Bradford Walk 2026

Here we are again – updating the 2020 post and subsequent 2024 visit.

Saturday 25th July arriving in bright sunshine at the Bradford Interchange – architects WC Brown City Architect and RL Moorcroft BR 1971.

Which has been transformed for the City of Culture 2025 by Bigg Design, with their multicoloured panels.

In addition there has been a transportation of the approach by Fereday Pollard, with the addition of seating in the newly landscaped plaza area.

Moving into the city centre there have been changes in the area between the Bradford Hotel and the Town Hall, it’s now a freshly landscaped space especially for pedestrians.

The NCP multi storey car park on Hall Ings has been demolished.

The demolition work is part of the Government-funded Transforming Cities Fund for Bradford.

Bradford Council, in partnership with the West Yorkshire Combined Authority, is bringing forward a flagship programme of forward-thinking transport schemes, alongside major public space enhancements, that will help us shape and drive forward Bradford’s future regeneration in the city centre and beyond.

Providing an accessible, attractive and cleaner alternative to car journeys is at the heart of the Leeds City Region Transforming Cities Fund, a major new programme of transport infrastructure investment secured as part of the West Yorkshire devolution deal. The programme, which is being delivered by the Combined Authority in partnership with local authorities, will be funded through £317 million from the Department for Transport plus local match funding up to £140 million.

Photo Telegraph and Argus.

The area was once traversed by this elegant raised walkway.

The Bradford Hotel remains resolutely unmoved, recently it has been used as an Asylum Hotel, unsure that this is still so.

Located in the heart of central Bradford, The Bradford Hotel provides an elegant refuge in the midst of the bustling city.

Originally opened as the Norfolk Gardens Hotel, the hotel was completed in 1972 and opened in June of that year.

Architects – William Walker Partnership.

Adjacent is the Magistrates’ Court 1972.

City Architect WC Brown.

With a view through to One City Park 2024 Sheppard Robson.

One City Park in Bradford, England, draws attention with its striking architecture. The building’s curved design and forward-thinking concept create significant interest. For Sheppard Robson Architects, sustainability and the needs of people were paramount in the design. The facade of the complex features 1,700 glassfibre reinforced concrete elements from Rieder, making a distinctive design statement. The sandstone-coloured concrete components serve as both an architectural feature and a key element in creating a sustainable, visionary work environment.

Architonic

One City Park has been built on the site of the old Police Station opened in 1974 and demolished in 2010.

The area was once the centre of Will Alsop’s 2003 masterplan.

Which three years later are somewhat diluted:

The latest images of the scheme for the Bowl are generally disappointing and at the risk of a bad pun, the lake is now a watered-down version of Alsop’s vision.

Philip Veitch – of local practice Waller and Partners.

The Norfolk Gardens landscaping has opened up a fresh toward the Central Library 1965.

Architect – City Architect WC Brown with project architects G Sunderland and KLS Glen.

Next to the two Telephone Exchanges.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

Turn right around to take a look at the rear of the Ice Arena.

In January 1966 Mecca Leisure Limited opened the ice rink in Bradford under the name of the Silver Blades Ice Rink, it was reputed to be “The finest rink in the world”, with coloured lighting in the barriers, sparkling chandeliers over the ice, and a plush bar and restaurant.

The resplendently dressed skaters were entertained with organ music. The opening gala at the rink had performances by British skaters who had just returned from the World Championships, they included Sally Anne Stapleford, John Curry and ice dancers Bernard Ford and Diane Towler.

History

The take a turn around the bend to the front.

Let’s go up the hill to the University of Bradford.

The institution uses this image illustrating the transition of the BDP Richmond Building of 1964, to its contemporaneously clad iteration.

Out front is the tiled mural by Joe Mayo.

Some original seating has resisted transitioning.

The undercroft has not been so fortunate in resisting the chill wind of change.

We emerge into the clear light of day and the BDP designed Chesham and Horton blocks along with the former Nuclear Research Bunker.

Next back down into town to the shops that were shops.

Let’s hop to the Grade II-listed Co-op Sunwin House designed by CWS in house architect WA Johnson and JW Cropper in 1935. 

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Sunwin House had been – one of the most modern and stylish looking shops in Britain, when it was built in 1936, according to The 20th Century Society.

But the charity warned that the building, whose architectural style was inspired by Germany’s Bauhaus art movement, had stood empty for nearly 15 years and was in danger of creeping neglect.

Sunwin House, which was most recently used as a TJ Hughes department store after the firm went into administration in 2011, is one of 10 buildings featured on The 20th Century Society’s risk list for 2025.

BBC

The Freehold of Sunwin House, 65 Sunbridge Road, Bradford has been sold to a Bradford based investment company who have plans to refurbish the whole building principally based off a Retail/ Emporium use.

The building was purchased by Legal and General from the Co-operative Wholesale Society in 2005 subject to a lease to T J Hughes, who ceased trading in 2012. Following Administration, and the release and separation from the former Godwin Street Annexe, the original 95,000 sq ft Grade II Listed Store became an independent asset in 2017.

Holbeck Land

A stride away is the now closed Kirkgate Centre and MarketJohn Brunton and Partners 1975.

Demolition work will begin later this year to make way for the recently approved City Village development, comprising up to one thousand new homes, with the aim of creating a stronger, more welcoming, and sustainable future for Bradford.

Some residents have welcomed the changes, with the Kirkgate Centre previously described as a blight on the landscape. But others, like Barbara, lament the loss of the places they knew and loved.

Every time you go anywhere something has gone missing. Some of the changes are alright, some of them I think they could do without.

BBC

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

The William Mitchell concrete reliefs housed in the market are to be conserved along with the Fritz Steller tiles.

Higher up the hill John Brunton’s Highpoint has survived the call for demolition.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

It is now home to an innovative residential apartment complex with a community at its heart, which embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Redeveloped by Radii Living.

A tower block in Bradford likened to a structure from sci-fi movie Blade Runner has been named as the best brutalist building in the country.

Built in the 1970s, High Point, the former headquarters of the Huddersfield and Bradford Building Society, was recently converted into eighty seven flats as part of a £12m regeneration scheme.

National newspaper The Telegraph named the building top of its brutalist list – ahead of the Barbican, in London, Bristol’s Clifton Cathedral and Preston bus station.

Si Cunningham, who chairs Bradford Civic Society, said it remained one of the city’s

Most divisive buildings.

Symbolic of Bradford’s confidence and prosperity.

BBC

Highpoint’s neighbour the Oastler Centre is closed and awaiting demolition.

The Oastler Shopping Centre, formerly known as the John Street Market contained 176 stalls comprising a retail area, with an additional twenty three external shops and twenty seven storerooms. The cafes and stalls within the centre were various food, clothing and craft shops with some of the cafes and stalls having been in business since the 1960s.

The original outdoor open-air market was renovated to an indoor market in the early 1970s to make economic improvements to the upper side of the city centre and was named for the abolitionist Richard Oastler.

As part of the Bradford’s regeneration projects in line with the successful UK City of Culture 2025 bid, the Oastler Centre was scheduled to be demolished in late 2023 to make way for the new Darley Street Market.

Wikipedia

The Oastler Marker had its final day of trading on 28 June 2025.

The centre along with the nearby Kirkgate Market will be demolished and replaced with green space, housing and new commercial spaces in line with the new Darley Street Market and planned City Village, an area of green space nearby the site.

