Having started in the middle, let’s fast forward to the end – the beginning will have to wait.
We take up our walk along Fred’s Way once more by Mirrlees Fields.
Following the brook along the narrow shallow valley, betwixt and between houses.
Briefly opening out into green open space.
Crossing the road and entering the detached world of the detached house.
No two the same or your money back!
Diving feet first into Happy Valley, home to the Lady Brook stream.
And quickly out again.
Emerging once again into the space between spaces.
The suburban idyll of the Dairyground Estate home to very few semi-skilled and unskilled manual workers; those on state benefit/unemployed, and lowest grade workers.
But home to an interesting array of Post War housing.
Including examples of the style de jour, à la mode conversions and updates extended and rendered, black, white and grey symbols of success or extensive extended credit facilities.
Though the more traditional fairy tale variant still has a space and place, in the corner of some well behaved cul de sac.
Under the railway – through a low tunnel darkly.
We struck oil, black gold, Texas Tea – Tate Oil.
The area of Little Australia – so called as all the roads are named after towns in Australia, is bordered by the West Coast Main Line to the north, the Bramhall oil terminal to the east, Bramhall village centre to the west and Moorend Golf Club to the south.
We emerged into a warren of obfuscation, dead ends and conflicting signs, having made enquiries of the passing populace, we realigned with the new bypass.
Passing over the conveniently placed footbridge over the bypass and beyond.
Emerging amongst faux beams and real Monkey Puzzles.
It was at this point that, unbeknownst to us, we followed a twisted sign, misdirecting us along an overgrown path – to Handforth.
We failed, in the end we failed to arrive to arrive at the end.
Heading west like headless chickens towards the Turkey Farm.
Making our way mistakenly to Handforth Dean Retail Park – rear of.
Crossing slip roads with no pedestrian access and the forbidden territory of an industrial sized gymnasium car park.
Woodford will just have to wait, another day another dolorous excursion.
Deneway almost but not quite, literallyon my doorstep:
High above the Mersey Valley and 70 meters above sea level Deneway Estate stands proud, affording views of the Pennine White Peak to the south east and nothing but some other houses in all other directions.
Built in 1964, by architects Mortimer & Partners it was an award winner from the word go – coming first in an Ideal Homes sponsored competition.
Very much in the tradition of the Span Estates, it consists of small groups of two and three storey terraced homes, with communal open, well tended front gardens. At the entrance to the estate stands a single low tower block of flats.
The architecture sits quietly and confidently in the landscape, well behaved, prim and proper. Interiors are open plan and afforded ample daylight by generous windows. Detailing is tiled and wood panelled, with low pitched roofs.
Jump the train, walk, cycle, bus or tram, but arrive with eyes and heart wide opento enjoy this suburban gem – it’s right up my street.
This was my very first piece that appeared on the old Manchester Modernist site way back in 2014.
Six years later I walked up the road again and found the flats clad in a funny colour cladding and the plaques moved, much else was as was. I assume, that under deed of covenant, fencing and guerilla gardening within open areas is verboten, along with fancy extensions.
The estate therefore retains its original integrity.
The sun in the meantime however – had gone in.
Here are the pages of Ideal Home which featured this award winning estate.
2020 mid-lockdown and overcast, I took a walk to take another look.
There is a perennial appeal to this well ordered island of tranquility, an archetypal suburbia incubated in 1906, a copy book estate.
The housing estate of 136 houses known as Burnage Garden Village, a residential development covering an area of 19,113sqm off the western side of Burnage Lane in the Burnage ward. The site is situated approximately six kilometres south of the city centre and is arranged on a broadly hexagonal layout with two storey semi-detached and quasi detached dwelling houses situated on either side of a continuous-loop highway. The highway is named after each corresponding compass point with two spurs off at the east and west named Main Avenue and West Place respectively. Main Avenue represents the only access and egress point into the estate whilst West Place leads into a resident’s parking area.
The layout was designed by J Horner Hargreaves. Houses are loosely designed to Arts and Crafts principles, chiefly on account of being low set and having catslide roofs.
