Humberston Fitties 2021

Here we are again.

Having visited in 2008, I returned in April 2021 to wander this magical area and take some more snaps.

Previously on Modern Mooch.

In the interim the ownership of the estate has changed hands, passing from the local authority to private ownership.

Tingdene are now responsible for the site.

Council chiefs remain tight-lipped on how much Northamptonshire-based Tingdene paid for the site but it is estimated to be more than £2 million.

Grimsby Telegraph

Accordingly costs have risen, some tenants are displeased.

During Covid restrictions the demand for coastal property has increased, the gentle gentrification has begun.

New build, restoration and the national pandemic of home improvement are all apparent, changing the nature of the formerly informal architecture.

Take a look

Salford Walk

We begin on the Crescent – taking in the former AUEW Building.

B&W images copyright USIR Archives

It became part of Salford University’s estate, renamed the Faraday Building.

It is currently unoccupied.

The University’s Masterplan is shifting emphasis to the Peel Park and Media City sites.

Also leaving Crescent House in limbo.

The original master plan would have swept away the Victorian Technical Institute and Salford Art Gallery.

Across the road are the Maxwell Buildings.

They were built between 1959 and 1960 to a design by the architect C H Simmons of the Lancashire County Architects Department.

The interior decorative order of Sixties’ institutions was integral to the architectural design, sadly this is no longer so.

Which may be the subject of ambitious redevelopment.

Take a turn around the corner to the Cockcroft Building.

The east facing mural painted out and obscured by retrofitted infrastructure.

These incised stone panels obscured by plants.

To the left is the Clifford Whitworth Library – this is the original architectural impression – signed Peter Sainsbury.

The original fascia was tile clad.

Subsequently replaced by uPVC boards.

Yet again the original interior was integral too the architectural scheme and period.

Across the way the Chapman Building.

It was designed by WF Johnson and Partners of Leamington Spa, as a lecture theatre block and gallery. It sits with its long axis running parallel to the railway behind. The series of grey volumes, occasionally punctuated by colourful floods of red and green trailing ivy, hang together in a less than convincing composition. The orientation and access to the building seem confused and detached from any cohesive relationship to the rest of the campus, but there is something perversely attractive about the right essay in the wrong language. The reinforced concrete building contained five lecture theatres, communal spaces, an art gallery, AV support areas and basement plant rooms. Following a major refurbishment in 2012, several additions were made to the exterior and its total concrete presence somewhat diminished. It still houses lecture theatres and a number of other learning and social spaces.

Mainstream Modern

To the rear of the building there are some of the original details, now painted a series of funny colours.

A ways down the road the former Salford Technical College.

Now the part of the University of Salford, this grouping is probably the most significant work by Halliday Meecham during this period. The blocks wrap to almost enclose a courtyard and they step up in height towards the rear of the site. To the front is a lecture theatre block in dark brick. The multi-storey elements are straightforward in their construction and appearance and have had their glazing replaced. Perhaps the richest elements here are the three totemic structures by artist William Mitchell, which were listed at Grade II in 2011. Mitchell was actively engaged with the experiments of the Cement and Concrete Associations during the 1960s and produced a wide variety of works for public and private clients; other works regionally include the majority of the external art and friezes at Liverpool Metropolitan Cathedral and the Humanities Building at Manchester University. These textured concrete monoliths appear to have an abstract representation of Mayan patterns and carry applied mosaic. They were made on site using polyurethane moulds. There is another Mitchell work hidden behind plasterboard in the inside of the building.

Mainstream Modern

Subsequently assimilated into the University.

Across the A6 the former estate pub the Flemish Weaver is currently shrouded in particle board and in use as a base for construction workers.

Just down the way The Woolpack is no more.

April 1965 saw the Salford City Reporter proudly boast in an article that

The Ellor Street dream begins to come true – complete with interviews with residents of the newly constructed Walter Greenwood, Eddie Colman and John Lester Courts all which towered some 120 feet above the Hanky Park skyline.

These particular blocks of flats were of special significance because their completion was the end of the first stage of the Ellor Street redevelopment scheme which was to provide 3,000 new homes, the £10 million pound Salford Shopping Precinct and a new civic centre – which never got built – making this A Salford of the Space Age.

Salford Online

The tower blocks are now clad and the site a construction base for cladders.

Full details of Salford’s complex and extensive redevelopment can be found here at Tower Block.

Walter Greenwood Court was demolished in 2000/2001, whilst Eddie Colman and John Lester Court are now student accomodation for the nearby Salford University.

Onwards and underwards towards Salford Shopping City.

The construction of the shopping centre and surrounding areas continued and on 21 May 1970 the new Salford Market officially opened. From 1971 onwards new shops inside the precinct itself began to open.