Happily the signage from the Oastler’s Fountains Coffee House has been preserved by the Bradford Industrial Museum.

Huddersfield Walked Again

College of Technology: the central precinct with the two classroom blocks 1960 Frederick Gibberd.

Image – Henk Snoek 1960 RIBA pix

We no longer begin at the Kirklees College – it was knocked down and a Lidl built on the site.

So we begin at a new beginning, a new beginning for the Bus Station, during the current refurbishment the car park is closed.

We are transforming Huddersfield Bus Station into a fully accessible facility.

Work is underway on the £28 million facility, which is funded by the West Yorkshire Combined Authority and Kirklees Council.

I was informed by the seriously erudite Christopher Marsden, that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

We then cross over the road to the Civic Centre, with its gold leaf facade, and the perennially empty piazza, which along with the Magistrates’ Courts and Police Station, was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble. 

Exsilite is made by fusing grains of silica and pigments to form a slab that simulates onyx marble.

Exsilite is a Latin word meaning – spring/leap/burst forth/out, leap up, start up, bound; emerge into existence.

It is to be note that the doors and distinctive handles from the Courts to the Piazza have been removed.

The Police Station is to be vacated on completion of the new Police Station.

Next to the curved and ribbed concrete wall, concealing an electrical sub-station.

Further on down the road the former Co-operative store 1936 JW Cropper.

On opening day, the Examiner said the Co-op gave:

The town of Huddersfield a store that is entirely modern in design and equipped on the most up-to-date lines-a store of which the townspeople generally, and co-operators in particular, can be proud.

It has subsequently been seriously disabused by insensitive refurbishment and extension.

We cross over to view the access road to the service area of the market – now closed.

It was formerly topped off by a multi-storey car park – since demolished.

Then onward to the Grade II Bath House at Broadbent’s Engineering in Huddersfield.

1955, by Abbey Hanson architects – designing architect Andrew Buck, project leader Geoffrey Rowe.

The building is a very rare, possibly unique example of a purpose built bath house for foundry workers

* Its continuing function as a bath house has preserved its original purpose in both its layout and its fixtures and fittings as well as its design

* The design of the building manifests inspiration from both W Dudok and Frank Lloyd Wright, and achieves a high standard of accomplishment in its interpretation of contemporary architectural influences

* The use of local stone for external walls distinguishes it from brick built pithead baths of similar style, and the imaginative use of finishes lends further distinction

* The interior survives almost entirely intact, with original wash basins, shower and tap fittings, lockers, floor and wall surfaces, doors and light fittings.

Historic England

One of Huddersfield’s hidden architectural gems has been transformed into an attractive and unusual gallery-cum-coffee house and restaurant, destined to become a popular public space for meeting, eating and art appreciation. But among the attendees at a special unveiling event there were men who remembered its original function – as a bath house where scores of foundry workers could shower away a day’s grime.

University of Huddersfield

Up around the the bend and here we are at the Grade II listed Queensgate Market, 1968-70 to the designs of the J Seymour Harris Partnership, with Leonard and Partners as consultant engineers. 

Another feature of Huddersfield Market which sets it apart from other post-war market buildings is its incorporation of works of art. Fritz Steller was a German-born refugee architect who had settled in Stratford-upon-Avon. He pioneered the production of large scale ceramic art, having been interested in the use of a wide variety of materials in sculpture. The development company Murrayfield had a policy of incorporating public art into their schemes, and the project manager of J Seymour Harris, the architects for the Huddersfield development, was Gwyn Roberts, a friend of Steller. One of the Borough Councillors at Huddersfield was Clifford Stephenson, an enthusiast for public art and particularly for modern ceramic sculpture. This combination led to the appointment of Steller to produce designs for the new market hall. The size of the panels necessitated the construction of a special kiln for their firing, and experimental mixes for the composition of the clay which was resistant to acid rain and chemicals.

Historic England

Seen here on my visit in 2015, and subsequently in 2021.

Straight ahed to the service entrance at the rear of The Piazza.

The council wants to demolish the Piazza buildings as soon as possible.

Phase 3 was originally to be the Queen Street plot but Greenhead College’s plans for a new education building on the site failed to secure Government funding. Since then the council has been looking at alternatives – including a hotel, residential or offices – but now believes a new multi-storey car park could be the best way forward.

Phase 5 was to have been a £90 million events and concert venue with a multi-storey car park attached but that is no longer affordable. A review of the venue is underway and the council now thinks a “flexible multi-purpose” venue is the way forward. It would have a fully-seated capacity of 1,200 or 2,000 with a standing floor and seated balcony.

Huddersfield Hub

Turning our back on the market and away to Buxton House 1968.

Kirklees Council’s plans for the £16 million re-development of a Huddersfield town centre block of flats have collapsed.

Buxton House, between New Street and Albion Street, failed to meet modern fire safety standards and the council moved tenants and bought out owners and leases, pending a full-scale refurbishment.

Planning permission was granted in July 2024 to re-model the tower block to create forty one, one and two-bedroomed flats along with five studio flats with construction set to start in November 2025.

However, it has now been revealed that the council has failed to find a contractor and the scheme is on hold indefinitely.

Huddersfield Hub

Design for refurbishment.

The flats are part of a larger retail development by Bernard Engle & Partners.

Across the way Ramsden House a slab on a podium, part of the Murrayfield Redevelopment 1968 J Seymour Harris Partnership.

This block was the first and only phase of four that’s still intact. It’s a slab and plinth project with underground servicing marble finishes and two art mosaics that relate to the town. The Ramsden Street elevation mosaic depicts ‘Development of the woollen industry from a cottage craft to the beginning of the industrial revolution’ designed by Huddersfield artist, Harold Blackburn.

Princess Street bears ‘Facets of the Local Scene’ by Mural Consultants Ltd.

Modernist Buildings Trail

Across the way Whitfield’s Department Store 1963 Ralph Hudson.

The longstanding furniture & piano dealers, Whitfield’s expanded from numbers five and seven with this six6 storey tower.

Influenced by a tour of modern European retail premises the company chairman supplied the architect with photos of ideas.The glossy metallic finish reflects the excitement of the notion of an Ercol show room on the fourth floor and G-Plan on the fifth. Pianos were on the first floor and TVs & radio and their servicing were in the basement. Welcome to stylish living sixties style!

Modernist Buildings Trail

Down the hill and away to:

Public Library 1940 Architect: EH Ashburner & James Arthur Woodford.

James Woodford at work – on the right, sculpting figure representing the Spirit of Literature

Reference Library.

Image – Charles Pickard 1940.

The food hall and library is due to open in summer 2026 but more problems have been uncovered with the former library and art gallery which will become the new museum. Internal works are underway and more asbestos than expected has been found and an extra £1 million has been needed to pay for removal.

The council has also found several other “significant issues” that also needed to be resolved.

It could be mid-2029 before the museum is ready to open.

Off we go to the Midland Bank – then HSBC then not a bank at all, 1970 Peter Womersley with Roger Shaw of Kitson & Partners.

Next door the Halifax Building Society 1981 Abbey Hanson Rowe.

back to the main drag and the Pearl Assurance Building 1963 Elsworth Sykes & Partners.

The nipping down the lane to Neaversons 1935 with two Moderne fascia elevations by shop fitters Sharp & Law of Bradford, Grade II Listed as part of the Kirkgate Buildings.

Once selling bijou household goods, following occupation by several bars and cafes, currently empty.