At the centre of the garden village and accessed by a network of pedestrian footpaths, is a resident’s recreational area comprising a bowling green, club house and tennis courts. The estate dates from approximately 1906 and was laid out in the manner of a garden suburb with characteristic hedging, front gardens, grass verges and trees on every street.
Verges and paving were freshly laid, hedges and gardens well tended, cars parked prettily.
The central communal area calm and restful, but lacking the clunk of lignum vitae wood on jack, hence the scorched earth appearance of the normally well used crown green.
Fairfield is a suburb of Droylsden in Tameside, Greater Manchester, England. Historically in Lancashire, it is just south of the Ashton Canal on the A635 road. In the 19th century, it was described as “a seat of cotton manufacture”. W. M. Christy and Sons established a mill that produced the first woven towels in England at Fairfield Mill.
Fairfield is the location of Fairfield High School for Girls and Fairfield railway station.
The community has been home to members of the Moravian Church for many years after Fairfield Moravian Church and Moravian Settlement were established in 1783.
Also the merchant banker and art collector Robin Benson (1850–1929).
Charles Hindley 1796 – 1857 was an English cotton mill-owner and radical politician the first Moravian to be elected as an MP.
Turning into Fairfield Avenue from Ashton Old Road you’ll find Broadway sitting prettily on your right hand side. It was intended to be an extensive Garden Village but was abandoned at the outbreak of the First World War. The estate consists of 39 houses, built between 1914 and 1920 in a neo-Georgian style. These are a mixture of detached, semi-detached and terraces in a range of sizes.
Broadway is a small scale example of a garden suburb development and is composed of a mixture of detached, semi detached and terraced houses ranging in size and built in a reddish-orange brick with dark brick dressing and patterning. The properties appear to be generously proportioned and they share similarities in design and construction and a unifying scheme of decoration.
It issuggested that the ‘imaginative exploitation of the levels and texture suggest that Woods was responsible for the layout, but the chaste Neo-Georgian character of the houses undoubtedly reflects the taste of Sellers’.
Sneaking through the alley – lined with a Yorkshire Stone fence you enter the Moravian Settlement.
The Unitas Fratrum or Moravian Church is an international Protestant Christian group which originated from the followers of Jan Hus in Bohemia (now part of the Czech Republic) during the 15th century. As a result of persecution, the group eventually re-established itself in Saxony in the early 18th century, and it is from there that followers first came to this country in the 1730s, with the intention to go on to carry out missionary work in America and the Caribbean. A decision was taken to establish the first Moravian Settlement in England at Fulneck in Yorkshire in 1744. The first Moravian settlement to be located in Tameside was in Dukinfield during the 1740s. It was there that they laid the foundation stone for their chapel at the top of Old Road in May 1751. By 1783, 40 years after their first arrival in Tameside, the lease on their land at Dukinfield expired, and negotiations for a new one proved difficult. This resulted in the purchase and removal of the community to a 54 acres site at Broad Oak Farm in Droylsden where they established a new settlement known as Fairfield.
As well as providing domestic accommodation, the buildings at Fairfield had industrial functions. During the late 18th and 19th centuries the Settlement would have been a hive of religious and industrial activity, which included the church, schools, domestic dwellings, inn, shop, bakery, laundry, farm, fire engine, night-watchman, inspector of weights and measures, an overseer of roads, physician, as well as handloom weaving and embroidery.
Monday 3rd August 2015 one finds oneself wide wake in the Rydeview Hotel.
Faced with a breakfast best described as indescribable.
I arose and departed, not angry but hungry.
Made my way to the corner of Southsea Common, where once we drank – Tim Rushton and I were often to be found in The Wheelbarrow together.
A boozer no longer, now named for the city’s long gone famous son.
How bad a pub is this? I walk past it to get to my local. Most nights there are six people max in the bar, all huddled around the bar itself, backs to the door. – this often includes the landlord and landlady. They have live music there once in a while and you can’t get served by the one bloke behind the bar – the landlord and landlady never help out, they don’t seem to give a toss.
Beers crap, not worth a visit.
It was never like that in our day.
Visiting our former abode on Shaftesbury Road – where I once dwelt along with Tim, Catherine, Liz and Trish.
