In his postcard, Phyl writes that the weather is nice, he has a self-catering apartment near a pond, but complains about the expensive cost of Spanish bread at £1 a loaf.
Although it was delivered to the right address on the card, Mr Davies said he has no clue who either Phyl or Mrs Leon could be.
I’ve been baffled by it really.
I suppose Mrs Leon once lived in my flat, but I’ve asked around neighbours who have lived here twenty or thirty years, and none of them have ever heard of her.
The Post Office say they have no idea what could have happened to the postcard for twenty nine years, may be it got stuck in a sorting machine, may be given that it’s got both British and Spanish stamps on it, someone found it and posted it on.
Really I’d just like to find out who either Phyl or Mrs Leon are, so I could finally give it to them after all this time.
Curiously the story does not reproduce the picture of the picture postcard.
Dear Eddie, this is a very pleasant place and the weather is just right. The food is very expensive though over £1 for a loaf of bread! We have a self catering little apartment by the side of a pond complete with ducks.
There is something very poignant about the handwritten reportage of holidays past and also a sadness attached to the blank other side -sentiments forever unsent.
I’ve looked at life from both sides now From win and lose and still somehow It’s life’s illusions I recall I really don’t know life at all
We are all going somewhere or nowhere or other – we report back.
Having a nice relaxing holiday. Not had good weather. Got caught in rain on Friday have lost my voice. Uncle Jim laughing
Auntie Ethel & Jim
Hope Leslies finger is coming on alright
20th August 1968
Hello Sharon, hope you are as happy as can be. Sorry I can’t tell you anything about your country, as I’ve never been; not yet anyway.
Bye Don
23rd April 1979
Dear Rita, here we are enjoying our holiday with Frank, Jacky & Stuart. The weather has been very poor, but there is an improvement today. Hope all is well with you. Lynn her husband and the little ones are visiting on thursday, so we shall have a real tea-party.
The Anglican Church of William Temple was opened in 1965 on the corner of Robinswood Road and Simonsway as the church of the Civic Centre. The mission was already well-established, having begun many years previously in Shadow Moss School Room, latterly operating in a dual-purpose building on Simonsway. The architect, George Pace, agreed with the proviso that he should not design a ‘pseudo’ building, but that it should be modern in concept. This he did and particular attention was paid to the acoustics with a view to music and drama being performed there. One of Pace’s stipulations was that, as with all the churches he designed, there must be no plaques attached to the walls commemorating the dedication of the church or in memory of anyone, for he said he built his churches to the Glory of God. The only lettered stone is on the back wall of the church and it has on it the date of the consecration and a symbol, which is Pace’s original sign for William Temple Church.
The internal supports of the church are black-painted steel girders, not romantically symbolising the industry of the area, as it is sometimes said, but because when it was discovered that the church had been built on swampy ground an extra £2,000 was needed for foundations; the wooden beams of the original design had to be changed for cheaper steel ones. There is symbolism, however, in the placing of the font between and beneath the three main weight-bearing supports of the church.
The pews have an interesting history, having been brought from derelict churches in and around Manchester.
The present lady churchwarden said:
“whenever we heard of a church being demolished we borrowed Mr. Owen’s coal cart and went off to see if we could buy any of the pews. Many times I’ve sat on the back of the wagon, in the pouring rain, with the pews, bringing them back to Wythenshawe to be stored until our church building was completed!”
Some time after the building was opened, a fire damaged some of the pews. With the insurance money all the pews were stripped and bleached, giving an element of uniformity and a bright welcoming atmosphere in the church generally. An interesting thought was voiced that as many people living in Wythenshawe now had their origins near to the centre of Manchester they may be sitting in the same pews in which their ancestors once sat.
An imposing and monumental building by Adrian Gilbert Scott.
The church has a rich, little-altered interior with strong architectural qualities and notable furnishings. The church is described as ‘one of the few real landmarks of Wythenshawe’ and ‘beautifully built’, by Hartwell, Hyde and Pevsner2004
Backtrack toSt AndrewsArchitects JCG Prestwich and Son 1960 – as seen by Comrade Yuri Gagarin 12th July 1961 – detailed here.
We now take a secular route around the back of the Civic Centre to look at Centron and Delta House.
