Just as I had done in Scarborough, just the other day.
I arrived by train just in time for the rain, took a look around Prestatyn town, waiting out the passing clouds.
The coast was overcast but dry, the pale marine light and light breeze caressing the wet concrete promenade.
This is a contested coastline, the concrete a first line of resistance to rising sea levels.
There is a history of serious flooding, particularly the area around Tywyn.
On 26 February 1990, the sea defences were breached for four hundred metres at Tywyn when a ferocious storm coincided with hide tide and a surge of water one and a half metres high. Lifeboats and helicopters were brought in to evacuate residents as seawater swept past the railway and flooded houses and caravans. Roughly ten square km of land were inundated.
The Central Rhyl Coastal Defences Scheme forms part of the Welsh Government’s £291m Coastal Risk Management Programme, which is responding directly to the challenges posed by climate change.
Dechrau a diwedd – Beginning and End 2009 by CAMM Design
The name of the sculpture acknowledges the nature of the Offa’s Dyke Path National Trail and Prestatyn as a point of departure or arrival. The trail is symbolised by a stylised representation of the sun. To either side of the sun sculpture are paved areas, and large blocks to provide seating.
The light continually changes over the placid surface of the Irish Sea, the off shore wind turbines spin slowly, seemingly silent on the distant horizon.
There was rain blowing in from the Orme – I cut and ran at Bae Cinmel, boarding the bus for Bae Colwyn.
So here we are at RIBA North to take a closeup wide angle view of the past.
In 1969, the Architectural Review magazine launched Manplan, a ground-breaking and often uncompromising assessment of Britain’s built environment at the end of the sixties.
Combining pioneering graphic and print techniques with powerful photojournalism, the attention grabbing magazine sought to question and critique architectural ideas at the time.
Photography lay at the heart of the series- through striking black and white reportage, Manplan revealed how architecture and urban planning shaped people’s daily lives, highlighting social issues that continue to be relevant today, such as inadequate housing, community, and loneliness.
Workers’ housing in Newcastle-upon-Tyne, with Dunston Power Station behind.
Image: Tim Street-Porter Architectural Press Archive RIBA Collections.
Bold in tone and innovative in style, Manplan reframed conversations on urban development and brought attention to socially conscious design within the built environment.
The Wide-Angle View exhibition reflects on its legacy and highlights the powerful role photography and design can still play in communicating and challenging over half a century on
Constructed in phases between 1961 and 1980 to a plan by Darbourne & Darke.
The estate was among the last of the high-density public housing schemes built in London during the postwar period, and is referred to as one of the most distinguished. Notably, seven years before the Ronan Point disaster ended the dominance of the tower block, Lillington Gardens looked ahead to a new standard that achieved high housing density within a medium rather than high-rise structure. It emphasised individuality in the grouping of dwellings, and provided for private gardens at ground and roof levels.
Blackburn Corporation office tower and shopping centre.
Image: Peter Baistow
My visit in 2025 – the tower and shopping centre having been significantly remodelled.
Given the current government’s drive for new build housing and new towns, I feel that the time is right to reassess the role of our citizens planners and architects own shaping this new New World.
Let’s all plan The Plan.
In July 2025, the government published its five-step plan to deliver a decade of renewal for social and affordable housing. This plan committed to delivering the biggest increase in social and affordable housebuilding in a generation, alongside a transformational and lasting change in the safety and quality of social housing.
Consideration should also be given to all the infrastructure that the housing may require – the schools, hospitals, libraries, shops, play areas et al.
No more shabby PFI, but substantial public buildings of real quality and distinction.
No more developer led, overseas capital fed, elite inner city out of town cookie cutter ghettoes.
On this occasion I am concerned with the tight little rectangle formed by Cheetwood Road, Broughton, Alison and Sherborne Streets.
Cheetwood Road is a postwar construction, a straight route replacing the meandering Cheetwood Lane. The road is lined with low level functionalist brick, steel and concrete industrial units.
