Dorothy Annan Mural – The Barbican

I’ve been to the Barbican before, wandering the walkways without purpose.

This is a whole new box of tiles, the search for a re-sited mural, a first time meeting with what would seem at once like an old and well-loved friend.

Dorothy Annan 20 January 1900 – 28 June 1983

Was an English painter, potter and muralist, married to the painter and sculptor Trevor Tennant. She was born in Brazil to British parents and was educated in France and Germany.

Christmas 1944 – Manchester Art Gallery

Annan’s paintings are in many national collections, she is also known for her tile murals, many of which have been destroyed in recent decades. Only three of her major public murals are believed to survive, the largest single example, the Expanding Universe at the Bank of England, was destroyed in 1997.

Gouache Sketch

I was looking for her mural which illustrates the telecommunications industry – formerly of the Fleet Building Telephone Exchange Farringdon Road.

Michael Bojkowski

The murals were commissioned at a cost of £300 per panel in 1960. Annan visited the Hathernware Pottery in Loughborough and hand-scored her designs onto each wet clay tile, her brush marks can also be seen in the fired panels.

Charles Trusler

The building was owned by Goldman Sachs, who wished to redevelop the site and opposed the listing of the murals.

In January 2013, the City of London Corporation agreed to take ownership of the murals, and in September 2013 these were moved to a permanent location in publicly accessible part of the Barbican Estate. They are displayed in their original sequence within an enclosed section of the Barbican High Walk between Speed House and the Barbican Centre.

Commemorative Bowl

So following a discursive and somewhat undirected circumnavigation of the Center we were finally united – it only seemed polite to linger a while and take some snaps – here they are.

The Barbican Estate – London

Bouncing betwixt and between Bonnard and Bill Viola from Tate Modern to the Royal Academy I took a detour to The Barbican – in search of the Dorothy Annan tiled mural.

Having failed conspicuously to find it, following an extensive and discursive wander, I did the wise thing and asked.

My thanks to the helpful resident and his young son.

Redirected and on course for our deferred engagement, Dorothy and I met at last on an underpass.

I also recently discovered a Barbican Manchester mash up – Gerrards of Swinton fulfilled their largest ever single order for the site – my thanks to David Roughley for the information and illustration.

Here are the snaps that I took along the way.

Ash Hotel – Stockport

232 Manchester Road Heaton Chapel Stockport SK4 1NN

So once there was a pleasure gardens, and then in 1901 a pub.

Wilson’s Brewery built The Ash Hotel, a grand boozer in a Jacobean manor manner, complete with bowling green and billiard room.

It lasted through to the 70’s and 90’s but gradually it became harder and harder to manage and fill a pub of such size and stature.

Closed – standing unloved and unused until it was finally converted into the Ash Tea Rooms in 2011.

Only to be closed again in May 2018.

Once ringing with the chink of glass on glass, songs and laughter it awaits its latest fate – conversion to flats.

One can only hope that much of its architectural detail will be preserved – particularly the architectural type fascia sign.

And the mosaic flooring.

Only time will tell – if you’re passing tip your hat take a look and celebrate a grand old building which somehow will prevail.

Crazy Golf – Postcards From Blackpool

This in so many senses is where it all began – my first encounter with the visual arts was through my Aunty Alice’s postcard album. Predating visits to Manchester City Art Gallery in my mid-teens, I was lost in a world of post WW1 printed ephemera, rendered less ephemeral by careful collection and collation. Sitting entranced for hours and hours absorbing the photography, text and illustration of hundreds of unseen hands.

This is North Shore Blackpool – behind the Metropole in the early 60s.

The colour is muted by the then state of the art colour reproduction, the holiday dress is constrained by the codes of the day. Light cotton frocks and wide brimmed sun hats, shirts tucked in belted slacks, sandals and shorts – purely for the pre-teens.

The focus and locus of fun is located on the prom and what better way to squander a moment or eighteen, than with a pleasurable round of crazy golf. Municipal Modernist frivolity rendered corporeal in corporation concrete, repainted annually ahead of the coming vacationers.

Domesticated Brutalism to soften the soul.

And there can be no better away to inform the awaiting world of your capricious coastal antics than a picture postcard, so playfully displayed on the corner shop carousel – 10p a pop.

Stopping to chuckle at the Bamforth’s mild mannered filth, yet finally purer of heart, opting for the purely pictorial.

