A Short Stockport Walk

I was asked by SMBC to take folks on a short Stockport walk – beginning at Stockport War Memorial Art Gallery and concluding at the Stockroom, a distance of less than a mile.

So here we are beginning at Stockport War Memorial Art Gallery a Grade II* listed building opened in 1927.

Designed in Neoclassical Greek Revival style with central tetrastyle Corinthian portico, the order loosely based on Temple of Apollo at Bassae

The Gallery has a long history of exhibitions from some of the art world’s finest artists. Today the gallery boasts an extensive exhibition program, which gives emerging artists a chance to showcase their work.

 Designed by James Theodore Halliday of Halliday Paterson & Agate of Manchester.

Sculpture by Gilbert Ledward.

© National Portrait Gallery

Crossing over the Wellington Road South to the site of the former Mount Tabor Chapel 1868 designed by William Hill.

Closed in 1954 demolished in 1969.

The capitals of Chapel’s Corinthian columns, surround the site of the Cockleshell Hero memorial 2017 – sculptor Luke Perry.

The former Edgeley milkman James Conway took part in the Royal Marines’ most famous wartime raid, where he was one of the twelve men who paddled more than eighty miles in canoes up the Gironde to plant limpet mines on shipping in the German occupied French city of Bordeaux in 1942.

Royal Navy UK

Down the hill to Stockport Town Hall 1908 another Grade II* listed building – designed by Sir Alfred Brumwell Thomas, built in a free English Baroque style.

Although much simpler than continental Baroque architecture, English Baroque designs were equally heavy, sensual and decorative.

Across the road the former Stockport Infirmary l832 Grade II listed – architect Richard Lane.

Currently named Millennium House, home to the Department of Works and Pensions.

Around the back of the Town hall we find Stopford House built in 1975 and designed by JS Rank OBE, Director of Development & Town Planning, Stockport Council.

The painting has recently been much improved by the folks from Merseyway Workshop along with local volunteers.

They also staged the hugely successful Stopford House Party in August.

Back down the road to the old Grand Central.

Formerly a large coal yard, replaced by a huge leisure facility and now a hotel and office complex, with a municipal swimming pool attached.

Next door the former Royal Mail sorting office.

The transformation of a building once dubbed Stockport’s ugliest has been completed, now known as The Mailbox.

When it was built in the 1970s, it was given extra reinforcement due to the risk of IRA letter bombs. The sorting office closed and moved sites in 2010, from when the building was vacant for nearly a decade.

The state-of-the-art development is now home to 117 ‘stunning’ new one and two-bedroom apartments and 12,500 square feet of commercial space. There is an atrium at its heart a roof terrace with views across the town centre.

It also has an eighteen -metre high green ‘living wall’ covering the front and other parts of the exterior, which with 114,500 plants is the largest of its kind by surface area in the North of England.

MEN 2023

Over the road the Grade II listed former Central Library – architects Bradshaw Gass and Hope, funded by Andrew Carnegie, opened in October 1913.

Current plans are to use the building as a new home for the Stockport Music Service.

Adjacent is the Garrick Theatre.

The Stockport Garrick Theatre was founded on 24th of October 1901, by engineer Edwin Heys and his fellow actors: fugitives from the disbanded dramatic society of Stockport Unitarian Church. Meeting in what was then The Church Coffee Tavern on St Petersgate, Heys and his friends resolved to found a new society ‘to perform the best plays by the most capable amateur actors and with the finest scenic effects’.

The society purchased its current building, an old mill occupied by an assortment of small businesses, in 1920. Since then, the building’s labyrinthine interior has undergone various refurbishments to enhance the society’s ability to produce theatre to the highest standards possible.

The newly painted murals are by Captain Kris.

Next door the Hat Works – the UK’s only museum dedicated to the hatting industry, hats and headwear.

Occupying part of the Grade II listed Wellington Mill, a cotton mill of 1831 which became Ward’s Hat Works.

Both cotton spinning and hat making contributing to the economic development of Stockport in the C19th.

Across the way the long gone Carlton Cinema Architects: Francis Edison Drury and Joseph G Gomersall.

Opened on 28th July 1937.

In July 1948 the cinema was taken over by the Essoldo Cinemas chain. In 1954 the Essoldo became the town’s first CinemaScope cinema and for many years was the only cinema to offer full stereophonic sound. Richard Burton in The Robe was the first widescreen film to be shown, followed by Marilyn Monroe in How to Marry a Millionaire.

At the height of the Davy Crockett craze, in 1956, Fess Parker made a personal appearance at the Essoldo.

It was converted into a twin screen cinema in 1971, by converting the balcony into Screen 2, it was taken over by the Classic Cinemas chain in 1972. Its final owners were the Cannon Group who ran the cinema from 1982 to its final closure on June 21st 1990.

The cinema was demolished in 1994 and a small park occupied the site for several years.

By 2011, offices had been built on site.

Cinema Treasures

Until March 2025 home to the Sky call centre.

Further down the road the former Wellington Hotel.

Known variously as Ups ‘n’ Downs, Glitz, Bentley’s and the Bees Knees.

Finally, partial occupation by a forlorn Pound Shop – defying economic trends by closing.

Street art by Cats and That.

Next to the Transport Interchange aka the Bus Station.

In collaboration with Transport for Greater Manchester and Stockport Metropolitan Borough Council, the project redesigned a 10,000 sq m bus interchange, linking the rail station with new landscaped parks. 

The development includes a fifteen-storey building with one hundred and ninety six apartments, commercial space, and parking. New parks and riverside spaces improve connectivity and enhance urban living, marking a transformative step in placemaking for Stockport.

BDP Design

Replacing the former Bus Station closed on Saturday 28th August 2021.

Down to the top of the Lowry Steps

LS Lowry snapped in 1962, the Viaduct in the not too distant distance – Grade II* listed structure and remains one of the world’s biggest brick structures.

Railway viaduct opened 1840 by GW Buck for Manchester and Birmingham Railway in brick and stone.

Twenty eight arches of total length over 540m – three spans at either end of 18ft, twenty two spans between of 63ft, and nearly 34m high above the river.

Said to contain eleven million bricks.

Stone moulded impost bands and rusticated faces to piers.

Took 21 months to build, at a cost of £72,700.

Widened to the west 1888 to 1889.

Historic England.

Down on the corner the former George Hotel.

Premises To Let as of 13th May 2018 – on the 2nd April 2018 the licence has lapsed, so this proved to be a barrier to it re-opening.

A former pub in Stockport town centre could be knocked down to make way for a tower stretching 17-storeys high. Plans have been sent to Stockport council for consideration and would bring 76 new apartments to the town replacing The George on Wellington Road, based opposite Merseyway Shopping Centre and near Stockport Viaduct.

MEN November 2025

Across the way the Heaton Lane Car Park is now rubble.

It is to become the site for the re-sited bus depot, as the current bus depot is demolished to make way for housing.

Though Place North West reports in August 2026:

Talks over a deal for a bus depot off Daw Bank have broken down after the council refused to meet the operator’s financial demands, prompting the authority to use compulsory purchase powers to acquire the site.

Despite protracted negotiations, Stockport Council and Stagecoach have failed to reach an agreement over an important piece of land the authority needs to deliver Stockport 8, a £350m, 1,300-home regeneration scheme.

Leaving Wellington Road we head for the Merseyway Precinct – 1965 architects Bernard Engle & Partners.

Where we find the Alan Boyson screen wall, screening the multi storey car park, now no longer above the Co-operative store, but above Primark.

Next in line the new occupants of Adlington Walk – Stockport’s fabulous Stockroom.

Stockroom is an exciting new creative and cultural centre in Stockport, designed for getting together, getting involved or just popping by for a brew. It has been developed with and for local people and the creative community to build an exceptional communal resource for entertainment and learning.

There’s room for everyone: to make noise, meet friends or find some peace, play, take part, think or do new things.

Part of Stockport’s £1 billion transformation, Stockroom is an ambitious £14.5 million cultural and creative centre that will breathe new life into the heart of the town.

Located in previously disused retail units, Stockroom has been brought to life through funding from UK Government’s Future High Streets Fund, which aims to rejuvenate town centres across the country.

The Stockroom have hosted a tribute to Alan Boyson, the exhibition The Marvel from Marple.

Otherwise open to access the Library service and archives, eat drink and play, use a computer, or a lavatory, read whilst relaxing in a comfy chair, stay cool or warm, stare into space either upstairs or downstairs.

Whatever floats your personal boat, though currently unsuitable for floating actual boats.

Mention must be made of near neighbours the Merseyway Workshop – the plant planters who we met up at Stopford House.

The Merseyway Workshop is a community focused, inspiring place for innovation and collaboration.

A DIY-style hub on Stockport’s pedestrianised high-street. Offering open use of creative workshops, drop-in activity sessions and skill exchanges.

Working in clay and wood, access to a fully equipped B&W darkroom and so much more.

One short mile or so a cornucopia of history – layer upon layer of exciting architecture.

Get out take a walk take a look!

Prestatyn to Y Rhyl

Previously on Modern Mooch – cycling from Prestatyn to Colwyn Bay.

Today I chose to walk.

Just as I had done in Scarborough, just the other day.

I arrived by train just in time for the rain, took a look around Prestatyn town, waiting out the passing clouds.

The coast was overcast but dry, the pale marine light and light breeze caressing the wet concrete promenade.

This is a contested coastline, the concrete a first line of resistance to rising sea levels.

There is a history of serious flooding, particularly the area around Tywyn.

On 26 February 1990, the sea defences were breached for four hundred metres at Tywyn when a ferocious storm coincided with hide tide and a surge of water one and a half metres high. Lifeboats and helicopters were brought in to evacuate residents as seawater swept past the railway and flooded houses and caravans. Roughly ten square km of land were inundated.

History Points

Much work has been done to protect the land.

The Central Rhyl Coastal Defences Scheme forms part of the Welsh Government’s £291m Coastal Risk Management Programme, which is responding directly to the challenges posed by climate change.

GOV Wales

Dechrau a diwedd – Beginning and End 2009 by CAMM Design

The name of the sculpture acknowledges the nature of the Offa’s Dyke Path National Trail and Prestatyn as a point of departure or arrival. The trail is symbolised by a stylised representation of the sun. To either side of the sun sculpture are paved areas, and large blocks to provide seating.

It is known locally as the ‘Polo Mint’.

Art UK

The light continually changes over the placid surface of the Irish Sea, the off shore wind turbines spin slowly, seemingly silent on the distant horizon.

There was rain blowing in from the Orme – I cut and ran at Bae Cinmel, boarding the bus for Bae Colwyn.

Oldham Walk

1915

The Oldham area was once home to several railway stations – many of which have since closed.

There is currently no rail link to and from the town.