Finally just in time to catch the last post at the Royal Mail Sorting Office – Post Office extension 1968 Office of Public Works.

St John’s College Oxford – RIBA pix

St John’s College was founded as a men’s college in 1555, it has been coeducational since 1979. Its founder, Sir Thomas White, intended to provide a source of educated Roman Catholic clerics to support the Counter-Reformation under Queen Mary.

St John’s is the wealthiest college in Oxford, with assets worth over £790 million as of 2022, largely due to nineteenth-century suburban development of land in the city of Oxford of which it is the ground landlord.

Wikipedia

The Beehive North Quad: the entrance elevation.

Architects 1960 Co-Partnership

Reginald Hugo de Burgh Galwey 1960

The Beehive North Quad: seen from the archway on the western side.

Bill Toomey 1960

The Garden Quadrangle.

Architect 1994 MacCormac Jamieson PrichardMJP.

Detail of spiral stair.

The entrance courtyard.

A study bedroom at topmost level.

The lecture theatre.

Charles Martin 1994

Sir Thomas White Building.

Architects 1972-75 Philip Dowson of Arup Associates.

The pavilion looking through to the dining room.

A study bedroom.

The roof scape and service tower.

John Donat 1975

See also: St Catherine’s CollegeMaterials ScienceWorcester College, Keble College and The Florey Building

Keble College Halls of Residence 2026

The original buildings of the College were designed by William Butterfield 1814-1900. Although the darling of the Tractarian movement, Butterfield was a controversial choice, as his style – a form of High Victorian Gothic had long provoked argument in Oxford. The original Gothic revival of the 1840s was purely imitative, seeking to blend new buildings with the pre-existing architecture of the city. However, this did not satisfy Butterfield, who “sought a new form of Gothic which would both convey eternal truths and would express the spirit of the age”.

The College was lucky in that the ambitious vision of its founders allowed it to house the majority of its students for decades. However, by 1967, it had become clear to the College that there was a need to expand on a large scale. With the £500,000 cost funded via the Centenary Appeal, the project remained challenging – the site available was wedge-shaped, construction had to be phased, as funds became available, and the buildings had to stand next to Butterfield’s imposing work. To meet this challenge, the College chose an up-and-coming firm of architects, Ahrends, Burton and Koralek ABK.

Heritage Keble

We have previously taken a look at the Halls through the RIBA pix archive.

Paul Ahrends, architect, with a model of the ABK buildings, explaining them to HRH Princess Margaret, the Chancellor and the Warden.

Here are the photographs which I took on my flying visit of July 2nd 2026.

Keble College Oxford – Halls of Residence

Architect: Ahrends Burton & Koralek 1977

Ahrends, Burton and Koralek – ABK was established in London in 1961 by three young AA graduates, Peter Ahrends, Richard Burton and Paul Koralek. By the 1970s, ABK was known as one of the most creative and versatile of Britain’s younger practices, its workload ranging from college buildings in Oxford and Chichester to housing, public libraries, retail and industrial buildings.

While influenced by High-tech, their buildings were characterised by a concern for strong form and materiality. Major projects of the 1980s included stations for the Docklands Light Railway and the pioneering St Mary’s Hospital on the Isle of Wight, as well as buildings at Hooke Park in Dorset designed in collaboration with Frei Otto.

ABK’s victory in the prestigious 1982 competition for an extension to the National Gallery in London reflected the firm’s standing but the scheme was abandoned following a controversial intervention by the Prince of Wales.

C20 Society

The College was lucky in that the ambitious vision of its founders allowed it to house the majority of its students for decades. However, by 1967, it had become clear to the College that there was a need to expand on a large scale. With the £500,000 cost funded via the Centenary Appeal, the project remained challenging – the site available was wedge-shaped, construction had to be phased, as funds became available, and the buildings had to stand next to Butterfield’s imposing work. To meet this challenge, the College chose an up-and-coming firm of architects, Ahrends, Burton and Koralek – ABK.

The construction was completed in two phases, the De Breyne quad – completed in 1972, was largely funded by the Adeby Trust. The second phase – completed in 1976, was primarily funded by the Hayward Foundation.

Whilst ABK’s architecture did not seek to imitate Butterfield, it nevertheless adopted elements from his work. The buildings follow the exterior line of the College and the roofline varies along its length, gradually decreasing as it approaches the Butterfield buildings. Yet, the architecture also manages to be innovative. The exterior is fortress-like, punctuated by slot windows, with the buff coloured brick forming a contrast to the red of the original buildings. Internally, the walls are formed by overlapping layers of glass, creating a “soft underbelly”, which mirrors Butterfield’s patterns in its reflective surface.

Once again, Keble’s choices proved to be controversial. The Architectural Review of 1977 claimed the walls “suggest the exterior of some strange zoo”, yet the Royal Institute of British Architects saw fit to award it their Southern region award in 1978 and in 2001 it became one of the youngest Grade 2* listed buildings, a ranking reserved for “particularly important buildings of more than special interest”.

Keble Heritage

John Donat 1977

John Donat 1980

John Donat 1977

A typical study bedroom.

The glazed walkway

John Donat 1973

The common room and bar.

John Donat 1977

Charles Martin 1983

RIBA pix

See also: St Catherine’s CollegeMaterials Science, Worcester College and The Florey Building

Worcester College Oxford

I was walking from the railway station, a map of Oxford folded in my back pocket.

Having no real notion of anything really, I simply followed my intuition and ended up here.

Worcester College was founded in 1714 by the benefaction of Sir Thomas Cookes, 2nd Baronet 1648–1701 of Norgrove, Worcestershire, whose coat of arms was adopted by the college. Its predecessor, Gloucester College, had been an institution of learning on the same site since the late 13th century until the Dissolution of the Monasteries in 1539.

Founded as a men’s college, Worcester has been coeducational since 1979.

Wikipedia

This Mediaeval terrace is thought to be the oldest surviving domestic building in the city, known as the cottages – forming one side of the Quad.

This is the Casson Building – undergraduate accommodation.

The Linbury Building is a dedicated conferencing and private dining venue enjoying a beautiful natural setting among mature trees and landscaped lawns.

Accommodating up to one hundred guests for receptions or forty eight on a fully-catered basis, the Linbury Building offers the perfect venue for your mid-sized event. Set among the College’s award-winning gardens, the Linbury allows you to enjoy our unique natural setting thanks to floor-to-ceiling glazing which can be retracted to create an al fresco space in the summer.

With its own bespoke furniture made from English oak and College-crested leather chairs, the main conferencing space can be adapted into a wide variety of configurations, from seminar, cabaret or theatre to private dining and drinks receptions. The adjacent foyer area is a perfect space for delegate registration, break-out coffee and pastries or buffet lunch service. 

Worcester College

John Davan Sainsbury – Baron Sainsbury of Preston Candover 1927 – 2022 was a British businessman and politician. He served as the President of Sainsbury’s, and sat in the House of Lords as a life peer and member of the Conservative Party

Robert Alfred Maguire 1931–2019 was an influential British modernist architect and leading thinker in the British liturgical architectural movement of the Church of England. Maguire and Keith Murray formed an architectural practice in 1959.

Nazrin Shah ascended the throne of Perak in 2014. As Sultan of Perak, he has been a strong advocate for education, Islamic moderation, and national unity. He has served as deputy king under Sultan Muhammad V of Kelantan, Sultan Abdullah of Pahang, and Sultan Ibrahim of Johor.