However, due to a lack of funds and a political scandal which saw chairman Albert Jones jailed for eight months construction of Salford Precinct was halted. The site had only 95 shop units compared to the proposed 260, the hotel and two storey car park were never built.

The architectural core of the site has been retained, including the 23 storey Briar Court residential tower.

Tucked in behind is Mother of God and St James RC Church.

Clearances took place from the middle of the twentieth century and new high-rise housing blocks were built, as well as a shopping centre.

There was a Catholic presence in the area from 1854, when schools were built. What was described in The Tablet as a beautiful church, an Early English Gothic design by M. Tijou – presumably Herbert Tijou, architect of the chapel to Loreto College, Manchester, was opened by Cardinal Manning, Archbishop of Westminster in 1875.

One hundred years later this church was demolished and replaced by the present building.

The architects were Desmond Williams & Associates, the design bearing some similarity to their St Sebastian, Salford. In 2010 the church of All Souls, Weaste, was closed, and the marble sanctuary furnishings brought to the church.

Description

All orientations given are liturgical. The church is steel framed with brick walls and a monopitch roof (originally covered with copper, now with felt).  Bold brick forms create a presence, and the design is somewhat defensive, with few windows. The building is entered from a lower porch which forms a narthex. The slope of the roof and the stepped clerestory lighting create a striking impression inside, and full-height windows towards the east end incorporate stained glass figures said to have originated in the previous church. Marble sanctuary furnishings are presumably those from the church in Weaste and appear to be of later twentieth century date, while the font is of traditional type with a clustered stem and may have come from the earlier church.

Taking Stock

Returning to The Crescent the High Street Estate is all but demolished, save for one resident and their row.

This is an area which has seen a succession of clearances, redevelopment and shifts in demographics during a relatively short and intense period of change.

That process of change continues to hastily unfold.

Portsmouth To Brighton

Having cycled along the Solent to Pompey – we set out Brighton bound one sunny Sunday morning in the merry month of May.

Heading for the Hayling Island Ferry.

Determined to make good time as we had an appointment a Pallant House, we pedalled purposefully along the Hayling Billy Line.

Ever onward, passing several examples of well kept, post war houses and former tin tabs.

We eventually rolled into Chichester, finding our way to the gallery which I had previously only ever dreamt of visiting.

What wonders await at Pallant House?

Inside we found the best of Twentieth Century British Art, displayed in period surroundings.

Suitably satiated we sat headed further east – to Bognor and beyond!

Reynolds Furniture Depository and a crowded Bank Holiday weekend seafront.

Since 1867 Reynolds has grown from a small shop to the largest furniture store in Sussex, with over 30,000 sq ft on four floors.

The Funeral Service now has three offices in Bognor Regis, Chichester and Littlehampton and the purpose built storage facility in Canada Grove continues to thrive.

We soon found ourselves in Felpham, amongst yet more interesting housing.

We traversed the River Arun at Littlehampton.

Then meshed with the milieu on the prom.

The day grew much hotter and we grew ever so slightly loster.

Finding our way back to the coast through the Kingston Gorse Estate – where almost everything is comprehensively prohibited.

Kingston Gorse is a beautiful seaside location close to Goring-by-Sea in West Sussex. In Kingston Gorse, there is a gorgeous housing development with a number of three, four and five bedroom homes.

In 1918 JA Candy, who owned East Kingston Farm, sold the land on which Kingston Gorse now stands to the local builder G Pesket.

In the 1920s he constructed the infrastructure and developed approx. 30 plots including Imray, which he occupied.

Kingston Gorse

The estate was once home to Bud Flanagan who then sold his house to Teddy Knox.

The Crazy Gang Bud Flanagan Jimmy Nervo Teddy Knox Charlie Naughton Jimmy Gold

by Cecil Beaton

At Southwick we crossed the River Adur via the docks’ locks.

Proceeding towards our overnight digs more than somewhat weary – it’s been a long day.

There are more snaps here taken on my previous trip.

Ground Control

When the figures say crime is falling, why are we more frightened than ever? Could our towns and cities be creating fear and mistrust? More property is being built in Britain than at any time since the Second World War – but it’s owned by private corporations, designed for profit and watched over by CCTV. From the Docklands boom to cities such as Manchester, gated apartment developments, gleaming business districts and plazas have sprung up over the country.

Has this ‘regeneration’ really made our lives better?

Anna Minton.

I’m returning to the MMU Didsbury Campus, the site began life as a baronial deer park and estate, in 1740 the site was purchased by the Broome family, and a new house was constructed after 1785 by William Broome, from 1812 owned by Colonel Parker. Following a succession of uses and owners the School of Education is established.

I studied for a PGCE in Art there in 1984.

Subsequently, fun and fashionable free-market economics, have increasingly governed the management of education and its assets.

MMU sold the site for an undisclosed sum to the developers PJ Livesey.