Tram services between Manchester and Oldham have returned – for the first time since trams stopped running in Oldham in 1946. 

The first service to Oldham Mumps left Manchester Victoria at 05:24 BST – calling at the eight stops on the line.

The tram then made the return journey, leaving Oldham at 06:00 BST and taking about 25 minutes to reach Manchester city centre.

BBC News

Oldham Central

To the right an huge Sainsbury’s supermarket 1999-2001 Pringle Richards Sharratt.

To the left can be seen the semi-derelict Grade II Listed Prudential Assurance Building 1898-91 Alfred Waterhouse & Son – now in the ownership of Oldham Council.

Image – Victorian Society

Back tracking toward Phoenix House – with its implausible heron.

It’s been four years since the Department of Work and Pensions left their Union Street office and eighteen months since plans were submitted to turn it into eighty two flats.

However, apart from hoardings being installed around the building, there doesn’t appear to have been much movement at the site – at least not legally.

Oldham Times

Turning the corner to Metropolitan Place.

Currently in use by Oldham Council – formerly home to the Registry Office, wedded couples referred to it as the Hobson Street Cathedral.

Though there seems to have been plans for both office and co-working space, along with conversion to apartments.

Back out onto Union Street and down to Gallery Oldham 2002 Pringle Richards Sharratt.

Linking to the older Library and Art Gallery 1883 T Mitchell with sculpture by JJ Milson.

Today the building has been restored to include the Council Chamber and Mayor’s Dining Room, public exhibition spaces and a new home for Oldham Theatre Workshop.

The Old Library is one of the earliest examples of an ashlar faced, in-situ formed concrete multi story building.

Oldham Gov

Take a turn up Greaves Street and here’s a faience clad Victoria House a former Billiard Club 1912 Winder & Taylor – subsequently the hall was used as council housing offices and a college before becoming vacant.

Oldham Boxing moved into the building in 2011.

Next door a Ponsonby And Carlile Solicitors Office 1902 Edgar WoodGrade II Listed.

Back now onto Union Street and the GMB Offices.

Onwards to the former Oldham Evening Chronicle

Down the hill and left to the Walshaw Street Bus Depot 1936

Image: Jeff Smith Oldham’s Past

Home to the Pennine Lounge.

Next we head up Yorkshire Street to Harry’s Bar – formerly The Artizans Rest 1937.

Architects: CT Taylor – Roberts & Bowman.

In 2025, it was revealed by the Manchester Evening News that Oldham council planned to buy the building and demolish it with the price tag for the project reported to be £1m. The money comes from a £2.5m pot of regeneration finding given to the local authority by the government.

MEN

Image: Oldham’s Past

Image: George Symes

These two carved panels have been removed.

Just around the corner is the former Kings Picture Hall – currently Bees Knees.

Located in the town centre, directly opposite the Coliseum Theatre. The King’s Picture Hall was opened 18th September 1911. In October 1912 a café was opened in the building adding a further amenity to the cinema. In 1929 it was equipped with a British Thomson Houston sound system.

The King’s Picture Hall was closed on 25th June 1966 with Ryo Ikebe in Battle in Outer Space and Randolph Scott in Comanche Territory.

On 2nd July 1966 it was converted into a bingo club.

In 2006 it was a nightclub.

Cinema Treasures

A stand of shops – stepped the accommodate the incline, partially clad in Westmorland Slate.

Oldham Town Centre now has a new high-quality public space – Parliament Square

Six new restaurant units will be located within the Old Town Hall alongside a brand new 800-seat, seven screen ODEON cinema.

BDP 2017

A stunning glass extension to the side of the Grade II-listed building provides access to the various levels of the cinema and is also the frontage to the new restaurants.

George Woodhouse of Bolton 1841, extended by Edward Potts of Oldham 1879-80. 

Oldham Gov

To the left is a statue of Springhead born Annie Kenney – political activist, socialist feminist and suffragette, modelled by Denise Dutton, unveiled 14 December 2018.

The Egyptian Room Food Hall project extends BDP’s partnership with Oldham Council and the rejuvenated Grade II listed Old Town Hall building in Oldham town centre, the main transformation of which was also designed and delivered by BDP.

The Loom is a brand new events space next to Oldham’s new indoor market on Parliament Square in the town centre. The gala-sized event space can fit up to one thousand standing guests, seven hundred seated, or five hundred dining, or can be split-off into smaller rooms for exhibitions, gigs, or theatre performances.

Design for a war memorial chapel, St Mary’s Church 1920.

Architect: Nugent Francis Cachemaille-Day.

Artist: H Lewis Curtis.

Image: RIBA pix

Next to the former Yorkshire Bank 1970 John Brunton & Partners.

Under construction 1970

Image: Kayla Chadwick

Down to the Spindles Shopping Centre 1991

Originally the site of St Peter’s Shopping Centre architect Richard Seifert

St Peter’s House – housed Oldham Area Health Authority Administrative Offices

Images: Yesteryear Oldham then & now 

Spindles has been revamped by AEW Architects.

Stained glass by Brian Clarke installed in 1993.

Between 1990 and 1993, Brian Clarke designed a series of three interrelated roof lights in stained glass for the Spindles Shopping Centre in his hometown of Oldham, Lancashire. Among the largest stained glass windows in Europe, and some of the largest public artworks in the UK, these panels connect the main public areas of the principal shopping centre in the town.

No town walk would be complete without a former Burton’s.

Next to the Bus Stations 2008 Austin-Smith Lord situated either side of the Civic Centre.

In the midst of it all is the Queen Elizabeth Hall.

The Queen Elizabeth Hall in Oldham will soon open its doors for the last time before it permanently closes to the public and is prepared for demolition. Since being condemned for containing Reinforced Autoclaved Aerated Concrete – RAAC in 2023, its days have been numbered.

Now the old theatre is part of plans to bring 2,000 new homes into the town centre in a partnership between Oldham Council and the developers Muse.

Oldham Times

Chris Connor as Elvis at the Oldham Queen Elizabeth Hall.

Surrounded on two sides by the Civic Centre – the lower parts are by Richard Seifert & Partners 1962, the fourteen storey Tower and Hall 1974-78 are by Cecil Howitt & Partners.

Plans are underway at the civic centre, the largest site in the regeneration project, to create a vibrant community providing eight hundred and thirty eight homes rising up to fifteen-storeys with mixed-use commercial spaces on the ground floor. This development will integrate seamlessly with the surrounding neighbourhood, particularly the nearby Former Magistrates’ Court site. The Civic Tower at the edge of the site will be retained and redeveloped as a hotel in a later phase.

Where have the Magistrates’ Courts gone?

Architects: Leach Rhodes Walker 1977.

Demolished in 2019 to make way for further redevelopment.

The proposals for the Former Magistrates Court site include two hundred and nineteen new homes with the tallest block ten-storeys and a green route connecting Manchester Chambers with King Street. The designs have been developed to ensure a unified neighbourhood with a common design language and seamless movement between other sites. 

Team Civic

Oldham Council and Muse intend to work in partnership over the next 15 years to develop the sextet of council-owned brownfield sites across the town centre.

Place North West

Next door the Police Station – architects: Leach Rhodes Walker.

Next to the Mecca Bingo formerly Shopping Giant.

We conclude at the Telephone Exchange.

Viewed across the site where Bailey’s used to be – aka Romeo & Juliet’s, Butterflies, Astoria ballroom and Bowling Alley, Froggies and Riley’s.

The site originally started out as the Grand Theatre, a performance space designed by London architects Thomas Taylor and Ernest Simister who also designed Chadderton Town Hall.

In 1937, Gaumont Super Cinemas took over the building, gutted the auditorium and transformed it into stalls and one circle seating totalling 1,842 to open their 1930s cinema.

BBC

In 1991, the Chronicle reported on a mysterious haunting which was thought to have taken place in Butterfly’s nightclub in Oldham.

Before Butterfly’s had been a nightclub the building had been used for many purposes, and in 1939 was known as the ‘Grand Theatre.’ The building was undergoing renovations when Mr Lloyd was killed. ‘Witnesses said that Mr Lloyd was crushed underneath the beam which he was trying to guide down with a rope.’

However, Derek Lloyd’s theory of the origin of the ghost was not accepted by everyone at the time. Due to the fact the ghost appeared to be wearing a white T-shirt, people believed it was unlikely to be the spirit of a 1930s man. In response, Derek argued that ‘my father always had his sleeves rolled up at work because he suffered from a skin complaint.’ 

Gallery Oldham

In 2011 the building was converted into a roller derby centre known as the Thunderdome, once home to the Rainy City Roller Derby who moved out in 2020.

It was announced in April 2023 that the building was proposed for demolition and the end came in May 2025.

Image: Mark Hughes

Scarborough Coastal Stroll

This is one of many walks from South Bay Bathing Pool to South Bay Beach.

Today we begin at the Scarborough Library.

The Edward Bawden map was commissioned in 1931 by Tom Laughton, the hotelier of Pavilion Hotel in Scarborough.

I discovered Edward Bawden myself. I saw some illustrations of murals in the Illustrated London Newswhich had been carried out by Bawden at Morley College. The principal subject was a lodging house with a classical pediment and with the front walls taken out, so that the life in the house was shown from the basement to the attic. I found it delightful. I managed to find out where he lived, and I went to see him. I rang his bell; waiting on the steps I looked across the road and recognised the building that was the subject of the mural. At length a young and seemingly timid man came to the door; “There is your mural”, I said. He told me that I was the first person to spot his subject. He took me on a bus to see the paintings on the walls of Morley College.

The outcome was that he designed a wine list for the Pavilion Hotel, decorated a large ordnance map of Scarborough – (which when I left the hotel I gave to the children’s public library and also made an amusing perspective peepshow, which is still in my possession – Pavilions by the Sea was published in 1977.

The peepshow is on display on the first floor of Scarborough Art Gallery, where it still enchants children and adults alike.

Scarborough Museum and Galleries

The map is hand painted and based on the OS Map of 1926.

The map was fully restored and reframed in 2012 and now lives in Scarborough Library.

Bawden’s postcard for the Pavilion Hotel.

Tom Laughton was brother to Charles Laughton – the plaque is attached to their home the Victoria Hotel.

Enthused by Edward’s exquisite map I set off strolling along the seafront.

I always stop to pay my respects to these seriously neglected concrete beach chalets.

Thence to the former South Beach Bathing Pool designed by Scarborough’s former Borough Engineer, Harry W Smith.

Construction began shortly before the outbreak of WWI, and was taking place in December 1914, when Scarborough was bombarded by German ships. Workers were able to shelter, coincidentally, behind the new wall they had recently constructed for the pool.

Built in the Art Deco style, it measured 330ft long and 167 ft wide, and was filled naturally by fresh sea water, propelled into the pool by the tide each day – officially opened in 1915.

