “Almost a Divorce”.
The imposing brick building has a white stone tower feature in the central section above the entrance. Seating inside the auditorium was provided for 1,462 in the stalls and 790 in the circle.
It was re-named Gaumont in 1937 currently closed and at risk.
The post war redevelopment of Plymouth produced this sizable Portland Stone Shopping Centre.
‘A Plan for Plymouth’ was a report prepared for the City Council by James Paton Watson, City Engineer and Surveyor, and Patrick Abercrombie, Consultant Architect, published in 1943.
Planning is not merely the plotting of the streets of a town; its fundamental essence is the conscious co-relation of the various uses of the land to the best advantage of all inhabitants. Good planning therefore, presupposes a knowledge and understanding of the people, their relationship to their work, their play, and to each other, so that in the shaping of the urban pattern, the uses to which the land is put are so arranged as to secure an efficient, well- balanced and harmonious whole.
The magnificent dalle de verre fascia of the Crown and County Courts.
having had a good old look around I sought shelter for the night, with some difficulty I found a profoundly plain room. The town seemingly full of itinerant contractors, filling the vast majority of available space.
Not to worry let’s have a look at the seafront.
Tinside Lido by J Wibberley Borough Engineer, with Edmund Nuttall and Sons and John Mowlem and Company, builders, with entrance building of 1933 by the same engineer.
Set in a beautiful location overlooking the sea at the tip of Plymouth Hoe and voted one of the top 10 best outdoor pools in Europe, Tinside Lidois an attraction not to be missed.
Built in 1935, Tinside is a slice of the quintessential British seaside from a bygone era. The Lido is a wonderful example of art-deco style and is Grade II listed.
Time for a timely 99 tub – what ho!
Followed by several pints of Dartmoor Jail in the delightful Dolphin Hotel.
The Dolphin Hotel is a pub on the Barbican , the building, which is known as either the Dolphin Inn or Dolphin Hotel, is a Grade II listed building. It notable as the setting of several of the artist Beryl Cook’s paintings.
The three storey building was constructed in the early 19th century, although it may contain fabric from an earlier structure. It has a slate mansard roof surrounded by a tall parapet with a moulded cornice. The front has white stucco with plaster reliefs of dolphins. The pub is associated with the Tolpuddle Martyrs, some of whom stayed at the hotel on their return from exile in Australia in 1838, when a Mr Morgan was the landlord.
It is a no-frills unmodernised pub famous for its cask ale, draught Bass served straight from the barrel. The sign on the front of the building has always called the pub the ‘Dolphin Hotel’. In 2010 the pub was refurbished, but vandalised in 2014.
Although there is evidence in the local area of occupation since the Iron Age, it was still a small village until the 19th century when it became a seaside resort, and was connected with local towns and cities by a railway, and two piers were built. The growth continued until the second half of the 20th century, when tourism declined and some local industries closed. A regeneration programme is being undertaken with attractions including the Helicopter Museum, Weston Museum, and the Grand Pier. The Paddle Steamer Waverley and MV Balmoral offer day sea trips from Knightstone Island to various destinations along the Bristol Channel and Severn Estuary. Cultural venues include The Playhouse, the Winter Gardens and the Blakehay Theatre.
I pushed my bike along the prom heading for my pre-booked digs in a stylish seafront hotel.
Past the Marine Causeway linking the shore to some kind of modern day Post Modern Shangri-La.
A mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains, possibly not.
You can stroll onto Knightstone Island, where you will find some cafes serving light snacks and refreshments, or to the other side which takes you along the causeway, accessible to walk across according to the tides. At the other side of the Causeway you will find a small rocky beach with tidal rockpools ideal for exploring.
Just along the prom stands one of my all time favourite seaside shelters.
Even further along – what’s all this here then?
The foundation stone of the Birch-designed Birnbeck Pier was laid in 1864. It opened on 5th June 1867 and consisted of a 1040 foot cantilever construction to Birnbeck Island and a short jetty extending westwards from the island.
It seems to have changed hands several times in its relatively short life, including the stewardship of the infamous Urban Splash and the mysterious mystery owners, the current custodians it seems, have done little to secure a secure future.
It remains alone and untended, stretching aimlessly out to sea.
In April 2015, Friends Of The Old Pier Society created a novel fund raising scheme in which 1p and 2p coins would be lined up to stretch from the Grand Pier to Birnbeck Pier.
