Church of St Mark – Chadderton

Life is full of little surprises, to turn from Middleton Road into Milne Street in downtown Chadderton and discover a triangular, blue-grey brick tower soaring into the September sky.

So solid geometries pierced by rectangular, triangular and angular gridded windows, deservedly Grade II Listed in 1998, made all the more extraordinary by its seemingly ordinary surroundings.

The interior mixes tradition with modernity, reusing pews and fragments of stained glass. Restrained natural lighting, complemented by slatted wooden, almost oriental boxed light shades. The furniture, fixtures and fittings bringing together a coherent decorative order.

The whole an uplifting and embracing space, punctuated by the curved y-shaped wooden supports, rising to the timber framed roof structure.

It was a pleasure to meet the current incumbent Father Stephen and a privilege to spend some time exploring this altogether delightful and impressive church.

Thank you.

I suggest that you do the same.

Contact details and location.

G.G. Pace 1960-63 – Blue engineering brick; graduated slate to pitched roofs – low pitched to church and entrance and steeply pitched to tower. Concrete dressings around windows. Five sided aisled space, three walls being orthoganal and the liturgical north side being canted outwards to provide room for the choir. Entrance with narthex to west and west also is a small rectangular chapel. Corner site, the corner itself dominated by a low rectangular brick tower with a high gabled roof. Four bay nave, the bays separated by buttresses and with rectangular windows set in varying groups high in the wall. West wall of nave is visible, and secondary glazing has been sensitively installed over the west window between the western buttresses. Thick exposed board-marked concrete beam at eaves. On return elevation, tower is flush with small chapel, with irregular groups of rectangular windows to both. Rectangular leaded lights. Recessed entrance with two doors of timber and leaded-glazing in vertical strips. Liturgical north and south faces of the tower each has a stack of 14 small pointed louvres. Jutting gutter spouts in exposed board-marked concrete.

Internally the bays are divided by three pairs of varnished laminated timber `y’ shaped supports and trusses, supporting timber trussed purlins (with prominent bolts) and timber rafters. Walls are white-painted brick with exposed board-marked concrete bands, which act as bonding strips between brick piers and as lintels for windows. Original altar of limed timber with four pairs of legs, is in original position, set forward from the east wall. Sanctuary raised by two steps. Limed timber pulpit, also chunky and so is altar rail with thick black metal supports and thick limed timber handrail. Priest’s chair to match, against east wall. Black metal crucifix also in characteristic Pace manner. Stone sedilia built into the north and south walls of the sanctuary. East window with stained glass which comprises broken and reset fragments of nineteenth-century glass. Font sited in central aisle towards the west end; this is of tooled cream stone, the bowl comprising a monolithic cylinder, flanked by a smaller cylinder which rises higher and has a prominent spout. Elaborate font cover in roughly textured cast aluminium, rising to flame-like pinnacles. Reused nineteenth-century benches, painted semi-matt black. Narthex and west chapel with limed timber doors, which have decorative nail-heads in rows. West chapel has open truss timber roof, painted white. Sanctuary light and cross are characteristic of Pace’s style.

A fine example of Pace’s idiosyncratic manner, this church shows the influence of the Liturgical Movement, especially in the forward placement of the altar.

British Listed Buildings

A fine companion to Pace’s William Temple Church in Wythenshawe.

P1290252

P1290256

 

P1290258

P1290260

 

P1290266

P1290267

P1290270

P1290275

P1290277

P1290280

P1290281

P1290283

P1290284

P1290286

P1290287

P1290288

P1290289

P1290290

P1290294

P1290299

P1290306

P1290309

P1290311

P1290314

Lady Chapel

P1290321

P1290323

P1290326

P1290329

 

St Marks Broomhill – Sheffield

The church was originally built in 1868–1871 to a standard neo-Gothic design by William Henry Crossland. This building was destroyed by an incendiary bomb during the “Sheffield Blitz” of 12 December 1940, only the spire and a porch survived (they are now Grade II listed structures). The remnants of the bombed church were used as the basis for a new church designed by George Pace and constructed 1958–1963. This new building is of a Modernist design but is also sympathetic to the Gothic spire and porch. It is a rubble-faced concrete building with striking slit windows of varying numbers and locations around the building. There are also two notable stained glass windows: the Te Deum window by Harry Stammers and the west window by John Piper and Patrick Reyntiens.

Wikipedia told me so.

