Salford Walk

We begin on the Crescent – taking in the former AUEW Building.

B&W images copyright USIR Archives

It became part of Salford University’s estate, renamed the Faraday Building.

It is currently unoccupied.

The University’s Masterplan is shifting emphasis to the Peel Park and Media City sites.

Also leaving Crescent House in limbo.

The original master plan would have swept away the Victorian Technical Institute and Salford Art Gallery.

Across the road are the Maxwell Buildings.

They were built between 1959 and 1960 to a design by the architect C H Simmons of the Lancashire County Architects Department.

The interior decorative order of Sixties’ institutions was integral to the architectural design, sadly this is no longer so.

Which may be the subject of ambitious redevelopment.

Take a turn around the corner to the Cockcroft Building.

The east facing mural painted out and obscured by retrofitted infrastructure.

These incised stone panels obscured by plants.

To the left is the Clifford Whitworth Library – this is the original architectural impression – signed Peter Sainsbury.

The original fascia was tile clad.

Subsequently replaced by uPVC boards.

Yet again the original interior was integral too the architectural scheme and period.

Across the way the Chapman Building.

It was designed by WF Johnson and Partners of Leamington Spa, as a lecture theatre block and gallery. It sits with its long axis running parallel to the railway behind. The series of grey volumes, occasionally punctuated by colourful floods of red and green trailing ivy, hang together in a less than convincing composition. The orientation and access to the building seem confused and detached from any cohesive relationship to the rest of the campus, but there is something perversely attractive about the right essay in the wrong language. The reinforced concrete building contained five lecture theatres, communal spaces, an art gallery, AV support areas and basement plant rooms. Following a major refurbishment in 2012, several additions were made to the exterior and its total concrete presence somewhat diminished. It still houses lecture theatres and a number of other learning and social spaces.

Mainstream Modern

To the rear of the building there are some of the original details, now painted a series of funny colours.

A ways down the road the former Salford Technical College.

Now the part of the University of Salford, this grouping is probably the most significant work by Halliday Meecham during this period. The blocks wrap to almost enclose a courtyard and they step up in height towards the rear of the site. To the front is a lecture theatre block in dark brick. The multi-storey elements are straightforward in their construction and appearance and have had their glazing replaced. Perhaps the richest elements here are the three totemic structures by artist William Mitchell, which were listed at Grade II in 2011. Mitchell was actively engaged with the experiments of the Cement and Concrete Associations during the 1960s and produced a wide variety of works for public and private clients; other works regionally include the majority of the external art and friezes at Liverpool Metropolitan Cathedral and the Humanities Building at Manchester University. These textured concrete monoliths appear to have an abstract representation of Mayan patterns and carry applied mosaic. They were made on site using polyurethane moulds. There is another Mitchell work hidden behind plasterboard in the inside of the building.

Mainstream Modern

Subsequently assimilated into the University.

Across the A6 the former estate pub the Flemish Weaver is currently shrouded in particle board and in use as a base for construction workers.

Just down the way The Woolpack is no more.

April 1965 saw the Salford City Reporter proudly boast in an article that

The Ellor Street dream begins to come true – complete with interviews with residents of the newly constructed Walter Greenwood, Eddie Colman and John Lester Courts all which towered some 120 feet above the Hanky Park skyline.

These particular blocks of flats were of special significance because their completion was the end of the first stage of the Ellor Street redevelopment scheme which was to provide 3,000 new homes, the £10 million pound Salford Shopping Precinct and a new civic centre – which never got built – making this A Salford of the Space Age.

Salford Online

The tower blocks are now clad and the site a construction base for cladders.

Full details of Salford’s complex and extensive redevelopment can be found here at Tower Block.

Walter Greenwood Court was demolished in 2000/2001, whilst Eddie Colman and John Lester Court are now student accomodation for the nearby Salford University.

Onwards and underwards towards Salford Shopping City.

The construction of the shopping centre and surrounding areas continued and on 21 May 1970 the new Salford Market officially opened. From 1971 onwards new shops inside the precinct itself began to open.

However, due to a lack of funds and a political scandal which saw chairman Albert Jones jailed for eight months construction of Salford Precinct was halted. The site had only 95 shop units compared to the proposed 260, the hotel and two storey car park were never built.

The architectural core of the site has been retained, including the 23 storey Briar Court residential tower.

Tucked in behind is Mother of God and St James RC Church.

Clearances took place from the middle of the twentieth century and new high-rise housing blocks were built, as well as a shopping centre.

There was a Catholic presence in the area from 1854, when schools were built. What was described in The Tablet as a beautiful church, an Early English Gothic design by M. Tijou – presumably Herbert Tijou, architect of the chapel to Loreto College, Manchester, was opened by Cardinal Manning, Archbishop of Westminster in 1875.

One hundred years later this church was demolished and replaced by the present building.

The architects were Desmond Williams & Associates, the design bearing some similarity to their St Sebastian, Salford. In 2010 the church of All Souls, Weaste, was closed, and the marble sanctuary furnishings brought to the church.

Description

All orientations given are liturgical. The church is steel framed with brick walls and a monopitch roof (originally covered with copper, now with felt).  Bold brick forms create a presence, and the design is somewhat defensive, with few windows. The building is entered from a lower porch which forms a narthex. The slope of the roof and the stepped clerestory lighting create a striking impression inside, and full-height windows towards the east end incorporate stained glass figures said to have originated in the previous church. Marble sanctuary furnishings are presumably those from the church in Weaste and appear to be of later twentieth century date, while the font is of traditional type with a clustered stem and may have come from the earlier church.

Taking Stock

Returning to The Crescent the High Street Estate is all but demolished, save for one resident and their row.

This is an area which has seen a succession of clearances, redevelopment and shifts in demographics during a relatively short and intense period of change.

That process of change continues to hastily unfold.

Our Lady Star Of The Sea – Amlwch

The Church of Our Lady Star of the Sea was built using reinforced concrete around 1937 and its dedication carries tribute to sailors lost at sea. The roof is designed to resemble the hull of a boat, and the windows in the crypt port holes. These aspects reflecting the maritime heritage of Amlwch. 

Designed by Giuseppe Rinvolucri, an Italian architect who was originally brought to Wales as a prisoner of war. He subsequently married a local woman, and lived and worked in north Wales, specialising in Roman Catholic churches. He also designed a number of other churches in Wales, including those at Abergele, and Porthmadog.

Coflein

Around 600,000 Italian soldiers were taken prisoner during the First World War, about half in the aftermath of Caporetto. Roughly one Italian soldier in seven was captured, a significantly higher number than in other armies on the Western Front.

About 100,000 Italian prisoners of war never returned home, having succumbed to hardship, hunger, cold and disease – mainly tuberculosis.

