St Stephen RC – Droylsden

Chappell Road Droylsden Manchester M43

One fine sunny Monday morning I set out cycling to Ashton-under-Lyne to buy an enamel pie dish. Almost inevitably I was pushed and pulled in a variety of unforeseen directions, incautiously distracted and diverted serendipitously – towards Droylsden.

Idly pedalling down Greenside Lane looking this way and that I was drawn magnetically to a pitched roof tower, towering over the red brick semis. Rounding the corner I discovered the delightful St Stephen’s RC church, stood high and proud on a grassy corner, glowing golden in the March sunlight.

I leaned my bike against the presbytery wall and with the kindly bidding of a passing parishioner, I went inside. 

Thanks to Father Tierney for his time and permission to snap the interior. It was a calm space, the large open volume side lit by high octagonal honeycomb modular windows. The elegant plain pitched concrete gambrel roof beams a simple engineered solution.

The church and attached presbytery were built from designs by Greenhalgh & Williams in 1958-9, the church being consecrated on 12 May 1960. A reordering took place, probably in the 1960s or 70s, when the altar rails were removed and the altar moved forward. Probably at the same time, the font was brought into the church from the baptistery.

Taking Stock

The altar and apse beautifully restrained in colour form and choice of materials. The design and detailing on the pews so warm and understated.

I was loathe to leave.

The exterior does not disappoint, the repetition of modular window shapes, the integration of doors, brick and mixed stone facing.This is a building of elegant grandeur, well proportioned, happily at home in its setting.

I suggest you set out there soon.

Blank Street – Ancoats

As with all things material and corporeal there was time when you simply didn’t exist.

1860 adjacent to Woodward Street and the Rochdale Canal, a simple agglomeration of loose limbed industrial buildings and such – yet to be christened Blank.

adjective

  1.  Unrelieved by decorative or other features; bare, empty, or plain a blank wall.
  2. Showing a lack of comprehension or reaction – we were met by blank looks – synonyms: expressionless, empty, vacant, deadpan, wooden, stony, impassive, inanimate, vacuous, glazed, fixed, lifeless, uninterested, emotionless, unresponsive, inscrutable.

noun

  1. A space left to be filled in a document – leave blanks to type in the appropriate names – synonyms: space, gap, blank space, empty space.
  2. A cartridge containing gunpowder but no bullet, used for training or as a signal.

verb

  1. Make (something) blank or empty – electronic countermeasures blanked out the radar signals.
  2.  Informal North American defeat (a sports team) without allowing them to score – Baltimore blanked Toronto in a 7–0 victory.

Though contradictorily I have found reference to a bankrupt foundry in the London Gazette 1857.

You appear again during the Manchester Blitz.

By 1960 you are on the map and the area is on the up and up.

Though I have to ask the question of the namers of streets – why so Blank, an off day at the office – we have whole blocks named for poets, painters, and far flung places, so why so Blank?

Hadn’t they heard of nominative determinism – born to be Blank.

Whilst in search of a Brown Cow I found a photograph on the Local Image Collection of 60’s maisonettes in the area alongside Woodward Street.

This Municipal Modernist development seems to have been short-lived and subject to yet more demolition in the area, to be replaced by late 70’s terraced housing.

Blank Street inexplicably became Fulmer Drive.

Which in turn had been tinned up and demolished around 2008.

How did that happen – seemingly viable homes previously changing hands for £100,000 deemed surplus to requirements – land banking, ahead of an as yet unseen masterplan?

Your life was short and sharp – shaped by economic shifts, world war and the local authorities ephemeral housing policies. There is little evidence of your existence, photographic or otherwise, so I want to set the record straight – draw a blank.

Here you are as of July 2019 – tarmac intact, drains fully functioning, pavements paved, awaiting orders. A circuitous run of grassy ridges resembling the remains of some Roman or Iron Age fortification.

Where do we go from here?

Woodward Court Woodward Street – Ancoats Manchester

“What’s going on?”

As Marvin Gaye so succinctly asked.

Why is there just one remaining tower block dancing unclad around Ancoats?