September 2019 Councillor Mr Crockford-Hawley said:
It’s this end of Weston which is the sore, it’s the carbuncle, it’s clearly well past its prime and it needs some serious attention. I mean it would be wonderful if somebody came along with an open ended bank account and said ‘yup, I’d love to restore it for the sake of restoring it’, but quite clearly there’s got to bean economic future for the pier, there’s got to be a purpose for the pier.
Possibly a wealthy Beatle could bail the ailing pier out of deep water?
Next thing I know I’m outside the imposing and impressive sounding Ocean Hotel. Sad to say on the day/night of my visit it wasn’t just this weary traveller that appeared to be over tired, happy to report the the New Ocean Hotel has been revamped and in tip-top condition by all accounts.
Any road up, let’s get out, take a walk up the road – have look at some local type.
Watney’s mythical Red Barrel.
Watney’s was the Evil Corporation which sought to crush plucky small brewers and impose its own terrible beer on the drinking public. It acquired and closed beloved local breweries, and it closed pubs, or ruined them with clumsy makeovers.
Its Red Barrel was particularly vile – a symbol of all that was wrong with industrial brewing and national brands pushed through cynical marketing campaigns.
Keeler Productions has taken over Locking Road Car Park, opposite Tesco, and The Regent Restaurant, in Regent Street, to film a BBC period series The Trial of Christine Keeler, based on the Profumo Affair in the 1960s.
Enough of all that period drama, let’s have a look at some period architecture.
Madeira Court – 67 flats built in 1988.
Weekly Social Activities include – coffee mornings, card evenings and occasional days out, organised by social club. New residents accepted from sixty years of age, both cats and dogs generally accepted.
Boulevard United Reformed Church – Waterloo Street
Architects Gordon W. Jackson and Partners 1959
Constructed on part of the site of the former Electric Premier Cinema, the Odeon Theatre was opened on 25th May 1935 with Jack Buchanan in Brewster’s Millions. Built as one of the original Odeon Theatres in the then emerging Oscar Deutsch Odeon Theatres circuit, it was built on a prime corner street position in this sea-side town and was the first of several Odeon Theatre’s to be designed by architect Cecil T Howitt.
The Weston-super-Mare Odeon was built by C Bryant & Son Ltd of Birmingham on the site of the former Electric Premier Cinema. It opened on 25 May 1935, at which time it was described in the souvenir programme as ‘modernity at its best’, with seating accommodation that was ‘luxurious and spaced to give ample room for true comfort’.
A short walk along the prom snapping shelters and the sheltered – no two the same.
I then chanced to fall into a Beer Festival and bad company – the rest is a blur, see you all tomorrow there’s some cycling to be done.
Early morning passing by the yet to be reopened Dreamland, back then just a work in progress, it has had a more than somewhat chequered past.
Dogged persistence has assured its future:
Just before Christmas 1919, and almost exactly one year after the end of the Great War, John Henry Iles purchased Margate’s The Hall By The Sea, thus initiating the history of what would become Dreamland.
The Dreamland cinema replaced a smaller cinema on the site, with this modernist masterpiece opening in 1935. The super-cinema, designed by architects Julian Leathart and WF Granger.
After several years of campaigning to save the Dreamland site from redevelopment, and successful funding bids to the Heritage Lottery Fund and Department for Culture Media and Sport’s SeaChange Scheme, the Dreamland restoration project went live in January 2010, appointing a professional team to deliver The Dreamland Trust’s vision for a reimagined Dreamland, however, the battle was not over.
After a long restoration project, Dreamland opened its doors to the public on June 19 2015. The park was further reimagined and expanded in 2017 following additional investment, with new thrill rides, a much bigger events space, fresh designs, and a new welcome for a new generation of visitors.
Along the long straight coastline the distinctive and distinguished silhouette of Reculver Castle can be seen in the distance.
Two thousand years ago the geography of this area was very different. The Wantsum, a sea channel up to 3 miles wide, cut off the Isle of Thanet from the mainland, and the Roman fort of Reculver stood on a promontory at the north end of the channel where it joined the Thames estuary. Today the Wantsum has silted up and become dry land.
By the 5th century the Romans had abandoned their defence of Britain and the fort at Reculver had fallen into disuse.