Uniquely among the Allied powers, Italy refused to assist its prisoners, and even hindered efforts by soldiers’ families to send them food.

Wikipedia

From the 1930s he was living at St Francis Grange, Glan Conwy, an art deco style dwelling overlooking the Conwy estuary.

Prior to the construction of adjacent houses and the treatment of the concrete shell.

The main entrance leads into a small vestibule with raking sides; further doorways lead into the end of the main body of the church. The ribbing that is such a prominent feature of the exterior of the church also dominates the design of the interior; the body of the church illuminated by bands of geometrically patterned lights between the ribs. The lateral walls have marble panels which also follow the pattern of the ribs; to the top are paired panels, each with a moulded quatrefoil plaques depicting biblical scenes, plain paired panels below. The marbled panels continue at the far end of the church, raised up over round-headed doorways flanking a recess painted with a depiction of the crucifixion; star shaped lights follow the line of the domed arch.

British Listed Buildings

Robert Jones of Beaumaris: 

I think it is worthy of mention how the whole mass of imitation stone frontage was done by one plasterer long gone called Llew – Inja Rock, whose pretty unique style of work is still to be seen elsewhere around town today. He once showed me how it was done, all with a little teaspoon. What patience and what a proven good job to stand the trial of time of 40-plus years without a great deal, if any, remedial work. A sound memorial to a good working man.

BBC

For many years I have cycled y on my tours around Anglesey- often stopping to marvel at this concrete anachronism.

This time I stopped to walk around and take some snaps – here they are.

The Pevsner Buildings of Wales guide calls it:

A piece of Italian architectural daring of the 1930s – a soaring reinforced concrete and brick vault formed on six arches, expressed as ribs externally and internally, with a conical apse. Three transverse bands of glazing in geometric trefoils of white and blue.

Five glass stars – made in France, perforate the East wall round the apse.

Rinvolucri’s team of builders constructed the innovative parabolic vault in six months in 1935.

The same guide calls it Futurist, closer to Freyssinet’s 1920s airship hangars at Orly, Paris, than to Catholic Church design, and unlike the conservatism of Anglesey building.

He died in 1962 and is buried in St Agnes Road Cemetery, Conwy with Mina, who died in 1991.

They had one son born in 1940.

Redcar to Newcastle

An early start on another sunny day, cycling along long straight roads out of town, towards Middlesborough.

Having previously visited Hull and Scarborough and all points in between.

Slowly passing sleepy factories and desolate bus shelters.

Bunker like social clubs and flower lined roads.

The Albion club in South Bank has stood empty for the last three years. 

Now local lad Mark Trainor has the keys – and says opening the doors to the club his own family frequented for years will be a dream come true.

He’s planning to cater for everyone, he says, and it won’t just be all about drinking.

Parents will be able to call in for a coffee after dropping the kids at school, there will be pool nights and Mark’s personal favourite – Pie Day Fridays.

Gazette

Public art framing the Transporter Bridge.

The £2.7m Temenos structure has taken four months to piece together on the banks of the River Tees near Middlesbrough’s Transporter Bridge.

Thousands of metres of steel wire have been woven between the two steel rings to create the 164ft high and 360ft long sculpture.

It was created by artist Anish Kapoor and structural designer Cecil Balmond.

BBC

Temenos is a Greek word meaning land cut off and assigned as a sanctuary or holy area.

Following a 1907 Act of Parliament the bridge was built at a cost of £68,026 6s 8d  by Sir William Arrol & Co. of Glasgow between 1910 and 1911 to replace the Hugh Bell and Erimus steam ferry services. A transporter bridge was chosen because Parliament ruled that the new scheme of crossing the river had to avoid affecting the river navigation. 

The opening ceremony on 17 October 1911 was performed by Prince Arthur of Connaught, at its opening the bridge was painted red.

In 1961 the bridge was painted blue.

In 1974, the comedy actor Terry Scott, travelling between his hotel in Middlesbrough and a performance at the Billingham Forum, mistook the bridge for a regular toll crossing and drove his Jaguar off the end of the roadway, landing in the safety netting beneath.

Wikipedia

The cycle track followed the river, which sports a fine array of industrial architecture.

Tees Newport Bridge designed by Mott, Hay and Anderson and built by local company Dorman Long who have also been responsible for such structures as the Tyne Bridge and Sydney Harbour Bridge, it was the first large vertical-lift bridge in Britain.

Wikipedia

Crossing the river and heading for Hartlepool.

Negotiating underpasses and main road cycle lanes.

I was delighted to be drawn toward Dawson House here in Billingham.

Austere brick churches.

St Joseph RC Low Grange Avenue Billingham

A prefabricated polygonal structure of the 1970s, with laminated timber frame. The seating came from Pugin & Pugin’s church at Port Clarence. 

Taking Stock

Just along the way Saint Lukes Billingham 1965.

In a slightly more upbeat mode St James the Apostle Owton Manor.

I convinced myself that this building on Station Road Seaton Carew was a former pub, I discovered following consultation with the local studies offices, that it was in fact a former children’s home destined to become a doctors.

I found myself looking back across the estuary to Redcar.

Northward toward Hartlepool.

Where the bingo was closed and the circus had left town.

Every Englishman’s home is a bouncy castle.

St John Vianney located on King Oswy Drive West View Estate.

Architect: Crawford & Spencer Middlesbrough 1961.

A large post-war church built to serve a housing estate, economically built and with a functional interior. The campanile is a local landmark. 

The parish of St John Vianney was created in 1959 to serve the growing West View Estate, on the north side of Hartlepool. The church was opened by Bishop Cunningham on 4 April 1961. The presbytery was built at the same time.

Taking Stock

I found myself on yet another former railway line.

The Cycleway was once a railway line designed by George Stephenson to take coal from the Durham coal fields to the docks in Hartlepool, where the coal was then distributed throughout the world.

Tees Valley

The landscape opened up to coal scarred scrub, I lost the path and found a church, which imposed itself upon the hillside.

St Joseph RC Seaham County Durham

Architect: Anthony J. Rossi of Consett 1964

Taking Stock

Opening 1964

Seeking assistance from a passing cyclist I negotiated a safe passage to Sunderland.

The Sunderland Synagogue is a former synagogue building in Sunderland, England. The synagogue, on Ryhope Road, was designed by architect Marcus Kenneth Glass and completed in 1928. It is the last surviving synagogue to be designed by Glass.

The synagogue was listed as a Grade II historic structure in 1999.

Wikipedia

I crossed the Queen Alexandra Bridge

The steel truss bridge was designed by Charles A Harrison – a nephew of Robert Stephenson’s assistant.

It was built by Sir William Arrol between 1907 and 1909 and officially opened by The Earl of Durham, on behalf of Queen Alexandra on 10 June 1909.