Yet more Stymie Bold Italic.
Back to the front for a peer at the pier.
Clarence Pier is an amusement pier located next to Southsea Hoverport. Unlike most seaside piers in the UK, the pier does not extend very far out to sea and instead goes along the coast.
The pier was originally constructed and opened in 1861 by the Prince and Princess of Wales and boasted a regular ferry service to the Isle of Wight. It was damaged by air raids during World War II and was reopened in its current form on 1 June 1961 after being rebuilt by local architects AE Cogswell & Sons and R Lewis Reynish.
Low cloud grey skies and drizzle.
This sizeable two bedroom apartment situated on the seventh floor of the ever popular Fastnet House is offered with no onward chain and the option of a new 999 year lease as well as a share of the freehold. With panoramic views over The Solent towards the Isle Of Wight and Spinnaker Tower, situated in a central location and close to all amenities, this lovely apartment offers luxury living for any prospective buyer. With lift access, the apartment comprises; entrance hallway, a large lounge diner with box bay window boasting stunning sea views across the city and The Solent, master bedroom with built in wardrobes and sea views over The Solent, a spacious second bedroom, fitted kitchen with breakfast bar and a recently updated modern shower room.
Coal Exchange– Peter and Dawn welcome you to their traditional pub in the heart of Emsworth adjacent to the public car park in South Street and close to the harbour.
Lillywhite Bros Ltd is a family run business established over 60 years ago in Emsworth, which is ideally located between Portsmouth and Chichester. It is currently run by brothers Paul and Mike who continue to keep up with modern techniques and equipment, as well as maintaining their traditional values and high standard of customer service.
Next thing you know I’m in Pagham, having become very lost somewhere between there and here, asking for directions from the newsagents and buying a bottle of Oasis.
The newsagent was mildly amused by lack of map, sense and/or sensibility.
I spent many happy hours here in my youth playing the slots with The King.
We would stay here in Tamarisk with my Aunty Alice and Uncle Arthur and Smudge the cat, an idyllic railway carriage shack two rows back from the pebbled seashore.
We would enjoy a shandy at the King’s Beach with Lydia, Wendy and David.
All gone it seems.
On to Bognor a B&B and a brew – a brief glimpse into my luxury lifestyle.
I’ll take an overcast Monday evening stroll along the prom, where I chanced to meet two landlocked Chinese lads, gazing amazed at the sea – they were on a course in Chichester learning our own particular, peculiar ways.
There was no-one else around.
Who can resit the obvious allure of the novelty item?
Or an Art Deco garage fascia.
Fitzleet House was built in the 1960s architects: Donald Harwin & Partners, it consists of seventy four flats, fifteen of them are in a three-storey block next to the main building.
PS&B are pleased to offer this sixth floor flat which is situated conveniently close to the town centre and within close proximity of the sea front. The accommodation is newly refurnbished and is offered unfurnished with south/west facing lounge with small balcony with far reaching views to the sea. Kitchen and bathroom with shower over bath and one double bedroom. Further benefiting from having modern electric heating and double glazing, telephone entry system, lift to all floors, communal sky dish and white goods. With regret no pets and no children – £685 rental is payable calendar monthly in advance.
For many years, a gentleman called Todd Sweeney collected sunshine statistics from the roof of Fitzleet House, which were then forwarded to the Met Office in London to assist with national statistics, and in 1983 one group of Cubs arranged a special tea party on the roof of the building as part of the national tea-making fortnight.
Leaving the compact anonymity of my B&B for the open road!
Having been unable to sample the joys of the Quality Hotel.
The Quality Hotel closed in 2014 and was demolished two years later after the site was bought by the city council following vandalism and fires.
The ten-storey concrete block was built in 1970 in the 350th anniversary year of The Mayflower ship setting sail from Plymouth for North America.
Plymouth Hoe’s fifty million pound hotel and apartments project appears to have ground to a halt with no building work happening more than a year after developers vowed it would start in 2018.
Henley Real Estate, the firm behind the plans for an 11-story hotel and a 15-floor block of flats on the demolished former Quality Hotel site, has gone silent on plans and not responded to emails and phone calls from Plymouth Live.
