St Augustine RC Church – Manchester

We have been here before on the west side of Grosvenor Square, between the former Eye Hospital and Registry Office on Lower Ormond Street, sits the solid stolid brick form of St Augustine.

The original St Augustine’s was one of the oldest Roman Catholic churches in Manchester, having been established at Granby Row in 1820. This church was sold in 1905 to make way for the Manchester Municipal Technical College, and a new church built on York Street. This church was destroyed in the Manchester Blitz of 1940. The present site previously housed a chapel of ease in a building bought from the Methodists in the 1870s. It had briefly been a separate parish, but in 1908 was amalgamated with St Augustine’s parish. After the War it was the only surviving church in the parish. The new St Augustine’s was built here with the help of a grant from the War Damage Commission, at a cost of £138,000, when it was clear that the original building was inadequate. The new building was opened in 1968 and consecrated in 1970.

Quite rightly listed by Historic England.

Roman Catholic Church 1967-8 by Desmond Williams & Associates. Load-bearing dark brown brick construction with felt roofs supported on Vierendeel girders, with rear range in brick and timber cladding.  

Body of church virtually square, with corridor at rear right leading to cross wing containing offices and accommodation. Windowless façade with floating service projection to the left and four full height brick fins to the right of wide recessed central entrance reached by low flight of steps. On the projection a ceramic plaque with star and mitre and on the inner face of the left hand fin a figure of the Madonna, both by Robert Brumby. Set back returns of 6 bays, divided by pairs of projecting slim brick piers. Openings between the pairs of piers filled with coloured chipped French glass. Secondary entrance beneath large cantilevered canopy in first bay of left hand return. Slender linking block containing sacristy. The rear presbytery range, containing first floor hall, meeting rooms, kitchen, chaplaincy offices and accommodation for four priests. Bell tower rising from parish rooms block. 

A simple box plan with ceiling of steel trusses clad with timber and clerestory north lights. Sanctuary of three stepped platforms with white marble altar set forward. Large ceramic reredos sculpture of Christ in Majesty by Robert Brumby of York. Bays containing either projecting confessionals or chapel recesses are divided by pairs of projecting slim brick piers. Fixed seating in angular U-shape surrounding Sanctuary. Side chapel to left. Narthex. West gallery above originally with seating, now housing organ. Unified scheme of decoration by Brumby including the external plaque and statue, holy water stoups, wall light brackets, circular font with ceramic inset and aluminium lid, altar table with bronze inset and, probably, Stations of the Cross sculptures. Also by Brumby, a memorial plaque fashioned from mangled plate, damaged in the Blitz, commemorating the earlier parish church which this replaced.

Of particular note are the stained glass windows.

The internal atmosphere of the church is modified by the changes in light cast through the stained glass windows. The windows are of a colourful random and abstract design and ascend the full height of the walls between structural bays which themselves form enclosures to confessionals and stores. The pieces of coloured glass are suspended in concrete and were supplied by the now defunct Whitefriars company. The designer was a French artist, Pierre Fourmaintraux, who began working with Whitefriars in 1959, using the ‘dalle de verre’ (slab glass) technique that had been developed in France between the wars. His motif was a small monk variously painted upon, or cast into, the glass. In St. Augustine’s the motif is cast and highly stylised and can be found tucked away at the foot of each of the rear windows.

Mainstream Modern

Fusciardi’s – Eastbourne

Antonio Fusciardi emigrated in the 1960s in search of a better life. He opened a number of businesses in Ireland. In 1965 he met Anna Morelli at an Italian wedding and romance blossomed. The couple married and set up home in Marine Parade, Eastbourne. They worked very hard in establishing the business and attributed their success to ambition, dedication and the family.

It say so here

30 Marine Parade just set back from the seafront, selling the most delicious ice creams, decorated with the most delightful tiles.

I have seen similar in Hanley

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And Halifax

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These being produced by Malkin Tiles

But neither of the former are anywhere near as nice as these Eastbourne examples.

So get yourself down there feast your eyes on these beauties.

Treat y’self to an ice cream too!

Fusciardi’s – often licked never beaten!

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Grey Mare – Longsight

Exeter Close/Warmington Drive Manchester Longsight M12 4AT

Once there was this.

Once there was that.

Then there wasn’t.

That’s just the way of it.

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A dense web of streets awash with back to backs, jobs for all – in conditions perceived to be unfit for purpose.

Of a total of 201,627 present dwellings in Manchester, some 54,700, or 27.1 per cent., are estimated to be unfit. A comparison of slum clearance action taken by six major local authorities, Manchester, Leeds, Birmingham, Liverpool, Sheffield and Bristol, shows that for the five years ending 30th June, 1965, Manchester was top of the league, both in compulsory purchase orders confirmed and the number of houses demolished or closed.

Manchester’s figures -13,151 houses demolished or closed .

Alfred Morris MP Hansard
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Along came a wrecking ball and left the pub bereft

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The original Grey Mare on Grey Street

Whenever mass slum clearance was carried out, the pubs tended to remain, often for just a short time  because – the story goes – demolition workers refused to touch them, as they wanted somewhere to drink during and after their shift.

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Then along came the cavalry – the bold boys from Fort Ardwick – Coverdale Crescent Estate

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A new dawn – and a new pub.

This vision of municipal modernity was short lived, the estate was demolished in the 1980s and the new Coverdale Estate was constructed on the site in 1994.

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Image – Pubs Galore

Built in 1972 the pub outlived the system built blocks that surrounded it.

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Another new gold dream, another day.

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Despite the high hopes embodied by the low rise rebuilding of the new estate.

The Grey Mare shuts its doors – forever.