Wikipedia

I took a right and arrived in Roker, where I saw these well tanned and tattooed cyclists taking a rest.

Pressed on, largely alongside the coast to South Shields.

Under advisement from a jolly passing jogger I took the Tyne Pedestrian Tunnel.

Tyne Cyclist and Pedestrian Tunnel was Britain’s first purpose-built cycling tunnel. It runs under the River Tyne between Howdon and Jarrow, and was opened in 1951, heralded as a contribution to the Festival of Britain.

Wikipedia

I cycled the banks of the Tyne, fetching up at the Quayside with a fine view of the Baltic.

Washed and suitably brushed up I hastened to the Bridge Tavern – to take a glass or two.

A fine end to a very long day.

Scarborough to Redcar

Well it seems that I had already cycled from Hull to Scarborough, so it must be time to head for Redcar.

Leaving Scarborough by the Cinder Track under the expert guidance of Mr Ben Vickers.

This was the site of the Gallows Close Goods Yard.

Formerly the Scarbough to Whitby Railway – the line opened in 1885 and closed in 1965 as part of the Beeching Axe.

Yet again I chance upon a delightful post-war home.

I parted company with the track dropping down to the Esk Valley from the Larpool Viaduct.

Construction began in October 1882 and was complete by October 1884.

Two men fell from the piers during construction, but recovered.

I found myself in Ruswarp, home to this enchanting bus shelter.

I bombed along the main road to Sleights.

There then followed a hesitant ascent, descent, ascent along a badly signed bridleway, fearing that I had climbed the hill in error I retraced, then retraced.

A difficult push ensued, a precipitous path, rough and untended, rising ever higher and higher.

Finally arriving at Aislaby, more than somewhat exhausted – the village is mentioned in the Domesday Book as Asuluesbi

Pausing to catch my breath I took the wildly undulating road to Egton – along the way I was alerted to the presence of a tea stop by two touring cyclists from Nottingham.

The Cake Club.

A welcome wet and a hunk of home made carrot cake.

Brewmeister Maria was good enough to suggest route through Castleton Moor and over the tops to Saltburn.

It was too hot a day for a detour to Fryup.

The curious name Fryup probably derives from the Old English reconstruction Frige-hop: Frige was an Anglo-Saxon goddess equated with the Old Norse Frigg; hop denoted a small valley.

An old woman at Fryup was well known locally for keeping the Mark’s e’en watch – 24 April, as she lived alongside a corpse road known as Old Hell Road.

The practice involved a village seer holding vigil between 11pm and 1am to watch for the wraiths of those who would die in the following 12 months.

Castleton Moor ghost.

In the village I was given further directions by two elderly gents, who had been engaged in a discussion concerning their long term mapping of acid rain levels in the area.

One was wearing a Marshall Jefferson t-shirt.

I climbed Langburn Bank onto the flatish open moorland.

Taking a brief break to snap this concrete shelter.

There then followed a hair stirring series of hairpin descents to the coast at Saltburn.

Followed by an off road route to Redcar.

Our Lady of Lourdes – Architect: Kitching & Archibald 1928

Built in 1928, this church was designed with some care and is an attractive, if fairly modest, Lombard Romanesque-style essay in brick. The use of a semi-circular apse, narrow brickwork and use of tile for decorative effect give it a pleasing appearance, typical of restrained but elegant work between the wars.

I arrived and took a look around, first time in town, here’s what I found.

Another long day – I went to sleep.

Hull to Scarborough

Heading out of Hull one sunny Sunday morning along Sustrans Route 65.

The first leg of my journey northwards to Berwick, many thanks to all those kind souls who filled my water bottle, directed, redirected and misdirected me along my merry way.

I suddenly found myself on Sustrans Route 66 – nominally lost.

Good fortune however had pointed me in the direction of this functional yet charming brick built church, on the edge of a huge roundabout – St Mary Queen of Martyrs RC in Bransholme.

The new St Mary Queen of Martyrs church was built at Bransholme in 1976-7 and the old St Mary’s church closed and demolished in 1982.

Architect for the new church was JT Reid of The Reid Partnership – Pontefract.

The entrance graced by these textured fascias.

Following a series of brief engagements with various local benefactors, I regained my intended route and joined the Hornsea Rail Trail – the bed of the former branch line.

The line was officially opened on 28 March 1864, the last passenger train ran on 19 October 1964.

Goods traffic continued to use the line as far as Hornsea Bridge until 3 May 1965.

The place-name Swine is first attested in the Domesday Book of 1086, where it appears as Swine.

It appears as Suine in a charter of circa 1150, the name perhaps derives from the Old English swin meaning creek.

Wikipedia

Eventually arriving in Hornsea – on this occasion having little or no need of Do it Yourself, Ironmongery or Glass requisites.

And being Sunday, it was shut.

I tarried a while on the well appointed seafront.

Gliding along leafy, green hedge-lined lanes.

Following a dead end lane to the place of dead roads.

Skipsea – home to Crossways Fish & Chips

Here you will be offered perfectly cooked fish.

Retracing and crossing the Yorkshire Wolds.

Zigging and zagging here and there, in search of a route, any route, I came upon Okanagan – a delightful asymmetric Prairie Style modern home.

Filey Road, Gristhorpe, Filey, Scarborough, North Yorkshire – currently valued at £562,000.

The interior decorative order currently out of synch with the post war exterior.

Hurrying along to reach town by tea time – I descended deftly into Scarborough.

Where I hooked up with local lad Ben Vickers for a pint in the North Riding Hotel.

The rest is, as they say – a mystery.

Deal To Margate

We awoke, we dawdled around Deal, prior to our delightful breakfast.

Though the pier appeared to be closed.

Extending elegantly over a still, still sea.

The present pier, designed by Sir W. Halcrow & Partners, was opened on 19 November 1957 by the Duke of Edinburgh. Constructed predominantly from concrete-clad steel, it is 1,026 ft in length – a notice announces that it is the same length as the RMS Titanic, but that ship was just 882 feet, and ends in a three-tiered pier-head, featuring a cafe, bar, lounge, and fishing decks.

The lowest of the three tiers is underwater at all but the lowest part of the tidal range, and has become disused.

Wikipedia

Deal is home to some of the most extraordinary concrete shelters.

Home to some understated Seaside Moderne homes too.

Well fed, we set out along the private road that edges the golf course, encountering some informal agricultural architecture.

We took time to explore Pegwell Bay Hoverport – currently trading as a Country Park.

Pausing in Ramsgate to admire Edward Welby Pugin’s Grade II Listed – Granville Hotel.