Built in 1972 to encourage white collar jobs into the area, formerly occupied by Shell and the TSB, currently partially unoccupied.
Across the way the former Barclay’s Bank IT HQ by DLG Shuldham the bank’s chief architect.
Just around the corner.
There were four eight-storey blocks of ‘Sectra’ flats that Laing built in Wythenshawe for Manchester County Borough Council, completed in 1967. The blocks were described by Laing in their monthly newsletter ‘Team Spirit’ in January 1968 as four blocks of specially designed eight-storey flats for elderly people.
Showing skeleton cladding, patterned end wall units and access balcony.
They were named Park Court, Violet Court, Birch Tree Court and Edwards Court.
Park Court and Violet Court have since been demolished to make way for retail space.
A mini-estate of impeccably kept, neat steel-framed prefabs, designed in 1946 by Frederick Gibberd. We got a tour around one, home to former Durutti Column drummer Bruce Mitchell. The space standards and architectural quality are, as Phil Griffin points out, way above those of contemporary central Manchester luxury loft living.
In December 1956 Basil Spence and Partners were commissioned to design St Francis Church in Wythenshawe, Greater Manchester. The project was part of a large building programme by the Manchester Diocese and was to service the new post-war housing estate at Newall Green. The site housed an existing hall that had been serving a dual-purpose as church and church hall but which reverted to use as a church hall once the new church was opened. The foundation stone was laid by Colin Skinner CBE on 23 April 1960 and the church was consecrated on 25 March 1961 by the Bishop of Manchester, W D L Greer.
The main building is predominantly brick; it is set back from the road by a landscaped courtyard that includes a brick tower and 73ft concrete cross. Another large cross rises from the front wall of the church itself making it highly visible from the surrounding neighbourhood.
The church can hold a congregation of 250. A small chapel is separated from the main church by a sliding screen and can be used independently for private prayer and mid week-services. On busy days the screen can be retracted to provide additional seating to the main church. A gallery over the entrance porch houses two organs and the choir.
There’s been more than a few comings and goings along Ashton Old Road.
1906
Where once there were fields, homes and industry arrive, as the Industrial Revolution is in full swing.
1908
The streets to the north of Ashton Old Road are alive with shops, homes, people and prams.
Along with the occasional motor car.
Alpha StreetBowness StreetBurman StreetSilverdale StreetToxteth StreetTrevor Street
The Old Road boasted some fine busy boozers.
And a splendid church and school.
St Clements
The man responsible for the majority of these archive photographs is Tommy Brooks of 56 Gransmoor Road.
He is my hero, a member go the Manchester Amateur Photographic Society, cycling the streets of Manchester to produce a unique record of life in the Sixties.
Converted to retail use 24th September 2012 after closure. This interesting Victorian building stands back from the road with what may well be a coach road in front. Inside the high ceilings and glorious plasterwork gave the impression of a gentlemen’s club. Though it previously sold cask Banks’s beers in its earlier years, its final days were seen out with only keg beers being available.
This is my first visit to a match day at the Etihad – having last watched City at Maine Road, from that uncovered corner enclave, the Kippax Paddock – the so called Gene Kelly Stand
To the other side of the city and rebranded Eastlands, occupying the former Commonwealth Games Stadium.
Owners John Wardle and Thaksin Shinawatra came and went.
Since 4 August 2008, the club has been owned by Sheikh Mansour, one of football’s wealthiest owners, with an estimated individual net worth of at least £17 billion and a family fortune of at least $1 trillion.
A far cry from Peter Swales and his TV Repair shop on Washway Road.
The game has changed, money is in motion, fans travel from every corner of the globe, fuelled by the Murdoch Dollar and the insatiable thirst for televised football.
So it’s the 22nd September 2013 – I though I’d take a look around town first.
Kits and colours in abundance – though some of these colours can and will run.
Off then to the Etihad and its the Pellegrini squad versus Moyes’ boys.
This is a world within a world as the Middle East seeks to lighten its carbon footprint, and put its size nines all over east Manchester.
Corporate greeting on Joe Mercer Way, executive sweeteners, in the form of earthbound airline hostesses.
Groups from the Antipodes happy to embrace the jumbo blue letters – no boots, no hustling, no barging through swelling crowds, no menacing looks from beneath feather cut fringes.
No none of that any more.