This is Sandown House, formerly the administrative block, redeveloped as private homes, each valued at £675,000 and upwards.

St James Park is an exclusive collection of beautifully converted heritage buildings and individually designed luxury homes offering opulent living accommodation finished to an uncompromising specification. Beautifully styled and perfectly connected, this gated development is located moments away from the heart of Didsbury Village.

So why choose a gated community?

The fear of fear it would seem, is on the increase, whilst crime itself is decreasing.

Royal Institute of Chartered Surveyors  says that although residents feel safer in gated communities, it is more of a perception than a reality. Research in the US suggests that gating may not deter criminals and initial studies in the UK suggest the same.

If they are allowed to develop unchecked, it will breed hostility and threaten the social cohesion of the UK’s cities, the surveyors warn.

BBC

Social exclusion, the bitter taste of economic apartheid is obviously the plat du jour here in St James Place – there is limited pedestrian access and secure gates to inhibit unwanted automotive ingress.

There is an exciting array of CCTV devices, encoded gates and doors, ever higher railings in evidence.

Security for the terminally insecure.

It is possible to live in an open environment in East Didsbury, here on Ford Lane folks come and go, hopefully interacting with friends, neighbours. family and strangers passing idly by.

Though this is one of the most affluent areas of Manchester, and happily one is unlikely to find oneself with an unemployed collier as a neighbour.

Community minded, demographically diverse cities, will produce safe, secure, healthy places to live.

There is no evidence that gated communities are in any way safer, in fact they may well be socially divisive – this is the never never land of smoked glass Range Rover windows and mirrored wardrobes.

Architectural critic Ian Nairn makes a convincing case for a socially mixed residential development, which still maintains a regard for the area’s heritage.

I visited Lillington Gardens Estate in August 2018 – now a mature development, where those residents I spoke with, seemed happy and content with their homes.

Sir John Bland 5th Baronet 1691 – 1743 of  Kippax Park and Hulme Hall, was a British landowner and politician who sat in the House of Commons from 1713 to 1727.

His mother was Anne Mosley, daughter of Sir Edward Mosley of Hulme.

He retired from Parliament aged 35 and moved the focus of his local political activity from Yorkshire to Lancashire, where his mother had inherited Hulme Hall and the Lancashire estates which covered most of Manchester.

This is the celebration of privilege, power and property in pressed aluminium and print, saluting the progenitors of the Mosely Family, who once upon a time, were Manchester’s wealthiest landowners.

We live in an owned landscape where access is an issue.

Mr and Mrs Andrews would not the that little or nothing has changed since Gainsborough’s time.

Completed shortly after Mr. Andrews’ marriage to the daughter of a neighbouring gentry, a marriage that enhanced his estate, the image captures the unchanging power of property relations in pre-industrial England.

“They are not a couple in nature as Rousseau imagined nature,” John Berger comments. “They are landowners and their proprietary attitude to what surrounds them is visible in their stance and their expressions.”

One Way Street

The first thing I’d say is this is going to be an aspirational site within an aspirational areaPJ Livesey

So how did we get here?

Baroness Thatcher makes massive tax cuts for the wealthy, funded by North Sea Oil revenues, impoverishing the public purse, undervaluing the privatisation of public assets, encouraging the right to buy, yet inhibiting the building of social housing, hot housing the property owning democracy.

The term ‘property-owning democracy’ emerges from a discursive history of use. Coined by British MP Noel Skelton in 1920, the concept compounded the terms ‘property-owning’ and ‘democracy’ as a conservative response to left-leaning ideas of liberalism and socialism. At this stage, the term represented the necessity of protecting property rights from democratic organisation.

Wikipedia

More recently stamp duty holidays, houses as speculative assets not homes, low interest rates, massive middle-class inheritances, deregulation in the financial sector, all fuel the upwardly mobile housing boom.

Whilst for the lower orders years and years of pay freezes, attacks upon trade unions, the continued decline in manufacturing, small state austerity, zero hour contracts, rent hikes, attacks on the unemployed, universal credit and indexed benefits, have all fuelled reduced social mobility.

Looks like we have a schism on our hands.

The UK became a much more equal nation during the post-war years. The data available shows that the share of income going to the top 10% of the population fell over the 40 years to 1979, from 34.6% in 1938 to 21% in 1979, while the share going to the bottom 10% rose slightly.

Since 1979 this process of narrowing inequality has reversed sharply, inequality rose considerably over the 1980s, reaching a peak in 1990.

Equality Trust

In a community where public services have failed to keep abreast of private consumption things are very different.

Here, in an atmosphere of private opulence and public squalor, the private goods have full sway.