When we visited the site the only sign of life was some weeds growing out of the ground.
I’ll leave them to it, I’m off in search of the South West Passage
The South West Coast Path itself is 630 miles long and is the longest established National Trail in the country. Starting at Minehead in Somerset it runs along the coastline of Exmoor, continuing along the coast of North Devon into Cornwall. It follows the entire coastline of Cornwall, goes across the mouth of the River Tamar and continues into Devon. After running along the south coast of Devon it then follows the Dorset coastline before finally ending at Poole Harbour.
However if you follow the Coastal Path you’ll miss this delightful concrete fire station training tower in Plympton.
Along with the longest corrugated iron structure in the West Country.
You’ll miss getting slightly lost and a cup of tea at the Dream Bites roadside café in Modbury.
Dream Bites café, we’re all is welcome, from cars to Biker’s to Ride outs to Puplic and to work companies even you the cyclists!
GREAT FOOD GREAT PRICE.
You’ll miss the deep hedged lanes of Devon.
Where the four x fours force you into the roadside brambles with consummate ease and regularity – even on a designated cycle route.
Respite from such trials and tribulations can be found upon siting a water tower or a deserted butchers – down at Slapton Ley.
Slapton Ley is the largest natural lake in south-west England. Although it is only separated from the sea by a narrow shingle bar, it is entirely freshwater.
Much beloved of my old pal Harry H Potts and family.
Then it’s up a hill down a hill to Dartmouth.
I made enquiries at several sea front hotels – who upon assessing my mode of dress and transport, despatched me to a back street pub B&B, suit y’self suits me, and my pocket.
The Seale Arms was just the job.
Quick change for the artist – let’s have a look around.
It’s full of historical architectural detail.
And slightly more hysterical architectural detail.
Time for a pint – chatting in the pub to yachting types, for it is here that the sense of tradition, the sea, power and wealth traditionally resides.
Day three Wednesday 3rd September – leaving Southend under a cloud.
The huge slab of the Civic Centre shrouded in sea mist.
Designed by borough architect – PF Burridge.
Queen Mum Opens Civic Centre – It took a while to get there, since 1958 when the council agreed to embark on a quest to build a new home for itself; but on 31st October 1967 HRH the Queen Mother did the honours and formally opened the spanking new Civic Centre. During its build Southend was classed as being in the top ten in the country for full employment, due to this workers were hard to come by and bus loads of workers were brought in to complete this and the many other projects shooting up along Victoria Avenue at the same time.
Cllr Beryl Scholfield commented later on the day – The Queen Mother opened the Civic Centre in 1967, when my husband was chairman of the town hall committee, and we had lunch with her at Porters. We were presented to her when she came in. There were no more than about 30 of us there. It was a most exciting day.
She was as natural as you see her on the television.
A Union Jack lowered to half-mast in tribute to the Queen Mum has been stolen from Southend’s Civic Centre. A council spokeswoman today denounced the theft as – a despicable act at a time of great sadness and national mourning.
The outrage has caused extra sadness for royalist residents in the town because of the Queen Mother’s special place in the history of the Civic Centre.
The Leda and the Swan statue by Lucette Cartwright, which used to be in the Civic Centre atrium, gets a polish in May 1987.
A bronze statue depicting a mythological rape has finally found a new home at the mayor of Southend’s official residence. The controversial statue of Leda and the Swan was specially commissioned by Southend Council in the Sixties and first stood outside the courthouse in Victoria Avenue.
Later it was moved to the Civic Square and then to the courtyard of the Palace Theatre, in Westcliff. Later, it was moved to the Civic Centre when it caused outrage among staff. Workers claimed the statue, representing the rape of Leda by the Greek god Zeus disguised as a swan, glorified rape as an art form.
Last week, the statue was removed from the Civic Centre and is now at the mayor’s residence, Porters, in Southend.
Rob Tinlin, Southend Council’s chief executive and town clerk said – The statue of Leda and the Swan was located at the Civic Centre until a suitable location was found. The statue is permanently on display in the garden of the mayor’s residence, Porters in Southchurch Road.
It is in an appropriately landscaped area next to the pond.