I made my excuses and left.
Manchester City ensured David Moyes’ first derby as Manchester United manager ended in abject humiliation with a crushing victory at the Etihad Stadium.
In contrast to the despair of his opposite number, it was a day of delight for new City boss Manuel Pellegrini as he watched the rampant Blues make a powerful statement about their Premier League ambitions.
Sergio Aguero and Yaya Toure gave City a commanding half-time lead and any slim hopes of a United recovery were snuffed out by further goals from Aguero and Samir Nasri within five minutes of the restart.
Prompted by Gillian and Adam’s – A Different North project, my thoughts turned once again to notions of the North, similar notions have been considered in my previous posts:
I recalled the 2016 season Sky Football promotional film, it had featured a street in Ashton under Lyne, it had featured Hamilton Street.
A street spanning the West End and the Ryecroft areas of the town, the town where I had lived for most of my teenage years. The town where my Mam was born and raised in nearby Hill Street, nearby West End Park where my Grandad I had worked, nearby Ashton Moss and Guide Bridge.
This is an area familiar to me, which became the convergent point of a variety of ideas and images, mediated in part by the mighty Murdoch Empire.
Here was the coming together of coal and cotton, an influx of population leaving the fields for pastures new.
In the film, Leytonstone London born David Beckham is seen running down the snow covered northern street.
A credit to our emergent mechanical snow generation industry.
According to snowmakers.com, it takes 74,600 gallons of water to cover a 200 by 200-foot plot with 6 inches of snow.Climate change is cutting snow seasons short, we make snow to compensate, more energy is spent making snow, more coal is burned, more CO2 is released.
It is to be noted that locally there has been a marked decline in snowfall in recent years, the Frozen North possibly a thing of the past.
The temperatures around the UK and Europe have actually got warmer over the last few decades, although when you are out de-icing your car it may not actually feel as though it has. Whilst this can not be directly link to climate change, it is fair to assume that climate change is playing a part.
It is also to be noted that Sky Supremo Rupert Murdoch has described himself as a climate change “sceptic”.
Appearing arms raised outside of the home of a family clustered around the television, in their front room.
Filming the ad was great and the finished piece is a really clever way of showing that you never know what might happen in football, I always enjoy working with Sky Sports and I’m proud to be associated with their football coverage.
The area does have a football heritage, Ashton National Football Club played in the Cheshire County League in the 1920s and 1930s. They were sometimes also known as Ashton National Gas, due to their connections with the National Gas and Oil Engine Company based in the town.
Illustrative of a time when sport and local industry went hand in glove.
The National Ground was subsequently taken over by Curzon Ashton who have since moved to the Tameside Stadium.
Ashton & Hyde Village Hotels occupy the front of shirt sponsors spot on our new blue and white home shirt, while Seed of Speed, our official conditioning partners, feature on the arm, and Minuteman Press occupy the back of the shirt. Meanwhile, Regional Steels UK Ltd. are the front of shirt sponsors on our new pink and black away kit.
Illustrative of a time when sport and local industry continue to work hand in glove.
Local lad Gordon Alexander Taylor OBE is a former professional footballer. He has been chief executive of the English footballers’ trades union, the Professional Footballers’ Association, since 1981. He is reputed to be the highest paid union official in the world.
His mobile phone messages were allegedly hacked by a private investigator employed by the News of the World newspaper. The Guardian reported that News International paid Taylor £700,000 in legal costs and damages in exchange for a confidentiality agreement barring him from speaking about the case.
News International is owned by our old pal Rupert Murdoch, the News of the World no longer exists.
The view of Hamilton Street closely mirrors LS Lowry’sStreet Scene Pendlebury – the mill looming large over the fierce perspective of the roadway. The importance of Lowry’s role in constructing a popular image of the North cannot be overestimated.
He finds a grim beauty in his views of red facades, black smoke and figures in white, snowy emptiness. He is a modern primitive, an industrial Rousseau, whose way of seeing is perhaps the only one that could do justice to the way places like Salford looked in the factory age.
For many years cosmopolitan London turned its back on Lowry, finally relenting with a one man show at the Tate in 2013 – I noted on the day of my visit, that the attendant shop stocked flat caps, mufflers and bottled beer, they seemed to have drawn the line at inflatable whippets.