The pool closed in 1989.

Stories From Scarborough

Concrete Colonnade in the Post Modern manner.

Filey Brigg is barely visible through the mist.

The Scarborough Spa – boldly stands over the bay, beaches, and harbour, providing unrivalled views. With a lengthy and impressive past, it is a popular venue for touring performers and meetings, conferences, and training sessions.

The Spa dates back to the C18 when a mineral spring there became a place of fashionable resort. Originally there was just a timber embanked terrace to the shore. Later, in the early C19 a castellated building was raised. In 1858 Sir Joseph Paxton designed the new ashlar faced Spa pavilion raised on terrace with arcaded ground and first floor articulated by pilaster strips, seven bays, with projecting pilastered corner towers with balustraded parapets.

Grade II* Listed

Grand Hotel was chosen as one of Historic England’s seven wonders of the English seaside, as featured in the Daily Mail

Located in the town centre and built in 1863, the Grand Hotel Scarborough takes pride of place overlooking the town’s picturesque harbour and South Bay. This stunning Victorian building is an instantly recognisable landmark, and stands out amongst other hotels in Scarborough. 

We’ve stayed here a few times and we’ve never had a problem with our room. If you dont like lifts theres a lot of stairs but we like to keep fit anyway. Fridge was a bonus. Hairdryer, towels, three loo roll, towels, fan, iron, ironing board Good stock of tea and coffee, nice clean kettle. Paid for a room with a window and got unexpected sea view which was fab to wake up to. Gorgeous main area, singers on at nine, stayed in room thirteen no ghosts lol.

Will defo come again – thank you Grand Hotel.

Samantha K

Absolutely disgusting, the rooms was very dirty, full of dust, the room hasn’t been cleaned since the last person stayed as there body shape was still in the bed, bathroom had toothpaste all in the sink and the shower was absolutely filthy. Curtains are hanging off. Carpets are dirty. The food is very bad, cheap and under cooked. And most the food on the menu wasn’t even available. When speak to the staff I got verbal abuse from them and the chef told my partner to “f off”.. it’s just horrible experience. Do not wish this on anyone. You go outside to loads off homeless doing drugs and been drunk also. I actually ended having to leave and book an alternative accommodation.

Don’t stay here

Chloe S

Trip Advisor

Architect: Cuthbert Brodrick – 1863-67 an immense structure in red brick with tawny terracotta dressings, four storeys, basement, and storey at eaves cornice level, and two storey attic

Grade II* Listed

Olympia Leisure

This is the place to be, either to meet friends, make friends or just book a Party event for friends and family. With twelve lanes our Ten Pin Bowling Alley, with its modernised interior and updated scoring system is a fantastic place to relax.

We have fabulous balcony views of Scarborough’s Seafront and Bay and a Smoking Area. It’s the perfect venue for an office or workplace party, student celebration, holiday activity, or just a regular get together of friends.

Formerly the site of the Futurist Theatre

The Futurist Theatre was built to the design of Scarborough architect Frank Tugwell and opened on 27 June 1921 as a cine-variety theatre operated by William Catlin.

Originally it boasted a grandiose, ornate façade of robust, self-cleaning white glazed Carraraware tiles, the design of Henry Doulton.

This was later obscured during spring 1968 by a facelift of rectangular plain yellow cladding.

Demolition of the building began in June 2018 and was completed in August 2018.

The demolition and associated land works cost local taxpayers £3.91 million.

Wikipedia

Coney Island is a popular amusement centre located on Foreshore Road in Scarborough, offering a vibrant dose of classic seaside entertainment. It’s known for its unique architectural style and cool retro vibes that captivate visitors. This lively spot provides a welcoming atmosphere for all ages looking for fun by the coast.

Step inside Coney Island and discover a fantastic array of arcade games, ranging from exciting racing simulators where you can ‘drive’ sports cars and motorbikes, to a decent selection of both older and newer games. Beyond the flashing lights and sounds of the arcade, the centre also features a bowling alley, perfect for some friendly competition. Guests appreciate the ease of exchanging notes for coins at the desk, ensuring continuous play.

Yorkshire.com

I have been to t’other Coney Island – it looked like this.

Morecambe – West End

We are on a collision course on the coast.

The sky collides with the sea

The sea collides with the land

We wash up in Morecambe’s West End.

This is where the past meets an uncertain future, the best laid plans are eroded by the backwash of interminable economic decline.

The whole tale is best told here by East of the M60.

Britain from Above 1920

Postcard 1919

Postcard 1976

Busy bustling streets lined with large bed and breakfast establishments, rail and road links that led the holiday makers to town.

Supplanted by budget airlines, that took them far away.

The pier disappears along with subsequent short term attractions.

Social deprivation ensued, the shadow of Thatcher’s economic experiment looming large over the hollowed out streets.

2007

The café has been and gone no more Tasty Bites.

There were projects to support the rebuilding of the community, WEM closed in March 2026.

The area has been allocated £20m from the government’s Pride In Place fund.

Phased over 10 years, it aims to empower local people to tackle empty buildings and boost the local economy, public spaces and community amenities.

Lancaster Guardian

The former land of Frontierland may yet be saved as the cavalry, in the form of the Eden Project, comes down the line.

Photo: Dave Clark

It was a sunny day in August so I went to take a look around.

Come along to the Coffee Pot – 93 Marine Road

All day breakfast, burgers, panini, hot dogs and much more.

Outside seating on this lovely sunny day, come try us out.

Permanently closed.

Offering sea views, The Wellington Hotel & Holiday Flats is an accommodation set in Morecambe, the accommodation offers a 24-hour front desk and free WiFi is available throughout the property.

The aparthotel is fitted with one bedroom, a fully equipped kitchenette with a microwave and a fridge, and one bathroom with a shower and a hair dryer.

Photo: The Guardian

Best shop ever – Gabrielle Gibson

Olive Tree Ministries – serving the Polish Community.

Lancaster City Council’s ambitions to bring back to life the site of a former department store have moved one step closer thanks to the award of a government grant worth nearly £750,000.

Bought by the city council as part of the West End masterplan, the intention is to refurbish the building’s upper floors to provide affordable housing, retaining the Co-Op late shop that occupies one-half of the ground floor.

Lancaster Council

The Well Communities is a peer-led recovery organisation built on support, inclusion, and lived experience. For more than a decade, we’ve helped people across North Lancashire and Cumbria overcome drug and alcohol challenges, rebuild confidence, and move toward healthier, more hopeful lives.

Well Communities

Established in 2016 and winner of The Visitor “Business of the Year” award in our opening year.

The Exchange

This is by far the best, friendliest and cheapest pub I have been to in the fifteen years I have lived in Morecambe.

Initially they owned the Ranch House on the promenade but moved to the Exchange – then called the Imperial, some years ago.
Rob and Debbie completely turned the place around, barring all the undesirables and introducing live music every weekend.
Rob has kept the ale prices down which is reflected by the numbers of regulars and visitors it attracts.

Trip Advisor

Duffy’s Irish Bar on Springfield Street is officially opening its doors on Saturday June 6th from 12 midday.

A spokesman for Duffy’s Irish Bar said:

Expect great craic, ice-cold drinks, live entertainment, and the warm Irish welcome you’ve been waiting for.

Lancaster Guradian

We are a Morecambe based organisation & shop located ran by volunteers dedicated to helping local pets.

Crazy Cats

Loaded jackets, fresh smoothies and delicious panini.

Spud Runners

Morecambe, I love this place for treasures – Anna’s Charity

Four soup cups £2, 70’s piggy bank £1, 80’s and 90’s curtains £2

Louise Beagle

David Thurlwell, baker and proprietor – taken on the 26th of April 1991.

I remember the excellent meat and potato piesGeorge Smith.

Lancaster City Museum

More Music is a music and education charity based in the West End of Morecambe, with 30 years of experience delivering workshops, training, performances and festivals across the district, region and beyond. More Music seeks to build confidence and spirit in individuals and communities through the arts, especially music. More Music is an Arts Council National Portfolio Organisation.

More Music

Action is needed to tackle empty shops and rundown buildings in Morecambe’s West End, councillors have said.

Coun Whitaker “Do you agree that we need to stop the rot and the domino impact of more boarded up properties which residents are getting really fed up of? We need to prioritise getting boarded up properties back into use, as business or arts opportunities. Hopefully, we can make the West End a good arts hub when the Eden Project arrives?”

Coun Bottoms replied: “Yes, there are lots of ideas and lots of talk at these meetings. But there is no real vision or strategy. That’s what we need to move things forward. We need positive action, not just words.”

Lancaster Guardian

See how the other half live on my Morecambe Walk.

Bradford Walk 2026

Here we are again – updating the 2020 post and subsequent 2024 visit.

Saturday 25th July arriving in bright sunshine at the Bradford Interchange – architects WC Brown City Architect and RL Moorcroft BR 1971.

Which has been transformed for the City of Culture 2025 by Bigg Design, with their multicoloured panels.

In addition there has been a transportation of the approach by Fereday Pollard, with the addition of seating in the newly landscaped plaza area.

Moving into the city centre there have been changes in the area between the Bradford Hotel and the Town Hall, it’s now a freshly landscaped space especially for pedestrians.

The NCP multi storey car park on Hall Ings has been demolished.

The demolition work is part of the Government-funded Transforming Cities Fund for Bradford.

Bradford Council, in partnership with the West Yorkshire Combined Authority, is bringing forward a flagship programme of forward-thinking transport schemes, alongside major public space enhancements, that will help us shape and drive forward Bradford’s future regeneration in the city centre and beyond.

Providing an accessible, attractive and cleaner alternative to car journeys is at the heart of the Leeds City Region Transforming Cities Fund, a major new programme of transport infrastructure investment secured as part of the West Yorkshire devolution deal. The programme, which is being delivered by the Combined Authority in partnership with local authorities, will be funded through £317 million from the Department for Transport plus local match funding up to £140 million.

Photo Telegraph and Argus.

The area was once traversed by this elegant raised walkway.

The Bradford Hotel remains resolutely unmoved, recently it has been used as an Asylum Hotel, unsure that this is still so.

Located in the heart of central Bradford, The Bradford Hotel provides an elegant refuge in the midst of the bustling city.

Originally opened as the Norfolk Gardens Hotel, the hotel was completed in 1972 and opened in June of that year.

Architects – William Walker Partnership.

Adjacent is the Magistrates’ Court 1972.

City Architect WC Brown.

With a view through to One City Park 2024 Sheppard Robson.

One City Park in Bradford, England, draws attention with its striking architecture. The building’s curved design and forward-thinking concept create significant interest. For Sheppard Robson Architects, sustainability and the needs of people were paramount in the design. The facade of the complex features 1,700 glassfibre reinforced concrete elements from Rieder, making a distinctive design statement. The sandstone-coloured concrete components serve as both an architectural feature and a key element in creating a sustainable, visionary work environment.