Having fallen into disrepair they are now being renovated and reused.
In the early Twentieth Century the area was a mix of semi-derelict Victorian housing and industry.
Corner of Sherborne Street 1905
Cheetwood Lane 1917
The huge Holt’s Cheetwood Hotel has since been demolished, lasting until c1990.
Cheetwood Lane 1920
Images: Thomas Baddeley
Progress House 1969 – Domtar Howard Smith Ltd Paper Manufacturers.
Norweb Electricity
Images: Louis H Price Manchester Local Image Collection.
So here we are on Friday 7th August, taking yet another look.
The whole area and beyond is now the centre of a plan for regeneration.
Salford City Council and Manchester City Council have developed a joint Strategic Regeneration Framework to transform the Strangeways and Cambridge areas.
This plan addresses long-standing challenges such as counterfeit crime, poor-quality buildings, and flood risk, while creating opportunities for new homes, businesses, and green spaces.
The Strangeways and Cambridge strategic regeneration framework sets out a vision to deliver around 7,000 homes in buildings up to 30 storeys and 3.1m sq ft of new or improved commercial space across 320 acres spanning both Manchester and Salford.
HMP Manchester & Jury Street: A catalytic neighbourhood at the heart of the SRF. Home of the existing HMP Manchester with potential for long term change subject to the relocation of the prison.
Derby Street: An intensified business district, supported to ensure the long-term preservation and evolution of the business base in the area.
Copper Park: A regional destination, multi-functional open space delivered to create positive amenity and biodiversity in response to future flood risk.
Overbridge: Gateway to Copper Park from the city centre, an area of significant residential potential – up to 2,000 homes – but with important economic assets and heritage.
Cheetham Park: A new urban-suburban residential neighbourhood of up to 1,000 homes, building on the heritage of the Victorian Cheetham Park and the nascent residential community around it.
Dutton Street: The Dutton Street area is a natural extension of the city centre. Subject to the existing Great Ducie Street SRF, it is identified as residential-led mixed use area – up to 4,000 homes – where significant development and investment is already evident. This part of the SRF could accommodate 1.75m sq ft of new commercial space
Lord Street: A transitional neighbourhood, connecting the residential-led change in Dutton Street with the economic focus of Derby Street to the north, and with Red Bank and Victoria North to the east.
In 1956, with University considering plans for expansion, Alan Bullock obtained approval to transform St Catherine’s Society into a fully residential college – the search for a site and funding began.
An ambitious fundraising campaign began, focusing on the national shortage of scientists and on Bullock’s proposal of an increased number of science students at St Catherine’s than was usual for an Oxford college. In 1960 almost eight acres of Holywell Great Meadow was acquired from Merton College and the College’s chosen architect, Arne Jacobsen of Denmark, began to implement his design. His modernist masterpiece was to become the most important 20th-century collegiate buildings in Oxford, and is now Grade I listed.
In 1962 St Catherine’s College opened its doors – while still under construction, with Alan Bullock as its Master. The first undergraduates were admitted, and were quickly dubbed the ‘Dirty Thirty’ owing to the lack of running hot water. 1964 saw the ceremonial opening of the College by the then Chancellor of the University, Harold Macmillan, and ten years later in 1974, staying true to its forward-looking ethos, it became one of the first colleges to admit women.
As a footnote – it’s possibly not a great idea to rush around an unfamiliar city trying to snap as much as possible on a very hot day time limited by budget train bookings largely underfed and thirsty.
St Catherine’s College: 1961-66. Arne Jacobsen – Grade I Listed
Podium and all buildings upon it. GV I College buildings, raised on a podium, including dining hall, common room blocks; two residential blocks; library; Bernard Sunley Lecture Theatre; bell tower; piers and covering to walkways to east and west of library and east and west of hall; bridge adjoining west side of podium; brick walls enclosing canal and patio areas on western edge of podium; brick walls to patio areas to eastern edge of podium; twenty five short stretches of garden wall all running east-west, some incorporating seats; paving to podium surface and steps to east and south sides.