An Anglo-Saxon monastery was founded on the site in 669, reusing the existing defences, and the church of St Mary was built near the centre of the earlier fort. Documentary evidence suggests that the site had ceased to function as a monastic house by the 10th century, after which time the church became the parish church of Reculver.
Remodelling of the church in the 12th century included the addition of tall twin towers.
The medieval church was partly demolished in 1805, when much of the stone was reused to construct a new church on higher ground at Hillborough, but the twin towers were left. They were bought, repaired and underpinned by Trinity House in 1809.
Further along the unstable concrete coast we approach Whitstable.
With its chi-chi cafes and bars, tastefully ramshackle shacks and snacks.
Profil fronted fascias for family run department stores.
Whites of Kent is a family company now into the third generation of close family members. The original story begins with a young ambitious girl of 18 who knew all about stocking repair machines. She travelled to Australia by boat then on to Switzerland and Paris where she trained women and gave demonstrations on the stocking machines.
In 1954 the retail side commenced again with a ladies underwear shop in Faversham’s Market Street, followed by a fashion shop in Market Street and then our current shop in Court Street.
We have in the past had shops in Sandwich, Sittingbourne, Herne Bay, West Malling, Folkestone and Cliftonville. Currently we have Whites of Kent shops in Faversham, Whitstable and Dover selling lingerie, linen, hosiery, underwear, slippers and more. See our Shop page for addresses, phone numbers and opening times.
The road winds through the low marshes, across estuaries and inlets, between Seasalter and Graveney.
Home to a down home, home made fishing fleet.
On September 27 1940 – a Luftwaffe bomber was shot down by two Spitfires over Graveney Marsh after a raid on London. This was the last ground engagement involving a foreign force to take place on the mainland of Great Britain.
Dulled by dual carriageways and the dirty urban dust of a sunny late summer’s day – I was more than happy to discover this Modernist church in Rainham.
St Thomas of Canterbury RC
A modern church of 1956-58 by Eduardo Dodds. The atmospheric interior is decorated with fine sculpture by Michael Clark, and ceramic panels by Adam Kossowski. The tower is a local landmark. The former temporary church of 1934 survives as the Parish Centre.
Followed by another brick behemoth the Gaumont Chatham.
The Palace Cinema was built by a subsidiary of the Gaumont British Theatres chain, and opened on 30th November 1936. The exterior had a tall square clock tower, which was outlined in neon at night – Architect Arthur W. Kenyon
Re-named Gaumon from 18th December 1950, closed by the Rank Organisation on 2nd February 1961 with John Gregson in The Captain’s Table.
It was converted into a 24-lane Top Rank Bowling Alley, which opened in December 1961. Eventually, this was the last of the Top Rank Bowls to close, closing on 31st October 1970.
The building was converted into a B&Q hardware store, and the interior has been gutted. It was later in use as a camping centre, which remains open in 2010 as Camping International. The building is now known as Clock Tower House.
Designed by German civil engineer Hellmut Homberg, the two main caissons supporting the bridge piers were constructed in the Netherlands. ] The bridge deck is about 61 metres high, and it took a team of around 56 to assemble its structure.
The bridge was opened by Queen Elizabeth II on 30 October 1991. The total cost of construction was £120 million. The proposed name had been simply the Dartford Bridge, but Thurrock residents objected and suggested the Tilbury Bridge, leading to a compromise. At the time of opening, it had the longest cable-stayed span of any bridge in Europe.
I arrived at the Dartford Crossing hot and hungry – wandering towards the tunnel entrance, only to be apprehended by the authorities.
What are you doing here?
I pleaded for a glass of water and directions, happily I received both from a friendly member of staff.
Picked up by Range Rover and driven over to Essex free of charge.
Wearily I made my way across the county, no time for snaps it seems, simply wishing to hit town before nightfall. None of my B&Bs were booked ahead of time and I’ve never had a ‘phone. Finding a bed for the night proved troublesome – knocking on the door of a minor hotel, I was rebuffed by a Beatle suited, be-wigged figure:
Are you to take the vacancies sign down then – says I.
No – says he.
Under cover of darkness I holed up in a contractors’ flop house on the front, no-frills communal showers, short shrift and cold linoleum, but a welcome repose none the less.