Drawing upon other artists’s work, in a continuous search for ways to depict the unlovely facts of the city’s edges and the landscape made by industrialisation.
But Murdoch’s Hamilton Street is as much a construct as Lowry’s – the snow an expensive technical coating, Mr Beckham a CGI apparition. Our contemporary visual culture is littered with digital detritus, saving time and money, conjuring up cars, kids and footballers at will.
An illusion within an illusion of an illusory North.
Green screen chroma keyed onto the grey tableau.
Mr Beckham himself can also be seen as a media construct, for many years representing that most Northern of institutions Manchester United – itself yet another product of image manipulation, its tragic post-Munich aura encircling the planet, with an expensive Empire Made, red and white scarf of cultural imperialism.
David’s parents were fanatical Manchester United supporters who frequently travelled 200 miles to Old Trafford from London to attend the team’s home matches, he inherited his parents’ love of Manchester United, and his main sporting passion was football.
Mr B’s mentor was of course former Govan convener – Mr A Ferguson, who headed south to find his new Northern home, creating and then destroying the lad’s career, allegedly by means of boot and hairdryer.
Here we have the traditional Northern Alpha Male challenged by the emergent Metrosexual culture, celebrity fragrances, posh partner, tattooed torso, and skin conditioner endorsements.
It is to be noted that the wealth of the region, in part created by the shoemaking and electrical industries, have long since ceased to flourish, though still trading, PIFCO no longer has a local base.
The forces of free market monopoly capitalism have made football and its attendant personalities global commodities, and manufacturing by and large, merely a fanciful folk memory.
Hamilton Street would have provided substantial homes to workers at the Ryecroft Cotton Mills.
Ryecroft Mill, built in 1837,was the second of a series of four mills built on the site, the first was built in 1834. In 1843, over 10,000 people were employed in Ashton’s cotton mills – today there are none.
This industrial growth was far from painless and Ashton along with other Tameside towns, worked long and hard in order to build the Chartist Movement, fighting to establish better working conditions for all.
The tradition of political and religious non-conformity runs wide and deep here, the oft overlooked history of Northern character and culture.
Textile production ceased in the 1970s and the mill is now home to Ryecroft Foods, a subsidiary of Weetabix.
Ashton like many of Manchester’s satellite towns created enormous wealth during the Nineteenth and Twentieth centuries. The workers of Ashton saw little of that wealth, the social and economic void left by the rapid exodus of the cotton industry to the Far East, is still waiting to be filled, in these so called left behind towns.
Photo Ron Stubley
Here is a landscape nestled in the foot of the Pennines, struggling to escape its past and define a future.
As I was out walking on the corner one day, I spied an old bollard in the alley he lay.
To paraphrase popular protest troubadour Bob Dylan.
I was struck by the elegant symmetry and rough patinated grey aggregate.
To look up on the world from a hole in the ground, To wait for your future like a horse that’s gone lame, To lie in the gutter and die with no name?
I mused briefly on the very word bollards, suitable perhaps for a provincial wine bar, Regency period drama, or family run drapers – but mostly.
A bollard is a sturdy, short, vertical post. The term originally referred to a post on a ship or quay used principally for mooring boats, but is now also used to refer to posts installed to control road traffic and posts designed to prevent ram-raiding and vehicle-ramming attacks.
The term is probably related to bole, meaning a tree trunk.
Having so mused I began to wander a tight little island of alleys and homes, discovering three of the little fellas, each linked by typology and common ancestry, steadfastly impeding the ingress of the motor car.
Yet also presenting themselves as mini works of utilitarian art – if that’s not a contradiction in terms.
Having returned home I began another short journey into the world of bollards, where do they come from?
PAS 68 approved protection for your people and property combining security, natural materials and style.
My new pals seem to be closely related to the Reigate.
Available in a mind boggling range of finishes.
Bollards can be our friends, an expression of personal freedom and security.
A pensioner says he will go to court if necessary after putting up concrete bollards in a last-ditch attempt to protect his home.
Owen Allan, 74, of Beaufort Gardens, Braintree, claims motorists treat the housing estate like a race track, driving well in excess of the 20mph speed limit, and that the railings in front of his home have regularly been damaged by vehicles leaving the road.
He was worried it would only be a matter of time before a car came careering off Marlborough Road and flying through the wall of his bungalow.
