We are committed to the growth and development of individual, our local and international communities. In the interim may I use this medium to invite you to be part of the move of God in our church, the Pathfinder.
The Lord bless your richly as you navigate through in Jesus name.
The original master plan would have swept away the Victorian Technical Institute and Salford Art Gallery.
Across the road are the Maxwell Buildings.
They were built between 1959 and 1960 to a design by the architect C H Simmons of the Lancashire County Architects Department.
The interior decorative order of Sixties’ institutions was integral to the architectural design, sadly this is no longer so.
The hall has a great musical heritage.
Featuring the Fast Cars who we have previously encountered in Swinton at the Lancastrian Hall.
Which may be the subject of ambitious redevelopment.
Take a turn around the corner to the Cockcroft Building.
These incised stone panels obscured by plants.
To the left is the Clifford Whitworth Library – this is the original architectural impression – signed Peter Sainsbury.
The original fascia was tile clad.
Subsequently replaced by uPVC boards.
Yet again the original interior was integral too the architectural scheme and period.
It was designed by WF Johnson and Partners of Leamington Spa, as a lecture theatre block and gallery. It sits with its long axis running parallel to the railway behind. The series of grey volumes, occasionally punctuated by colourful floods of red and green trailing ivy, hang together in a less than convincing composition. The orientation and access to the building seem confused and detached from any cohesive relationship to the rest of the campus, but there is something perversely attractive about the right essay in the wrong language. The reinforced concrete building contained five lecture theatres, communal spaces, an art gallery, AV support areas and basement plant rooms. Following a major refurbishment in 2012, several additions were made to the exterior and its total concrete presence somewhat diminished. It still houses lecture theatres and a number of other learning and social spaces.
A ways down the road the former Salford Technical College.
Now the part of the University of Salford, this grouping is probably the most significant work by Halliday Meecham during this period. The blocks wrap to almost enclose a courtyard and they step up in height towards the rear of the site. To the front is a lecture theatre block in dark brick. The multi-storey elements are straightforward in their construction and appearance and have had their glazing replaced. Perhaps the richest elements here are the three totemic structures by artist William Mitchell, which were listed at Grade II in 2011. Mitchell was actively engaged with the experiments of the Cement and Concrete Associations during the 1960s and produced a wide variety of works for public and private clients; other works regionally include the majority of the external art and friezes at Liverpool Metropolitan Cathedral and the Humanities Building at Manchester University. These textured concrete monoliths appear to have an abstract representation of Mayan patterns and carry applied mosaic. They were made on site using polyurethane moulds. There is another Mitchell work hidden behind plasterboard in the inside of the building.
April 1965 saw the Salford City Reporter proudly boast in an article that
The Ellor Street dream begins to come true – complete with interviews with residents of the newly constructed Walter Greenwood, Eddie Colman and John Lester Courts all which towered some 120 feet above the Hanky Park skyline.
These particular blocks of flats were of special significance because their completion was the end of the first stage of the Ellor Street redevelopment scheme which was to provide 3,000 new homes, the £10 million pound Salford Shopping Precinct and a new civic centre – which never got built – making this A Salford of the Space Age.
The architectural core of the site has been retained, including the 23 storey Briar Court residential tower.
Tucked in behind is Mother of God and St James RC Church.
Clearances took place from the middle of the twentieth century and new high-rise housing blocks were built, as well as a shopping centre.
There was a Catholic presence in the area from 1854, when schools were built. What was described in The Tablet as a beautiful church, an Early English Gothic design by M. Tijou – presumably Herbert Tijou, architect of the chapel to Loreto College, Manchester, was opened by Cardinal Manning, Archbishop of Westminster in 1875.
One hundred years later this church was demolished and replaced by the present building.
The architects were Desmond Williams & Associates, the design bearing some similarity to their St Sebastian, Salford. In 2010 the church of All Souls, Weaste, was closed, and the marble sanctuary furnishings brought to the church.
All orientations given are liturgical. The church is steel framed with brick walls and a monopitch roof (originally covered with copper, now with felt). Bold brick forms create a presence, and the design is somewhat defensive, with few windows. The building is entered from a lower porch which forms a narthex. The slope of the roof and the stepped clerestory lighting create a striking impression inside, and full-height windows towards the east end incorporate stained glass figures said to have originated in the previous church. Marble sanctuary furnishings are presumably those from the church in Weaste and appear to be of later twentieth century date, while the font is of traditional type with a clustered stem and may have come from the earlier church.
Exeter Close/Warmington Drive Manchester Longsight M12 4AT
Once there was this.
Once there was that.
Then there wasn’t.
That’s just the way of it.
A dense web of streets awash with back to backs, jobs for all – in conditions perceived to be unfit for purpose.
Of a total of 201,627 present dwellings in Manchester, some 54,700, or 27.1 per cent., are estimated to be unfit. A comparison of slum clearance action taken by six major local authorities, Manchester, Leeds, Birmingham, Liverpool, Sheffield and Bristol, shows that for the five years ending 30th June, 1965, Manchester was top of the league, both in compulsory purchase orders confirmed and the number of houses demolished or closed.
Manchester’s figures -13,151 houses demolished or closed .
Whenever mass slum clearance was carried out, the pubs tended to remain, often for just a short time because – the story goes – demolition workers refused to touch them, as they wanted somewhere to drink during and after their shift.
Piecing together photographs and the distant reminiscences of those that lived, breathed and drank in their pubs beneath the streets in the sky.