The Sultan Nazrin Shah Centre is a new building of 2017 housing a large lecture theatre, a student learning space, seminar rooms and a dance studio. The project is not simply the provision of new facilities, but also the development and enhancement of the setting of this significant part of the College site. Whilst the relationship between the new buildings and the listed parkland is important, it is only one part of a complex arrangement.

Níall McLaughlin Architects

Elizabeth Frink’s sculpture Seated Man II – on loan from Yorkshire Sculpture Park, in accordance with the wishes of the artist’s late son, Lin Jammet, 2020.

He overlooks The Sainsbury Building student accommodation – 1983 Architect: Richard MacCormac

View from the loggia to the upper terrace.

Archive images 1983 – Charles Martin RIBA pix

The common room.

The central lobby.

A study bedroom.

The College Chapel was built in the 18th century. George Clarke, Henry Keene, and James Wyatt were responsible for different stages of its lengthy construction 1720–1791, owing to a shortage of funds. The interior columns and pilasters, the dome, and the delicate foliage plastering are all Wyatt’s work. His classical interior was insufficiently emphatic for the tastes of militant Victorian churchmen, and between 1864 and 1866 the chapel was redecorated by William Burges.

It is highly unusual and decorative; being predominantly pink, the pews are decorated with carved animals, including kangaroos and whales, and the walls are riotously colourful, and include frescoes of dodos and peacocks. Its stained glass windows were to have been designed by John Everett Millais, but Burges rejected his designs and entrusted the work to Henry Holiday.

Wikipedia

My first visit to Oxford and the centuries wide cornucopia of architectural styles and fashion.

See also: St Catherine’s College, Materials Science, and The Florey Building.

Materials Science University of Oxford

The Denys Wilkinson Building was designed by Philip Dowson at Arup in 1967.

The building houses the astrophysics and particle physics sub-departments of the Department of Physics at Oxford University, plus the undergraduate teaching laboratories. It was originally built for the then Department of Nuclear Physics and named the Nuclear Physics Laboratory. From 1988, the building was known as the Nuclear and Astrophysics Laboratory after the Sub-Department of Astrophysics moved from the University Observatory in the Science Area. On 21st June 2002, the building was renamed as the Denys Wilkinson Building, in honour of the British nuclear physicist Sir Denys Wilkinson, who was involved in its original creation.

Wikipedia

Denys Wilkinson Building Oxford photo – Webb Aviation.

Department of Nuclear Physics, Oxford Arup Associates 1971 – Colin Westwood RIBA pix.

The University of Oxford is relocating its undergraduate physics practical teaching from the Denys Wilkinson Building amid concerns about the presence of asbestos at the ageing site.

From Michaelmas this year, some practical teaching labs will move to the former Biochemistry and Biological Sciences Teaching Centre, with the remainder moving by Michaelmas 2027. The Biochemistry and Biological Sciences Teaching Centre will be adapted for physics practical teaching. Around six hundred undergraduates currently take part in compulsory practical coursework in the Denys Wilkinson Building across the first three years of Oxford’s physics degrees. 

A University spokesperson told Cherwell that the decision to relocate had been taken proactively to avoid the risk of a sudden building failure causing disruption later. The spokesperson added that the Denys Wilkinson Building:

 Is being carefully managed through the later years of its usable life, adding that the building has some legacy issues, including asbestos.  

Cherwell

Originally completed in 1967, the building had not been maintained and required significant repairs to the roof structure of the accelerator tower, which had suffered from prolonged water ingress.

All defects were identified through a hammer test survey and thorough visual inspection, the original concrete was broken out back to a sound substrate and was square cut to depth of 10mm, thus preventing featheredging of the subsequent repair.

Exposed reinforcement was mechanically wire brushed, and prepared using high performing and sustainable products from Sika. Treated with Sika Monotop 1010; a bonding primer and corrosion protection, followed by the application of Sika Monotop 4012; a concrete repair mortar, to the original surface levels.

Structural Renovations

This building has been assessed under the Planning – Listed Buildings and Conservation Areas Act 1990 as amended for its special architectural or historic interest. The asset currently does not meet the criteria for listing.

It is not listed – the Secretary of State for Culture, Media and Sport disagreed with Historic England’s recommendation for this case 23rd July 2015.

Heritage Gateway

Let’s take a look at what I looked at:

St Catherine’s College Oxford

I visited St Catz on a student open day, and wandered amiably around the accessible areas – restricted by the refurbishment work being undertaken.

To better illustrate the beauty of Arne Jacobsen’s 1961- 68 Grade I Listed buildings I searched the RIBA pix archive.

In 1956, with University considering plans for expansion, Alan Bullock obtained approval to transform St Catherine’s Society into a fully residential college – the search for a site and funding began.

An ambitious fundraising campaign began, focusing on the national shortage of scientists and on Bullock’s proposal of an increased number of science students at St Catherine’s than was usual for an Oxford college. In 1960 almost eight acres of Holywell Great Meadow was acquired from Merton College and the College’s chosen architect, Arne Jacobsen of Denmark, began to implement his design. His modernist masterpiece was to become the most important 20th-century collegiate buildings in Oxford, and is now Grade I listed.

In 1962 St Catherine’s College opened its doors – while still under construction, with Alan Bullock as its Master. The first undergraduates were admitted, and were quickly dubbed the ‘Dirty Thirty’ owing to the lack of running hot water. 1964 saw the ceremonial opening of the College by the then Chancellor of the University, Harold Macmillan, and ten years later in 1974, staying true to its forward-looking ethos, it became one of the first colleges to admit women.

Catz History

This is what I saw:

As a footnote – it’s possibly not a great idea to rush around an unfamiliar city trying to snap as much as possible on a very hot day time limited by budget train bookings largely underfed and thirsty.

St Catherine’s College Oxford – RIBA pix

St Catherine’s College: 1961-66. Arne Jacobsen – Grade I Listed

Podium and all buildings upon it. GV I College buildings, raised on a podium, including dining hall, common room blocks; two residential blocks; library; Bernard Sunley Lecture Theatre; bell tower; piers and covering to walkways to east and west of library and east and west of hall; bridge adjoining west side of podium; brick walls enclosing canal and patio areas on western edge of podium; brick walls to patio areas to eastern edge of podium; twenty five short stretches of garden wall all running east-west, some incorporating seats; paving to podium surface and steps to east and south sides.

Historic England

The dining hall seen from the east 1970 – Roy Herman Kantorowic

The dining hall 1963 – Edwin Smith

The Fellows’ dining table with ‘Oxford’ chairs designed by Arne Jacobsen at the south end of the dining hall 1964 – Eric de Mare.

The cruciform-section columns which carry the precast beams of the dining hall 1964 – Bill Toomey.

The south elevation of the Master’s house 1964 – Bill Toomey

The music room located in the south-west corner of the campus 1964 – Bill Toomey.

Close-up of the fenestration of a residential block overlooking the quadrangle 1964 – Bill Toomey.

A student room with fitted bookcase 1964 – Eric de Mare.

The bell tower and library block seen from the north-west 1964 – Gilbert Davies.

Library block 1963 – Eric de Mare

The library seen from the gallery 1964 – Eric de Mare.

The library 1964 – Colin Westwood.

The bicycle store 1964 – Colin Westwood.