Architonic

One City Park has been built on the site of the old Police Station opened in 1974 and demolished in 2010.

The area was once the centre of Will Alsop’s 2003 masterplan.

Which three years later are somewhat diluted:

The latest images of the scheme for the Bowl are generally disappointing and at the risk of a bad pun, the lake is now a watered-down version of Alsop’s vision.

Philip Veitch – of local practice Waller and Partners.

The Norfolk Gardens landscaping has opened up a fresh toward the Central Library 1965.

Architect – City Architect WC Brown with project architects G Sunderland and KLS Glen.

Next to the two Telephone Exchanges.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

Turn right around to take a look at the rear of the Ice Arena.

In January 1966 Mecca Leisure Limited opened the ice rink in Bradford under the name of the Silver Blades Ice Rink, it was reputed to be “The finest rink in the world”, with coloured lighting in the barriers, sparkling chandeliers over the ice, and a plush bar and restaurant.

The resplendently dressed skaters were entertained with organ music. The opening gala at the rink had performances by British skaters who had just returned from the World Championships, they included Sally Anne Stapleford, John Curry and ice dancers Bernard Ford and Diane Towler.

History

The take a turn around the bend to the front.

Let’s go up the hill to the University of Bradford.

The institution uses this image illustrating the transition of the BDP Richmond Building of 1964, to its contemporaneously clad iteration.

Out front is the tiled mural by Joe Mayo.

Some original seating has resisted transitioning.

The undercroft has not been so fortunate in resisting the chill wind of change.

We emerge into the clear light of day and the BDP designed Chesham and Horton blocks along with the former Nuclear Research Bunker.

Next back down into town to the shops that were shops.

Let’s hop to the Grade II-listed Co-op Sunwin House designed by CWS in house architect WA Johnson and JW Cropper in 1935. 

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Sunwin House had been – one of the most modern and stylish looking shops in Britain, when it was built in 1936, according to The 20th Century Society.

But the charity warned that the building, whose architectural style was inspired by Germany’s Bauhaus art movement, had stood empty for nearly 15 years and was in danger of creeping neglect.

Sunwin House, which was most recently used as a TJ Hughes department store after the firm went into administration in 2011, is one of 10 buildings featured on The 20th Century Society’s risk list for 2025.

BBC

The Freehold of Sunwin House, 65 Sunbridge Road, Bradford has been sold to a Bradford based investment company who have plans to refurbish the whole building principally based off a Retail/ Emporium use.

The building was purchased by Legal and General from the Co-operative Wholesale Society in 2005 subject to a lease to T J Hughes, who ceased trading in 2012. Following Administration, and the release and separation from the former Godwin Street Annexe, the original 95,000 sq ft Grade II Listed Store became an independent asset in 2017.

Holbeck Land

A stride away is the now closed Kirkgate Centre and MarketJohn Brunton and Partners 1975.

Demolition work will begin later this year to make way for the recently approved City Village development, comprising up to one thousand new homes, with the aim of creating a stronger, more welcoming, and sustainable future for Bradford.

Some residents have welcomed the changes, with the Kirkgate Centre previously described as a blight on the landscape. But others, like Barbara, lament the loss of the places they knew and loved.

Every time you go anywhere something has gone missing. Some of the changes are alright, some of them I think they could do without.

BBC

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

The William Mitchell concrete reliefs housed in the market are to be conserved along with the Fritz Steller tiles.

Higher up the hill John Brunton’s Highpoint has survived the call for demolition.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

It is now home to an innovative residential apartment complex with a community at its heart, which embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Redeveloped by Radii Living.

A tower block in Bradford likened to a structure from sci-fi movie Blade Runner has been named as the best brutalist building in the country.

Built in the 1970s, High Point, the former headquarters of the Huddersfield and Bradford Building Society, was recently converted into eighty seven flats as part of a £12m regeneration scheme.

National newspaper The Telegraph named the building top of its brutalist list – ahead of the Barbican, in London, Bristol’s Clifton Cathedral and Preston bus station.

Si Cunningham, who chairs Bradford Civic Society, said it remained one of the city’s

Most divisive buildings.

Symbolic of Bradford’s confidence and prosperity.

BBC

Highpoint’s neighbour the Oastler Centre is closed and awaiting demolition.

The Oastler Shopping Centre, formerly known as the John Street Market contained 176 stalls comprising a retail area, with an additional twenty three external shops and twenty seven storerooms. The cafes and stalls within the centre were various food, clothing and craft shops with some of the cafes and stalls having been in business since the 1960s.

The original outdoor open-air market was renovated to an indoor market in the early 1970s to make economic improvements to the upper side of the city centre and was named for the abolitionist Richard Oastler.

As part of the Bradford’s regeneration projects in line with the successful UK City of Culture 2025 bid, the Oastler Centre was scheduled to be demolished in late 2023 to make way for the new Darley Street Market.

Wikipedia

The Oastler Marker had its final day of trading on 28 June 2025.

The centre along with the nearby Kirkgate Market will be demolished and replaced with green space, housing and new commercial spaces in line with the new Darley Street Market and planned City Village, an area of green space nearby the site.

Happily the signage from the Oastler’s Fountains Coffee House has been preserved by the Bradford Industrial Museum.

Bradford Interchange

So here we are back in Bradford – updating elements of the 2020 walk.

Arriving right on time from Manchester Victoria at the Bradford Interchange.

First a little history,

Image – Disused Stations

The original railway station, named Bradford Exchange, was opened by the joint efforts of the Lancashire and Yorkshire Railway and the Great Northern Railway on 9 May 1850. The railway station with its 10 platforms was deemed too large and was again rebuilt, this time on a different site slightly further south.

Wikipedia

The Interchange was designed in 1962, it was hailed as a showpiece of European design when it opened in 1971.

Architects WC Brown Borough Architect and RL Moorcroft BR.

The bus station featured a large ridge and furrow design of overall roof, which was subsequently demolished in 1999 to allow for a rebuilding of the bus station, which was opened in 2001.

Further down the line, the plans of 2020 are yet to be realised.

So the curved and tented canopy is still in place, with the addition of seating in the newly landscaped plaza area – designed by Fereday Pollard.

The area has replaced the former taxi rank and drop-off point, and has new paving, seating and planters.

Designs include a new pocket park, plaza and interiors, all formed as a high quality welcoming visual amenity whilst repairing the disparate components which form the backdrop of the proposals. In the plaza, a kaleidoscope of colours is complemented by a grid of generous planters with integrated seating and vibrantly coloured furniture to create a celebratory and flexible meeting space. The ‘Colours of Bradford’ introduce clarity and joy, with the new plaza serving as an extension to the station concourse, allowing meeting and dwell space to interact with the city and onward journeys. Reinforcing the moor to meadow narrative of our original scheme, the new pocket park creates a pollinator park, encouraging and promoting a connection with the wider surrounding landscape of Bradford and combined with the Tower of Now, pays tribute to the rich and varied cultures found in Bradford.

Fereday Pollard

With Bradford awarded the UK City of Culture 2025, and an expected 15 million visitors during its year of celebrations, the city is ready for its moment in the spotlight. As part of these exciting developments, Bigg Design and Fun Makes Good are transforming Bradford’s main bus and rail interchange with super-scale, multi-surface artworks that will create an exciting, welcoming gateway to the city.

Bigg Design

Their design work not a million miles from the prints and paintings of Richard Paul Lohse.

For me, this lower concourse always seems to have echoes of Jean-Luc Godard’s film Alphaville.

There are no special props or futuristic sets: instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings – which in 1965 were new and strange architectural designs, represent the city’s interiors. 

Up the steps to the bus station.

Huddersfield Walked Again

College of Technology: the central precinct with the two classroom blocks 1960 Frederick Gibberd.

Image – Henk Snoek 1960 RIBA pix

We no longer begin at the Kirklees College – it was knocked down and a Lidl built on the site.

So we begin at a new beginning, a new beginning for the Bus Station, during the current refurbishment the car park is closed.

We are transforming Huddersfield Bus Station into a fully accessible facility.

Work is underway on the £28 million facility, which is funded by the West Yorkshire Combined Authority and Kirklees Council.

I was informed by the seriously erudite Christopher Marsden, that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

We then cross over the road to the Civic Centre, with its gold leaf facade, and the perennially empty piazza, which along with the Magistrates’ Courts and Police Station, was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble. 

Exsilite is made by fusing grains of silica and pigments to form a slab that simulates onyx marble.

Exsilite is a Latin word meaning – spring/leap/burst forth/out, leap up, start up, bound; emerge into existence.

It is to be note that the doors and distinctive handles from the Courts to the Piazza have been removed.

The Police Station is to be vacated on completion of the new Police Station.

Next to the curved and ribbed concrete wall, concealing an electrical sub-station.

Further on down the road the former Co-operative store 1936 JW Cropper.

On opening day, the Examiner said the Co-op gave:

The town of Huddersfield a store that is entirely modern in design and equipped on the most up-to-date lines-a store of which the townspeople generally, and co-operators in particular, can be proud.

It has subsequently been seriously disabused by insensitive refurbishment and extension.

We cross over to view the access road to the service area of the market – now closed.

It was formerly topped off by a multi-storey car park – since demolished.

Then onward to the Grade II Bath House at Broadbent’s Engineering in Huddersfield.

1955, by Abbey Hanson architects – designing architect Andrew Buck, project leader Geoffrey Rowe.

The building is a very rare, possibly unique example of a purpose built bath house for foundry workers

* Its continuing function as a bath house has preserved its original purpose in both its layout and its fixtures and fittings as well as its design

* The design of the building manifests inspiration from both W Dudok and Frank Lloyd Wright, and achieves a high standard of accomplishment in its interpretation of contemporary architectural influences

* The use of local stone for external walls distinguishes it from brick built pithead baths of similar style, and the imaginative use of finishes lends further distinction

* The interior survives almost entirely intact, with original wash basins, shower and tap fittings, lockers, floor and wall surfaces, doors and light fittings.

Historic England

One of Huddersfield’s hidden architectural gems has been transformed into an attractive and unusual gallery-cum-coffee house and restaurant, destined to become a popular public space for meeting, eating and art appreciation. But among the attendees at a special unveiling event there were men who remembered its original function – as a bath house where scores of foundry workers could shower away a day’s grime.

University of Huddersfield

Up around the the bend and here we are at the Grade II listed Queensgate Market, 1968-70 to the designs of the J Seymour Harris Partnership, with Leonard and Partners as consultant engineers. 