Misty eyed I missed the sculptural fountain – William Mitchell I presume?
Said farewell to Neptunes unilluminating assorted fish.
Heading out of town past noisy scenes of quiet despair, no more fancy goods, no more confectionary – shake that.
Heading inland, away from the wibbly wobbly estuarine coast of higgledy piggledy Essex, through freshly mown pasture and solitary haywains.
This is Constable country:
Like many artists practising at the time, Constable used sketches as source material for fully worked-up compositions. He did not find the production of finished paintings easy, which probably contributed to his late recognition by the art establishment.
Passing by solitary bus shelters, patiently awaiting passengers.
Waterworks works in the palatial neo-classical manner, with a restrained nod to incipient Art Deco.
Encountering the occasional leafy lane.
I eventually found myself on the outskirts of Colchester, outside St Theresa Of Lisieux .
A striking pre-cast concrete frame design of 1971, with a dramatic and well-lit interior, lively modulation of wall surfaces and some furnishings and artworks of note.
Architect – JH Dabrowski
The entrance façade has a large gable and projecting entrance canopy, above which is a bronze statue of the Risen Christ, by local artist Tita Madden – 1977
This is a large modern church, built with a pre-cast concrete frame with a crossover roof beam system, allowing for dramatic internal effects. Within the bays created by the frame, the walling is mostly brick, with some pre-cast concrete panels, and large areas of glazing. Concrete is also used for the window mullions and surrounds. Each bay has the brickwork slightly angled or faceted, giving the design a great sense of movement and liveliness, both inside and out.
£240,000 will get you an Art Deco maisonette in Vint Crescent from Wowhaus:
This one is a ground floor apartment, which has undergone a complete refurbishment, but with one on keeping those period features to the fore – period features such as original radiators and those distinctive windows and doors are intact, rubbing shoulders with some new, high-end finishes like oak floors and updated kitchen and bathroom.
Foolishly I became more than somewhat lost and on making enquiries concerning my whereabouts and destination, I was met with gently derisive laughter. Therefore, I bypassed Colchester, took the wrong route along a mainly main road and ended up much too quickly in Clacton.
Home to several shops to let, as we shall subsequently see.
Also home to a fabulous concrete frieze on the exterior wall of the library.
Quickly ensconced in my bijou digs – I hit the town to take a look around.
I was staying right opposite this here boozer – a little too early for a pint, I’ll pop back in a bit.
Seaside shelter in a faux vernacular manner, calm seas ‘neath an azure sky – perfect.
Artifice and authenticity the sunbathing citizens sit beside an inflatable pool – perched above the sea on the pier.
Clacton Pier, which opened on 27 July 1871 was officially the first building erected in the then-new resort of Clacton-on-Sea. A wooden structure 160 yards in length and 4 yards wide, the pier served as a landing point for goods and passengers, a docking point for steamships operated by the Woolwich Steam Packet Company, and a popular spot for promenading.By 1893, Clacton had become such a popular destination for day trippers that the pier was lengthened to 1180 ft (360m) and entertainment facilities, including a pavilion and a waiting room, were added to accommodate them.
Early one morning, six o’clock on Saturday 30th August 2014 to be precise – I set out on my bike from my humble Stockport home, Pendolino’d to Euston, London Bridged to Hastings.
It was my intention to follow the coast to Cleethorpes, so I did.
Five hundred miles or so in seven highly pleasurable days awheel, largely in bright late summer sun. Into each life however, some rain must fall, so it did.
Kent, Essex, Suffolk, Norfolk and Lincolnshire flashed by slowly in lazy succession, to the right the sea – you can’t get lost, though I did. Following Sustrans signs is relatively easy, as long as they actually exist, when I reached Kings Lynn I decided to buy a map.
I set out at eight o’clock on Monday 1st September – I had taken early retirement in March. I would have normally been enrolling new students and teaching photography in a Manchester Further Education College, as I had done for the previous thirty years.
Not today thanks.
With the wind and my former career behind me, I cycled on with an unsurpassable sense of lightness and elation.