The small lecture room in the auditorium block furnished with ‘Pot’ chairs designed by Arne Jacobsen 1971 – Johnathan Moor.

The quadrangle seen from the junior common room with the gable of a residential block on the left and the dining hall on the right 1964 – Bill Toomey.

The east elevation of the Master’s house 1964 – Eric de Mare.

The living room with connecting dining room in the Master’s house 1964 – Eric de Mare.

Close-up of the covered way to the dining hall from the west residential block 1964 – Bill Toomey.

Tthe junior common room furnished with ‘Swan’ armchairs by Arne Jacobsen 1964 – Bill Toomey.

The main auditorium of the lecture-room block with raked seating of swivel ‘Series 7’ chairs by Arne Jacobsen 1964 – Bill Toomey.

All images from RIBA pix.

University of York – RIBA pix

Following my previous visits to the University of York, recording the history and the Fred Millett Reliefs, I have searched the RIBA pix archives to find further images.

They mainly illustrate the Derwent and Langwith Colleges – both built using the CLASP system of construction.

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Derwent College: one of the two covered walkways linking the college buildings with sculptural relief by Fred Millett at the far end.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Derwent College: a concrete panel sculptured by Fred Millett.

Derwent College.

Photographs 1965 Keith Gibson.

JB Morrell Library.

Derwent College: a covered walkway over the lake.

Central Hall.

Photograph 1972 Bill Toomey.

Vanbrugh College: stepped roof to the covered way leading down to the lake.

Photograph 1972 Peter Bairstow.

Derwent College and Heslington Hall.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Langwith College, seen from the lake.

Langwith College.

Photographs 1965 Bill Toomey.

David Brown Laboratories: the flue stack.

David Brown laboratories: the water tower.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Derwent College.

Derwent College.

Langwith College: close-up of the oriel windows.

Photographs 1965 Bill Toomey.

Derwent College: a concrete sculptured screen flanking a covered way.

Derwent College: a concrete sculptured screen flanking a covered way.

One of several concrete link bridges.

Another of the several concrete link bridges.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

David Brown laboratories: seen from one of the link bridges.

David Brown Laboratories: the flue stack and water tower rising above the laboratory blocks.

J. B. Morrell Library: the central staircase and lift tower.

Photographs 1965 Keith Gibson.

Central Hall.

JB Morrell Library, University of York, seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright

JB Morrell Library: the covered pedestrian bridge linking the library to the southern side of the campus.

JB Morrell Library.

JB Morrell Library: the main entrance and terrace.

JB Morrell Library: the issue counter seen from the second floor.

JB Morrell Library: viewpoint from the fourth floor.

The covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Langwith and Derwent Colleges.

Derwent College and Heslington Hall.

Photograph 1965 Henk Snoek.

The Chapel of St John the Evangelist – York St John University

This is one of many George Pace Churches I have visited – St Marks BroomhillWilliam TempleSt Leonard and St JudeKeele University ChapelSt SavioursChurch of St Mark.

I am grateful to Natalie Ainscough for directing me here to York.

The chapel was closed on a Saturday so we wandered around outside, peering curiously through the windows. Surrounded by mature planting, the bare brick and glazing is more than somewhat softened, the planting however does inhibit the intrepid photographer.

Designed 1965, built 1966-7; architect George Gaze Pace, executant assistant Ronald Sims.

Reinforced concrete frame, partly left exposed, clad in pale brick. Monopitched roofs. Low flat roofs to entrances and between the three main elements with thick board-marked eaves. Central space flanked by angled transepts, with organ loft to (liturgical) west end and wing of offices behind. Long narrow flat-headed windows between brick mullions, timber doors. Attached walls and steel gate lead to inner garden, intended for contemplation.

Interior with exposed concrete frame, including piers and thick ring beam at gallery level, with brick infill. Boarded timber ceiling to main space; board-marked ceilings to low side aisles. Choir gallery with organ, designed by Pace, set behind timber lattice screen also to his designs, and reached via narrow spiral stair. Ceramic piece to balcony front 1999 by Helen Batty. Some pews, brought from the college’s former chapel of 1858 remodelled by Pace in the 1950s.

Hanging pendant light-fittings to Pace’s designs. Altar, lectern and altar seating all by Pace; pulpit designed 1998. Windows – internally the concrete of the mullions is exposed, all originally clear leaded lights, but now stained glass is being incorporated, most notably ‘The Water of Life’ by Cathy Nutkins, a 1990 graduate, in right-hand transept.

Chapel of Christ the Teacher to rear, by foyer, refurbished 1994 by Helen Turner, textile artist. The building is well-suited to the incorporation of student works of art, some temporary, some permanent, and additions are continually being made to the collection.

Grade II Listed

Photo: © Richard Burrows 2022

There is a full and thorough analysis of the building here at York C20

And an audio tour right here.

Rendall Building – University of Liverpool

Rendall Building by Bryan & Norman Westwood, Piet & Partners 1964-6

Named after Gerald Henry Rendall who was an English educator and college administrator.

He was principal of University College Liverpool.

We have been here before at liverpool-university, exploring the space betwixt and between the two cathedrals.

On this occasion, I wish to draw attention to this relatively small but perfectly formed building – #432 on your maps.

Westwood, Piet & Partners were well-known architects during the post-war period in Britain and built a body of varied work including army barracks, retail and theatre design. An example of their work is the Congress Theatre in Eastbourne – Grade II* listed.

Photo Theolimeister

Originally built to accommodate the arts library and lecture rooms on the south campus as the University grew to accommodate larger numbers of students.

The current use as lecture and seminar rooms maintains the building’s use as a key learning space on campus.

Located in an area of the southern campus where Westwood, Piet & Partners designed four blocks resulting in a group which Pevsner described as the

Most coherent and satisfying part of the precinct. The massing and materiality of the external is complementary and respectful to the surrounding Georgian buildings.

Sculptural concrete panels above a brick base.

Between the concrete is ‘dalle de verre’ stained glass by Gillian Rees-Thomas.

she was also responsible for the side chapel windows at St Mark’s Broomhill Sheffield.

The courtyard contains a sculpture by Mitzi Solomon CunliffeThe Quickening previously located behind the School of Architecture.

Somebody at the University of Liverpool saw Mitzi’s work at the Festival of Britain and took note. She was immediately commissioned to create three items for the University: a public sculpture to go in the courtyard of the School of Civic Design’s new building, a decorative sculpture for the inside the building and the handles for its front-door.

The public sculpture, is in the form of a hand gently holding a dove. It stood in its original position for sixty-nine years until sent away for conservation and then relocated across campus in 2020, to outside the Rendall Building.

The other sculpture that Mitzi created for the building is easily the spikiest thing in our art collection. ‘Loosestrife’ is a number of tentacle-like arms that intertwine and project outwards. For many it looks like an assemblage of golden deer antlers but it may be based on spires of the flower called loosestrife.

Currently on display in the Victoria Gallery & Museum

‘Loosestrife’ had been recorded on its arrival as being made of bronze and had turned completely black over the years, probably because it was hung in an area where students smoked back in the day. When it was removed from the School of Civic Design building in 2018 and sent for cleaning, it was revealed to actually be made of brass. It is very heavy and takes four technicians with lifting gear to hang it for display.

mitzi-cunliffe-behind-the-mask

Mitzi was also responsible for the door handles across the way at the School of Civic Design.