Man and boy and beyond I have visited Blackpool – a day, week or fortnight here and there, the worker’s working week temporarily suspended with a week away.

Times have now changed and the new nexus is cash, all too incautiously squandered – Pleasure Beach and pub replacing the beach as the giddy stags and hens collide in an intoxicating miasma of flaming Sambuca, Carling, Carlsberg and cheap cocktails – for those too cash strapped for Ibiza.

The numbers are up – 18 times nothing is nothing – each year as I revisit, the primarily primary colour paint wears a little thinner in the thin salt air and the whining westerly wind, of the all too adjacent Irish Sea.

Overgrown and underused awaiting the kids and grown ups that forever fail to show. On one visit the sunken course had become the home of the daytime hard drinkers, they suggested we refurbish and run the course as a going concern. I declined lacking the time, will and capital for such a crazy enterprise.

The starting has finally stopped.

St Augustine RC Church – Manchester

We have been here before on the west side of Grosvenor Square, between the former Eye Hospital and Registry Office on Lower Ormond Street, sits the solid stolid brick form of St Augustine.

The original St Augustine’s was one of the oldest Roman Catholic churches in Manchester, having been established at Granby Row in 1820. This church was sold in 1905 to make way for the Manchester Municipal Technical College, and a new church built on York Street. This church was destroyed in the Manchester Blitz of 1940. The present site previously housed a chapel of ease in a building bought from the Methodists in the 1870s. It had briefly been a separate parish, but in 1908 was amalgamated with St Augustine’s parish. After the War it was the only surviving church in the parish. The new St Augustine’s was built here with the help of a grant from the War Damage Commission, at a cost of £138,000, when it was clear that the original building was inadequate. The new building was opened in 1968 and consecrated in 1970.

Quite rightly listed by Historic England.

Roman Catholic Church 1967-8 by Desmond Williams & Associates. Load-bearing dark brown brick construction with felt roofs supported on Vierendeel girders, with rear range in brick and timber cladding.  

Body of church virtually square, with corridor at rear right leading to cross wing containing offices and accommodation. Windowless façade with floating service projection to the left and four full height brick fins to the right of wide recessed central entrance reached by low flight of steps. On the projection a ceramic plaque with star and mitre and on the inner face of the left hand fin a figure of the Madonna, both by Robert Brumby. Set back returns of 6 bays, divided by pairs of projecting slim brick piers. Openings between the pairs of piers filled with coloured chipped French glass. Secondary entrance beneath large cantilevered canopy in first bay of left hand return. Slender linking block containing sacristy. The rear presbytery range, containing first floor hall, meeting rooms, kitchen, chaplaincy offices and accommodation for four priests. Bell tower rising from parish rooms block. 

A simple box plan with ceiling of steel trusses clad with timber and clerestory north lights. Sanctuary of three stepped platforms with white marble altar set forward. Large ceramic reredos sculpture of Christ in Majesty by Robert Brumby of York. Bays containing either projecting confessionals or chapel recesses are divided by pairs of projecting slim brick piers. Fixed seating in angular U-shape surrounding Sanctuary. Side chapel to left. Narthex. West gallery above originally with seating, now housing organ. Unified scheme of decoration by Brumby including the external plaque and statue, holy water stoups, wall light brackets, circular font with ceramic inset and aluminium lid, altar table with bronze inset and, probably, Stations of the Cross sculptures. Also by Brumby, a memorial plaque fashioned from mangled plate, damaged in the Blitz, commemorating the earlier parish church which this replaced.

Of particular note are the stained glass windows.

The internal atmosphere of the church is modified by the changes in light cast through the stained glass windows. The windows are of a colourful random and abstract design and ascend the full height of the walls between structural bays which themselves form enclosures to confessionals and stores. The pieces of coloured glass are suspended in concrete and were supplied by the now defunct Whitefriars company. The designer was a French artist, Pierre Fourmaintraux, who began working with Whitefriars in 1959, using the ‘dalle de verre’ (slab glass) technique that had been developed in France between the wars. His motif was a small monk variously painted upon, or cast into, the glass. In St. Augustine’s the motif is cast and highly stylised and can be found tucked away at the foot of each of the rear windows.

Mainstream Modern

All Saints – Grosvenor Square Manchester

Once upon a time there was almost nothing, as there often is.