Let’s go back in time and see if we can find out – it seems that back in 1807 there wasn’t a Woodward Street to be found, the ever expanding industrial might of Manchester had not yet reached these particular green fields of Ancoats.

By 1824 it shows a fresh face to the world christened Woodworth Street, sparsely dotted with new development.

Almost fully formed in 1836 and renamed as Woodward Street, the area begins to accumulate the familiar domestic and industrial clutter of a burgeoning Victorian City.

By 1860 the street is fully formed and open for business.

Workers finding homes in austere and functional brick back to backs, typical of the period’s housing.

Fast forward to the early Sixties and the street is showing signs of age – the century old industries are already in decline, steady jobs, mills and factories gone west and east, well-worn housing looking terminally tired and in need of a little care and attention.

But wait what’s this coming around the bend?

The first wave of urban regeneration, post war optimism incarnate, a bright new shiny future – out with the old and in with the new, as Municipal Modernism stamps its big broad architectural feet all over Woodward Street.

Archival photographs from Manchester Local Image Collection

Our story is far from over, this optimism is short-lived the homes, houses and industry are swept away yet again, replaced with two story modern terraced housing and an all too obvious absence of regular employment – yet the tower blocks prevailed.

Former streets were over written and remain as poignant vestigial marks in the landscape.

Grand plans are made for their revival.

Paul Daly

Though their future was built on more than somewhat shifting and uncertain sands.

A tower block has been left lying empty for a whopping 18 years. The 13-storey building at Saltford Court in Ancoats has been unoccupied since Manchester council closed it in the 1990s. It was bought by top developers Urban Splash six years ago but residents have now hit out about it still being empty. Neighbours of Saltford Court say it has become an ‘eyesore’ and magnet for vermin since the firm bought it.

Manchester Evening News 2012

A large group of blocks stood tinned up and unloved, yet owned, for a number of years, victims one supposes of land-bankers, developers speculating on an even better return, as the warm waves of gentrification washed slowly over them, from nearby New Islington.

All but one was refurbished, clad and re-let.

Woodward Court was spared – set aside for the homeless.

A period piece surrounded by Post Modern and Revivalist pretenders.

Why not go take a look.

Odeon – Guide Bridge

285 Stockport Road Guide Bridge Ashton-under-Lyne

This was planned to be the Verona Cinema, a project of local builders – P Hamer Verona Cinema Ltd. The construction of the cinema was almost completed when Hamer sold the building to Oscar Deutsch and it opened as one of his Odeon theatres.

Hamer then used the proceeds of the sale to build the Roxy Cinema Holinwood, which was designed by Drury & Gomersall.

Opening date of the Odeon Theatre was 29th June 1936, when the first programme was Bing Crosby in “Anything Goes” and Harold Lloyd in “The Milky Way”. Designed by the noted cinema architectural firm of Drury & Gomersall, the frontage had a neat entrance in brick, with white stone facings on the window surrounds. There was a parade of shop units on each side of the entrance which had matching brickwork and a white stone trim.

Inside the auditorium the seating was arranged for 834 in the stalls and 330 in the circle. The side splay walls on each side of the proscenium was decorated in wide horizontal bands, and topped with a backlit illuminated grille.

The Odeon was closed by the Rank Organisation on 11th March 1961 with Kenneth More in “Man in the Moon”.

It was converted into St. Paul’s Roman Catholic Church. Former cinemas have made good conversions to churches and the fabric of the buildings are generally respected. In this case though, the sad story is that the front entrance has been rendered over and inside all details of it cinematic past have been erased. You would never know you were inside what had been been an Art Deco styled building.

Contributed by Ken Roe Cinema Treasures

I passed by nearly every day for years travelling to and from school, I played there at a wedding reception in the church social club. I sadly have no recollection of the building in use as a cinema.

It has been closed since 2010 – currently it has no purpose or seemingly any future use, there are no For Sale signs in evidence.

Fallen so quickly and absolutely from grace.

St Mary’s RC Church – Denton

Duke Street Denton Manchester M34 2AN

I remember you being built.

I remember our visit with the Manchester Modernists in 2015 – arranged by Angela Connelly and Matthew Steele of Sacred Suburbs

I popped by to see you yesterday – a truly remarkable structure set amongst the terraced housing of an unremarkable street.