Another feature of Huddersfield Market which sets it apart from other post-war market buildings is its incorporation of works of art. Fritz Steller was a German-born refugee architect who had settled in Stratford-upon-Avon. He pioneered the production of large scale ceramic art, having been interested in the use of a wide variety of materials in sculpture. The development company Murrayfield had a policy of incorporating public art into their schemes, and the project manager of J Seymour Harris, the architects for the Huddersfield development, was Gwyn Roberts, a friend of Steller. One of the Borough Councillors at Huddersfield was Clifford Stephenson, an enthusiast for public art and particularly for modern ceramic sculpture. This combination led to the appointment of Steller to produce designs for the new market hall. The size of the panels necessitated the construction of a special kiln for their firing, and experimental mixes for the composition of the clay which was resistant to acid rain and chemicals.

Historic England

Seen here on my visit in 2015, and subsequently in 2021.

Straight ahed to the service entrance at the rear of The Piazza.

The council wants to demolish the Piazza buildings as soon as possible.

Phase 3 was originally to be the Queen Street plot but Greenhead College’s plans for a new education building on the site failed to secure Government funding. Since then the council has been looking at alternatives – including a hotel, residential or offices – but now believes a new multi-storey car park could be the best way forward.

Phase 5 was to have been a £90 million events and concert venue with a multi-storey car park attached but that is no longer affordable. A review of the venue is underway and the council now thinks a “flexible multi-purpose” venue is the way forward. It would have a fully-seated capacity of 1,200 or 2,000 with a standing floor and seated balcony.

Huddersfield Hub

Turning our back on the market and away to Buxton House 1968.

Kirklees Council’s plans for the £16 million re-development of a Huddersfield town centre block of flats have collapsed.

Buxton House, between New Street and Albion Street, failed to meet modern fire safety standards and the council moved tenants and bought out owners and leases, pending a full-scale refurbishment.

Planning permission was granted in July 2024 to re-model the tower block to create forty one, one and two-bedroomed flats along with five studio flats with construction set to start in November 2025.

However, it has now been revealed that the council has failed to find a contractor and the scheme is on hold indefinitely.

Huddersfield Hub

Design for refurbishment.

The flats are part of a larger retail development by Bernard Engle & Partners.

Across the way Ramsden House a slab on a podium, part of the Murrayfield Redevelopment 1968 J Seymour Harris Partnership.

This block was the first and only phase of four that’s still intact. It’s a slab and plinth project with underground servicing marble finishes and two art mosaics that relate to the town. The Ramsden Street elevation mosaic depicts ‘Development of the woollen industry from a cottage craft to the beginning of the industrial revolution’ designed by Huddersfield artist, Harold Blackburn.

Princess Street bears ‘Facets of the Local Scene’ by Mural Consultants Ltd.

Modernist Buildings Trail

Across the way Whitfield’s Department Store 1963 Ralph Hudson.

The longstanding furniture & piano dealers, Whitfield’s expanded from numbers five and seven with this six6 storey tower.

Influenced by a tour of modern European retail premises the company chairman supplied the architect with photos of ideas.The glossy metallic finish reflects the excitement of the notion of an Ercol show room on the fourth floor and G-Plan on the fifth. Pianos were on the first floor and TVs & radio and their servicing were in the basement. Welcome to stylish living sixties style!

Modernist Buildings Trail

Down the hill and away to:

Public Library 1940 Architect: EH Ashburner & James Arthur Woodford.

James Woodford at work – on the right, sculpting figure representing the Spirit of Literature

Reference Library.

Image – Charles Pickard 1940.

The food hall and library is due to open in summer 2026 but more problems have been uncovered with the former library and art gallery which will become the new museum. Internal works are underway and more asbestos than expected has been found and an extra £1 million has been needed to pay for removal.

The council has also found several other “significant issues” that also needed to be resolved.

It could be mid-2029 before the museum is ready to open.

Off we go to the Midland Bank – then HSBC then not a bank at all, 1970 Peter Womersley with Roger Shaw of Kitson & Partners.

Next door the Halifax Building Society 1981 Abbey Hanson Rowe.

back to the main drag and the Pearl Assurance Building 1963 Elsworth Sykes & Partners.

The nipping down the lane to Neaversons 1935 with two Moderne fascia elevations by shop fitters Sharp & Law of Bradford, Grade II Listed as part of the Kirkgate Buildings.

Once selling bijou household goods, following occupation by several bars and cafes, currently empty.

Finally just in time to catch the last post at the Royal Mail Sorting Office – Post Office extension 1968 Office of Public Works.

Worcester College Oxford

I was walking from the railway station, a map of Oxford folded in my back pocket.

Having no real notion of anything really, I simply followed my intuition and ended up here.

Worcester College was founded in 1714 by the benefaction of Sir Thomas Cookes, 2nd Baronet 1648–1701 of Norgrove, Worcestershire, whose coat of arms was adopted by the college. Its predecessor, Gloucester College, had been an institution of learning on the same site since the late 13th century until the Dissolution of the Monasteries in 1539.

Founded as a men’s college, Worcester has been coeducational since 1979.

Wikipedia

This Mediaeval terrace is thought to be the oldest surviving domestic building in the city, known as the cottages – forming one side of the Quad.

This is the Casson Building – undergraduate accommodation.

The Linbury Building is a dedicated conferencing and private dining venue enjoying a beautiful natural setting among mature trees and landscaped lawns.

Accommodating up to one hundred guests for receptions or forty eight on a fully-catered basis, the Linbury Building offers the perfect venue for your mid-sized event. Set among the College’s award-winning gardens, the Linbury allows you to enjoy our unique natural setting thanks to floor-to-ceiling glazing which can be retracted to create an al fresco space in the summer.

With its own bespoke furniture made from English oak and College-crested leather chairs, the main conferencing space can be adapted into a wide variety of configurations, from seminar, cabaret or theatre to private dining and drinks receptions. The adjacent foyer area is a perfect space for delegate registration, break-out coffee and pastries or buffet lunch service. 

Worcester College

John Davan Sainsbury – Baron Sainsbury of Preston Candover 1927 – 2022 was a British businessman and politician. He served as the President of Sainsbury’s, and sat in the House of Lords as a life peer and member of the Conservative Party

Robert Alfred Maguire 1931–2019 was an influential British modernist architect and leading thinker in the British liturgical architectural movement of the Church of England. Maguire and Keith Murray formed an architectural practice in 1959.

Nazrin Shah ascended the throne of Perak in 2014. As Sultan of Perak, he has been a strong advocate for education, Islamic moderation, and national unity. He has served as deputy king under Sultan Muhammad V of Kelantan, Sultan Abdullah of Pahang, and Sultan Ibrahim of Johor.

The Sultan Nazrin Shah Centre is a new building of 2017 housing a large lecture theatre, a student learning space, seminar rooms and a dance studio. The project is not simply the provision of new facilities, but also the development and enhancement of the setting of this significant part of the College site. Whilst the relationship between the new buildings and the listed parkland is important, it is only one part of a complex arrangement.

Níall McLaughlin Architects

Elizabeth Frink’s sculpture Seated Man II – on loan from Yorkshire Sculpture Park, in accordance with the wishes of the artist’s late son, Lin Jammet, 2020.

He overlooks The Sainsbury Building student accommodation – 1983 Architect: Richard MacCormac

View from the loggia to the upper terrace.

Archive images 1983 – Charles Martin RIBA pix

The common room.

The central lobby.

A study bedroom.

The College Chapel was built in the 18th century. George Clarke, Henry Keene, and James Wyatt were responsible for different stages of its lengthy construction 1720–1791, owing to a shortage of funds. The interior columns and pilasters, the dome, and the delicate foliage plastering are all Wyatt’s work. His classical interior was insufficiently emphatic for the tastes of militant Victorian churchmen, and between 1864 and 1866 the chapel was redecorated by William Burges.

It is highly unusual and decorative; being predominantly pink, the pews are decorated with carved animals, including kangaroos and whales, and the walls are riotously colourful, and include frescoes of dodos and peacocks. Its stained glass windows were to have been designed by John Everett Millais, but Burges rejected his designs and entrusted the work to Henry Holiday.

Wikipedia

My first visit to Oxford and the centuries wide cornucopia of architectural styles and fashion.

See also: St Catherine’s College, Materials Science, and The Florey Building.

University of York – RIBA pix

Following my previous visits to the University of York, recording the history and the Fred Millett Reliefs, I have searched the RIBA pix archives to find further images.

They mainly illustrate the Derwent and Langwith Colleges – both built using the CLASP system of construction.

The University of York was founded in 1963 and work on its campus facilities in the grounds of Heslington Hall was begun in 1964. The first two colleges, Langwith and Derwent, accepted residential students for the autumn term of 1965. The original buildings were designed by Sir Andrew Derbyshire of Robert Matthew Johnson-Marshall & Partners, and assembled using the CLASP system of prefabricated construction.

RIBA

Derwent College: one of the two covered walkways linking the college buildings with sculptural relief by Fred Millett at the far end.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Derwent College: a concrete panel sculptured by Fred Millett.

Derwent College.

Photographs 1965 Keith Gibson.

JB Morrell Library.

Derwent College: a covered walkway over the lake.

Central Hall.

Photograph 1972 Bill Toomey.

Vanbrugh College: stepped roof to the covered way leading down to the lake.

Photograph 1972 Peter Bairstow.

Derwent College and Heslington Hall.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Langwith College, seen from the lake.

Langwith College.

Photographs 1965 Bill Toomey.

David Brown Laboratories: the flue stack.

David Brown laboratories: the water tower.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

Derwent College.

Derwent College.

Langwith College: close-up of the oriel windows.

Photographs 1965 Bill Toomey.

Derwent College: a concrete sculptured screen flanking a covered way.

Derwent College: a concrete sculptured screen flanking a covered way.

One of several concrete link bridges.

Another of the several concrete link bridges.

Photographs 1965 – Reginald Hugo de Burgh Galwey.

David Brown laboratories: seen from one of the link bridges.

David Brown Laboratories: the flue stack and water tower rising above the laboratory blocks.

J. B. Morrell Library: the central staircase and lift tower.

Photographs 1965 Keith Gibson.

Central Hall.

JB Morrell Library, University of York, seen from the south side of Heslington Road with linking pedestrian bridge and ramp in foreground and cast aluminium sculpture by Austin Wright

JB Morrell Library: the covered pedestrian bridge linking the library to the southern side of the campus.

JB Morrell Library.

JB Morrell Library: the main entrance and terrace.

JB Morrell Library: the issue counter seen from the second floor.

JB Morrell Library: viewpoint from the fourth floor.

The covered pedestrian bridge linking the southern side of the campus to the JB Morrell Library on the north side.

Langwith and Derwent Colleges.

Derwent College and Heslington Hall.

Photograph 1965 Henk Snoek.

Wigan Walk – 2026

It’s been four years since our 2022 Wigan Walk – so time to see if there has been a refreshing change.