University of York – Fred Millett Reliefs

Having previously posted a history of the University of York’s Modernist architecture – here’s further information regarding Fred Millett’s concrete reliefs.

Fred Millett 1920–1980 was an English muralist, poster artist, and teacher at the Polytechnic of Central London. A number of his surviving works were commissioned by large British institutions including London Transport, London County Council and National Westminster Bank. The University of York commissioned Millett to create over 20 concrete relief panels that were to be integrated within the modular architecture of the Derwent and Langwith Colleges.

Millett’s panels created a cohesive group of works while also being distinctly different from one another due to the use of a variety of textures, geometric shapes and negative space. Larger, more detailed works follow the main covered walkways through Derwent College leading to Heslington Hall.

Under construction in November 1964. Photo: © Borthwick Institute for Archives:

Smaller, less detailed works were placed near accommodation blocks and laundry rooms which suggest that they were intended for the individual enjoyment of the students who live within the College rather than a university-wide viewing experience.

In a 1973 interview, Sir Andrew Derbyshire, who was the first project architect for the university, lamented that the project could not afford better finishes for the CLASP panels – such as adding white marble aggregate – but he did appreciate their appearance in bright sunlight or when they “glisten[ed] in the pouring rain.” Asked about the integration of the Millett sculptures to enliven the panels, he stated: “Yes. Well, that was an attempt. I would have liked it to have gone a bit further than that.” 

Written by Molly Bunter

This was my first visit to the campus, and having discovered the first of the reliefs, I cantered around from block to block, like a giddy one penny child in a seaside arcade – wondering where to look next.

Modern Mooch is saturated with set concrete here is a link to untold riches.

University of York – History

Though plans for a university in York first appeared as early as 1617, it would be over three centuries before they came to fruition. In 1960, permission was finally granted for the University of York to be built, marking the beginning of our journey.

Before the Second World War, Heslington was a quiet rural retreat with a local aristocracy, and a working agricultural village.

Fresh, young, forward-looking and enthusiastic, the University of York was known for its friendly atmosphere before it even opened its doors.

Planning and building the University happened with astonishing speed. In April 1960 the Government approved the establishment and less than three years, on 9 October 1963, the first students walked through the gates of Heslington Hall.

In the 1970s, college social life began to blossom.

Central Hall was the venue for The Who, The Kinks, Fairport Convention, John Martyn, Ian Dury and the Blockheads, Hot Chocolate, Humphrey Littleton, Acker Bilk, Paul Tortelier, Julian Bream, John Williams and others.

Paul and Linda McCartney appeared one day out of the blue with their new band Wings and performed a concert in Goodricke College Dining Room.

The beginning of the 1980s came with significant challenges for the University. 

The decade saw the start of cuts across higher education. Staff were exhorted to make economies including turning down their thermostats, recycling, and making telephone calls as short as possible. There was also a fire in the Department of Chemistry. 

In 1990, the Vice-Chancellor, Berrick Saul, recounted to court that York had been described by a senior member of the Universities Funding Council as “a well-run university with a relatively low profile.”

What a difference a decade makes.

By the end of the 1990s, York was dominating national league tables for research and teaching and was receiving international press coverage for achievement across the disciplines.

University Chancellor Dame Janet Baker at the opening of the University’s Baby Unit, October 1994 – York Digital Library

The 90s was characterised by advancement and recognition. York remained a popular choice among prospective students growing from 4,300 to 8,500 students without compromising its high entry standards. As the Sunday Times pointed out, “elitism does not appear to be the price of excellence at York”. York was one of only very few universities whose entry from state schools and colleges (around 80 per cent) was the same as the proportion of A-level students in the state system.

The introduction of official quality assessments and the proliferation of newspaper league tables saw the University’s stock rocket. After years of academic advancement, York began to get the recognition it deserved. National recognition attracted additional funding and investment. Research grants rose to over £20m per annum, and the University enjoyed one of the highest incomes per researcher in the higher education sector.

The Sir Jack Lyons Music Research Centre is opened by Roger Wright, controller of BBC Radio 3, 2004

The planning for Heslington East began in earnest in 2002 with the arrival of Brian Cantor as Vice-Chancellor. It took years of master-planning, liaison with interest groups, negotiations with land-owners and local communities, an 8-hour city planning meeting and a Public Inquiry to achieve the purchase of land and complex planning permissions for a site equal to the size of the original Heslington West campus. In 2009, the new Goodricke College opened as the first building on Heslington East.

At the time of the 40th anniversary in 2003, we wrote about Heslington East:

It will be everything that the designers of the original campus hoped for – integrated, landscaped and traffic-free, with a large expanse of water, and a very eager populace.

On 25th November 2010, we were named “University of the Year” at the Times Higher Education Awards, achieving praise from the judges for our “success in combining academic excellence with social inclusion, as well as its record in scientific discovery”.

The development of Campus East continued throughout the decade, with four new sites to accommodate academic departments and a variety of support and social buildings, including the Ron Cooke Hub and York Sports Village.

Campus West also saw much expansion and redevelopment during the 2010s, with the opening of the £13.8m Spring Lane Learning and Teaching Building and £16m Biology teaching and laboratory facility in 2016.

York History

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Founded in 1956 by architects Robert Matthew and Stirrat Johnson-Marshall, RMJM’s first offices were based in London and Edinburgh.

RMJM is now one of the largest architecture and design networks in the world. Services include architecture, development management, engineering, interior design, landscape design, lead consultancy, master planning, product design, specialist advisory services, and urban design

Wikipedia

Langwith College 1965 – photo Reginald Hugo de Burgh Galwey

Constructed using the Consortium of Local Authorities Special Programme – CLASP system, formed in 1957 by Local Authorities in England to develop a shared prefabricated system for the construction of school buildings. The resulting CLASP building system was initially developed by Charles Herbert Aslin, the county architect for Hertfordshire.

CLASP’s popularity in coal mining areas was in part because the system permitted fairly straightforward replacement of subsidence-damaged sections of building, and the lightness of the structures. The system was also later used for the construction of railway stations, offices, university buildings, and churches until the late 1970s.

Today, 3000 examples are still in use.

Photo – Keith Gibson 1965

The system utilised prefabricated light gauge steel frames which could be built economically up to a maximum of four storeys. The frames were finished in a variety of claddings and their modular nature could be employed to produce architecturally satisfying buildings. Initially developed solely for schools, the system was also used to provide offices and housing.

The cynics’ definition of the CLASP acronym, circulating in the 1970s, was:

collection of loosely assembled steel parts.

CLASP buildings fell out of favour in the late 1970s. Budgetary advances and changing architectural tastes made the scheme obsolete.

Wikipedia

Upper Level reading rooms Langwith College.

Walkway Derwent College with concrete relief by Fred Millett 1965

Photos 1965 Bill Toomey

Fred Millett 1920–1980 was a muralist and poster artist who exhibited at the Festival of Britain and was commissioned by London Transport, National Westminster Bank, University of York and the General Post Office. He also taught Perception and Communication at the Polytechnic of Central London.

Fred Millett – Sculpted Wall Raglan Estate Camden 1965


Originally part of the children’s playground, the work is a feature of a post war estate designed by Frank Scarlett in Kentish Town

Modernism in Metroland

Fred Millett – London Transport 1968

Covered walkway Derwent College.

Photo 1965 Reginald Hugo de Burgh Galwey

JB Morrell Library seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright.

Austin Wright 1911-1997 is a significant post-war sculptor whose personal and professional lives were deeply intertwined with the city of York. 