Some pints don’t touch the sides – this and several others didn’t, ‘neath the flickering lights of Southend by night.
A wobbly walk along the prom.
Fetching up with pic of the Kursaal.
The Kursaal is a Grade II listed building in Southend-on-Sea which opened in 1901 as part of one of the world’s first purpose-built amusement parks. The venue is noted for the main building with distinctive dome, designed by Campbell Sherrin, which has featured on a Royal Mail special edition stamp.
Much maligned, universally loathed – the Stockport leisure facility everyone loves to hate.
What’s the story?
No more darkness, no more night. Now I’m so happy, no sorrow in sight. Praise the Lord, I saw the Light.
The area between Princes Street and Bridgefield Street was a tight warren of housing, shops and industry, eventually demolished in the 1970s, designated as slum clearance.
Prior to the arrival of the ring road the space remained undeveloped and turned over to car parking.
Little changes as the M60 is opened.
Images TS Parkinson – Stockport Image Archive
So for over forty years the land lies pretty vacant, but far from pretty.
Until 2015 when planning permission is granted for the £45m Redrock leisure scheme, which includes a 10-screen cinema, restaurants and shops.
Councillor Patrick McAuley, the council’s executive member for economic development and regeneration, said:
This is a very exciting time for Stockport. Developments such as these help our ambition of putting Stockport on the map to bring more people to work, shop and socialise here. We have been keen to involve the public in plans for both developments, by holding various consultation exercises.
We look forward to an exciting few years improving Stockport’s offer.
So good bye to all this, the local authority is making serious progress, developing Stockport’s future, against a background of structural decline and the dominance of Manchester city centre.
The architects for the scheme are BDP – the building was not well received as it was awarded the Carbuncle of the Year 2018.
Judges were left unimpressed by the – awkward form, disjointed massing and superficial decoration, while readers called it an absolute monstrosity.
Though to be fair The Light has a house style that leans heavily towards the anonymous industrial shed.
The development has however become a commercial success – once inside customers seem more than happy with the facilities.
The people of Stockport have welcomed us with open arms since opening in 2017. We’ve now had over one million guests join us for everything from the latest blockbusters to opera, theatre and concerts.
It’s been that busy that we’ve just added two additional screens and now offer freshly made pizzas, burgers and sliders. We’ve got plenty more exciting additions up our sleeve for next yeartoo!
The Theatre De-Luxe was built in 1911 at the corner of Anlaby Road and Ferensway with its entrance in Anlaby Road and its auditorium along the side of the pavement in Ferensway. Kinematograph Year Book of 1914 lists 600 seats and the owners as National Electric Picture Theatres Ltd.
In 1925, the theatre was rebuilt to a radically altered ground-plan and renamed the Cecil Theatre. The opening night was Monday 28th September 1925. The entrance was in a curved façade at the Anlaby Road/Ferensway corner. The alignment of the new, larger, auditorium was at right angles to Ferensway, and parallel to Anlaby Road. Effectively, the length of the Theatre De-Luxe auditorium became the width of the Cecil Theatre’s. Seating was 1,700 with 700 of those in the balcony, according to the Hull Daily Mail. The Cecil Theatre was originally designed for silent movies with a full orchestra pit. KYB 1931 lists it having Western Electric sound installed; and a 1931 aerial view shows that a brick horn-chamber had been built onto the wall at the rear of the stage. It had a 35 feet wide proscenium. The cinema also had a café attached.
The Cecil Theatre’s demise came during bombing on the night of 7/8 May 1941 when German incendiary bombs reduced the building to a shell; and it remained like that until demolition in 1953.
Work on the new Cecil Theatre was begun in April 1955 and it was opened on 28th November 1955 with 1,374 seats in the stalls and 678 in the balcony.
At the time of opening it had the largest CinemaScope screen in the country measuring 57 feet wide, and the first film shown was Marilyn Monroe The Seven Year Itch. The proscenium was 60 feet wide, and the cinema was equipped with a Marshall Sykes 3Manual/15Ranks organ, which was opened by organist Vivian Newall.
There was also a 100-seat restaurant & bar which in 1971 was converted into a second screen seating 137 (Cecil 2). The following year the main auditorium was spilt into 2 smaller cinemas in the balcony (Cecil 1 & 3 each seating 307) and an entertainment hall in the former stalls which became a Mecca Bingo Club, with Mecca also operating the cinemas.