The building was designed by architects Kenneth Dalgleish and Roger K Pullen, with overt references to the Cunard White-Star Line Queen Mary, which had entered commercial transatlantic service in 1936. The east end of Marine Court is shaped to imitate the curved, stacked bridge front of the Queen Mary; the eastern restaurant served to imitate the fo’c’sle deck of the ship.
Heading towards Hythe on the coastal defence path.
Out of Tune Folkestone Seafront, opposite The Leas Lift – is home to AK Dolven’s installation. It features a 16th-century tenor bell from Scraptoft Church in Leicestershire, which had been removed for not being in tune with the others. It is suspended from a steel cable strung between two 20m high steel beams, placed 30m apart.
For Folkestone Triennial 2014, Alex Hartley’s response to the title Lookout is inspired by the imposing architecture of the Grand Burstin Hotel, which overlooks the Harbour. For his project Vigil, Hartley will use state of the art climbing technology to make a lookout point suspended from the highest point of the hotel. This climber’s camp will be inhabited for the duration of the Triennial, by the artist and by volunteers, all of whom will keep a log of what they observe.
The current hotel was built in 1984 from the foundations of the Royal Pavilion Hotel, originally built in 1843. Out of the 4,094 reviews currently on TripAdvisor 974 are of the terrible rating which doesn’t inspire much hope.
The most recent review is titled – Dirty Dated Hotel With Clueless Staff.
Before the advent of radar, there was an experimental programme during the 1920s and 30s in which a number of concrete sound reflectors, in a variety of shapes, were built at coastal locations in order to provide early warning of approaching enemy aircraft. A microphone, placed at a focal point, was used to detect the sound waves arriving at and concentrated by the acoustic mirror. These concrete structures were in fixed positions and were spherical, rather than paraboloidal, reflectors. This meant that direction finding could be achieved by altering the position of the microphone rather than moving the mirror.
Charles Stewart Rolls was a Welsh motoring and aviation pioneer. With Henry Royce, he co-founded the Rolls-Royce car manufacturing firm. He was the first Briton to be killed in an aeronautical accident with a powered aircraft, when the tail of his Wright Flyer broke off during a flying display in Bournemouth.
In September 1953 it was announced that Roger K Pullen and Kenneth Dalglish had won and were to receive 100 guineas, for a design for the Gateway Flats.
Behind the Art Deco facade of the Regent was once a grand ironwork and glass Pavilion, built to house regular performances by military bands, which the Edwardian holidaymakers loved. The Lord Warden of the Cinque ports, Lord Beauchamp, officially opened the Pavilion Theatre on Deal’s seafront in 1928.
Deal Pier was designed by Eugenius Birch and opened on 8th November 1864, in 1954 work started on Deal’s third and present-day pier. The new pier took three years to build and was formally opened by the Duke of Edinburgh on 19 November 1957. It was the first seaside pleasure pier of any size to be built since 1910. Designed by Sir W Halcrow and Partners, the 1026ft-long structure comprises steel piles surrounded by concrete casings for the main supports. The pier head originally had three levels but, these days, the lower deck normally remains submerged.
The building was designed by David Chipperfield – It was built on the raised promenade following a flood risk analysis. Construction started in 2008, and was completed for opening in April 2011, at a cost of £17.5 million. The gallery opened on 16 April 2011.
This is a journey from the corner shop to the high street, by the banks of the Bridgewater Canal, a whole retail history told during troubled times.
The Trafford Centre opened in 1998 and is the third largest shopping centre in the United Kingdom by retail size. It was developed by the Peel Group and is owned by Intu Properties following a £1.65 billion sale in 2011 the largest single property acquisition in British history. As of 2017, the centre has a market value of £2.312 billion.
The advent of the motor car, and the development of out of town shopping has seriously affected the viability of the traditional town centre and the almost long gone local shop.
And now in turn the mall is threatened by the increase in online trade and the current lockdown.
The Trafford Centre reopens on June 15th, no doubt the sensation seeking, thrill a moment shoppers will return in droves, to further satiate their unquenchable desire for stuff and more stuff, in a pseudo Romano Soviet oligarch setting.
As of Monday 8th the space was mostly devoid of both customers and cars – there are two home stores open, we arrived on foot and took a look around.