The Granville development, so named after George Leverson Gower, second Earl Granville (1815-1891), was a venture undertaken by Edward Welby Pugin, together with investors Robert Sankey, George Burgess and John Barnet Hodgson on land acquired from the Mount Albion Estate in 1867. The scheme was to be an important new building in the eastward expansion of the town and the emergence of a fashionable new suburb. At the outset, the intention was to build a relatively restrained speculative terrace of large townhouses with some additional facilities. However, as the scheme progressed and it became apparent that buyers could not be secured, revised plans for an enlarged hotel complex were adopted in 1868 and brought to completion in 1869. These plans, which added a series of grand rooms including a banqueting hall, receptions rooms and an entrance hall in addition to a tunnel to connect to the railway line on the seafront, gardens, a complex of Turkish baths and a vast landmark tower (originally 170ft high, although truncated at a relatively early date), were remarkably ambitious. Ultimately, as it would transpire, the scheme was rather too ambitious on Pugin’s part; with his increasing reliance on loans eventually culminating in bankruptcy in October 1872, an event which precipitated his demise as an architect, tragically followed by his death just three years later.

Historic England

Overlooking the sea, the ornamental gardens were laid out and presented to the Borough of Ramsgate by Dame Janet Stancomb-Wills in 1920 and opened to the public in June 1923 by the Mayor of Ramsgate Alderman A. W. Larkin. They are maintained by Thanet District Council and were Grade II listed on 4 February 1988. 

The gardens were designed by the architects Sir John Burnet & Partners, and constructed by Pulham and Son. The main feature of the gardens, is a semi-circular shaped colonnade carved into the pulhamite recess.

On the upper terrace, approached by broad flights of steps, the gardens proper are reached. In the centre, and immediately over the shelter, is a circular pool enclosed on the north side by a semi-circular Roman seat.

Wikipedia

Broadstairs was alive with Bank Holiday activity.

On leaving the town we encounter this engaging flint church – Holy Trinity

Erected 1829-1830. David Barnes Architect, extended 1925.

Built of flint and rubble.

One of the first visitors to this church was Charles Dickens who offered a very unflattering description in his work, Our English Watering Place:

We have a church, by the bye, of course – a hideous temple of flint, like a petrified haystack.  Our chief clerical dignitary, who, to his honour, has done much for education, and has established excellent schools, is a sound, healthy gentleman, who has got into little local difficulties with the neighbouring farms, but has the pestilent trick of being right.

In Margate the tidal pools are full of waveless sea water and kiddy fun.

The former crazy golf course is undergoing an ongoing programme of involuntary rewilding.

The Turner Contemporary was hosting an impromptu al fresco sculpture show.

Dreamland was still dreaming.

And Arlington House staring steadfastly out to sea.

Time now for tea and a welcome plate of chish and fips at the Beano Cafe.

I miss my haddock and chips from Beano in Margate, brought to you with a smile and he remembers everyone.

Great customer service and friendly staff, see you soon.

The food is awful and the customer service is even worse: when we complained about the food the staff argued with us and wouldn’t do anything to change the food or refund, avoid at all costs!

Trip Advisor

Time for a wander around Cliftonville.

Discovering a shiny new launderette.

And a launderette that wasn’t a launderette – it’s a Werkhaus that isn’t a workhouse.

And a patriotic tea rooms.

So farewell then the south coast – we’re off home on the train in the morning.

But first a pint or two.

Hull Walk 2021

Turn right out of the station toward the Cecil Cinema.

The Theatre De-Luxe was built in 1911 at the corner of Anlaby Road and Ferensway with its entrance in Anlaby Road and its auditorium along the side of the pavement in Ferensway. Kinematograph Year Book of 1914 lists 600 seats and the owners as National Electric Picture Theatres Ltd.

In 1925, the theatre was rebuilt to a radically altered ground-plan and renamed the Cecil Theatre. 

The Cecil Theatre’s demise came during bombing on the night of 7/8 May 1941 when German incendiary bombs reduced the building to a shell; and it remained like that until demolition in 1953.

Work on the new Cecil Theatre was begun in April 1955 and it was opened on 28th November 1955 with 1,374 seats in the stalls and 678 in the balcony.

Architects: Gelder and Kitchca

At the time of opening it had the largest CinemaScope screen in the country measuring 57 feet wide, and the first film shown was Marilyn Monroe The Seven Year Itch.

In the 1980’s it was taken over by the Cannon Cinemas chain. The cinema operation was closed on 23rd March 1992 and the cinemas were ‘For Sale and/or Lease. It was taken over by Take Two Cinemas and renamed Take Two Cinema. It was closed on 27th February 1997 and the two screens in the former circle were stripped out and converted into a snooker club.

Whilst bingo continues in the former stalls area of this post war 
cinema, the former mini cinemas in the circle still contain the snooker tables, but the space is unused. The screen in the former restaurant/cafe area remains basically intact, but is unused.

Cinema Treasures

Whilst circumnavigating the Cecil one can’t help but notice the KCOM HQ – and its distinctive white telephone kiosks.

The work of City Architect A Rankine OBE RIBA

When Hull City Council founded KCOM back in 1904, as Hull Telephone Department, it was one of several local authorities across the country granted a licence to run its own phone network.

1952 Call Father Christmas service was introduced.

Having heard of a recorded message service in Scandinavia, Hull Councillor J M Stamper suggested the idea of putting Father Christmas on the telephone. The Call Father Christmas service was introduced shortly afterwards, the first of its kind in the UK. By dialling a Hull Central number children could hear recordings of a Christmas story and carol singing. 

The success of the Father Christmas service led to the creation of other recorded information lines, such as Bedtime Stories, Teledisc and Telechef. 

This recipe line was introduced in 1950s and was still going strong until the 1990’s, with 50s recipes such as meat loaf and corned beef with cabbages being replaced by dishes such as Italian Chicken Bake.

Returning to Ferensway we are confronted by the Danish Seaman’s Church.

Sea trade created a large Danish community which Hull’s very own Amy Johnson was descended from. Her grandfather was Anders Jorgensen, who anglicised his name to the more pronounceable Andrew Johnson. A Danish pastor was appointed and an old chapel in Osborne Street was purchased in 1841.

It was on May 9, 1954, that the present church, with its now familiar separate bell tower, was consecrated by the Bishop of Copenhagen.

Around the corner we find Porter Street Housing.

Hull was the most severely damaged British city or town during the Second World War, with 95 percent of houses damaged. It was under air raid alert for one thousand hours. Hull was the target of the first daylight raid of the war and the last piloted air raid on Britain.

Of a population of approximately three hundred and twenty thousand at the beginning of the war, approximately one hundred and fifty two thousand were made homeless as a result of bomb destruction or damage. 

Overall almost one thousand two hundred people were killed and three thousand injured by air raids.