I have cause to thank the humble concrete bollard, having suffered an assault on our front wall from a passing pantechnicon, I subsequently petitioned the council, requiring them to erect a substantial bollard barrier.
Which was subsequently hit by a passing pantechnicon.
They are our modernist friends, little gems of public art and should treated with due respect – think on.
Once a rare sight on our roads the ubiquitous SUV reigns supreme on our suburban streets – the level of UK car debt currently stands at £73 Billion.
We weaved in and out of the highways and byways of South Reddish.
Through Unity Park where the goals are lower than low.
The hoops are higher.
And the bowls are rolling.
Past the perfect Platonic bungalow.
Taking the well worn path betwixt and between the houses.
Crossing open country.
Encountering exotic planting worthy of the French Riviera.
Noting the voguish transition of the local semi-detached housing from white to grey and the now familiar sight of the Range Rover in the former front garden.
The reverse of a roadside sign can often be far more interesting and attractive than the obverse face.
Reddish South Station sustained by the once a week parliamentary train, on the Stockport to Stalybridge Line, coincidentally the only time, as a goods guard, I ever worked a passenger train, was along here, one Christmas long ago.
We stopped at Denton, a request stop, the seasonally boozy passenger gave me a fifty pence tip.
George’s – where I bought a bag of chips on the way back, great chips, friendly and safe service with a smile.
Houldsworth Working Mens Clubdesigned by Abraham Henthorn Stott forming part of the model community developed by the late-C19 industrialist Sir William Houldsworth, which included cotton mills, workers’ housing, school, church and a park.
Church of St Elisabeth 1882-3, by Alfred Waterhouse one of the finest Victorian churches in the country – both of the buildings are Grade II Listed.
Over the way the former Victoria Mill, converted into apartments.
With adjoining new build.
We faithfully followed the signs, noting a change from blue to green.
Somewhere or other we went wrong, our luck and the signs ran out, we instinctively headed north, ever onwards!
Traversing the Great Wall.
Mistakenly assuming that the route ended or began at Reddish North Station that’s where we landed.
Back tracking intrepidly along the road we found the source of the Fred Perry Way.
In the North Reddish Park – where tennis can still be played today albeit with a somewhat functionalist net, on an unsympathetic surface.
Journey’s end.
To forget, you little fool, to forget!
D’you understand?
To forget!
You think there’s no limit to what a man can bear?
I live just around the corner and often walk by, intrigued by this small rectangle of rectangular sheltered homes, I chose to take a closer look.
On adjoining Craig Road there are a group of interwar semi-detached homes, social housing built in 1930, facing on to open ground which leads down to the Mersey.
There is an arc of post war social housing on Hamilton Crescent, which surrounds Russell Gardens.
The homes that constitute Russell Gardens built in 1947 were illustrated in the town’s 1948/49 guide book, considered to be something of value.
Designed as a diminutive Garden Village, smaller in scale to those found in Burnage or Fairfield, but based on the principle of shared green space and community services.
In the 1970s the land to the south, now occupied by the Craig Close development, was yet to be built upon.
And the Cadbury Works still stood close by on the Brighton Road Industrial Estate:
Built in the late 1800s this was originally Silver Spoon (Pan) Fruit Processing Works, then in the 1920s was Faulders’ Cocoa and Chocolate Works. By the 1930s it was Squirrel Chocolate Works and in 1960s became a distribution depot for Cadbury’s. A friend remembers playing among the pallets of the ‘chocolate factory’ in the 1950s. Later it was occupied by small businesses. The works comprises a large rectangular block with sawtooth roof, and central entrance house with tall chimney. The adjacent rail line, built in 1880, branched into the site.
Though many of the surrounding homes were sold off during the Right to Buy era:
After the election of May 1979 a new Conservative government drafted legislation to provide a Right to Buy but, because this would not become law until October 1980, also revised the general consent (May 1979) to enable sales with higher discounts matching those proposed in the new legislation. The numbers of sales completed under this general consent exceeded previous levels. Between 1952 and 1980 over 370,000 public sector dwellings were sold in England and Wales. Almost a third of these were in 1979 and 1980 and it is evident that higher discounts generated and would have continued to generate higher sales without the Right to Buy being in place.