Welcome to St Mark’s – an open, welcoming church for people from all walks of life who wish to learn more about Jesus and Christian faith and seek the freedom to ask the big questions. We have strong engagement with Christian communities and other faith traditions. People come from all over the country to participate in our Centre for Radical Christianity, where a lively climate of debate and learning can be found.
blank
Their website told me so.
 blank
This a remarkable building staffed by remarkably welcoming people, it’s exterior betraying little of the wonders within. Divine stained glass, brut concrete structures, pale limed wood, sculptural forms – full of light and warmth.
 blank
DSC_0065
 DSC_0066
 DSC_0067
 DSC_0068
 DSC_0069
 DSC_0070
 DSC_0071
 DSC_0073
 DSC_0074
 DSC_0075
 DSC_0076
 DSC_0085
 DSC_0083
 DSC_0089
 DSC_0090
 DSC_0092
 DSC_0093

 

St Michael and All Angels – Manchester

I’ve passed this way before, 2012 at the behest of Richard Hector Jones in the company of Owen Hatherley and others – recreating the legendary White Bus Tour.

DSC_0031

Screen Shot 2017-08-21 at 11.23.38

So have Historic England:

GV II*

Church. 1937, by N.F.Cachemaille-Day. Red brick in English bond with some stone dressings (roof concealed). Star-shaped plan formed by the diagonal intersection of two unequal squares, plus a wide rectangular narthex enclosing the west end. The main vessel is a lofty structure with plain walls, sill-band carried round, and plain parapet, except for the upper part of each side of the cardinal projections, which have windows in tall intersecting Romanesque arcading with Y-tracery, all in brick, with a central pilaster strip rising to a moulded cornice. Large plain cross rising from roof. The single-storey flat-roofed narthex has coupled plain rectangular doorways in the centre and 3 narrow rectangular lancets to each side. Interior (as reported 16.01.81): ingenious plan with lofty columns supporting flat ribbed roof. Forms group with Rectory attached to south side.

Screen Shot 2017-08-21 at 10.09.15

So have Revolvy:

The Corporation of Manchester acquired the Wythenshawe Estate in 1926 and began laying out the garden suburb in 1930. It was eventually to have 25,000 houses and a population of 100,000. The garden suburb was designated part of the parish of Church of St Wilfrid, Northenden, but that small parish church proved insufficient to accommodate the rising congregation. A mission church was therefore opened in 1934, and in 1935 the diocese approved plans for the construction of a new parish church at Orton Road. The budget was £10,000. Nugent Francis Cachemaille-Day was appointed as architect for both the church and the adjoining parsonage. The foundation stone for the church was laid on 8 May 1937, by the Bishop of Manchester. The builder was J. Clayton and Sons of Denton.

So has the redoubtable Nikolaus Pevsner:

A sensational church for its country and its day. The material is brick, bare in four of the corners, with large brick windows in the other four. The intersecting arches of the windows are the only period allusion.The interior has very thin exposed concrete piers and a flat ceiling. The church make sit clear that the architect had studied Continental experiments, the parsonage points to Germany and Mendelssohn. Stained glass by Geoffrey Webb.

Geoffrey Webb lived and worked in the centre of East Grinstead at the height of his career and is noted among enthusiasts of fine glass for his use of brilliant blues. In his early career he worked with Charles Eamer Kempe, the most prolific and best-known stained glass artist of his generation. Webb’s work can also be found in many other places around the UK including Manchester Cathedral and Tewkesbury Abbey, and in Daresbury parish church in Cheshire where he designed a memorial window in honour of Lewis Carroll.

scaled_full_20e9abadb45184ac7126

So I cycled by one almost sunny Sunday morning, engaged in the porch by an elderly joke telling gent, awaiting his more devout partner.

I love the bible, they all rode on motor bikes – “the roar of Moses’ Triumph is heard in the hills, Joshua’s Triumph was heard throughout the land.”

The Apostles were in one Accord. – Acts 5:12

We waited out the end of the morning service, exchanging gags, eventually I entered. Met by cheery parishioners and priest, welcomed with open arms, happy to chat and allow me to go about the business of snapping this enchanting building. Take yourself down there and bathe in the stained glass light from the sun drenched east windows, feel the warmth of the open elevating space, everything’s looking up:

A sensational church for its country and its day – today.

P1190671

P1190673

P1190675

P1190684

P1190685

P1190686

P1190689

P1190691

P1190692

P1190693

P1190695

P1190696

P1190697

P1190698

P1190699

P1190700

P1190702

P1190703

P1190704

 

 

Stoke on Trent – The Glebe

Hard by Stoke Minster stands the only pub in the area I care to visit, tucked in a cosy corner by the Civic Centre, five minutes from the station, barely time to work up a thirst.

Carefully and skilfully refurbished, exquisite original semi circles of stained and painted glass depicting the months of the year – though there is no February, the lower panes a recent addition.

A tiled floor and broad stripped floorboards beneath your feet.

Sympathetically furnished, plainly, simply appropriate to a pub with pride.

In being a pub.

We and the afternoon sun, spill lazily in, in time for a pint.

It’s delicious so we have another

And another.

http://www.joulesbrewery.co.uk/pubs/pub_details.php?id=9