JK Galbraith

Come, now, you rich men, weep and wail over the miseries that are coming upon you. Your riches have rotted, and your clothing has become moth-eaten. Your gold and silver have rusted away, and their rust will be a witness against you and will consume your flesh. What you have stored up will be like a fire in the last days. Look! The wages you have withheld from the workers who harvested your fields keep crying out, and the cries for help of the reapers have reached the ears of Jehovah of armies. You have lived in luxury and for self-gratification on the earth. You have fattened your hearts on the day of slaughter.

James 5: 1-5

St James Park is an exclusive collection of beautifully converted heritage buildings and individually designed luxury homes offering opulent living accommodation finished to an uncompromising specification. Beautifully styled and perfectly connected, this gated development is located moments away from the heart of Didsbury Village, where residents can enjoy an abundance of independent café bars, restaurants and boutiques, as well as Didsbury Park on the doorstep.

Opulent heritage design, how could one resist?

Tellingly no mention of ever so adjacent Fletcher Moss Park:

Alderman Moss bequeathed the house and gardens to the City of Manchester on his death in 1919 because he wanted the house and its contents to remain, as far as possible, intact “to show what a comfortable house of the olden times was like”.

Didsbury Parsonage Trust

Everything’s gone grey, in the aspirational race for the neutral high ground of individualism, they have painted you into a corner of dull, monochromatic conformity.

Welcome to the professional world of self interested, low-interest, the get rich quick deregulated go-getter.

Now get out.

I dreaded walking where there was no path
And pressed with cautious tread the meadow swath
And always turned to look with wary eye
And always feared the owner coming by;
Yet everything about where I had gone
Appeared so beautiful I ventured on
And when I gained the road where all are free
I fancied every stranger frowned at me
And every kinder look appeared to say
“You’ve been on trespass in your walk today.”
I’ve often thought, the day appeared so fine,
How beautiful if such a place were mine;
But, having naught, I never feel alone
And cannot use another’s as my own.

John Clare

This is a revamped version of my original post, I was contacted by residents, who had reservations concerning the photographs that I had taken of their homes, whilst on their private roads, without their permission, in contravention of current legislation.

I have replaced these with photographs taken from public roads and also from pictures found on the developer’s website.

Places are different: Subtopia is the annihilation of the difference by attempting to make one type of scenery standard for town, suburb, countryside and wild. So what has to be done is to maintain and intensify the difference between places. This is the basic principle of visual planning. It is also the end to which all the other branches of planning – sociology, traffic circulation, industry, housing hygiene – are means. They all attempt to make life more rewarding, more healthy, less pointlessly arduous.

Ian Nairn again

Welcome to Notopia.

Ground control to Colonel Tom.

Woodford Garden Village

We begin at the beginning of the end – fields full of fields

Dotted with farm buildings – then, along comes an Aerodrome.

A serious problem arose in 1924 when Avro was notified that the current airfield used by the company at Alexandra Park would be closing. After a hurried search to find an alternative location, Avro settled on New Hall Farm at Woodford and completed the move later that year.

In 1999, Woodford became part of BAE Systems as a result of the merging of British Aerospace with Marconi Electronic Systems. Plans to build the Avro RJX airliner at Woodford were shelved in 2001 which left production of the Nimrod MRA4 as the only active project at the site. Woodford Aerodrome finally closed in 2011 when the Nimrod MRA4 project was cancelled, ending almost 80 years of almost continual aircraft manufacture at the site.

Avro Heritage Museum

Which in due course became a museum.

The site was subsequently acquired by Redrow.

Redrow has started construction on the first phase of 950 homes at the 500-acre former Woodford Aerodrome site near Stockport, nearly two years after planning consent was granted.

Preparatory works are underway and sales of the houses are expected to launch in June with the opening of show homes on the site.

The redevelopment of the 500-acre site, which is being brought forward by a joint venture between Harrow Estates, part of Redrow, and Avro Heritage, will also feature a primary school, employment area, pub, shops, community facilities, and areas of open and recreational space.

Place Northwest

A 21st century development was on its way.

James Fisher 1954

However, the architectural style owes more to Baron Hardup, than Flash Gordon.

The Tudor-Bethan style of Metro-Land, that oh so very, very English pantomime tradition of the village green, merry boys and girls dancing around Maypoles clutching wicker baskets, full of plastic daffodils.

For every raw obscenity
Must have its small ‘amenity,’
Its patch of shaven green,
And hoardings look a wonder
In banks of floribunda
With floodlights in between.

John Betjeman Inexpensive Progress

This is progress realised as regression, a pastiche of a pastiche, of a pastiche, of a pastiche.

Finding some small comfort in the imitation game, hurtling along radial roads, encased in the biggest, live now pay later motors, which borrowed money can buy.

Seeking succour in the certainty of an illusory past, whilst peering through the nets and blinds, at a seriously uncertain future.

You’re as pretty as a picture, a picture torn from a yellowing scrapbook, scanned and enhanced, to remove any unseemly rough edges and/or ruffians.