He was born on 4th June 1911 in Chester but spent his childhood in Cardiff. Though a largely self-taught artist, Austin took evening classes at Cardiff Art School. Austin attended New College, University of Oxford for his degree in Modern Languages before he started his teacher training. His first job as a teacher started in 1934 at The Downs, Malvern in Worcestershire. The school attracted artistic people. W.H. Auden taught English for example, and the art master organised a Dada exhibition one year. Here, Austin taught painting and sculpture as well as French and German.

York Civic Trust

Photo 1968 Keith Gibson

Library central stairway and lift shaft.

Covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Central Hall

Colloquially known as The Spaceship designed by John Speight, constructed in 1966–1968. The hall is seen as a tour de force of the university, appearing on merchandise and often used as a background for university publicity.

Wikipedia

It is Grade II listed.

Central lecture and recreation hall to the University of York, 1966-1968 by Robert Matthew, Johnson-Marshall & Partners with Stirrat Johnson-Marshall and Andrew Derbyshire as partners in charge, and John Speight as job architect.

* it forms part of a wave of seven new universities that improved access to higher education and marked the high point of publicly-funded architecture in post-war Britain;

* it is a physical manifestation of the University of York Development Plan, which was heralded as the beginning of contemporary university planning in Britain; 

* it continues a historic tradition established by late-C19/early-C20 ‘red brick’ universities of featuring a great hall for special events.

* it has an imaginative and bold design with a striking architectural form and massing that is the focus of the most dramatic views across the campus lake;

Photo 1968 Keith Gibson

Photo University of York

Concrete Linkbridge.

David Brown Laboratories the fluestack and water tower rising above the laboratory blocks.

Fluestack – extant.

Water Tower – demolished


Archive photographs RIBA pix.

Further information can be found here.

Roscoe Building

Local Image Collection 1964

The Roscoe Building is to the University of Manchester what the Renold Building was to UMIST; its purpose was the unification of disparate lecture rooms into one building. In this instance it was a central hub for the Faculty of Science. Both buildings are by Cruickshank and Seward and share traits, though the Renold has arguably more flare. In the Roscoe Building the ground floor houses the smaller of the two main lecture theatres, the larger is an appendage to the main building, but both are accessed from the main foyer. As one ascends, the five upper floors are served by a central corridor flanked by smaller offices and laboratories on one side and larger flexible teaching and seminar rooms to the other. The glazed stairwell is expressed as a separate element.

The appraisal of the scheme in the AJ Building Study made claim that, ‘aesthetically the relationship of this staircase with the main tower is scarcely resolved, but the design has achieved the aim of making this an exciting staircase to use’.

This was the aim of the architect – if all the seminar rooms and lecture theatres emptied at the same time, there was not enough capacity in the two lifts to move everyone. The climb up the stairs is rewarded with a good view of the city centre, a photograph of which was illustrated in the same pages. The clear expression of the component parts of this building is a functional response to the demands, but also the part of the formal language developed through Cruickshank & Seward’s practice. Strong volumetric forms became something of a motif in the work of both John Seward and Arthur Gibbon.

Mainstream Modern

The open entrance area has subsequently been compromised.

Photo: Richard Brook

Performance Electrical Limited was employed to carry out the full electrical refurbishment to the new reception at the University of Manchester’s Roscoe Building on behalf of Armitage Construction.

In common with the Renold Building the Roscoe has an elegant glazed staircase.

So I walked it up and down.

City Tower – The Renewal of Post-War Manchester

I was invited to the launch or Richard’s book, Richard Brook’s book – The Renewal of Post-War Manchester.

I was invited by Richard Brook to tick off the names of those attending the launch of his book.

The book was launched at the City Tower, part of the Piccadilly Plaza development.

We began at the top – up in the lift to floor twenty eight the Sky Lounge.

On display were the architectural drawings of the Piccadilly Plaza scheme – including my favourite spiral car park ramp.

Back to the ground floor to administer the entrance of exactly eighty eight participants.

Who were subdivide by coloured dot, into sub groups for the forthcoming tour – a tour of the sub basement.

Former home of the diesel boilers – temporary home to eighty eight and a bit Modernists.

A talk or two later and it was almost all over, biggest thanks to Richard, Manchester University Press, The Plaza and the Modernists.

Testament to one man’s healthy preoccupation with Manchester’s modern history and the legion of fellow travellers that have supported and encouraged him down the years.

PS don’t forget to take a look at Richard’s Mainstream Modern.

Ta-ra!

Walking – Talking

I began walking when quite young, then like Felix, I kept on walking, walking still.

The photograph was taking during the Whit Walks in 1958 – aged three, I was engaged in religious pilgrimage, as we know there are many reasons for walking, this is but one.

I was fortunate to grow up at a time when youngsters were permitted to roam freely, less traffic, less anxiety, gave me access to a wider axis of exploration.

The photograph would have been taken I assume, by my mam, on the Brownie 127. When aged nine I wandered alone through the local woods and exposed twelve frames of 44mm 127 film, the prints are long gone, yet I remember each of the photographs and locations clearly.

I went to school, then I didn’t, then I went to Art School, eventually becoming a teenage Constructivist, tutored by Jeffrey Steele, a leading light in the British Systems movement.

The rigidity of the grid, symmetry and orthogonal framing have stayed with me.

Then I went to work for a very long time indeed, then all of a sudden I didn’t. Taking early retirement aged 59 some ten years ago, subsequently taking to the roads, streets and hills of Britain in search of nothing in particular.

In recent years there has been a rapid development in the culture of walking, theories, films, guides, songs and literature. I am fully cognisant of such, yet believe at heart that walking can be free of such baggage, we can stride unhindered, atavistic and carefree/less.

Walk tall, walk straight and look the world right in the eye.

Getting lost is about the unfamiliar appearing.

In my own small way, I have become part of that baggage, having been asked to lead a walk around Stockport by the the modernist neé Manchester Modernist Society.

The photograph depicts Alan Boyson’s concrete screen wall, attached to the former Cooperative super store designed by Philip Andrew. The two worked to gather on the Hull Cooperative store, which is adorned by Alan’s huge Three Ships mosaic.

Philip was a childhood friend of Alan Boyson and it was Alan’s father, manager of the Marple Co-operative Society, that recommended Philip for an apprenticeship job in 1951 to the chief architect at the CWS in Manchester HQ.

Ships in the Sky

In preparation for the tour, I visited the town’s Local Heritage Library and read extensively from serendipitous charity shop finds.

The two hour route was designed around an economy of distance and elevation, allowing time for others to take in, what may be for them unfamiliar surroundings. A group of around twenty or so folk became sociable and engaged, with a suitably concise and apposite contribution from myself. There are those who busied themselves taking snaps along the way, chatting amiably or simply gazing in amazement.

The service building above the former Debenham’s store.

Beneath the spiral ramp which leads to the Red Rock car park.

The architects for the scheme were BDP – the building was not well received as it was awarded the Carbuncle of the Year 2018.

Stockport’s Town Hall extension Stopford House.

Famed as an imaginary TV police station, this civic building is a civic building I simply can’t resist. I return on a regular basis to wander and snap. This is an open public space that seems little loved and has few visitors.

From then onwards I have been taking folks on Modernist Mooches on a regular basis, two or so a month, during the less inclement times of year.