It’s been four years since our 2022 Wigan Walk – so time to see if there has been a refreshing change.
Beginning with a trip to the former flicks, the Princes Cinema now trading as Pure nightclub, sometimes home to Singo Bingo.
Originally the site of New Princes Theatre, opened on the 1st May 1911, the cinema was demolished and replaced, on an adjacent plot, by Princes Cinema in 1933.
Ofd special note the adjacent Electrical Substation of the day.
Plus extra added military history.
Seventies
Tucked in behind the Telephone Exchange are several streets of Edwardian social housing – the Spring Gardens Scheme of 1905.
The property is practically paying its way, and all the present generation has to find is a small sum of ninety odd pounds for sinking funds. For this we get fifty-nine families decently housed, the rateable value of the town increased, a slum abolished, an eyesore removed, the health of the inhabitants remarkably improved, their environment made clean, refined, and elevating, whilst our successors in 1959 will inherit an unencumbered estate.
It was demolished in 1985 as part of a wider redevelopment of the town centre to make way for the Galleries Shopping Centre. A new bus station, built at a cost of £2.3 million, began construction in April 1986, and opened in November 1987.
Wikipedia
Transport for Greater Manchester commissioned Austin-Smith:Lordto design a replacement nineteen stand £15.7m bus station in Wigan Town Centre, the project was completed in October 2018.
DJ Russ Winstanley was a former pupil, here he is in 1975 at the Wigan Casino holding up a copy of Footsee by Wigan’s Chosen Few b/w Seven Days Too Long by Chuck Wood.
Across the way to Scholes Comprehensive Development 1964
Five thirteen-storey tower blocks adjacent to Douglas House in Scholes were approved in 1964. Lower-rise housing and flats spread to the east. In 1968, a further 13-storey block, Boyswell House, was built at this eastern end of the Scholes Comprehensive Development Area. Almost 500 slum houses, housing 566 families, were demolished that same year and 581 new council homes completed.
Next to the Roger Booth cop shop that became a Premier Inn.
A super-comfy bed, blackout curtains, a powerful shower and free Wi-Fi – our double rooms have everything you’ll need for a great night’s sleep.
Next door the Wigan & Leigh Courthouse 1992 Wigan MBC Architect.
Relief figure of justice by Christine Ward.
Onward to Brocol House – currently home to the Job Centre
Image – Wigan Peers
Originally built for the Inland Revenue one the site of the Brewers Arms – has the welcoming charm shared by the majority of Ministry of Works buildings of the period.
Nearly done – up the road to the County Playhouse.
The club’s atmosphere is defined by thumping musicand a vibrant crowd eager to dance and celebrate. Its modern interior design complements the lively ambience, creating an inviting space for locals and visitors alike.
Construction began on the County Playhouse in 1916. However, due to a shortage of materials and labour during World War I, it was not completed until 1919.
Finally opened on 22nd December 1919 with The Hun Within – starring Dorothy Gish.
The County Playhouse closed on Sunday 13th November 1966 with Disney’s “The Sword and the Stone”. It was taken over by the Leeds Based Star Cinemas chain and they converted it into Star Bingo and Social Club opened on 24th November 1966.
MAS sales store 1982 – Frank Orrell Photography
The building has since been used as a discount store and Playhouse Club Café. It then became home to the 1,200 capacity Pure Nightclub. In the early-2000’s it became the Ibiza nightclub. The Pure nightclub move into the former Princes Cinema
Time for a swift half in The George to end your tour?
Great for a local pint one of the cheapest in Wigan I believe, slightly rough at times but no fights just real local people who are generally friendly. Proper drinking gaff, and karaoke on certain nights.
To begin at the middle, the middle of the Twentieth Century, houses may have looked like this:
Or possibly these:
These Shore Road survivors have resisted the charm of redevelopment, the demolition and new build, or the uPVC over cladding, relentless render or reglaze.