This was tomorrow calling, wishing you weren’t here.

Work is still underway and the surrounding landscape feels raw, windswept and wounded.

All of the plots on this phase are now reserved, but don’t miss out on the available homes on our other phases! 

Just minutes from Wilmslow, Poynton and Bramhall, and within easy reach of Manchester for both work and leisure, Woodford is perfectly placed to offer the best of both the thriving city and the glorious Cheshire countryside. This makes it the perfect location for our high-quality Heritage Collection homes, which combine the very best of classic Arts & Crafts architecture with modern, family friendly interiors of the very highest specification.

Redrow

The Oxford, Richmond, Leamington, Lincoln and Canterbury – reassuringly reassuring you, that you are in fact – nowhere.

This is it you have arrived – a gold-star, cast iron, paper thin investment for a certain aspirational section of society.

Goodbye Woodford Garden Village.

Now if the harvest is over, and the world cold, give me the bonus of laughter, as I lose hold.

Deneway Stockport Again

Here we are again then – having stopped to snap this July.

I’ve gone completely round the bend and over the hill – just by leaving my own abode, situated just below Deneway.

Early morning low light on wet roads, the mixed palette of brick simply glows.

Walls fleetingly adorned with shadows of birch and willow.

Russell Gardens – Stockport

I live just around the corner and often walk by, intrigued by this small rectangle of rectangular sheltered homes, I chose to take a closer look.

On adjoining Craig Road there are a group of interwar semi-detached homes, social housing built in 1930, facing on to open ground which leads down to the Mersey.

There is an arc of post war social housing on Hamilton Crescent, which surrounds Russell Gardens.

The homes that constitute Russell Gardens built in 1947 were illustrated in the town’s 1948/49 guide book, considered to be something of value.

Designed as a diminutive Garden Village, smaller in scale to those found in Burnage or Fairfield, but based on the principle of shared green space and community services.

In the 1970s the land to the south, now occupied by the Craig Close development, was yet to be built upon.

And the Cadbury Works still stood close by on the Brighton Road Industrial Estate:

Built in the late 1800s this was originally Silver Spoon (Pan) Fruit Processing Works, then in the 1920s was Faulders’ Cocoa and Chocolate Works. By the 1930s it was Squirrel Chocolate Works and in 1960s became a distribution depot for Cadbury’s. A friend remembers playing among the pallets of the ‘chocolate factory’ in the 1950s. Later it was occupied by small businesses. The works comprises a large rectangular block with sawtooth roof, and central entrance house with tall chimney. The adjacent rail line, built in 1880, branched into the site.

28 Days Later

Recently replaced by a car dealership.

Though many of the surrounding homes were sold off during the Right to Buy era:

After the election of May 1979 a new Conservative government drafted legislation to provide a Right to Buy but, because this would not become law until October 1980, also revised the general consent (May 1979) to enable sales with higher discounts matching those proposed in the new legislation. The numbers of sales completed under this general consent exceeded previous levels. Between 1952 and 1980 over 370,000 public sector dwellings were sold in England and Wales. Almost a third of these were in 1979 and 1980 and it is evident that higher discounts generated and would have continued to generate higher sales without the Right to Buy being in place.

Russell Gardens remains the estate of Stockport Homes managed as sheltered housing for the over 60s.

  • Retirement housing
  • 33 one bedroom flats built in 1947
  • Non-resident part time management staff and Careline alarm service
  • Lounge, Laundry, Garden

The houses are now some fifty years old and in good order, the residents with whom I spoke, seemed more than happy with their homes.

Would that more and more affordable homes for folks of all ages could be built.

The post-war consensus and political will that created this upsurge in construction, has been swept away by market forces.

Let’s take a look at the vestiges of more enlightened times.

Fred Perry Way – Hazel Grove To Woodford

Having started in the middle, let’s fast forward to the end – the beginning will have to wait.

We take up our walk along Fred’s Way once more by Mirrlees Fields.

Following the brook along the narrow shallow valley, betwixt and between houses.

Briefly opening out into green open space.

Crossing the road and entering the detached world of the detached house.

No two the same or your money back!

Diving feet first into Happy Valley, home to the Lady Brook stream.

And quickly out again.

Emerging once again into the space between spaces.

The suburban idyll of the Dairyground Estate home to very few semi-skilled and unskilled manual workers; those on state benefit/unemployed, and lowest grade workers.

But home to an interesting array of Post War housing.

Including examples of the style de jour, à la mode conversions and updates extended and rendered, black, white and grey symbols of success or extensive extended credit facilities.

Though the more traditional fairy tale variant still has a space and place, in the corner of some well behaved cul de sac.

Under the railway – through a low tunnel darkly.

We struck oil, black gold, Texas Tea – Tate Oil.