Russell Gardens remains the estate of Stockport Homes managed as sheltered housing for the over 60s.
Retirement housing
33 one bedroom flats built in 1947
Non-resident part time management staff and Careline alarm service
Lounge, Laundry, Garden
The houses are now some fifty years old and in good order, the residents with whom I spoke, seemed more than happy with their homes.
Would that more and more affordable homes for folks of all ages could be built.
The post-war consensus and political will that created this upsurge in construction, has been swept away by market forces.
Let’s take a look at the vestiges of more enlightened times.
I’ll do anything twice or more – so here we are again, this time on foot.
Let’s start at the very beginning, a very good place to start – in the middle, the section from the town centre to Hazel Grove.
Maps are available here for free – we declined the offer, deciding to follow signs instead, many of which were missing or rotated, the better to misinform and redirect – such is life.
We are mostly lost most of the time, whether we like it or know it or not.
We begin at the confluence of the rivers Mersey and Goyt – which no longer seems to be a Way way, the signs having been removed, and proceed down Howard Street, which seems to have become a tip.
The first and last refuge for refuse.
Passing by the kingdom of rust – Patti Smith style.
Passing under the town’s complex internal motorway system by underpass.
Almost opposite the entrance to the museum, now set in shrubbery, are the foundations, laid in September 1860, of what was to be a forty metre high Observatory Tower. Despite a series of attempts, funds for the tower could not be raised and the ‘Amalgamated Friendly Societies of Stockport’ eventually had to abandon the idea.
Historic England
Out east and passing alongside the running track.
Lush meadows now occupy the former football field, twixt inter-war semis and the woodland beyond.
Out into the savage streets of Offerton where we find a Buick Skylark, incongruously ensconced in a front garden.
The only too human imperative to laugh in the face of naturalism.
We have crossed over Marple Road and are deep in the suburban jungle of mutually exclusive modified bungalows.
Off now into the wide open spaces of the Offerton Estate – the right to buy refuge of the socially mobile, former social housing owning public.
People living on Offerton Estate have been filmed for a programme entitled ‘Mean Streets’ which aims to highlight anti-social behaviour in local communities.
The next thing we know we’re in a field, a mixed up melange of the urban, suburban and rural, on the fringes of a Sainsbury’s supermarket filling station.
We cross the A6 in Hazel Grove and here for today our journey ends
Ignoring the sign we went in the opposite direction.
As we reach the edge of Mirrlees Fields – the site of the only Fred Perry laurel leaf logo emblazoned way marker.
The Fields are currently designated as a green space and are not available for residential development. But MAN would like to overturn this designation for over one third of the Fields.
MAN Energy Solutions UK is the original equipment manufacturer of Mirrlees Blackstone diesel engines.
Before the Blackstone MAN came in 1842 – the fields were all fields.
I was last here in 2016 on a much brighter, blue skied day in March.
2020 mid-lockdown and overcast, I took a walk to take another look.
There is a perennial appeal to this well ordered island of tranquility, an archetypal suburbia incubated in 1906, a copy book estate.
The housing estate of 136 houses known as Burnage Garden Village, a residential development covering an area of 19,113sqm off the western side of Burnage Lane in the Burnage ward. The site is situated approximately six kilometres south of the city centre and is arranged on a broadly hexagonal layout with two storey semi-detached and quasi detached dwelling houses situated on either side of a continuous-loop highway. The highway is named after each corresponding compass point with two spurs off at the east and west named Main Avenue and West Place respectively. Main Avenue represents the only access and egress point into the estate whilst West Place leads into a resident’s parking area.
The layout was designed by J Horner Hargreaves. Houses are loosely designed to Arts and Crafts principles, chiefly on account of being low set and having catslide roofs.
At the centre of the garden village and accessed by a network of pedestrian footpaths, is a resident’s recreational area comprising a bowling green, club house and tennis courts. The estate dates from approximately 1906 and was laid out in the manner of a garden suburb with characteristic hedging, front gardens, grass verges and trees on every street.
Verges and paving were freshly laid, hedges and gardens well tended, cars parked prettily.
The central communal area calm and restful, but lacking the clunk of lignum vitae wood on jack, hence the scorched earth appearance of the normally well used crown green.