At about the same time I was asked to exhibit my photographs in Stockport, I chose to mooch about at night. Walking around an almost deserted town, avoiding the glare of streetlights, there is a mild frisson to be about when nobody else is about. The air feels different, exposures are longer, the almost waking world feels arrested, by the low available light.

Merseyway Shopping Centre designed by Bernard Engle and Partners, opened in 1965.

My local shopping centre and as such part of my weekly walking and shopping life.

NCP Car Park located on Stockport Station approach.

Regent House

Asda superstore

I found a copy of Charlie Meecham’s book Oldham Road in a charity shop.

Inspiring me in 2014, to walk in mostly straight lines, though often as not zig zagging along the main arterial roads of Manchester.

Taking pictures on Sunday mornings, in order to avoid traffic, mildly amused to be ignoring the primary function of the routes.

This is one of the more familiar roads, having walked up and down several times over several years. It was to have been an extension of the Mancunian Way, forming a trans-pennine motorway. Much of the property lining the route was cleared in preparation, it was never built, and for years a strange semi-deserted ambience hung over the A57.

Bus Depot

Railway Bridge

The car showrooms which later became an African Evangalist church.

Having cleared away both Victorian and Sixties housing, new architectural forms arose in West Gorton.

Where there were once dozens of pubs, often there are now none.

The Belle Vue Granada Bowl became a Bingo Hall then became nothing.

The 192 bus runs between Manchester Piccadilly and hazel Grove, I often ride between Stockport and town, and back.

I decided to walk the route, photographing each of the ninety eight bus stops along the way.

Piccadilly Station

UMIST Retaining Wall

Ardwick Post Office

Levenshulme

A book published by the modernist – literally eight launderettes.

Which became the first modernist calendar.

Now, everywhere I go, I see launderettes – so arriving in Hanley with time on my hands, wandering around I found this exemplary example.

Having a blog entitled Manchester Estate Pubs, the national media became interested in my photographs. I had spent quite some time, wandering around in search of this endangered architectural typology.

This was Billy Greens in Collyhurst, named for a local boxer, now demolished.

Which in turn became the second modernist calendar.

Followed the following year by fish and chip shops.

So building a vocabulary for my mooching, discovering yet another chippy, laundry, pub, Burton’s, telephone exchange, glazed stairway or underpass.

These things find you, yearning for some small amount of attention and affection.

The Trawl – my favourite peg board menu, my favourite Bridlington chippy.

We are now coming to the end of the car park year – seen here on the wall of my command centre.

The calendar was an adjunct to a walk – Twelve Car Parks.

Here we all are at Circle SquareFielden Clegg Bradley were concept architects while Leach Rhodes Walker were delivery architects.

In September we walked around Newcastle for a weekend away – taking in Eldon Square, ably guided by local modernist Euan Lynn.

Ending our tour at Manors Car Park.

Following an urban river – the River Irk, an excellent way to devise a linear walk.

The river enclosed in blue engineers brick as it passes under the railway.

A long neglected are is now the scene of mass regeneration – rebranded Victoria North.

The former Traveller’s homes are now rubble.

Rushing miles ahead to Blackley the home of Richard Siefert’s ICI Tower.

And around the corner, these delightful reliefs attached to the Tower Blocks.

I was asked to assist in putting together an exhibition for Collyhurst Voices – walking through the memories of a community under threat.

Walking in the footsteps of Dennis Hussey’s Collyhurst Cowboy – looking toward Dalton Street

Then uphill to Eastford Square and the long lost homes.

Home to William Mitchell’s Totem, the homes long gone and the Council pledged to move the totem too.

The state of play this week, the detritus removed and the base filled in, repaved and safe for a while.

Off now to the Weaver Valley another day another river, passing under Weaver Viaduct

The looking toward Koura Global – leader in the development, manufacture, and supply of fluoro products and technologies, opened a new HFA 152a production facility at their Runcorn site in the UK.

Further rural Modernism as we pass under and traverse the M62, whilst walking around the Piethorn Valley

Then recently visiting several Yorkshire Reservoirs – here we are at Scammonden.

The newest of the Modernist Mooches was to Burnley where we visited the Keirby Hotel.

The former GUS Offices with a mural by Diane and William Morris.

Plus the Charles Anderson concrete relief at the Crow Wood Hotel.

Finally a little light relief – a visit to the Boots factory in Nottingham.

Having innocently board a bus outside the station with a Boots head code , I alighted within the factory gates. Then innocently walking around taking snaps, unheeded until the men in the van stopped me in my tracks.

Who are you, what are you doing?

I am the Modern Moocher going about my business – well it turns out this was not permitted and I was red carded by the earnest security guards and asked to leave forthwith. Suitably rebuked, I politely bade them farewell and headed for the gates.

UMIST 2024 – Manchester

This may be the last time, may be the last time, I don’t know.

I’ve been taking a look around for several years now, but now the writing is now on the wall.

Anthony Holloway’s wall – the only listed structure on the site.

The site is sold, the contractors have arrived, stripping out the buildings earmarked for demolition.

The site is to be contracted – despite all efforts to have its integrity preserved.

The Pariser Building is to be retained.

Along with the Renold Building – which is already home to start up tech businesses.

The city council has approved Bruntwood SciTech’s change of use bid to transform the 110,000 sq ft Renold building into a tech and science hub.

In a joint venture with the University of Manchester, Bruntwood will create 42,000 sq ft coworking and business incubator spaces for businesses in the sector at the Altrincham Street building.

Place Northwest

Sister is Manchester’s new innovation district. A £1.7bn investment into the city, its setting – the former University of Manchester North Campus and UMIST site – is steeped in science and engineering history. Home to the UK’s most exciting new ideas and disruptive technologies, Sister is a worldclass innovation platform in the heart of one of the most exciting global cities. It stands as the city’s symbol of a new era of discovery that promises progress against humanity’s greatest challenges.

Sister Manchester

So it is with a bitter sweet feeling that I took a group of Modernist Moochers around the site this Saturday – a number of whom had been students there.

As a former UMIST student 1990-1997, I had a wander round the old site recently, sad to see it so empty and run-down.

So let’s take a look at the current state of affairs.


Hunterian Art Gallery – Glasgow

The Gallery is housed in a modern, custom-built facility that is part of the extensive Glasgow University Library complex, designed by William Whitfield.

Sir William Whitfield had roots in concrete and brick brutalism but took contextual postmodernism to a Palladian mansion that traditionalists admired. Principal of a small office for almost 50 years, his diversity of work was shot through with recurring themes and was distinguished by thoughtful synthesis of precedent.

RIBA

This displays the university’s extensive art collection, and features an outdoor sculpture garden.

The bas relief aluminium doors to the Hunterian Gallery were designed by sculptor Eduardo Paolozzi.

The gallery’s collection includes a large number of the works of James McNeill Whistler and the majority of the watercolours of Charles Rennie Mackintosh.

The Mackintosh House is a modern concrete building, part of the gallery-library complex.

The Mackintosh House comprises the principal interiors of the original house – including the dining room, studio-drawing room and bedroom, largely replicating the room layout of the old end-of-terrace building. It features the meticulously reassembled interiors from the Mackintoshes’ home, including items of original furniture, fitments and decorations.

Wikipedia

Manchester Arterial 2024 – A664

Having photographed the arterial roads of Manchester in 2014, I have resolved to return to the task in 2024.

Some things seem to have changed, some things seem to have stayed the same.