The area of Little Australia – so called as all the roads are named after towns in Australia, is bordered by the West Coast Main Line to the north, the Bramhall oil terminal to the east, Bramhall village centre to the west and Moorend Golf Club to the south.

We emerged into a warren of obfuscation, dead ends and conflicting signs, having made enquiries of the passing populace, we realigned with the new bypass.

Passing over the conveniently placed footbridge over the bypass and beyond.

Emerging amongst faux beams and real Monkey Puzzles.

It was at this point that, unbeknownst to us, we followed a twisted sign, misdirecting us along an overgrown path – to Handforth.

We failed, in the end we failed to arrive to arrive at the end.

Heading west like headless chickens towards the Turkey Farm.

Making our way mistakenly to Handforth Dean Retail Park – rear of.

Crossing slip roads with no pedestrian access and the forbidden territory of an industrial sized gymnasium car park.

Woodford will just have to wait, another day another dolorous excursion.

We walked wearily back to Stockport.

Fred Perry Way – Stockport To Hazel Grove

Second time around – having once cycled the whole way in 2009.

I’ll do anything twice or more – so here we are again, this time on foot.

Let’s start at the very beginning, a very good place to start – in the middle, the section from the town centre to Hazel Grove.

Maps are available here for free – we declined the offer, deciding to follow signs instead, many of which were missing or rotated, the better to misinform and redirect – such is life.

We are mostly lost most of the time, whether we like it or know it or not.

We begin at the confluence of the rivers Mersey and Goyt – which no longer seems to be a Way way, the signs having been removed, and proceed down Howard Street, which seems to have become a tip.

The first and last refuge for refuse.

Passing by the kingdom of rust – Patti Smith style.

Passing under the town’s complex internal motorway system by underpass.

Where help is always handily at hand.

Whistling past the graveyard – the site of the former Brunswick Chapel where one and hundred and fifty souls lay lying.

Onward down Carrington Road to Fred’s house.

Through Vernon Park to Woodbank Park – with its heroic erratic.

Almost opposite the entrance to the museum, now set in shrubbery, are the foundations, laid in September 1860, of what was to be a forty metre high Observatory Tower. Despite a series of attempts, funds for the tower could not be raised and the ‘Amalgamated Friendly Societies of Stockport’ eventually had to abandon the idea.

Historic England

Out east and passing alongside the running track.

Lush meadows now occupy the former football field, twixt inter-war semis and the woodland beyond.

Out into the savage streets of Offerton where we find a Buick Skylark, incongruously ensconced in a front garden.

The only too human imperative to laugh in the face of naturalism.

We have crossed over Marple Road and are deep in the suburban jungle of mutually exclusive modified bungalows.

Off now into the wide open spaces of the Offerton Estate – the right to buy refuge of the socially mobile, former social housing owning public.

People living on Offerton Estate have been filmed for a programme entitled ‘Mean Streets’ which aims to highlight anti-social behaviour in local communities.

MEN 2007

The next thing we know we’re in a field, a mixed up melange of the urban, suburban and rural, on the fringes of a Sainsbury’s supermarket filling station.

We cross the A6 in Hazel Grove and here for today our journey ends

Ignoring the sign we went in the opposite direction.

As we reach the edge of Mirrlees Fields – the site of the only Fred Perry laurel leaf logo emblazoned way marker.

The Fields are currently designated as a green space and are not available for residential development. But MAN would like to overturn this designation for over one third of the Fields.

MAN Energy Solutions UK is the original equipment manufacturer of Mirrlees Blackstone diesel engines.

Before the Blackstone MAN came in 1842 – the fields were all fields.

To be continued.

Deneway Stockport

Deneway almost but not quite, literally on my doorstep:

High above the Mersey Valley and 70 meters above sea level Deneway Estate stands proud, affording views of the Pennine White Peak to the south east and nothing but some other houses in all other directions.

Built in 1964, by architects Mortimer & Partners it was an award winner from the word go – coming first in an Ideal Homes sponsored competition.

Very much in the tradition of the Span Estates, it consists of small groups of two and three storey terraced homes, with communal open, well tended front gardens. At the entrance to the estate stands a single low tower block of flats.

The architecture sits quietly and confidently in the landscape, well behaved, prim and proper. Interiors are open plan and afforded ample daylight by generous windows. Detailing is tiled and wood panelled, with low pitched roofs.

Jump the train, walk, cycle, bus or tram, but arrive with eyes and heart wide open to enjoy this suburban gem – it’s right up my street.

This was my very first piece that appeared on the old Manchester Modernist site way back in 2014.

Six years later I walked up the road again and found the flats clad in a funny colour cladding and the plaques moved, much else was as was. I assume, that under deed of covenant, fencing and guerilla gardening within open areas is verboten, along with fancy extensions.