Following a sound night’s sleep, courtesy of the Ocean Hotel, I set out on my Ridgeback World Voyage – purchased through the Cycle to Work Scheme, I have essentially used it in order to cycle away from work.
My dream had always been to devise a way of life, where the lines between work, leisure and culture disappear, where such tiresome social constructs have finally become redundant – let’s go!
Having failed to learn from my previous jaunt, that a map is a handy aid to successful travel, I set off merrily without one – on Sunday 25th July 2015.
Following Sustrans’ signs will suffice, says I to myself.
I arrived safely in Brean, as the rain began to fall with a deeply disheartening enthusiasm.
The signage indicated a route across the beach – I quickly learnt that heavy rain and sand do not produce a sufficiently solid surface for cycling, when push comes to shove, there’s only one way forward.
Push.
There was no escape to the left, the extensive run of caravan parks and private leisure facilities having erected attractive razor wire topped barriers and locked gates – I pressed on.
With every arduous tortured sandy step, I developed an even deeper antipathy towards Pontin’s Brean Sands.
Here at Brean Sands we have been busy getting ready to welcome guests to our park. We have painted all our apartments, we have fitted over 10,000 metres skirting board throughout the apartments. All external soffits have been painted along with all the Double Decker apartments and main buildings. The QV Bar, Restaurant and also the Fun Factory have all had new flooring fitted. Our Restaurant bays are now refitted as well as improvements to our till area & reception desk.
Free at last from the sandy hell of the shore, I sought succour in this seaside café – where panoramic views of the sea come free.
Having enjoyed the multiple benefits of a breakfast not included tariff at the Ocean Hotel, I was now very, very hungry indeed – I made very, very short work of egg and beans on toast.
I briefly kept company with a Swiss couple, who were on an extensive motor car tour, I quickly became something of an apologist for the day’s foul weather.
It’s not always like this you know.
Stating the obvious, yet thinking the converse.
The panoramic view through the other window – a delightful row of rain soaked, link low rise maisonettes – nirvana!
I was arrested by this arresting wayside shelter/art gallery facility commemorating the Coronation of 1953, in the village of Chedzoy.
The village is at the western end of King’s Sedgemoor and lies on an ‘island’ of Burtle marine sands, close to King’s Sedgemoor Drain. The area was settled possibly in the Mesolithic period, and timber trackways from the third to first millennium B.C. provided routes to other settlements on the Somerset Levels. Roman artifacts have been found in the parish.
The name of the village is pronounced Chidgey or Chedzey, and derives its name from being Cedd’s Island. The zoy part of the name being derived from eg or ieg meaning island.
The shelter stands at the corner of Front and Higher Streets – it would appear that the Burghers of Chedzoy had exhausted their inexhaustible font of creative naming resources, by the time that streets had been invented – the Mesolithic fools.
The village people seem to be suffering from some collective false memory syndrome recollection of a fabulous Mer-family past.
Improving weather in the Bridgwater area, as we languish in the cool shade of the by-pass, beside the River Parrett.
The River Parrett has its source in the Thorney Mills springs in the hills around Chedington in Dorset in England and flows west through the Somerset Levels. The mouth is a Nature Reserve at Burnham on Sea where it flows into Bridgwater Bay on the Bristol Channel. The river is tidal for 18.6 miles up to Oath; and, because the fall of the river, between Langport and Bridgwater is only 1 foot per mile, it is prone to frequent flooding, in winter and high tides.
The River Parrett is 37 miles long and its main tributaries include the Rivers Tone, Isle and Yeo. The River Cary drains into the Parrett via the King’s Sedgemoor Drain. The River Parrett drains an area of over 652.5 square miles – comprising around fifty percent of the land area of Somerset.
Here we are in Williton – where the modern world is ready to sweep in unannounced as announced in the Somerset County Gazette.
Plans to build a new supermarket, retail units and health centre in Williton have been resubmitted this week. J. Gliddon and Sons Ltd. has put forward new plans for the redevelopment of land off the A39 Bank Street in Williton, behind its existing store.
The shop will be demolished to create the access road, with the company expected to occupy a new unit fronting onto Bank Street once the mini-roundabout has been built.
Well so far so good – I arrived in Minehead in one piece – bike intact.