In the 1980’s it was taken over by the Cannon Cinemas chain. The cinema operation was closed on 23rd March 1992 and the cinemas were ‘For Sale and/or Lease. It was taken over by Take Two Cinemas and renamed Take Two Cinema. It was closed on 27th February 1997 and the two screens in the former circle were stripped out and converted into a snooker club.
Whilst bingo continues in the former stalls area of this post war cinema, the former mini cinemas in the circle still contain the snooker tables, but the space is unused. The screen in the former restaurant/cafe area remains basically intact, but is unused.
I worked at the Cecil in the three years before it closed in the 90’s. MGM owned the place before the Virgin group bought it and closed it. It was a good place to work and an interesting building. Behind the scenes had remained unchanged since Anna Neagle first opened it. The organ had been removed however but the organ room was still in tact in the bingo section of the building. The fire exits led to long dark corridors that were always being infiltrated by kids sneeking in for a free shows. I understand that this was always the case. The resturant kitchen was fully intact and resembled something out of a Kubrick film – very spooky place!
And so the projectors whirr no more, house is called at the Cecil – possibly the most oddly named cinema in the land.
Happily it remains an imposing presence in the centre of the city – a mammoth modern temple of entertainment – reflecting the ever changing tastes of the day and the morning after.
This was planned to be the Verona Cinema, a project of local builders – P Hamer Verona Cinema Ltd. The construction of the cinema was almost completed when Hamer sold the building to Oscar Deutsch and it opened as one of his Odeon theatres.
Hamer then used the proceeds of the sale to build the Roxy Cinema Holinwood, which was designed by Drury & Gomersall.
Opening date of the Odeon Theatre was 29th June 1936, when the first programme was Bing Crosby in “Anything Goes” and Harold Lloyd in “The Milky Way”. Designed by the noted cinema architectural firm of Drury & Gomersall, the frontage had a neat entrance in brick, with white stone facings on the window surrounds. There was a parade of shop units on each side of the entrance which had matching brickwork and a white stone trim.
Inside the auditorium the seating was arranged for 834 in the stalls and 330 in the circle. The side splay walls on each side of the proscenium was decorated in wide horizontal bands, and topped with a backlit illuminated grille.
The Odeon was closed by the Rank Organisation on 11th March 1961 with Kenneth More in “Man in the Moon”.
It was converted into St. Paul’s Roman Catholic Church. Former cinemas have made good conversions to churches and the fabric of the buildings are generally respected. In this case though, the sad story is that the front entrance has been rendered over and inside all details of it cinematic past have been erased. You would never know you were inside what had been been an Art Deco styled building.
Opened 22 April 1920 with “The Forbidden City” and designed by Arnold England, the Majestic Picture House was part of the Provincial Cinematograph Theatres circuit. With 1,233 seats in stalls and balcony and a splendid facade faced in white faience tiles on two sides of the building on its prominent town centre corner site of Old Street and Delamere Street, the cinema was a great success.
It had an oak panelled foyers which had beautiful coloured tapestry’s on the walls. The interior was in a Georgian style and it was equipped with a pipe organ and a seperate tea room and cafe which were located on the upper floor.
It passed, with all the other PCT houses to Gaumont British Theatres in 1929, but it was not until 12th July 1946 that it was renamed Gaumont. The Majestic Picture House was renovated in July 1936, with new seating installed and a re-recoration of the foyer and auditorium. A new Compton 3Manual/6Rank organ was installed that was opened by organist Con Docherty.
Later being merged into the Rank Organisation, the Gaumont was re-named Odeon on 11th November 1962. It was eventually sold to an independent operator who renamed it the Metro Cinema from 6th November 1981.
With capacity now down to 946 seats, the Metro Cinema continued as a single screen operation until the middle of 2003, sometime after a multi-plex had opened in the town. In 2008 (with seats and screen intact) the building was unused except for the long foyer area, linking the front and back elevations of the Metro, which was a Slotworld Amusement Arcade. By 2011, the entire building had been stripped out and stood empty and unused.
It was my local cinema as a lad – attending Saturday morning matinees as a member of the Odeon Boy’s and Girls club. Hundreds of the nosiest kids. regularly warned by the manager that the film would be stopped if the raucous behaviour continued.