The estate therefore retains its original integrity.

The sun in the meantime however – had gone in.

Here are the pages of Ideal Home which featured this award winning estate.

Burnage Garden Village Again

I was last here in 2016 on a much brighter, blue skied day in March.

2020 mid-lockdown and overcast, I took a walk to take another look.

There is a perennial appeal to this well ordered island of tranquility, an archetypal suburbia incubated in 1906, a copy book estate.

The housing estate of 136 houses known as Burnage Garden Village, a residential development covering an area of 19,113sqm off the western side of Burnage Lane in the Burnage ward. The site is situated approximately six kilometres south of the city centre and is arranged on a broadly hexagonal layout with two storey semi-detached and quasi detached dwelling houses situated on either side of a continuous-loop highway. The highway is named after each corresponding compass point with two spurs off at the east and west named Main Avenue and West Place respectively. Main Avenue represents the only access and egress point into the estate whilst West Place leads into a resident’s parking area.

The layout was designed by J Horner Hargreaves. Houses are loosely designed to Arts and Crafts principles, chiefly on account of being low set and having catslide roofs.

At the centre of the garden village and accessed by a network of pedestrian footpaths, is a resident’s recreational area comprising a bowling green, club house and tennis courts. The estate dates from approximately 1906 and was laid out in the manner of a garden suburb with characteristic hedging, front gardens, grass verges and trees on every street. 

Verges and paving were freshly laid, hedges and gardens well tended, cars parked prettily.

The central communal area calm and restful, but lacking the clunk of lignum vitae wood on jack, hence the scorched earth appearance of the normally well used crown green.

A detailed appreciation the estate is available here.

Let’s take a leisurely look.

A Short Walk Around Guide Bridge

This is a short walk from Mediprop to Guide Bridge Station under half a mile, over two hundred years of history.

Hovering above ground level, rising above the rail.

Between the Ashton Canal.

The canal received its Act of Parliament in 1792. It was built to supply coal from Oldham and Ashton under Lyne to Manchester. The first section between Ancoats Lane to Ashton-under-Lyne and Hollinwood was completed in 1796.

And the Great Central Railway originally Sheffield, Ashton-under-Lyne and Manchester Railway.

The Great Central Railway in England came into being when the Manchester, Sheffield and Lincolnshire Railway changed its name in 1897, anticipating the opening in 1899 of its London Extension. On 1 January 1923, the company was grouped into the London and North Eastern Railway.

I had walked beside the elevated path, alongside the canal coming home from school, rode by it whilst working as a Guide Bridge goods guard.

This was busy railway, steel coal, oil and people hurtling back and forth across the Pennines, under the DC wires of the Woodhead Line.

One memorable night the Royal Train stayed overnight, in what are now the SB Rail OTM sidings.

Toffs in dinner jackets were leaning from the windows, as we gazed in awe from the platform.

Swietelsky is one of Austria’s leading construction companies with international contracts encompassing highways, tunnelling, residential and commercial developments, alpine construction and railways.

The journey ends by the seriously depleted station buildings, the buffet bar, depot and engine shed long gone.

Along with the Jone’s Sewing Machine Company all long gone.

Thomas Chadwick later joined Bradbury & Co. William Jones opened a factory in Guide Bridge, Manchester in 1869. In 1893 a Jones advertising sheet claimed that this factory was the – Largest Factory in England Exclusively Making First Class Sewing Machines. The firm was renamed as the Jones Sewing Machine Co. Ltd and was later acquired by Brother Industries of Japan, in 1968. The Jones name still appeared on the machines till the late 1980s.

From 1987 until 1999 Brother were sponsors of Manchester City FC.

The site is now home to new homes and homeowners, as the are seeks to capitalise on the spread of wealth from Central Manchester.

Arnfield Woods is an exclusive development offering two, three and four bedroom homes, located adjacent to the Guide Bridge train station, which provides direct access into Manchester City Centre  and direct access into Glossop.

The world turns:

Time changes everything except something within us which is always surprised by change.

Thomas Hardy.

Let’s take a walk together.

Byker Estate – Newcastle upon Tyne

The Wall, along with the low rise dwellings built to its south, replaced Victorian slum terraced housing. There were nearly 1200 houses on the site at Byker. They had been condemned as unfit for human habitation in 1953, and demolition began in 1966.

The new housing block was designed by Ralph Erskine assisted by Vernon Gracie. Design began in 1968 and construction took place between 1969 and 1982. The architects opened an office on site to develop communication and trust between the existing residents. Existing buildings were to be demolished as the new accommodation was built.

The new high-rise block was designed to shield the site from an intended motorway, which eventually was never built. Construction materials for Byker Wall were relatively cheap, concrete, brick and timber. Surfaces were treated with bright colours, while brick bandings were used on the ‘Wall’ to indicate floor levels.