Despite the damage the port continued to function throughout the war.

The earliest housing was built just after World War II, starting with what is known locally as Australia Houses

A circular five storey housing block off Porter and Adelaide Streets, with a communal garden in the middle. These flats consist of deck access flats and some traditional style Art Deco tenements. Some are three bedroom, and have been refurbished over the years.

UK Housing

Porter Street – three six-storey blocks containing seventy dwellings of 1954

Contractor J Mather

New Michael Street and Melville Street aka Upper Union Street one hundred and eight dwellings in three nine-storey blocks of 1958

Contractor Truscon

The designer behind Hull’s tower blocks was Andrew Rankine RIBA, who from 1939 remained City Architect until his retirement in 1961.

Just around the corner:

Over the last three years both companies have worked on undertaking the complex development of an off-site constructed, low carbon, Code 5 housing product. Working with Hodson Architects on the design the project will provide 3-bed family houses on the Thornton Estate in Hull. The scheme will increase provision of suitably sized accommodation in the area for families.

The project will see Premier Interlink manufacture the steel framed modules at the factory in Brandesburton East Yorkshire starting this March. The five houses are to be prefabricated off-site, with each house comprising of four separate units which are then assembled on site. This offers the benefit of reducing construction time, improving efficiency, reducing material wastage and offering an improved thermal envelope.

Premier Modular

The Goodwin Trust, a brilliant and pioneering community group, decided the new version of pre-fab, or ‘modular’ housing, was exactly what was needed to provide affordable housing for the people it also cares for in so many other different ways.

Locality

Onward to Holy Apostles Church now home to Hull Truck and renamed Thornton Village Hall.

Architects: Ferrey and Mennim

Back toward the station and Hammonds of Hull/House of Fraser – soon to be a food court, artisan everything outlet.

Built in 1952 on Paragon Square to designs by T. P. Bennett, with extensions added in 1954 and 1957. Within a couple of years the business had grown again by opening its own hairdressing salon, and in 1960 added a new warehouse to accommodate their furniture workshops and stock rooms. This itself was extended within four years, while a fourth floor was added to the main store.

On the right a civic building Festival House of 1951.

Architect: John Brandon-Jones.

Apprenticed to Lutyens‘ assistant Oswald Milne and later working with Charles Cowles-Voysey

With his good friend, John Betjeman, he helped found the Victorian Society in 1958.

On 1st May 1951, the foundation stone of Festival House was laid, to commemorate the first permanent building to be built in the city centre since the 1941 Blitz. Placed under the stone was a time capsule containing coins, stamps, a Festival of Britain programme, a copy of that day’s Hull Daily Mail, and a booklet about the city. Festival House was owned by Hull Corporation on behalf of the people of Hull.

Before us Alan Boyson’s Three Ships – now listed and set for preservation.

The fate of the attached former CO-OP/BHS is less secure.

Architect: Philip Andrew

Onward to the Queens Gardens the almost filled in former Queens Dock – forever fourteen feet below sea level.

We encounter Tonkin Liu’s Solar Gate – a sundial that uses solar alignment to mark significant times and dates in Hull. The super-light innovative two-shell structure is place-specific, responding to pivotal historic events and to the cultural context of its location in Hull’s Queens Gardens adjacent to the ancient site of Beverley Gate.

Carved stone panels Kenneth Carter 1960 – Ken’s art career began as an inspiring teacher, first at his alma mater, Hull College of Art, and later as principal lecturer at Exeter College of Art.

A number of decorative fountains featured in the ponds; those at the eastern end designed as part of the sculptured panels of 1960, by Robert Adams, described by Herbert Read as belonging to: 

The iconography of despair. Here are images of flight, of ragged claws, scuttling across floors of silent seas, of excoriated flesh, frustrated sex, the geometry of fear.

And behind we glimpse Frederick Gibberd’s fine Technical College.

Adorned by the William Mitchell relief.

Brighton To Rye

The longest day the least snaps – preoccupied with the avoidance of the main road over to Eastbourne, we took an arduous route over the South Downs Way.

Further preoccupied by and appointment with John Nash at the Towner at One PM.

Firstly however a leisurely ride along the Undercliff – designed by Borough Engineer David Edwards as a public amenity, was begun in 1928 and opened in July 1933.

Mr Tim Rushton apprehends the view.

Sustrans have the habit of heading away from the A roads and onto the backstreets of Britain.

To fill in the gaps on our snap-less journey, here’s my previous trip.

Leaving the coast for the soft rolling Sussex hills, where we encounter the Litlington White Horse.

The Litlington White Horse is a chalk hill figure depicting a horse, situated on Hindover Hill in the South Downs, looking over the River Cuckmere to the west of the village of Litlington and north of East Blatchington in East Sussex. 

The current horse was cut in 1924 by John T, Ade, Mr Bovis and Eric Hobbis in a single night and stands at 93 feet long and 65 feet high. A previous horse was cut in either 1838 or 1860 on the same site. Since 1991, the horse has been owned by the National Trust, who regularly clean and maintain the horse along with local volunteers.

Local legend suggests that the horse was originally cut as a memorial to a local girl whose horse bolted when riding along the brow of Hindover Hill, throwing her down the hill which resulted in her death.

However, there is no evidence to suggest this to be true.

Viewing from the air – the lone pursuit of the paraglider.

Viewing from Terra Firma the lone pursuit of the camo-bucket hatted cyclist.

Who subsequently discovers the heady heights of the Downs.

Which seem to have more in the way of ups than downs.

Though when the gradient eases, graced with the sweetest sweeping green bowls.

We then descend to Jevington Church – St Andrew.

The restored tower is 11th Century

The nave is 12th Century, with a later 13th Century chancel and north aisle. 

Most windows are 14th or 15th Century. 

A C11 carving shows Viking influence.

Having descended, we are now faced with another lengthy ascent and the prospect of our late arrival in Eastbourne.

Against all odds we are almost on time and permitted entry to the John Nash Exhibition.

The Landscape of Love and Solace.

Harvesting printed at The Baynard Press for School Prints Ltd.

Ascending with ease in the capacious elevator.

A wonderful show – so much to see, prints and watercolours in superabundance.

Followed by tea and a bun in the smart café.

We hastened to Hastings, pausing briefly to say hello to Pauline, then onward to Rye.

Once again walking the climbs, before dropping down to Winchelsea, where we were met by a relentless easterly headwind.

Our weary legs propelling us ever so slowly through an area of marsh and shingle, softly edged by the sea.

On 15th November 1928 at 6.45am the ‘Mary Stanford’ lifeboat with her crew of 17 was launched to save a stricken vessel. A south-westerly gale with winds in excess of 80 miles per hour was raging in the English Channel. Not one of these brave Rye Harbour men ever returned.