Now it’s just an empty shell, superseded by multiplex and latterly a lost Slotworld.
Unlisted unloved sitting at the heart of the town – too late for the last picture show.
Located in Sale, Cheshire, now part of Greater Manchester. Designed by the famous British cinema architectural firm, Drury & Gomersall, the Pyramid Theatre is a classic example of an Egyptian-style cinema in Britain and had a 1,940 seating capacity.
The frontage although not particularly Egyptian in overall design does have various Egyptian style mouldings and fluted pillars. Internally, the Egyptian theme was again largely mouldings and finishes like Graumans Egyptian Theatre in Hollywood. The theme was included in the specially designed Christie Organ, which was installed in the Blue Coat School in Oldham.
Following a request by the school to remove the organ in 2008, the organ was in storage for five years. The Christie has now been donated to the Lowe Side Trust, by the LTOT, along with funding for refurbishment and installation, of both consoles, into Lowe House Catholic Church, St. Helens, Lancashire. As of the beginning of 2018 the the original pit console is now fully functioning in the Church. The Egyptian style stage console is now under refurbishment to full theatre specification. Website for this project will be available shortly.
The Pyramid Theatre changed hands a couple of times between its opening on 24th February 1934 and 21st December 1942 when it was taken over by Oscar Deutsch’s Odeon Theatres Ltd. chain. It was re-named Odeon on 18th June 1945.
In 1981, the Rank Organisation closed 29 of its Odeon cinemas and the lease for the Odeon Sale was bought by the Tatton Cinemas group and it was re-named Tatton Cinema. Stage shows returned to the theatre, however the runing costs caused the lease to revert to Rank in 1984 and the building was closed.
The cinema was purchased by Trafford Borough council for £200,000, but by 1987 the costs to the council were estimated at £1.5 million. A campaign was started to save it from demolition.
In 1988, it was advertised for sale by tender and by 1990 the cinema was converted into an American themed nightclub, known as JFK’s
The nightclub closed around 2001 and the auditorium was transformed into a franchised L.A. Fitness Centre, using a former front stalls exit as its entrance. The main entrance and foyers are currently unused. In 2013 it became a Sports Direct Fitness Club.
The Pyramid Theatre was designated a Grade II Listed building in November 1987.
It is currently closed and seemingly unused.
I often cycle passed and wonder about your past, and a possible future.
Our cinema heritage is and always had been under threat, listed and unloved desperately seeking the care and attention to survive into another other century. Subsequent repurposing has proved temporary and unsustainable, without the concerted efforts of local authority, charitable trust and enthusiastic amateurs, you will remain a silent pharaonic sentinel by the side of Washway Road.
And therefore as a stranger give it welcome.
There are more things in heaven and hell, Horatio,
Than are dreamt of in your philosophy.
We have seen things come and go in, on and around Stockport Station’s little acre.
From coal drops to tear drops.
Archive photographs courtesy of John Eaton
The post-industrial leisure complex has come almost full circle – overwritten by the complex needs of the modern day service-worker – Holiday Inn, Espresso Bar and Mini-mart complement the hot-desked, twenty-four hour online access all areas open-plan office operative.
A Moebius Band of motorway formerly known as the M63 wraps and warps itself around the city, ever so conveniently linking the traffic of Greater Manchester with itself.
Ever so conveniently it passes through Stockport – only moments from my home.
Before the white man came.
The view from Princes Street along Hatton Street – towards Heaton Norris Rec.
A boon to the modern day motorist, though happily the modern day pedestrian is also catered for in the form of the Hatton Street Footbridge – linking Great Egerton Street below, with Heaton Norris Recreation ground above.
Images TS Parkinson – Stockport Image Archive
For the past two years the footbridge has been inconveniently closed, during the development of the Redrock Leisure Facility, built on the site of the former car park, in the foreground of the image above. Thus prohibiting the passage from the Post Modern world of the big brash entertainment box, to the leafy cobbled street beyond.
The Hatton Street footbridge has two spans of in-situ u-section deck, is at ground level on the north side, but is reached by steps or ramp from Great Egerton Street on the south.
William B Ball
I’m ever so pleased that access has been reinstated, from me it is both fully functional yet imbued with an elegant concrete sculptural grace, worthy of Niemeyer or Lasdun.
So take a walk on the slightly higher side, either way you win.