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St Michael And All Angels – Newton

St Michael and All Angels Church.

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1 Woodland Rd, West Kirby, Birkenhead, Wirral CH48 6ER

St Michael and All Angels is a well established Church of England church situated in the heart of Newton, on the border of West Kirby, Wirral.

Our vision is to know Jesus better and make him known to others. We do this by worshipping God, standing up for and sharing the joy of Jesus, loving others and making a real difference in the church and in our community.

What can I expect when I visit St Michaels?

When you come to St Michaels you will find a warm and friendly group of people committed to making church exciting, life-changing, and enjoyable. There are services for the whole family that include contemporary worship (including a café church service), a time of biblical teaching, and an opportunity to make a decision to follow Jesus Christ. Each service is approximately 1 hour and 15 minutes in length.

We wandered away from West Kirby along the highways and bye-ways to Newton.

Newton consists of a village hall, post office, public house and a general store. The local park, aptly named Newton Park, has a football pitch, outdoor basketball courts and a playground for children. Wirral Council also has several allotments in Newton that are provided for residents to grow their own vegetables and plants.

And a most surprising elevated, elevating and angular church.

Such a revelation following several  rows of well behaved semis and open fields, my extensive yet limited research can find no record of architectural authorship or attribution.

Perhaps simply delivered by hand or hands unseen in 1963.

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Lowry House – Manchester

17 Marble St, Manchester M2 3AW

Situated in a prime location between King Street and Market Street, Lowry House is convenient for Manchester’s main financial district as well as being adjacent to the city’s main retail core. Well-positioned for a range of quality eateries and public transport connections at Piccadilly Gardens, the building is a great choice for businesses looking to create a quality impression.

Part of Bruntwood’s extensive property portfolio across the city.

Painfully modern and anonymous interiors for the modern business – this could be your dream location.

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This area has been at the vortex of power and wealth for over a hundred years.

1866

Manchester and Salford Bank 1866

 

1909

Marble Street 1909

 

1970

Marble Street 1970

Narrow winds enclosing light and space.

Controlling pounds, shillings and pence.

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The final withdrawal has been made.

The ATM encased in oxidised steel.

The Nat West has gone west.

Rust we are told never sleeps.

Built in 1973 by architects Robert Swift and Partners, renovated in 2006 by Bruntwood, adding cladding and a certain je ne sais pas.

I do admire its precast modular lift and mass almost towering over its surroundings.

The late afternoon sun adds a certain beguiling warmth to the pale pinkish concrete.

Take a swerve off of the hustle and seemingly unnecessary bustle of Market Street and marvel at this Marble Street structure.

Let’s follow in the imaginary footsteps of Manchester man Thomas de Quincey.

No huge Babylonian centres of commerce towered into the clouds on these sweet sylvan routes: no hurricanes of haste, or fever-stricken armies of horses and flying chariots, tormented the echoes in these mountain recesses.

 

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Trinity United Reform Church – Sheffield

737a Ecclesall Road  Sheffield S11 8TG.

The church building, designed by John Mark Mansell Jenkinson, the second generation of a Sheffield firm of architects, was opened in 1971. A steel cross, fixed to the facade in 1989, is a memorial to their work here and in the city. 

The church, which stands at the side of a main road, has a grey concrete exterior, once white, which rises like a cliff, echoing the natural cliff face of the rocks behind. Three carved roundels in the lowest quarter of the facade soften the exterior as does a brown brick tower which guards the entrance steps and houses a lift which was added in 2004.

The steps lead into a narthex where two plaques outline the history of the three Congregational Churches which came together to instigate the building of this church. The doors to the left, which lead into the worship area, suggest the influence of Charles Rennie Mackintosh and Frank Lloyd Wright upon John Jenkinson.

The hexagonal church interior, which is well lit from the sides and the roof, is clad in golden brown stone. There is an air of Puritan simplicity. The tiered seating looks towards the raised sanctuary area which has a stone pulpit, lectern, communion table, and chairs; the font was carved by James Stone. There are stained glass windows, a banner, and a gold cross, designed by David Mellor, above the pulpit. At noon on sunny days the light strikes the top of the cross and brings the building to life. The organ console which is at the side of the churchcame from Zion Congregational Church at Attercliffe. It was originally built for Weetwood, the home of Sir William Ellis, a Sheffield Industrialist.

The banner is one of four fabric collages depicting the seasons, designed by Elaine Beckingham and made by the children of Junior Church. The other three are also displayed in the church

The church area leads into what survives of Endcliffe Park Congregational Church, notably a large hall with an organ to match which, along with the benches which served as pews, are reminders of its former days. It has a gallery divided by moveable partitions to facilitate use as classrooms.

National Churches Trust

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On The Waterfront – Llandudno

A welwyd eisoes.

I’ve been here before, as have others before me.

The town of Llandudno developed from Stone Age, Bronze Age and Iron Age settlements over many hundreds of years on the slopes of the limestone headland, known to seafarers as the Great Orme and to landsmen as the Creuddyn Peninsula.

Some years later.

In 1848, Owen Williams, an architect and surveyor from Liverpool, presented landowner Lord Mostyn with plans to develop the marshlands behind Llandudno Bay as a holiday resort. These were enthusiastically pursued by Lord Mostyn. The influence of the Mostyn Estate and its agents over the years was paramount in the development of Llandudno, especially after the appointment of George Felton as surveyor and architect in 1857.

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The edge of the bay is marked by concrete steps and a broad promenade, edging a pebbled beach which arcs from Orme to Orme.

Walk with me now and mark the remarkable shelters, paddling pools and bandstand screens, along with the smattering of people that people the promenade.

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