The impact of the disaster on the Rye Harbour community was devastating and deeply affected all who lived there. The disaster was also felt worldwide, and was front page news over the days that followed. The funeral was attended by hundreds including the Latvian Minister. An annual memorial service is held at Rye Harbour church to this day.

The Lifeboat House still stands, but was never used again.

Winchelsea

Higher Openshaw

There’s been more than a few comings and goings along Ashton Old Road.

1906

Where once there were fields, homes and industry arrive, as the Industrial Revolution is in full swing.

1908

The streets to the north of Ashton Old Road are alive with shops, homes, people and prams.

Along with the occasional motor car.

Alpha Street
Bowness Street
Burman Street
Silverdale Street
Toxteth Street
Trevor Street

The Old Road boasted some fine busy boozers.

And a splendid church and school.

St Clements

The man responsible for the majority of these archive photographs is Tommy Brooks of 56 Gransmoor Road.

He is my hero, a member go the Manchester Amateur Photographic Society, cycling the streets of Manchester to produce a unique record of life in the Sixties.

The Manchester Image Collection is awash with his work.

Chapeau Tommy!

Gransmoor Road 1963

The house is no longer there – the area has recently been redeveloped, some older properties demolished, and new homes built.

Though The Gransmoor is no longer The Gransmoor.

Although it briefly became CKs

Converted to retail use 24th September 2012 after closure. This interesting Victorian building stands back from the road with what may well be a coach road in front. Inside the high ceilings and glorious plasterwork gave the impression of a gentlemen’s club. Though it previously sold cask Banks’s beers in its earlier years, its final days were seen out with only keg beers being available.

Whatpub

2010
2021

St Clements still prevails with a healthy congregation.

In 2010 several properties were removed and the land levelled.

Eleven years later old and new now snuggle up together.

The street structure is more or less unchanged.

Though sadly the wonderfully named Ambush Street is no more.

So the big wheel keeps on turning new homes, new folk and new life for East Manchester.

St Willibrords RC – Clayton Manchester

1963

North Road Clayton Manchester M11 4WQ

1937-38 by Reynolds and Scott built in buff brick of a Modernist Byzantine style.

The choice of the Apostle of Holland as a patron saint for the parish was that of a Dutch priest, Fr. Sassen, who bought land for the parish from St. Brigid’s in 1905. The new parish was opened in 1906.

Fr. Charles Hanrahan developed the mission in its infancy and was followed by Fr. Richard Mortimer, who laboured here for a long period, devoting most of his priestly life to the parish.

Fr. Patrick Dillon supervised the building of the magnificent new church of unusual design, which was opened in 1938.

Genuki

The church was Grade II listed in June 1994

Research Portal

Our Lady and St. Joseph Hanwell 1967

The church is sited in a densely populated area of the city, comprising Victorian terraces and inter-war social housing.

The interior has extensive mosaic work by the Manchester firm Ludwig Oppenheimer – whose work can also be seen in St John the Baptist RC Rochdale.

1968

So farewell St Willibords and many thanks to the exceptionally kind and welcoming parishioners who granted me access to this very fine church.

Archive photographs Local Image Collection

MMU Campus Didsbury

799 Wilmslow Rd Didsbury Manchester M20 2RR

I was here, once upon a time, studying to be an art teacher – which eventually I was, then I wasn’t.

Such is life, things that is eventually isn’t, such is the story of this here site.

Facts courtesy of Wikipedia

According to local historian Diana Leitch, the site has been in use since 1465; the first house was built in 1603 as part of a large estate with a deer park.

In 1740 the site was purchased by the Broome family, and a new house was constructed after 1785 by William Broome, extant today as the front part of the university’s former administration building, now known as Sandhurst House.

 By 1812 the house was occupied by a Colonel Parker, and in the 1820s and ’30s it was a girls’ school.

The site was purchased by the Wesleyan Methodist Church on 18 March 1841 for £2,000, and opened as a theological college on 22 September 1842.

The Old Chapel building, originally the college chapel, is a two-storey building constructed in gothic style, with Flemish bond brickwork, built on a sandstone plinth in 1842. The structure consists of three wings, containing a central hall range, with two domestic wings on each side,  initially used as tutor accommodation, forming a symmetrical appearance with the gable end of the upper hall. For many years it was used as a library and lecture theatre.

The ground floor eventually became the student union, and contained a bar and café.

During both world wars the site was used as a military hospital. In 1943 the Board of Education had begun to consider the future of education, following reforms that would inevitably come after the war ended. It was estimated that with the raising of the school leaving age, following the 1944 Education Act, about 70,000 new teachers would be needed annually, almost ten times as many as before the war.

 In 1944 a report was produced by the Board of Education on the emergency recruitment and training of teachers, and it was decided that there were to be several new training colleges set up. These colleges were to be staffed by lecturers seconded from local authorities, with mature students selected from National Service conscripts. In 1945 the theological college, which was no longer required by the Wesleyans, was leased to the Manchester Education Authority. The new emergency training college was officially opened on 31 January 1946, with Alfred Body as its first principal.

By 1950, the emergency college was purchased by the City of Manchester and made permanent as Didsbury Teacher Training College, with an initial enrolment of about 250 male and female students. As a result of becoming a permanent college, Didsbury became part of Manchester University’s School of Education.

Over the next two decades, numerous buildings were constructed on the site; Behrens, Birley and Simon were all named after prominent local families with ties to the college.

Didsbury became part of Manchester Polytechnic in 1977, renamed Didsbury School of Education.

The adjacent Broomhurst halls of residence have since been demolished.

Both Sandhurst House and the Old Chapel are Grade II listed – the architect was probably Richard Lane.

As of 2018 the site is being redeveloped by local architects PJ Livesey, as a residential area of 93 homes, with the listed buildings being retained.

Here’s a record of my visit, to the soon to be demolished site, in April 2015.

Archive photographs Local Image Collection.

St Cuthbert’s Miles Platting Manchester

Junction of Fir Road and Oldham Road

One fine day, I chanced to walk by just as the service was finishing.

I asked Assistant Curate Rev. Peter Scott if it would be possible to photograph the interior of the church, he kindly consented.

Here are the results, along with shots of the excitingly angular exterior.

The church’s exterior is home to a dramatic concrete relief.

Let’s take a look inside, complex volumes and multiple window-lighting points, along with simple decorative order.

Of particular note – the organ pipes located above the main entrance.

Once again I can’t thank Rev. Peter Scott enough for giving us access to this beautiful church, serving the parishioners of Miles Platting.

Hanover Chapel – Stockport

The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.

Italo Calvino – Invisible Cities

Paul Dobraszczyk posted this Shirley Baker photograph, he was puzzled by its exact location, it puzzled me too.