The Turnpike Centre was designed by J C Prestwich and Sons architects, who, incidentally, also designed Leigh Town Hall nearly 70 years earlier.
Since its opening in 1971, the bustling library, thriving art gallery and popular meeting rooms have seen a phenomenal 12 million people walk through the doors, while staff have answered almost 400 thousand questions and issued more than 17 million books, cassettes and CDs.
The fascia is graced by a grand cast concrete relief the work of William Mitchell.
All but abandoned by the cash-strapped local council in 2013, Turnpike Gallery in the former mining town of Leigh near Wigan, is entering a new stage in its history with the creation of a community interest company to run its programme.
Much maligned, universally loathed – the Stockport leisure facility everyone loves to hate.
What’s the story?
No more darkness, no more night. Now I’m so happy, no sorrow in sight. Praise the Lord, I saw the Light.
The area between Princes Street and Bridgefield Street was a tight warren of housing, shops and industry, eventually demolished in the 1970s, designated as slum clearance.
Prior to the arrival of the ring road the space remained undeveloped and turned over to car parking.
Little changes as the M60 is opened.
Images TS Parkinson – Stockport Image Archive
So for over forty years the land lies pretty vacant, but far from pretty.
Until 2015 when planning permission is granted for the £45m Redrock leisure scheme, which includes a 10-screen cinema, restaurants and shops.
Councillor Patrick McAuley, the council’s executive member for economic development and regeneration, said:
This is a very exciting time for Stockport. Developments such as these help our ambition of putting Stockport on the map to bring more people to work, shop and socialise here. We have been keen to involve the public in plans for both developments, by holding various consultation exercises.
We look forward to an exciting few years improving Stockport’s offer.
So good bye to all this, the local authority is making serious progress, developing Stockport’s future, against a background of structural decline and the dominance of Manchester city centre.
The architects for the scheme are BDP – the building was not well received as it was awarded the Carbuncle of the Year 2018.
Judges were left unimpressed by the – awkward form, disjointed massing and superficial decoration, while readers called it an absolute monstrosity.
Though to be fair The Light has a house style that leans heavily towards the anonymous industrial shed.
The development has however become a commercial success – once inside customers seem more than happy with the facilities.
The people of Stockport have welcomed us with open arms since opening in 2017. We’ve now had over one million guests join us for everything from the latest blockbusters to opera, theatre and concerts.
It’s been that busy that we’ve just added two additional screens and now offer freshly made pizzas, burgers and sliders. We’ve got plenty more exciting additions up our sleeve for next yeartoo!
I’ve often cycled by here on occasion taking time to the a snap or two.
You seemed to be in decline, in need of care and attention. Stood amongst Peak vernacular and sub-Lutyens villas something of anomaly.
A diminutive Modernist house – a rose amongst the herbaceous borders.
Someone seems to have taken you in hand and work is underway, I just hope that they put your name back in place.
Tamara is a female given name most commonly derived from the Biblical name Tamar, meaning date – the fruit, date palm or palm tree. In eastern European countries like Armenia, Croatia, Czech Republic, Georgia, Hungary, North Macedonia, Poland, Russia, Serbia, Slovenia and Ukraine it has been a common name for centuries. In Australia it was very popular from the 1960s to 1990s.
In the United States, the name was fairly common from the late 1950s to mid 1990s, bolstered by the popularity of the film Tammy and the Bachelor – Tammy is commonly a nickname for Tamara. In the US the most girls named Tamara were born in 1970 and the number of Tamaras born per year was greater than 1,000 as late as 1996.
The name is now fairly uncommon in the US: in 2010, the name fell off the Top 1000 SSA Baby Names list, with fewer than 250 baby girls named Tamara that year.
Though remnants remain – this is a short journey through a hole in fence, down into the warren of power station offices past.
They have been stripped of their former use and meaning, transformed into a transitory art performance space, paint and plaster now peeling, appealing to the passing painter, partially reclaimed by nature.
A Grade II listed country house, now divided into two dwellings. c1812. Ashlar gritstone. Hipped slate roof with leaded ridges. Various ashlar triple stacks with moulded tops. Moulded cornice and low parapet. Two storeys, central block with recessed long wing to east, orangery to west.