Green fields, sylvan glades and a pleasant park in Grosvenor Square.

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Then all of a sudden, at the heart of the Square sat All Saints Church.

Underneath Manchester’s All Saints Park is a hidden history – an estimated 16,000 bodies. For this was the site of a former Victorian Cemetery, set up to cater for the parishioners of All Saints.

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All Saints Burial Ground officially opened on Wednesday 19 April 1820. The first interment was that of twenty-one-year-old Fanny Knowles, who lived on London Road. Her funeral was conducted by the founder himself, Charles Burton. It would be another month before the next interment took place. In the first year burials were slow with only 55 interments, however, by 1851 the number had increased to over 600 per annum. 

Michala Hulme

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Bombed in the Blitz the damaged structure was demolished – and a play area established which lasted until the 1980s

MMU Visual Resources 

The whole area having been a centre of housing, education, entertainment, commerce, public services and worship, was becoming the fiefdom of first the Polytechnic and subsequently the Manchester Metropolitan University.

But formerly there were peoples’ homes here.

Then the 1960s saw a huge programme of slum clearance in Manchester and whole communities across the Square and nearby Hulme were moved, rehoused in a thoroughly modern milieu.

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Shops came and went.

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Paulden’s magnificent store was destroyed by fire in 1957

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Rightons haberdashers has survived though no longer haberdashing, having been amalgamated into MMU.

One day On The Eight day moved a little to the left

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The Manchester Municipal School of Art was built in Cavendish Street in 1880–81 to the designs of G.T.Redmayne.

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The fascia has been retained but the name has not been changed to protect the innocent.

Next door the Chorlton on Medlock town hall still has its portico in place, the adjacent Adult Education building has been surgically removed.

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Richard Lane, the architect of the Friend’s Meeting House on Mount Street, designed the Chorlton-on-Medlock Town Hall on Grosvenor Street.  It continued in  that role from 1831 until 1838 when Chorlton-on-Medlock became part of the city of Manchester.  In the years that followed it was used by the local community for a variety of functions but the redevelopment of the area meant that the local population diminshed and the building became redundant.  In 1970, the interior was removed, a new structure added to the rear and it became part of the Polytechnic which became the Manchester Metropolitan University.

The Fifth Pan African Conference was held there between October 15th and 21st in 1945. Ninety delegates from across Africa, Europe and the Caribbean, attended the meeting and among the delegates were a number of men who went on to become political leaders in their countries including: Hastings Banda, Dr Kwame Nkrumah, Obafemi Awolowo and Jomo Kenyatta.

Manchester History

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Former Chorlton Poor Law Guardian’s HQ then Registry Office, now the Ormond Building of Metropolitan University – and at the far right edge St Augustine RC.

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The Manchester Ear Hospital on Lower Ormond Street, shortly before being transferred to Manchester Royal Infirmary. Most of the building was demolished, but the facade retained as part of MMU’s Bellhouse Building.

To the right the Presbyterian Church.

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Cavendish Street School

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The memorial stone on the front of the school, laid on June 17th, 1908,  declared that it was the Forty Seventh Municipal School.  Strangely, it seems that it was called the Cavendish Street School despite the fact that it wasn’t on Cavendish Street.

Manchester History

It was subsequently utilised by the Polytechnic sculpture department – then demolished to make way for something else of an educational nature.

Some or all of our social and architectural history has been overwritten, lost or swept aside by the tide of history.

Though on a dark snowy night you can still make out the bright red corporation buses,  passing by in a dark cloud of diesel.

Room on top.

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Archive images Local Image Collection

Fusciardi’s – Eastbourne

Antonio Fusciardi emigrated in the 1960s in search of a better life. He opened a number of businesses in Ireland. In 1965 he met Anna Morelli at an Italian wedding and romance blossomed. The couple married and set up home in Marine Parade, Eastbourne. They worked very hard in establishing the business and attributed their success to ambition, dedication and the family.

It say so here

30 Marine Parade just set back from the seafront, selling the most delicious ice creams, decorated with the most delightful tiles.

I have seen similar in Hanley

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And Halifax

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These being produced by Malkin Tiles

But neither of the former are anywhere near as nice as these Eastbourne examples.

So get yourself down there feast your eyes on these beauties.

Treat y’self to an ice cream too!

Fusciardi’s – often licked never beaten!

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