Having only the vaguest notion of where my onward route lay – I hastened to the Tourist Information Office. Having carefully explained my malaise the helpful staff gazed at me with mild amazement, liberally mixed with slightly perplexed eye-rolling and the odd tut.
Having received quite detailed instructions, I was almost immediately lost, following a road that abruptly ceased to be a road. Reluctantly I picked up a woodland path, rutted with tree roots and certainly not a suitable cycling route.
It fell away sharply, as I careered out of control down the precipitous slope.
On reaching the end I discovered that my new rain jacket had also fallen away, along with my treasured Casio watch, which was tucked safely in the pocket.
I lightly bit my lip and reflected that climbing back up the precipitous slope, which I had only too recently incautiously careered down, was not an option – onward ever onward.
In my mind the younger me looks at the older me – having lost all faith in my ability to manage my life with even a modicum of honesty and integrity, or at best a basic grasp of reality.
A whitewashed Grade I Listed 15th-century Church, with a 14th-century tower.
Welcome to this outstanding Parish Church, which, thanks to it’s distinctive white appearance stands as a beacon on the hills of Exmoor. For centuries Selworthy Church has been a focus for residents and visitors as a place to experience the power and presence of God. We hope you find peace of God here and leave uplifted, refreshed and inspired.
Further on down the road somewhere or other I had a cup of tea and piece of cake.
Had I carried out even the most basic research, I would have known that the ups and downs of Exmoor are no easy ride, particularly in heavy rain without a rain jacket.
As the sky darkened I was heartened by the sight of the light’s of Ilfracombe, twinkling star like in the distance – following eighty six miles of toil and a measure of trouble, I finally arrived at the pre-booked digs. They had been concerned by my no-show, relieved when I finally arrived, incredulous when I told the tale of the day’s travails. The lady of the house ever so kindly washed and dried my sodden clothing.
I showered and hit the town – eschewing food in favour of a pint, chatting to a garrulous gang of solar panel cleaners from Cornwall.
Returning merrily to the B&B and the prospect of slumber.
The Wall, along with the low rise dwellings built to its south, replaced Victorian slum terraced housing. There were nearly 1200 houses on the site at Byker. They had been condemned as unfit for human habitation in 1953, and demolition began in 1966.
The new housing block was designed by Ralph Erskine assisted by Vernon Gracie. Design began in 1968 and construction took place between 1969 and 1982. The architects opened an office on site to develop communication and trust between the existing residents. Existing buildings were to be demolished as the new accommodation was built.
The new high-rise block was designed to shield the site from an intended motorway, which eventually was never built. Construction materials for Byker Wall were relatively cheap, concrete, brick and timber. Surfaces were treated with bright colours, while brick bandings were used on the ‘Wall’ to indicate floor levels.
Its Functionalist Romantic styling with textured, complex facades, colourful brick, wood and plastic panels, attention to context, and relatively low-rise construction represented a major break with the Brutalist high-rise architectural orthodoxy of the time.
There area has been well documented over time, notably by photographer Sirkka-Liisa Konttinen.
It’s reputation has had its ups and downs but most recently:
It’s been named the UK and Ireland’s best neighbourhood – it’s got top schools, friendly neighbours and community art classes – alongside high levels of poverty.
When Historic England awarded Byker its Grade II* listing in 2007, they praised both its ‘groundbreaking design, influential across Europe and pioneering model of public participation’. The estate’s main element, the Byker Wall, is – like it or loathe it – an outstanding piece of modern architecture. The conception and design of the estate as a whole was shaped by unprecedented community consultation.
I went for a walk around one morning in May 2017, the photographs are in sequence as I explored the estate. It’s hard to do justice to the richness and variety of architecture in such a short time, but I only had a short time.
This is a film that has stayed with me for most of my life – first seen as a nipper, fascinated by the fact that it was shot in a very familiar landscape.
As years have passed I have watched and rewatched it, finally resolving to track down the local locations used in its filming.
Studying and pausing the DVD, making thumbnail sketches of frames, researching online – referring to Reelstreets.
I have previously written about the way in which the movie shaped a particular image of the North.
And examined particular areas of Manchester such as Barmouth Street.
The film generated world wide attention and remains just as popular today.
Still watched, still loved, still relevant – here are a selection of photographs I took in 2011 – cycling around Manchester, Salford and just a little closer to home in Stockport.