Beginning with a trip to the former flicks, the Princes Cinema now trading as Pure nightclub, sometimes home to Singo Bingo.

Originally the site of New Princes Theatre, opened on the 1st May 1911, the cinema was demolished and replaced, on an adjacent plot, by Princes Cinema in 1933.

Onward now to see the three Telephone Exchanges.

Interwar

Sixties

Ofd special note the adjacent Electrical Substation of the day.

Plus extra added military history.

Seventies

Tucked in behind the Telephone Exchange are several streets of Edwardian social housing – the Spring Gardens Scheme of 1905.

The property is practically paying its way, and all the present generation has to find is a small sum of ninety odd pounds for sinking funds. For this we get fifty-nine families decently housed, the rateable value of the town increased, a slum abolished, an eyesore removed, the health of the inhabitants remarkably improved, their environment made clean, refined, and elevating, whilst our successors in 1959 will inherit an unencumbered estate.

Municipal Dreams

Next to the Wigan Post Office Sorting Office 1959.

Next we take a look at the Bus Station.

Wigan’s original bus station was on Market Square.

Image Wigan World

It was demolished in 1985 as part of a wider redevelopment of the town centre to make way for the Galleries Shopping Centre. A new bus station, built at a cost of £2.3 million, began construction in April 1986, and opened in November 1987.

Wikipedia

Transport for Greater Manchester commissioned Austin-Smith:Lord to design a replacement nineteen stand £15.7m bus station in Wigan Town Centre, the project was completed in October 2018.

Construction images – Bee Network.

Around the corner to the Wigan & Leigh College.

The original building of 1954 by Howard V Lobb G Grenfell Bains & Hargreaves, with later extension.

There have been several phases of redevelopment and new build in recent years.

This block of the Technical School has been demolished since my last visit.

Thomas Linacre Technical School for Boys mural 1954.

Image – RIBA pix

Across the road the former Grammar School.

Wigan Grammar School was founded in 1597 and closed in 1972, as part of the comprehensive education movement.

It then became Mesnes High School, and subsequently Wigan College’s Mesnes Building in 1989. 

Since 2003, it has been known as the Thomas Linacre Centre and is an out-patient department for the Wrightington Wigan and Leigh NHS Trust.

It was designated a Grade II listed building in 1997.

Architect: A E Munby

DJ Russ Winstanley was a former pupil, here he is in 1975 at the Wigan Casino holding up a copy of Footsee by Wigan’s Chosen Few b/w Seven Days Too Long by Chuck Wood.

On Millgate we find the former Wigan Civic Centre.

Once it was all boarded up with nowhere to go.

Subsequently resuscitated by Capital&Centric.

Across the way the new Library and Life Centre by Astudio and LCE Architects.

Down the road is the recently refurbished Leisure Centre.

Built on the site of the International Swimming Pool – opened 1968 demolished 2010.

Across the way to Scholes Comprehensive Development 1964

Five thirteen-storey tower blocks adjacent to Douglas House in Scholes were approved in 1964. Lower-rise housing and flats spread to the east. In 1968, a further 13-storey block, Boyswell House, was built at this eastern end of the Scholes Comprehensive Development Area. Almost 500 slum houses, housing 566 families, were demolished that same year and 581 new council homes completed.

Municipal Dreams

Image – Tower Block 1987

Next to the Roger Booth cop shop that became a Premier Inn.

A super-comfy bed, blackout curtains, a powerful shower and free Wi-Fi – our double rooms have everything you’ll need for a great night’s sleep.

Next door the Wigan & Leigh Courthouse 1992 Wigan MBC Architect.

Relief figure of justice by Christine Ward.

Onward to Brocol House – currently home to the Job Centre

Image – Wigan Peers

Originally built for the Inland Revenue one the site of the Brewers Arms – has the welcoming charm shared by the majority of Ministry of Works buildings of the period.

Nearly done – up the road to the County Playhouse.

Which masquerades as Ibiza.

The club’s atmosphere is defined by thumping music and a vibrant crowd eager to dance and celebrate. Its modern interior design complements the lively ambience, creating an inviting space for locals and visitors alike.

Construction began on the County Playhouse in 1916. However, due to a shortage of materials and labour during World War I, it was not completed until 1919.

Finally opened on 22nd December 1919 with The Hun Within – starring Dorothy Gish.

The County Playhouse closed on Sunday 13th November 1966 with Disney’s “The Sword and the Stone”. It was taken over by the Leeds Based Star Cinemas chain and they converted it into Star Bingo and Social Club opened on 24th November 1966.

MAS sales store 1982 – Frank Orrell Photography

The building has since been used as a discount store and Playhouse Club Café. It then became home to the 1,200 capacity Pure Nightclub. In the early-2000’s it became the Ibiza nightclub. The Pure nightclub move into the former Princes Cinema

Cinema Treasures

Time for a swift half in The George to end your tour?

Great for a local pint one of the cheapest in Wigan I believe, slightly rough at times but no fights just real local people who are generally friendly. Proper drinking gaff, and karaoke on certain nights.

Use Your Local

Dolphin Leisure Centre – Poole

Kingland Rd Poole BH15 1TN

Poole Dolphin Leisure Centre offers a modern gym with sixty stations, four pools including a main, teaching and diving pool, plus award-winning swimming and diving lessons. Enjoy casual swims, fitness sessions and a wide range of group classes for all ages. After your workout, relax in our sauna and experience fitness, fun and wellbeing all in one place.

I can’t speak for the facilities, or their general cleanliness, I don’t swim or have much time for leisure.

Walking around looking at things, taking pictures, chatting and such is my lifestyle choice and preoccupation.

So here’s a snapshot of the centre’s exterior, with particular attention paid to the concrete relief.

As an aside the nearby Dolphin Shopping Centre was once known as The Arndale.

In 1957 discussions began about creating a covered in shopping centre in the heart of Poole town centre, in a similar vein to those popular at the time in America. In 1963 property developers were invited by Poole Corporation to present schemes to develop this shopping centre as part of a redevelopment of the town.

The winning scheme was for a two million pound redevelopment by the Arndale Property Trust on land at High Street, Seldown Lane and Kingland Road] known as the Ladies Walking Field. One of the main reasons Arndale won was that their proposal incorporated a fully enclosed shopping centre. The scheme was to be designed by Leslie Jones and Partners in association with Geoffrey Hopkinson; Poole Borough Architect and Chief Planning Officer, the structural engineers were to be Bowden Sillett and Partners and the main contractors were to be Sir Lindsay Parkinson and Company.

The transformation of Poole Town Centre started in June 1966 when work began on a new road layout and construction of the shopping centre commenced in March 1967 when the then Mayor of Poole, Alderman Ron Hart, dug the first turf.

Bournemouth Echo

In 1989 an eight million pound refurbishment programme was carried out on the centre, which emerged with a new name ; The Dolphin Shopping Centre.

In February 2025, reinforced autoclaved aerated concrete RAAC was found at the shopping centre. The final Beales department store in the UK will close at the end of May 2025.

Wikipedia

To ensure the shopping centre remains popular and well occupied, the owner LGIM Real Assets is investing in the redevelopment of the internal malls and various retail buildings within the site. Designed by tp bennett, a programme of refurbishment is underway with the aim of delivering a more exciting and modern retail experience to help attract shoppers and retailers. The scheme includes new stores for H&M, New Look and JD Sports as well a new mixed-use leisure development, with a multiplex cinema, restaurants and a refreshed public realm.

It will be a huge transformation and there is a real local desire for it.

Says tp bennett’s James Painter. 

Part of wider improvement works in Poole, it is hoped that this major investment will enhance the customer experience, and reinforce the centre as a popular, family-friendly retail and entertainment destination.

Hamtun Street Mural – Southampton

The large and colourful mural in Hamtun Street in Southampton’s Old Town charts the history of the city from Roman Clausentum and Saxon Hamwic, to the modern docks and football.

Created in 1978 by influential artists Henry and Joyce Collins,

The mural was commissioned by Sainsbury’s to decorate the façade of their supermarket in Lordshill, Southampton.

The 19m long and 3m high mural consists of thirty seven concrete and glass mosaic panels depicting landmark buildings and iconicevents from Southampton’s history. 

Thanks to a grant from the Heritage Lottery Fund, the mural was cleaned and restored by ceramic artist Oliver Budd.

Artist and conservator Oliver Budd creates and restores mosaics for public and private commissions. Budd Mosaics was set up in 1960 by Kenneth Budd, a contemporary of Henry and Joyce Collins. Kenneth invented the technique of prefabricating mosaics in the studio on aluminium mesh panels.

By July 2011 it was installed at Hamtun Street in the heart of the Old Town.

Tudor House and Garden

Here it is with Castle House in the background.

Southampton Mural 2013.

A cross-section of the local community helped create a new mural depicting contemporary Southampton. The design was inspired by ideas from young people at Prince’s Trust, residents of Ironside Court, parents from St. John’s School and local people who attended mosaic workshops led by artist Joanna Dewfall.

Joanna Dewfall’s design captures the city’s iconic buildings, maritime industry and present-day life. The border, made during mosaic workshops, contains themes from past and present celebrating Southampton’s cultural diversity.

The new mural is located on Castle Way, round the corner from the Hamtun Street Mural.

My first encounter with the work of Henry and Joyce Collins, was on the side of the former BHS in Stockport.

I have subsequently visited their work in Bexhill on Sea.

Newcastle upon Tyne

And Cwmbran.

Nelson Gate – Southampton

On arriving a Southampton Central there it is looming over Blechynden Terrace.

A big brute of a building Nelson Gate, comprised of sixteen-storey Norwich House, seven-storey Frobisher House and five-storey Grenville House.

Though it seems that for some time there are those which wish to tame the brute.

Plans for a multimillion-pound development including a hotel, homes, offices and shops in Southampton city centre have been revealed.

The Nelson Gate scheme, proposed by developer FI Real Estate Management, would also see Norwich House and Frobisher House revamped.

A public square would be created by the city’s central railway station, as well as a new pedestrian route.

A full planning application is expected be submitted later in the summer.

Chris Hammond, leader of Southampton City Council, said: “Nelson Gate is one of the gateways into the city from the station, so to see a brand new development is fantastic. It really showcases what the city has to offer for those coming in.”

BBC 2018

Fast forward to 2025

Ellis Williams was appointed to develop designs and achieve planning permission for the redevelopment of Nelson Gate in Southampton, transforming the existing 1970’s office accommodation into an iconic residential and public space. Through positive and extensive engagement with Southampton Council, the site has been re-imaged as an arrival gateway into the city from the Central Railway Station.

The existing office buildings and car park will be transformed into 247 residential apartments, 42,000 sq ft Grade A office space, a 224 bed hotel with extensive dry leisure and 14,000sf commercial / food and beverage space fronting onto a new public realm and urban park.