For nearly all that is depicted here, is now no longer extant, save one hopes, for the group of playmates.

All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.

Manifesto of the Communist Party

Shirley Baker was a renowned documentary photographer, who worked extensively in Greater Manchester.

I love the immediacy of unposed, spontaneous photographs and the ability of the camera to capture the serious, the funny, the sublime and the ridiculous. Despite the many wonderful pictures of the great and famous, I feel that less formal, quotidian images can often convey more of the life and spirit of the time.

I am grateful to Stephen Bann who has identified the monument as the Bann Family vault:

Stephen Bann and his younger brother – many thanks for the text and photograph Stephen.

Her photograph was taken in Stockport 1967 – I first assumed it was taken from St Mary’s Church, looking toward the former power station.

I was mistaken.

Using the Stockport Image Archive, I found the possible site, in this photograph of Tiviot Dale Station.

There on the eastern edge of Lancashire Hill – Hanover Chapel.

Seen here on the maps of 1917 and 1936.

An area of intense activity, road, rail, housing and infrastructure.

Hanover Chapel closed 1962 – though we may assume from Shirley Baker’s photograph, that following its demolition the graveyard remained intact but untended.

The chapel is thought be seen in the 1954 film Hobson’s Choice, directed by David Lean and starring John Mills, here awaiting his bride to be – the parish church of St Mary’s on the skyline.

Though closer examination reveals that this is not Hanover Chapel – where did those pillars come from?

Where are we, in a labyrinth of invention with a superimposed Stockport backdrop?

My thanks to Robert Collister for these observations.

Improbably out of time, the cooling towers are yet to be built, or blown up.

Here John is joined by Salford born Brenda Doreen Mignon de Banzie, playing Maggie.

The demolished chapel rubble appears in the foreground of Albert Finney’s gold Roller CB 1E in Charlie Bubbles.

The film’s screenplay was the work of Shelagh Delaney, whose previous work A Taste of Honey also used local locations.

Where Finney has pulled up, feeling proper poorly.

As a serendipitous symmetry, Charlie Bubbles co-star Liza Minelli plays a photographer recording Salford’s disappearing streets.

Bit by bit everything disappears, Tiviot Dale Station closed completely on January 2nd 1967.

Where once there was a continuous run from the chapel to the town centre, the motorway has since intervened.

The Tiviot Dale pub on the right is no more, closed in 2013.

We had people from all parts of the country turn up on our final day, some of them brought their children who wanted to come because they remember the pub so fondly from their childhood. It was really humbling to see that our pub had touched so many lives.

Dave Walker landlord.

The King’s Head/Full Shilling on the left closed in 2015, though still standing.

I remember this pub as a Boddingtons house in the 1970’s. Excellent bitter served by handpump from small vault at the front and a larger “best room” behind, both very narrow given the width of the pub. The landlord employed an unusual method of ensuring everyone got a full pint; a half pint glass of beer was kept between the pumps and your pint was topped up from the half which was constantly replenished to keep it fresh. I have not seen this practice in any other pub.

Phil Moran

When’s the next tram due?

Millgate Power Station operated until 1976.

At the adjacent gas works – gas holder number three was dismantled in 1988, gas holders one and two were removed in 2019.

The nature of infrastructure, housing and industry has changed radically.

Lancashire Hill flats were built in the 60s, designed by City Architect JS Rank, two seven storey blocks containing 150 dwellings; two six storey blocks containing 120 dwellings.

Replacing tight rows of terraced housing.

They themselves clad and revamped.

The Nicholson’s Arms built to serve the flats closed and currently empty, signs say to let – replaced an earlier pub, sited on the corner of long gone Nicholson Street.

The Motorway appears piecemeal in 1974, formerly the M63 now M60.

Today from the road there’s simply no trace of the site’s past purpose.

At the centre of what is now a compact civic grassed area – a trough.

Incongruously in memory of Elizabeth Hyde of Tufnell Park Road London.

The dense stand of trees is impenetrable – no longer a view of the non existent power station and beyond.

And they that shall be of thee shall build the old waste places: thou shalt raise up the foundations of many generations; and thou shalt be called, the repairer of the breach, the restorer of paths to dwell in.

Isiah 58:12

As a footnote I did meet brothers Stephen, Derek and Peter who appeared in this Shirley Baker photograph 55 years ago – she promised them an ice cream each – they never ever received an ice cream.

They are seen in Sunnyside Street Ordsall – long since demolished.

A commemorative plaque from the Chapel still exists, sited now on the wall of Wycliffe Congregational Church Georges Road Stockport.

Archival Images – Stockport Image Archive

St John The Baptist RC – Rochdale

I have had the privilege and pleasure to visit St John’s several times over the years and doubly pleased to visit with a group of some 30 Modernists in March 2020 as part of a Rochdale Walk, prior to the lockdown days later.

I cannot thank Christine Mathewson and her fellow volunteers enough for the warm welcome we were given. They take such pride in their church and are eager to convey that pride along with their obvious erudition.

Approaching from the adjacent railway station we could not fail to be impressed by the scale and grandeur of the church, a wonderful mix of the Byzantine and restrained Art Deco – most clearly expressed in the sculptural angels looming high above the tram stop.

The building is Grade II* Listed and deservedly so – details can be found here on the Historic England site.

The original design pre-1917 by Oswald Hill, executed in 1923-25 by Ernest Bower Norris. Henry Oswald Hill was a promising architect with a clear interest in contemporary church-building trends, as evidenced here and at the nearby RC Church of St Joseph, Heywood, he was tragically killed in action in the First World War.

St Joseph’s

The church uses concrete to its advantage in the construction of the striking, 20m-wide central dome, surrounded by the delicate touch of several arched stained glass windows at the perimeter.

Illuminating the concave space in a heavenly manner.

The apsed sanctuary contains an encompassing mosaic scheme of powerful emotional intensity designed by leading mosaic designer, Eric Newton of specialist firm Ludwig Oppenheimer Ltd.

The mosaic is breathtaking in scale, design and execution – nothing can prepare you for its impact as you enter the church.

The quality of the sanctuary mosaic is further enhanced by the use of high-quality tesserae made of stone, coloured marbles and coloured glass, set off by a shimmering background of gold tesserae.