This Grade II listed manor house is set within 14 acres of natural grounds, together with the occupied adjoining servants’ wing, and has been sympathetically converted, retaining many original features to provide comfortable accommodation for families wishing to meet up for that special family occasion, and wi-fi is available in the living room.
Then came a pool:
Previously a private pool belonging to a country club in the 1930’s it later opened to members around 1938 who paid a small fee for its use. The pool is fed by a mountain stream and the water is reported to remain cool throughout the year. In the 1940’s/50’s locals recall the pool being open to the public where it cost a ‘shilling for children and half a crown for adults’ entry. During storms in 1947 the pool was badly damaged and reportedly ‘never the same again’ but postcards in circulation in the 1960’s provide evidence that the pool remained open at least until then.
Now it sits abandoned and hidden in the woods.
I went there in my early teens late 60’s the pool was still intact, well used and well cold. I remember chilly changing rooms with duckboards on concrete floors, a small café with pop and crisp if you had the pennies.
Most of all the simple joy of emersion in clear moorland water, on long hot summer days long gone.
Revisiting in April 2014, following a misguided scramble through brambles, it was a poignant reunion. The concrete shells of the pillars and statuary crumbling and moss covered, the waters still and occluded.
It sure it has subsequently been the scene of impromptu fashion shoots and pop promo videos, possibly a little guerrilla swimming. Though sadly it largely sits unused and unloved – let’s take a look around:
A post-war design consisting of an upper church over a lower hall, the prominent campanile making it something of a local landmark. The portal frame construction, materials and design are standard for the time. The interior has been reordered but retains some original furnishings.
A new post-war parish was created to serve the growing residential area in Hurst Cross, previously served from St Anne’s, Ashton. Fr Kelly built the new church, whose foundation stone was blessed by Bishop Marshall on 5 June 1954. The first Mass was held on Easter Monday, 1955.
The church is conventionally orientated with the sanctuary to the east. Less conventionally, it is a two-storey building, with a ground floor parish hall and a first floor church. The church is reached from Lees Road by a reinforced concrete bridge and steps. A brick campanile marks the southwest corner. The structure of the portal-framed building is expressed externally by raking brick buttresses to side elevations. The west gable end is faced in aggregate panels with a concrete relief depicting St Christopher over a plain three-bay flat-roofed portico. The aisles are faced in ceramic tiled panels to the upper level with render to the parish hall level. The nave is lit by three-light clerestory windows with smaller windows to the aisles. The shallow-pitched roof is laid with mineral felt. A two-storey blockcontaining a large sacristy connects to the contemporary presbytery.
Inside, the six-bay upper church has a plain west gallery above a narthex with glazed screen. The aisles have arcades of square brick piers and plain plastered walls. The clerestory windows are leaded with coloured glass margins. The ceiling is lined with acoustic panels and the concrete floor is laid with carpet or linoleum tiles. The reordered sanctuary retains the original polished concrete altar in a forward position; the 1950s altar rails and pulpit have been removed. The east wall is now hung with wallpaper, but was originally fair-faced brick; the Crucifix and painted timber high altar canopy are part of the original arrangement. The side chapels also retain original 1950s polished concrete altars. The octagonal font with oak cover dates from the late nineteenth or early twentieth century, of unknown provenance. The hardwood pews were designed for the church.
Charles Dreyfus was a French emigrant chemist and entrepreneur, who founded the Clayton Aniline Company on 29 May 1876. The company obtained a lease on a parcel of land in Clayton, Manchester, sandwiched between the Manchester and Ashton Canal and Chatham Street – later known as Clipstone Street.
At its peak in the 1970s, the site occupied over 57 acres and employed over 2,000 people. However, due to the gradual demise of the British textile industry, most textile production shifted to countries such as China and India with the textile dye industry following.
In 2002, the company made 70 members of staff redundant and in 2004 the announcement was made that the site would be closing with the loss of over 300 jobs. A small number of staff were retained to assist in the decommissioning of the plant. The last workers left the site in 2007 and the remainder of the buildings were demolished shortly afterwards.