Aligned with other significant investment into Southampton, Nelson Gate will create a truly unique place for people to live, work and socialise.

EWA

The scheme is expected to be delivered in two phases. The first phase, focusing on the existing buildings and their immediate surroundings, is projected for completion by September 2026. However, it is important to note that this timeline is a challenging target.

Southampton Gov

As of Tuesday May 5th 2026, all is as was.

Though there is a new mural.

It’s 2023 and Nelson Gate, renamed The Bulb, will sport the UK’s largest clean air mural, it was designed by French street artist Nerone.


Here’s what I did photograph.

Warrington Walk

It’s a sunny day in May and we begin at Warrington Bank Quay station.

The first Warrington Bank Quay station opened on 4 July 1837.

The station was rebuilt when the line was electrified in 1973, a new power signal box covering an extended area was built east of the station for the electrification.

In 2009 a new entrance hall was completed, with a travel centre/ticket office and a shop.

The buffet on the London bound platforms was modernised.

Wikipedia

The station was once operated on a split level.

Next onwards to the Pyramid Arts extension 2002, a reworking by Studio BAAD of the former County Court and Inland Revenue Offices 1897-8 by Sir Henry Tanner.

Studio BAAD Ltd started winding up proceedings for a Creditors Voluntary Liquidation in April 2021 and the company was dissolved on 21 July 2021

The centre is currently closed – work began on the redevelopment, which has been funded by a £5 million grant from the Government, in July 2024.

The project aims to make the building more modern, accessible and fit for the future.

The redevelopment includes the addition of a new café and bar area while the Exhibition Hall will become a bigger capacity venue.

Across the way the Masonic Hall 1932-33 Albert Warburton.

Further along to Hilden House a former Department of Works and Pension building, currently undergoing a transformation into a residential block.

The £18m office to residential reset of the 52,400 sq ft building will offer a mix of one- and two-bedroom apartments in plans now approved by the local authority.

Caro Developments, working in tandem with architect Falconer Chester Hall, hopes to start construction later this year.

According to a planning statement submitted on the developer’s behalf by Savills, once complete, the five-storey block will offer residents a concierge service, a gym and wellness facility, a resident’s lounge, and a co-working area.

Place North West 2025

Way out of period but a notable Warrington landmark are the Golden Gates designed in 1862.

The gates were made for the International Exhibition of 1862, and then intended for Queen Victoria’s Sandringham home in Norfolk. Coalbrookdale found it hard to find a buyer for such grand gates, so Frederick Monks, one of the town’s earliest councillors, was able to buy and bring them to Warrington to stand at the front of the town hall lawn.  Monks also presented the cast iron Cromwell statue, designed by John Bell, to Warrington in 1899.

Warrington Gov

The Golden Gates are Grade II* Listed, along with the gate piers and the lamps which line the driveways at either side of the town hall

Up the road now to the Soap Works – first views from across the railway tracks.

Then over the bridge.

Joseph Crosfield was born in Warrington, the fourth son of George Crosfield and his wife Ann née Key. In 1814, Joseph’s apprenticeship having finished, at the age of 21 he decided to establish his own soap making business in Warrington.

In 1911 the company was purchased by Brunner, Mond & Company and 1919 it was absorbed into Lever Brothers. From 1929 Crosfield was a subsidiary of Unilever. In 1997 its Warrington speciality chemicals division that made ingredients for detergents and toothpastes was acquired by ICI and in 2001, Ineos Capital purchased the company. The name Crosfield was finally lost as it was renamed Ineos Silicas. In 2008 Ineos Silicas was merged with PQ Corporation, with the new company retaining the name of PQ Corporation.

Wikipedia

The Crosfield’s factory closed for good in October 2020.

Dante FS Group formally acquired four acres of the site this month for an undisclosed fee from EcoVyst.

The latter firm will continue to operate from sections of the site, as will PQ Corporation, with Dante buying land closest to the train station, including the visible blue buildings and white Unilever tanks.

Renamed Platform at Bank Quay, the ‘next-generation, state-of-the-art modular data centre’ is ‘set to power the UK’s growing AI economy’ and bring high-tech jobs to the town.

Warrington Guardian

Across the way the Scared Heart RC Church 1894 Sinnott Sinnott and Powell.

Listed Grade II

We now approach the Pink Eye roundabout where we may view the Pink Eye Silo.

Middle right this Aero Photo of 1928 shows a much larger mill complex.

Also the site of an older bridge – later replaced by a pipe carrying structure.

We then follow the riverside green line path twixt Soap works and Mersey, heading toward the Transporter Bridge.

The route explained by the indispensable Friends of the Warrington Transporter Bridge.

Warrington Transporter Bridge aka Bank Quay Transporter Bridge or Crosfield’s Transporter Bridge across the River Mersey is a structural steel transporter bridge with a span of 200 feet.

It is 30 feet wide and 76 feet above high water level, with an overall length of 339 feet.

It was commissioned in 1916 and, although it has been out of use since about 1964, it is still standing. It was designed by William Henry Hunter and built by William Arrol and Co.

The Transporter Bridge was built to despatch finished product from the cement plant that had been built on the peninsula. It was originally designed to carry rail vehicles up to eighteen tons loaded weight.

The bridge was converted for road vehicles in 1940, and was certified to carry loads of up to thirty tons in 1953.

FOTWTB

This was my first visit in 2017 – recorded on Modern Mooch.

Highlight on any day out anywhere is the discovery of arcane British Rail typography.

There’s a brief history of Freightliner history right here.

Back now to Bank Quay and off to the Telephone Exchange.

This is the 1969 building designed by the MODBW, Reginald Norman Dixon with lead architect P Clinton.

Linked to the 1955 building designed by John Onslow Stevens.

Biggest thanks to Lisa Kinch who can be found over on Instagram, for all her informative research into telephone exchanges.

Toward the town centre and we pass the Bold Street Methodists Church – 1973-75.

Currently closed and for sale.

Thence to the Block 1 nightclub.

Medicine night club early 2000s.

Originally a Tetley’s house named The Woolpack.

Got served my first pint in there, I was only 14.

Karl Beckett

Coming down those stairs, I slipped and the heel came off my boot, I’d only had one drink – loved those boots.

Sue Duncan

This was the original Woolpack on the site.

Much of the town centre is dominated by the Golden Square shopping centre.

Designed in 1974 by Ardin and Brookes and Partners, since enlarged.

There is also extensive pedestrianisation and hard landscaping on the surrounding streets, carried out in 2002 by Landscape Design Associates with sculptural works by Howard Ben Tre.

Finally to the Bus Station which used to look like this:

Until it became an Interchange and looks a lot like this.

Warrington’s new bus interchange was opened on 21 August 2006. From 1979, bus users travelled from a facility on Golborne Street, but it was very unpopular due to its very dreary appearance. 

On The Buses.

Though the final word must go to an absent friend.

Where once the New Town House stood.

Built in 1976 to house the Warrington & Runcorn Development Corporation.

Visited by myself the Modern Mooch in 2021

Nobody actually likes brutalist buildings. 

They just pretend to like them to make themselves look cool, it’s like craft beer and food that comes in tiny portions.

Walsall Walk

The name Walsall is derived from Walh halh, meaning valley of the Welsh, referring to the British who first lived in the area. Later, it is believed that a manor was held here by William FitzAnsculf, who held numerous manors in the Midlands. By the first part of the 13th century, Walsall was a small market town with a manor house; the weekly market was introduced in 1220 and held on Tuesdays. The mayor of Walsall was created as a political position in the 14th century.

Significant developments also took place nearer to the town centre, particularly during the 1960s when a host of tower blocks were built around the town centre; however, most of these had been demolished by 2010.

The Memorial Gardens opened in 1952, in honour of the town’s fallen combatants of the two world wars. The Old Square Shopping Centre, a modern indoor shopping complex featuring many big retail names, opened in 1969.

Much of the reconstruction of the post-war period was quickly reconsidered as ugly and having blighted the town. In 1959, John Betjeman advised that with sensitive restoration the old buildings of the High Street could become:

One of the most attractive streets in England.

Instead, almost every building was demolished.

Wikipedia

There is to be further demolition on the High Street, to open up the vista between the Bus and Railway stations.

In 2021 Walsall secured funding of £11.4m from the Future High Street Fund. With further investment from Walsall Council we are now delivering the early phases of the Town Centre Masterplan, through the Walsall Connected Gateway Project.

Walsall Gov UK

Approval has been granted to remodel the Saddlers Centre to create a more open and attractive arrival experience for train passengers whilst also opening up Park Street. Butler’s Passage, which has in the past been the centre of antisocial behaviour, will disappear as some of the buildings are removed to create a large open walkway, connecting the rail and bus hubs.

Former Railway station 4th March 1978 – photo by Walsall 1955

The station was about to be closed, demolished and replaced by a new Marks & Spencers and the Saddlers Centre.

The existing entrance to the railway station on Station Street.

Let’s begin at the St Paul’s bus station or Hub – if you will, complete in September 2000.

The 1936 St Pauls Street bus station closed in February 1975, and was completely demolished, rebuilt and opened in August 1975.

Photo by: Walsall 1955

Allford Hall Monaghan Morris designed the building for Centro. The structural engineers were Atelier One, Shepherd Construction Ltd were the contractors, Watkins Dally were the landscape architects and Clark Smith Partnership were the civil engineers. 

The project cost £6.5 million.

Wikipedia

Next, a glimpse of Hatherton Road multi-storey car park.

Though it appears to be closed.

Adjacent to Enoch Evans Solicitors, their offices housed in one of the many imperious inter-war buildings dotted around the town.

Which faces onto the back of the Civic Centre.

Following the formation of the Metropolitan Borough, the new Civic Centre in Darwall Street opened in 1976, architect Stanley W Bradford Walsall MBC Director of Architecture.

Central roof garden.

Leaving the Civic Quarter on the left is the Imperial

The Imperial started life as an agricultural hall, constructed in 1868-69, and designed by the architect GB Nichols of West Bromwich. At that time, it was used for a variety of community activities including shows and dancing, it was also hired out to travelling film showmen. The main feature of the early building was a principal ground floor hall.

In June 1914, the Imperial was closed to allow for conversion to a cinema, designed by West Midlands-based architects Hickton & Farmer.

The Imperial was converted to a bingo club in 1968, and in 1996 it was converted into a pub, which closed in 2016.

Theatre Trust

Next to the TSB Bank.

At the end of the otherwise period correct Victorian Arcade is a space age Pound Bakery.

Across the way a former Barclays Bank architects: John HD Madin & Partners.

Next door an anomalous disco themed fascia.

From here up the hill to the Old Square.

Sainsbury’s Old Square store in the early 1970s photo Will Parker.

The majority of the Shopping Centre was demolished in 2014.