The Link on Park Hill had some colourful characters.
If you want any info on the Link next time you are in town see the man selling fishing tackle outside Castle Market ,he is called Chris Hardy his dad ran the link in the 60’s they used to have the Sun Inn on South St before Park Hill was built, tell Chris that Alan Betty’s cousin told you about him.
I once did a job outside the Scottish Queen and had a lump of concrete thrown at me! it landed about 2m away, that made me jump!
Joe Fox used to be the landlord in the George in the 70s, didn’t stand for any messing about.
Earl Francis! Of course! That was driving me mad; I was just going to ring my mum and ask her if she could remember what it was called. I think it closed in the early 90s, at the same time as the renovations of Hyde Park Walk and Terrace – 1990/1991, if I remember correctly.
The Earl Francis was still open in 1994 – the last time I went in there, but was dying on its feet.
Park Hill is empty, and due to be refurbished.
It’s amazing to think that each complex had all these pubs and people actually went in them!Drove past Park Hill a few months ago at night and it didn’t look like a soul lived in them.
Not surprised the Tavern has closed down. Don’t know whether people are happy or sad about it…They looked like an absolute dive, but I’ve always wanted to go and have a look around them to see what they’re like close up!
The flats and in particular the Parkway Tavern were used in the 2014 film ’71 – which was set in Northern Ireland. So this photograph showing the bar with a packet of crisps is actually slightly misleading because the crisp bag was only a printed film prop and what looks like broken glass on the bar is fake! – Mr C
A new pub could open on the site of what was once voted Britain’s second most dangerous watering hole. The Scottish Queen at Park Hill was notorious for violence, with only the most hardy drinkers brave enough to cross its threshold.
April 2015 saw the launch of a new exhibition space in Sheffield, housed within the former Scottish Queen pub at the Brutalist icon that is the Park Hill estate. The Scottish Queen hosted a temporary programme of exhibitions, events and residencies in partnership with a range of artists and organisations from across Sheffield supported by S1 Artspace.
Possibly the second toughest art space in Britain.
To begin at the beginning or thereabouts, Taylor Street was at the heart of Gorton to the east of Manchester city centre.
A typical street of tightly packed brick terraces, dotted with shops, pubs, people and industry. I worked there as van lad for Mother’s Pride bread back in the 70s and saw those shops, pubs, people and industry slowly disappear.
Beyer Peacock whose immense shed dominated the northern end of the street, simply ceased to be, as steam gave way to diesel.
As full employment gave way to a date with the dole.
Adsega opening on nearby Cross Street heralded the arrival of the super fast, self-service supermarket, and sounded the death knell of the cosy corner cupboard.
The local pub was The Bessemer – its name forging an unbreakable link with the surrounding steel industry, that eventually broke.
To the left of the pub is the Bishop Greer High School construction site – the first of the new build that would later dominate the area, along with wide open spaces where shops, pubs, people and industry once were.
When the school eventually shut its doors, it became an annex of Openshaw Technical College, and I found myself working there in the 80s at the East Manchester Centre, until its eventual closure.
It’s now sheltered accommodation for the lost and lonely:
Located in a quiet suburb of Manchester with excellent links to the city centre, Gorton Parks has an exceptional range of facilities spread out across five separate houses, each offering a different care option. Melland House offers dementia residential care, Abbey Hey provides nursing dementia care, Debdale is the house for intermediate nursing care and Sunny Brow offers general nursing care.
We sought solace in The Pineapple.
The streets were trimmed and slimmed, much of the past a mere ghostly presence, almost imprinted on the present.
A brave new world of brand new modern housing, with an Estate Pub to match.
A busy bustling boozer – lots of live and local action for the lively locals, latterly seeing out time as a house of House – a real bangin’ Bashment, bass-man bargain basement.
Until time is finally called – no more four to the floor, last one out shut the door.
Nothing lasts forever and a sign of the times is an upended pub sign, lying dormant in the dust.
The Chunky no longer a great big hunk o’funk.
The big screen TV forever failing to deliver all the action, live or otherwise.
Latterly transformed into Dribble Drabble.
And so the beat goes on as successive waves of success and recession, boom and bust free-market economics, wash over the nation and its long suffering folk.
This is the one and only photograph of its former black and white self.
Though an internet search revealed a rich heritage of pool, football, fancy dress and trips to Lloret De Mar, for the lads and lasses of Lower Scholes.
The pub now named Sam’s Bar, has retained its jolly jumble of modernist volumes and angles – though having lost the harlequin panels and off licence. Mid-morning the lights were on and the pub was surrounded by cars taking advantage of the £1.90 a day parking.
The online reviews seem to divide opinion as to the quality of the current provision.
This pub is not a nice place to visit. If your not a regular you get leered at all night, the people and staff are absolutly terrible. You will wait at the bar all night waiting to get served, whilst all the regulars get their drinks. Then and only then will you get yours. You will see a fight at least once a night. Karaoke is only for those of us who are blessed with the ability to sing – they wont let you up again if not. This pub needs knocking down it’s a menace to society, out of 10 a big fat 0.
Solid, dependable and well-run. Friendly bar staff and regulars, local and national newspapers, rugby league memorabilia, jukebox, pool table, and very fair prices. Has been my local for years, ever since I got tired of the landlord turnover at the Cherries. I’ve never seen anyone refused a go at karaoke, including me, and I can’t sing, and rarely pick a song anyone likes. So you carry on spouting tripe, and I’ll carry on drinking at Sam’s Bar Scholes.