The foundation stone for the present building laid by Bishop Beck in August 1962. He returned to bless and open the church on 25 June 1963. The new church was built from designs by Walter Stirrup & Sons – job architect Kevin Houghton, at a cost of about £60,000. The church is notable for its dalle de verre glass, by Carl Edwards of Whitefriars.

The church is a very striking and characterful building with a hyperbolic paraboloid roof rising in peaks on four sides, with clerestory lighting in the angles, that on the west side jutting out to form a canopy over the entrance. It was described by Nikolaus Pevsner as ‘wildly expressionist’.

Taking Stock

I suggest that you do the same and pop by to see St Mary – Our Lady of Sorrows soon.

The Odeon née Gaumont – Ashton Under Lyne

Opened 22 April 1920 with “The Forbidden City” and designed by Arnold England, the Majestic Picture House was part of the Provincial Cinematograph Theatres circuit. With 1,233 seats in stalls and balcony and a splendid facade faced in white faience tiles on two sides of the building on its prominent town centre corner site of Old Street and Delamere Street, the cinema was a great success.

It had an oak panelled foyers which had beautiful coloured tapestry’s on the walls. The interior was in a Georgian style and it was equipped with a pipe organ and a seperate tea room and cafe which were located on the upper floor.

It passed, with all the other PCT houses to Gaumont British Theatres in 1929, but it was not until 12th July 1946 that it was renamed Gaumont. The Majestic Picture House was renovated in July 1936, with new seating installed and a re-recoration of the foyer and auditorium. A new Compton 3Manual/6Rank organ was installed that was opened by organist Con Docherty.

Later being merged into the Rank Organisation, the Gaumont was re-named Odeon on 11th November 1962. It was eventually sold to an independent operator who renamed it the Metro Cinema from 6th November 1981.

With capacity now down to 946 seats, the Metro Cinema continued as a single screen operation until the middle of 2003, sometime after a multi-plex had opened in the town. In 2008 (with seats and screen intact) the building was unused except for the long foyer area, linking the front and back elevations of the Metro, which was a Slotworld Amusement Arcade. By 2011, the entire building had been stripped out and stood empty and unused.

Cinema Treasures

The cinema was used as a location for the film East is East.

Archive images Metro Majestic

It was my local cinema as a lad – attending Saturday morning matinees as a member of the Odeon Boy’s and Girls club. Hundreds of the nosiest kids. regularly warned by the manager that the film would be stopped if the raucous behaviour continued.

Now it’s just an empty shell, superseded by multiplex and latterly a lost Slotworld.

Unlisted unloved sitting at the heart of the town – too late for the last picture show.

St Vincent de Paul – Rochdale

Caldershaw Road Norden Rochdale OL12

Well it’s almost a mighty long way to cycle from Stockport to here, but well worth it.

A clear functional design of the 1970s, designed to place all the internal focus on the top-lit altar, which beneath its modern cladding incorporates a pre-Reformation altar stone. The external appearance of the church is slightly forbidding but the interior is enhanced by vibrant slab glass.

More than somewhat bunker like in its recessed situation, well below street level, yet interesting and engaging nonetheless – I’m rather fond of grey.

Working around the comings and goings of the adjacent school, I half circumnavigated the site, capturing something of the detail and exterior views of the stained glass. The interior will have to wait until another day.

Planned and newly constructed housing developments in Norden and Bamford made it apparent that a new church was needed nearer the geographical centre of the parish. In June 1975 the present church of St Vincent de Paul was opened, nearly a mile away from the old church. The architect was Bernard Ashton of the Cassidy & Ashton Partnership, Preston.

Internally the church is simply fitted with plain white plastered or boarded walls. The low level of daylighting enhances the effect of the four corner windows, which are filled with rainbow glass, and of the top-lit altar. The dalle de verre glass was designed by Eddie Blackwell and made in Dom. Charles Norris’s workshop at Buckfast Abbey. The figure of the risen Christ on the roof over the entrance porch were also designed by Blackwell.

Taking Stock