Robert Andrew Bullivant 1910-2001 Harry William Weedon 1887-1970
Robert Bullivant joined the Harry Weedon practice in 1935 and was responsible for the design of the Odeons at Chester, York, Burnley, Exeter and Rhyl. Taken over by Hutchinson in 1969, this cinema was renamed Astra. It was made into a triple screen in 1972 and the stalls were later converted for bingo. It was designated Grade II listed status in 1989. The cinemas closed in 1995 and the building reverted to a single auditorium for bingo.
So much of our picture house heritage no longer exists, where once a town or city could support several cinemas of varying scale, architectural merit or style, few now remain intact. Happily the Rhyl Odeon has survived from Astra, Apollo to Gala to the stars and beyond.
Playing to perennially packed houses, the people’s palaces accommodated old and young.
Saturday morning matinees for the boys and girls – making this Great Country of ours a better place to live in.
If memory serves, in the Odeon auditorium to the left of the screen there was a suitably stylish, numberless clock of six-sided shape. In 1972 the Odeon, by then taken over and renamed Astra Cinema, underwent alterations to become the first three-screen complex in Wales: Astra 1, 2 and 3. By the mid 1980s the Odeon/Astra had been taken over by Apollo and was running as two cinemas plus bingo at first – and bingo only since the present Apollo Cinema Complex opened on the prom.
An original Odeon Theatre, built for the Oscar Deutsch Odeon Theatres Ltd. chain, opened on 30th October 1937 with Flora Robson in “Farewell Again”.
The corner entrance rotunda was lower than the rest of the building and was faced with cream faiance tiles, broken with windows. Behind this was a tower-like feature which contained the main foyer. Seating in the auditorium was provided for 862 in the stalls and 546 in the circle. On each side of the proscenium opening there were large panelled decorative grilles on the splay walls. Lighting in the auditorium was provided by concealed lighting in troughs across the ceiling.
From the 13th October 1969 it was taken over by the Hutchinson Leisure Group and re-named Astra Cinema. They triplexed the cinema from 24th April 1972 with seating for 750 in the former stalls and two mini screens seating 250 and 225 in the former circle. Later, the stalls screen was converted into a bingo club, whilst the two mini cinemas continued on film.
In the late-1980’s the building was taken over by Apollo Leisure UK Ltd. and it was re-named Apollo Cinema. The two mini cinemas were closed in October 1995 and the building was de-tripled into one space again, becoming the Apollo Bingo Club, which remains open today.
From 4th January 1989, the former Odeon Theatre was designated a Grade II Listed building.
From Ardwick Green in the west to Abbey Hey in the east – runs Hyde Road Manchester.
It’s a a road I have travelled from my early teens onwards, visiting friends, family, speedway, school sports days, fun and frolics at Belle Vue, tea and toast in Sivori’s, bike parts from Cowans. Working at the former Bishop Greer School, drinking in it’s many pubs, going to the flicks at the Apollo.
It was an area thick with the hustle and bustle of folks going about their business – working, shopping, boozing, waltzing in the Elizabethan, or the waltzers, bobbing up and down on the Bobs. A self contained community, just about prosperous enough in times of full employment – take just one more walk with me.
There was a field – Ash Farm, farmhouse and field, at the junction of Manchester Road and Denby Lane, owned by one Harry Hitchen.
Harry Hitchen’s ambitious grandson reckoned that it was time that Heaton Chapel had a picture house, so on 6th May 1939 – where once there was a fertile farmer’s field, the seven hundred seat Empress Cinema opened.
Opening with a screening of Alexander Korda’s The Scarlet Pimpernel.
It continued to trade as a cinema until 18th April 1959, whereafter it transformed at the end of that year, into a dance house opening as the Empress Club on the 9th December, run by Manchester City footballer, Keith Marsden.
Other parts of building were used for Flamingo Coffee Jive Club, from 1961 Empress Bingo club used the none-cabaret portion of the building.
In many northern towns and cities at this time a thriving beat scene emerged, literally hundreds of local bands, playing a circuit of clubs large and small.
One such band played at the Empress on 14th November 1964, formerly The Matadors, then becoming The Swinging Hangmen, later known as The Hangmen. With a now sound, slick suits, a business card and a swinging, dead, novelty teddy bear mascot, they had everything going for them.