The apsed sanctuary is completely covered in a mosaic scheme with the theme Eternal Life designed by Eric Newton. Newton was born Eric Oppenheimer, later changing his surname by deed poll to his mother’s maiden name. He was the grandson of Ludwig Oppenheimer, a German Jew who was sent to Manchester to improve his English and then married a Scottish girl and converted to Christianity. In 1865 he set up a mosaic workshop, (Ludwig Oppenheimer Ltd, Blackburn St, Old Trafford, Manchester) after spending a year studying the mosaic process in Venice. Newton had joined the family company as a mosaic craftsman in 1914 and he is known to have studied early Byzantine mosaics in Venice, Ravenna and Rome. He later also became art critic for the Manchester Guardian and a broadcaster on ‘The Critics’. Newton started the scheme in 1932 and took over a year to complete it at a cost of £4,000. It had previously been thought that he used Italian craftsmen, but historic photographs from the 1930s published in the Daily Herald show Oppenheimer mosaics being cut and assembled by a Manchester workforce of men and women. It is likely, therefore, that the craftsmen working on St John the Baptist were British.

Historic England

The whole building is full of surprising details of the highest quality.

Lit by simplest yet most effective stained glass.

This is an exemplary building, on entering one is filled with both calm and awe, an experience which is never diminished by subsequent visits.

The mosaic work is on local and international significance – it is unthinkable that it may ever be lost to us, or that funding was not forthcoming to secure its future into perpetuity.

I implore you to visit, whensoever that may be possible.

Please take a moment append your comments on this post and play some small part in ensuring the St John’s is preserved for generations to come.

Rotherham Modernism

There comes a time in everyone’s life, when one simply must go to Rotherham, at least once – so I did.

To keep company with my personal town guide, Sheffield Modernist and local resident, Helen Angell.

I arrived early at Rotherham Central, so went for a solo wander.

The station was originally named Rotherham, becoming Rotherham and Masborough in January 1889 and finally Rotherham Central on 25 September 1950.

The newish Rotherham Central station was opened to passengers on 11 May 1987, the present iteration on Friday 24 February 2012, as part of the Rotherham Renaissance plans for the regeneration of the town.

Wikipedia

Opened 22 December 1934 as the Regal Cinema with Leslie Howard in Girls Please. Sandy Powell, the famous comedian attended opening night this 1,825 seat. It was designed by the Hull based architectural firm Messrs Blackmore & Sykes for local exhibitor Thomas Wade and was leased to the Lou Morris chain.

By 1937 it was operated by the London & Southern Super Cinemas Ltd. chain. The Regal Cinema was leased to the Odeon circuit in 1946 and was re-named Odeon. It was sold by the Rank Organisation to an independent operator in 1975 and renamed Scala Cinema, by 1981 using the circle only.

Closed 23rd September 1983 with the film Porky’s.

Became a bingo hall initially named Ritz but now Mecca. On 20th February 2020 the building was put up for sale by auction at an asking price of £600,000+, but failed to sell, with the maximum reached £590,000. Mecca bingo continues in the building.

Cinema Treasures

Curious corner retail development and sculpture of the Sixties – with pub archeology.

Art Deco detail and tiling.

Royal Mail Sorting Office.

Retail detail.

Beeversleigh Flats – built between 1968-71. 

Main contractors J. Finnegan it’s thirteen storeys high – housing forty eight dwellings.

Interwar Technical College – Howard Building

From the 1930s, it provided technical-orientated education from the Howard Building on Eastwood Lane, Rotherham. In 1981, three neighbouring colleges of arts, technology and adult education were merged into one. As a result, the college became known as Rotherham College of Arts and Technology.

Revised plans to convert the historic Howard Building in Rotherham town centre into self-contained studios and apartments have been approved by the planning board at Rotherham Council.

The prominent former college building was sold prior to going to auction last September after it was advertised as a development opportunity and given a guide price of £250,000 by local auctioneers, Mark Jenkinson & son.

2015

28 Days Later

A group of rogue property directors with links to a prominent derelict building in Rotherham have been banned for a total of 54 years. The six, of Absolute Living Developments, were found to have misled more than 300 people to invest at least £12 million in residential properties.

The firm was linked through a lender to Avro Developments, which had plans passed in 2015 to renovate former college block the Howard Building in Rotherham town centre.

Rotherham Advertiser 2019

Clifton Building

Next to the market.

With a strident high tech canopy, very recently added – though Rotherham’s history stems back 800 years when it is thought that the original royal market charter was granted by King John in the year 1207.

There are traces of the 1970’s rebuild.

Bunker-like The Trades former music venue/pub, which replaced the former riverside Trades Club.

The PA now silenced.

This was an amazing event. The bands were really good and the drinks offers, while limited, were good. The ceiling in the ladies toilets had fallen through and was dripping, presumably there had been a leak from all the rain, but this didn’t lessen the awesome experience.

October 2019

The cooling towers and flats are long gone – the coal-fired power station operated from 1923 until October 1978.

The Prince of Wales Power Station in Rotherham was located on Rawmarsh Road and was opened by the Prince of Wales – the future King Edward VIII.

The former Grattans catalogue offices can be seen to the left.

Renamed Bailey House and still in use by the local authority, its days it seems are numbered.

The building is named after Rotherham-born engineer Sir Donald Bailey whose ingenious bridge designs played a key role in shortening World War II, the house in which Bailey was born, 24 Albany Street is still standing.

Sadly no longer home to the Harlem Shuffle

No big names – just big sounds.

There are some surviving power station buildings.

Along with electrical infrastructure.

Up the road next, to the former fire station, which now houses J E James Cycles.

It is surrounded by typically atypical inter war housing.

I could make the wild assumption, that these flat roofed maisonettes were originally homes fit for firefighters.

A passing nod towards a former Methodist Chapel.

Further on up the road to Peck House.

And the attendant tiles.

Just around the corner Backer Heating – still trading.

Returning toward town and enchanted by a giant 13 amp plug.

Under the underpass.

Then the other underpass.

Finally through the last underpass.

With a final notable note regarding Rotherham’s hand painted council commissioned signage – I’d like to think that they have a sign writer in their employ.

Many thanks to my learned companion Helen – thanks for a fine day out, so much to see and do!

Elim Pentecostal Church – Halifax

Hall St Halifax HX1 5AY

Elim Church

Having walked from Hebden Bridge to Halifax with Mr Phil Wood, we approached Hall Street – and gazed admiringly at this striking building, from across the A58.

Attributed to C.S. Oldfield and it was completed in 1972 apparently they did the relief too.

20th Century Society

A low serrated, ridge and furrow conical roof, corona and steel spire breaking the skyline.

Very much a building of two halves, the single storey hall, adjoining the body of the church, which is raised on a plinth.

They are linked by an internal hallway.

An intriguing mix of restrained classical detailing, along with the more modernistic roof and internal structure.

From the outside it is possible to discern the stained glass panels in the corona.

To the right of the main entrance is a modular sculptural relief, modelled in concrete cast in fibreglass.

There are eight individual modules, set in a grid of six by eleven – sixty six in total, rotated to break up the rhythm of the piece.

I was blessed on the day of my visit, with permission to photograph the interior, many thanks to Pastor Mark.