Its Functionalist Romantic styling with textured, complex facades, colourful brick, wood and plastic panels, attention to context, and relatively low-rise construction represented a major break with the Brutalist high-rise architectural orthodoxy of the time.

Wikipedia

There area has been well documented over time, notably by photographer Sirkka-Liisa Konttinen.

It’s reputation has had its ups and downs but most recently:

It’s been named the UK and Ireland’s best neighbourhood – it’s got top schools, friendly neighbours and community art classes – alongside high levels of poverty.

Chronicle

It has been lauded by Municipal Dreams

When Historic England awarded Byker its Grade II* listing in 2007, they praised both its ‘groundbreaking design, influential across Europe and pioneering model of public participation’.  The estate’s main element, the Byker Wall, is  – like it or loathe it – an outstanding piece of modern architecture.  The conception and design of the estate as a whole was shaped by unprecedented community consultation.  

I went for a walk around one morning in May 2017, the photographs are in sequence as I explored the estate. It’s hard to do justice to the richness and variety of architecture in such a short time, but I only had a short time.

Holy Cross Church – Gleadless Valley Sheffield

Spotswood Mount, Sheffield S14 1LG

Constructed between 1964 and 1965 and designed by the architects Braddock & Martin-Smith.

Completed in 1936 John Keble Church in Edgware was also designed by DF Martin Smith 1900-84.

Martin Smith later went into partnership with Henry Braddock and together designed St. Mary’s church in Crawley. 

Holy Cross is positioned in a spectacular position among the houses on the Rollestone hillside.

Holy Cross is a church for people of all ages and stages of life.

Apart from the warm welcome at Holy Cross, you will always find something that is relevant to your age and stage in life – however old you are and whatever walk of life you come from.

Built to serve the Gleadless Valley Estate perched high above the Sheffield city centre.

It has a canted front which is triangular in shape which has a large white cross at its apex.

The interior features full height stained glass windows of the Virgin Mary and St John by John Baker Ltd.

Born in 1916, John aka Jack studied at the Central School in London and worked under James Hogan at the Whitefriars stained-glass studios before joining Samuel Caldwell junior at Canterbury Cathedral in 1948 to help reinstate the medieval glass removed for safekeeping during the Second World War.

He subsequently authored English Stained Glass; the revised edition of this work, English Stained glass of the Medieval Period , which was to become one of the most popular soft back books on English medieval glass ever published.

Apart from his conservation skills, John was also an inspired teacher at Kingston College of Art. He produced windows for a number of churches, including eleven windows for the church of the Holy Name, Bow Common Lane, Mile End; two windows and a brick sculpture for the church of Little St Peter, Cricklewood; eighteen windows for St Anne’s church, East Wittering, Sussex; two large abstract windows for Broomfield Chapel, Abbots Langley; ten large concrete and glass windows for the new parish church, Gleadless Valley, Sheffield; and twenty-two glass windows for the Convent Chapel, St Michaels, Finchley. He also created a huge Jesse window for the church at Farnham Royal. The church was demolished in 2004, but the glass is now in storage, and some of the panes will be installed in the welcome are of the new church.

His favourite works were the windows he produced for Auckland Cathedral, New Zealand – as seen above.

John Baker, born Birmingham, 11 March 1916, died Hastings, 20 December 2007.

Vidimus

The concrete altar is set on a raised paved podium, complemented by a silver cross and distinctive Arts and Crafts style oak chairs.

The original seating seems to be no longer in use, replaced by a newer more comfortable alternative.

There is a large carved stone font.

The main body of the steeply pitched roof space is illuminated by slotted windows.

Many thanks to the key holders and parishioners at Holy Cross, our Sheffield guide Mick Nott and Claire Thornley at Eleven Design – for making our visit possible.

Thanks also to all those who turned up on Saturday to walk a very, very wet Gleadless Valley.

Woodward Court Woodward Street – Ancoats Manchester

“What’s going on?”

As Marvin Gaye so succinctly asked.

Why is there just one remaining tower block dancing unclad around Ancoats?

Let’s go back in time and see if we can find out – it seems that back in 1807 there wasn’t a Woodward Street to be found, the ever expanding industrial might of Manchester had not yet reached these particular green fields of Ancoats.

By 1824 it shows a fresh face to the world christened Woodworth Street, sparsely dotted with new development.

Almost fully formed in 1836 and renamed as Woodward Street, the area begins to accumulate the familiar domestic and industrial clutter of a burgeoning Victorian City.

By 1860 the street is fully formed and open for business.

Workers finding homes in austere and functional brick back to backs, typical of the period’s housing.

Fast forward to the early Sixties and the street is showing signs of age – the century old industries are already in decline, steady jobs, mills and factories gone west and east, well-worn housing looking terminally tired and in need of a little care and attention.