Mitzi Solomon Cunliffe January 1st 1918 December 30th 2006
American born, resident of Didsbury Manchester, sculptor and designer, responsible for, amongst other things, the BAFTA mask.
Her first large scale commission was two pieces for the Festival of Britain in 1951. One, known as Root Bodied Forth, shows figures emerging from a tree, and was displayed at the entrance of the Festival. The second, a pair of bronze handles in the form of hands, adorned the Regatta Restaurant. She created a similar piece, in the form of knots, in 1952 which remains at the School of Civic Design at Liverpool University, along with The Quickening in the rear courtyard.
Cunliffe developed a technique for mass-producing abstract designs in relief in concrete, as architectural decoration, which she described as sculpture by the yard. She used the technique to decorate buildings throughout the UK, but particularly in and around Manchester.
Particularly this example of four modular panels named Cosmos, set in the wall of the student halls of residence in Owens Park, Fallowfield, Manchester.
Sited on Deiniol Road Bangor, the 1970’s laboratory building of the University is often cited as the ugliest building in Britain.
Erchyllbeth y flwyddyn posits Mr Madge.
It was never going to win that many friends in a city of Victorian brick and stone.
The University along with the GPO have dragged Bangor kicking and screaming into the Twentieth Century, dotting the landscape with post war architecture – though try as a I might no record can be found of the Brambell Building’s history or authorship.
Suffice to say that it has survived the slings and arrows of cultural and local vocal criticism and continues to function as a scientific research centre of some standing.
And as an addendum the adjacent and equally surviving Chemistry Tower seems to have weathered the winters of discontent.