I remember when I was about fifteen in 1990, Coca-Cola were doing these yo-yos and if you went upstairs by the cafe, I think it was you could earn a gold coloured yo-yo. You just had to perform three tricks with it to earn one. I did walk the dog, the sleeper and I think it was around the world! Proud as punch with that I was. I know my uncle was Father Christmas for a few years on the bounce as well, when they used to have a grotto. 

Dan Bracknall

These are the remnants.

Ascending to the dizzy heights of the Grade II Listed Memorial Gardens 1953 by Geoffrey Jellicoe designed as a memorial to the dead of the two World Wars and said to mark a significant stage in the evolution of his principles of design.

Sir Geoffrey Jellicoe was one of the century’s greatest landscape architects. His contribution to landscape design has been described as equal to the 18th-century gardener Capability Brown. He was educated at Cheltenham College and then trained to be an architect at the Architectural Association. It was while at the AA that his interest in landscape was first kindled.  

The second phase, comprising the building of the memorial chapel in the Memorial Garden, and the flats and Brotherhood or Church Hall to the south of the open space known as St Matthew’s Close, was completed c 1960

Photo: History of Walsall

Historic England

Of back down the hill onward to the Walsall School of Art.

Walsall’s art school’s history is a story of gradual growth and change, evolving from evening classes in a chapel to a modern art college. The Walsall School of Design and Ornamental Art, founded in 1854 as an evening class, operated from 1861 at the Goodall Street Baptist Chapel and eventually became the Walsall College of Art

To celebrate Queen Victoria’s Golden Jubilee, the Walsall Science and Art Institute was opened in 1888 at Bradford Place. In 1897, it was transferred to the Town Council and renamed the Walsall Municipal Science & Art Institute. In 1926, the institute was renamed Walsall Technical College. Post-war demand led to the establishment of the Walsall and Staffordshire Technical College at Wisemore – now St Paul’s Street, in 1952. The Walsall College of Art officially merged with the College of Technology in 1992 to form Walsall College of Arts and Technology – now simply Walsall College. The college maintains strong historical ties to local industries, such as the leather trade.

Artbiogs

Further on there’s an enormous Telephone Exchange comprising fifties and seventies buildings.

Across the way a large system built block on a podium base.

Standing on the corner where it has always stood the Silver Knight Garage.

Heading back into the town centre, picking up on there’s a former Woolworths that looks like a Burton’s that thinks it’s a Barclays Bank, and also improbably a Swag King.

1933 by FW Woolworth Construction Dept – H Wimbourne

Next an indeterminate infill with pale blue panels and central pivoting metal window frames, soon to be demolished along with its neighbours, as part of the Connected Gateway Project.

Possibly a former BHS – known as Jacey House.

Next up Park Place.

Ai says – notable features include Park Place Meats – a town centre butcher, and Park Place Shoe Repairs, which offers engraving and key-cutting services.

A Post Modern Poundland.

And last but not least a thoroughly Modern New Art Gallery.

Caruso St John Architects 1997-2000

William Mitchell Liverpool

Walking the streets of Liverpool?

Time on your hands wondering what to do?

Take a look at the work of William Mitchell!

Sculptor and designer, born in London 1925, where he continued to live. Studied at Southern College of Art in Portsmouth, at Royal College of Art and at British School in Rome; was an Abbey Award-winner. Went on to lecture widely and was a member of the design advisory board, Hammersmith College of Art and Trent Polytechnic. Also did work for Concrete Society and completed a frieze for Swiss Cottage Library.

artuk.org

First stop is 29 Hope street – where we have been before – william-mitchell-liverpool.

Federation House – 1965-66 Gilling Dodd & Partners

Originally home to the National Federation of Building Employees Investments.

Now how in part to The Shandon Bells – named for the chimes of St. Anne’s Church in Cork.

The church is noted for its eight bells, immortalised in the song The Bells of Shandon by Francis Sylvester Mahony. The largest weighs a little over one and a half tons and was originally cast by Abel Rudhall of Gloucester.

They first rang on 7 December 1752.

Church of_St_Anne Shandon

Curiously for an Irish themed pseudo-pub the exterior fascia is modelled on the Design Research Unit’s Watneys identity.

Here are some interiors of the then Coffee Moose from 2022

Next we’re off to liverpool-metropolitan-cathedral-of-christ-the-king.

The cathedral’s architect, Frederick Gibberd, was the winner of a worldwide design competition.

Construction began in 1962 and was completed in 1967.

William Mitchell designed the concrete relief below the bell, two front and two side doors.

Before the fire.

A woman has been charged with arson following a fire at a cathedral.

The blaze damaged doors and the gallery at Liverpool Metropolitan Cathedral on Mount Pleasant in the early hours of 29 May 2022.

A 35-year-old woman was charged with arson and possession of a controlled drug and remanded in custody, Merseyside Police said. 

The blaze did not enter the main part of the cathedral but caused smoke damage inside the building. 

There were no injuries in the fire.

BBC

Rendall Building – University of Liverpool

Rendall Building by Bryan & Norman Westwood, Piet & Partners 1964-6

Named after Gerald Henry Rendall who was an English educator and college administrator.

He was principal of University College Liverpool.

We have been here before at liverpool-university, exploring the space betwixt and between the two cathedrals.

On this occasion, I wish to draw attention to this relatively small but perfectly formed building – #432 on your maps.

Westwood, Piet & Partners were well-known architects during the post-war period in Britain and built a body of varied work including army barracks, retail and theatre design. An example of their work is the Congress Theatre in Eastbourne – Grade II* listed.

Photo Theolimeister

Originally built to accommodate the arts library and lecture rooms on the south campus as the University grew to accommodate larger numbers of students.

The current use as lecture and seminar rooms maintains the building’s use as a key learning space on campus.

Located in an area of the southern campus where Westwood, Piet & Partners designed four blocks resulting in a group which Pevsner described as the

Most coherent and satisfying part of the precinct. The massing and materiality of the external is complementary and respectful to the surrounding Georgian buildings.

Sculptural concrete panels above a brick base.

Between the concrete is ‘dalle de verre’ stained glass by Gillian Rees-Thomas.

she was also responsible for the side chapel windows at St Mark’s Broomhill Sheffield.

The courtyard contains a sculpture by Mitzi Solomon CunliffeThe Quickening previously located behind the School of Architecture.

Somebody at the University of Liverpool saw Mitzi’s work at the Festival of Britain and took note. She was immediately commissioned to create three items for the University: a public sculpture to go in the courtyard of the School of Civic Design’s new building, a decorative sculpture for the inside the building and the handles for its front-door.

The public sculpture, is in the form of a hand gently holding a dove. It stood in its original position for sixty-nine years until sent away for conservation and then relocated across campus in 2020, to outside the Rendall Building.

The other sculpture that Mitzi created for the building is easily the spikiest thing in our art collection. ‘Loosestrife’ is a number of tentacle-like arms that intertwine and project outwards. For many it looks like an assemblage of golden deer antlers but it may be based on spires of the flower called loosestrife.

Currently on display in the Victoria Gallery & Museum

‘Loosestrife’ had been recorded on its arrival as being made of bronze and had turned completely black over the years, probably because it was hung in an area where students smoked back in the day. When it was removed from the School of Civic Design building in 2018 and sent for cleaning, it was revealed to actually be made of brass. It is very heavy and takes four technicians with lifting gear to hang it for display.

mitzi-cunliffe-behind-the-mask

Mitzi was also responsible for the door handles across the way at the School of Civic Design.

Cardiff University

Sir Martin Evans and Tower Buildings

Lead architect Ivan Dale Owen of Sir Percy Thomas & Partners also responsible for the site’s 1960 masterplanning.

He then spent over a year working for Walter Gropius’s practice, The Architects Collaborative, in Cambridge, Massachusetts.He returned to Britain, where he became a senior architect/planner with William Holford & Partners in London, where he worked on plans for the reconstruction of London after the war.

He returned to Wales with health problems and in 1958 was hired by Percy Thomas & Son as an associate in their Cardiff office. By 1964, Percy Thomas & Son had become Sir Percy Thomas & Partners and Owen had become a partner. He changed the philosophy of the practice, transforming it with a contemporary modernist style.

Wikipedia

1970 Internet Archive

We have previously encountered his work at both Aberystwyth, Bangor and Swansea Universities.

Rio Architects worked with Cardiff University designing visually attractive, innovative and cost-effective buildings. The Rio team are enthusiastic and dedicated, taking time to meet the client Departments at all stages of the project to ensure that an informed and good working relationship is developed and maintained the innovative design of the new podium development for the School of Bioscience incorporates hexagonal shaped glass panels was developed in conjunction with Solaglas.

Ian Lomer

Director of Estates Development, Cardiff University

Arts and Social Studies Library designed by Faulkner-Brown Hendy Watkinson Stonor 1976

RIBA pix Josephine Reid

Music Department 1971 Alex Gordon Partnership.

RIBA pix Stanley Travers

Three Obliques – Walk In is a 1968 sculpture by Barbara Hepworth. Three casts exist; two are in private collections and a third is displayed outside the Cardiff University School of Music.

It is cast in bronze on a monumental scale.

Wikipedia

University of York – Fred Millett Reliefs

Having previously posted a history of the University of York’s Modernist architecture – here’s further information regarding Fred Millett’s concrete reliefs.

Fred Millett 1920–1980 was an English muralist, poster artist, and teacher at the Polytechnic of Central London. A number of his surviving works were commissioned by large British institutions including London Transport, London County Council and National Westminster Bank. The University of York commissioned Millett to create over 20 concrete relief panels that were to be integrated within the modular architecture of the Derwent and Langwith Colleges.

Millett’s panels created a cohesive group of works while also being distinctly different from one another due to the use of a variety of textures, geometric shapes and negative space. Larger, more detailed works follow the main covered walkways through Derwent College leading to Heslington Hall.

Under construction in November 1964. Photo: © Borthwick Institute for Archives:

Smaller, less detailed works were placed near accommodation blocks and laundry rooms which suggest that they were intended for the individual enjoyment of the students who live within the College rather than a university-wide viewing experience.

In a 1973 interview, Sir Andrew Derbyshire, who was the first project architect for the university, lamented that the project could not afford better finishes for the CLASP panels – such as adding white marble aggregate – but he did appreciate their appearance in bright sunlight or when they “glisten[ed] in the pouring rain.” Asked about the integration of the Millett sculptures to enliven the panels, he stated: “Yes. Well, that was an attempt. I would have liked it to have gone a bit further than that.” 

Written by Molly Bunter

This was my first visit to the campus, and having discovered the first of the reliefs, I cantered around from block to block, like a giddy one penny child in a seaside arcade – wondering where to look next.

Modern Mooch is saturated with set concrete here is a link to untold riches.