So what happened to houses that look like houses?
This upwardly mobile trend, fuelled by the rakish progress on the so called property ladder, fanned by 80’s Thatcherite tax cuts, and the ever so irresistible allure of conspicuous consumption.
Architectural historian Virginia Savage McAlester, coined the term Millennium Mansion, though these houses are also referred to as a McMansion, Persian Palace, Garage Mahal, Starter Castle, and Hummer House.
Marketing parlance often uses the term tract mansions or executive homes.
Let’s take a closer look at the look of luxury, is it playful and witty pastiche or Post Modern mumbo jumbo – un repas de chien.
The name Walsall is derived from Walh halh, meaning valley of the Welsh, referring to the British who first lived in the area. Later, it is believed that a manor was held here by William FitzAnsculf, who held numerous manors in the Midlands. By the first part of the 13th century, Walsall was a small market town with a manor house; the weekly market was introduced in 1220 and held on Tuesdays. The mayor of Walsall was created as a political position in the 14th century.
Significant developments also took place nearer to the town centre, particularly during the 1960s when a host of tower blocks were built around the town centre; however, most of these had been demolished by 2010.
The Memorial Gardens opened in 1952, in honour of the town’s fallen combatants of the two world wars. The Old Square Shopping Centre, a modern indoor shopping complex featuring many big retail names, opened in 1969.
Much of the reconstruction of the post-war period was quickly reconsidered as ugly and having blighted the town. In 1959, John Betjeman advised that with sensitive restoration the old buildings of the High Street could become:
There is to be further demolition on the High Street, to open up the vista between the Bus and Railway stations.
In 2021 Walsall secured funding of £11.4m from the Future High Street Fund. With further investment from Walsall Council we are now delivering the early phases of the Town Centre Masterplan, through the Walsall Connected Gateway Project.
Approval has been granted to remodel the Saddlers Centre to create a more open and attractive arrival experience for train passengers whilst also opening up Park Street. Butler’s Passage, which has in the past been the centre of antisocial behaviour, will disappear as some of the buildings are removed to create a large open walkway, connecting the rail and bus hubs.
Former Railway station 4th March 1978 – photo by Walsall 1955
The station was about to be closed, demolished and replaced by a new Marks & Spencers and the Saddlers Centre.
The existing entrance to the railway station on Station Street.
Let’s begin at the St Paul’s bus station or Hub – if you will, complete in September 2000.
The 1936 St Pauls Street bus station closed in February 1975, and was completely demolished, rebuilt and opened in August 1975.
Photo by: Walsall 1955
Allford Hall Monaghan Morris designed the building for Centro. The structural engineers were Atelier One, Shepherd Construction Ltd were the contractors, Watkins Dally were the landscape architects and Clark Smith Partnership were the civil engineers.
Next, a glimpse of Hatherton Road multi-storey car park.
Though it appears to be closed.
Adjacent to Enoch Evans Solicitors, their offices housed in one of the many imperious inter-war buildings dotted around the town.
Which faces onto the back of the Civic Centre.
Following the formation of the Metropolitan Borough, the new Civic Centre in Darwall Street opened in 1976, architect Stanley W Bradford Walsall MBC Director of Architecture.
Central roof garden.
Leaving the Civic Quarter on the left is the Imperial
The Imperial started life as an agricultural hall, constructed in 1868-69, and designed by the architect GB Nichols of West Bromwich. At that time, it was used for a variety of community activities including shows and dancing, it was also hired out to travelling film showmen. The main feature of the early building was a principal ground floor hall.
In June 1914, the Imperial was closed to allow for conversion to a cinema, designed by West Midlands-based architects Hickton & Farmer.
The Imperial was converted to a bingo club in 1968, and in 1996 it was converted into a pub, which closed in 2016.
At the end of the otherwise period correct Victorian Arcade is a space age Pound Bakery.
Across the way a former Barclays Bank architects: John HD Madin & Partners.
Next door an anomalous disco themed fascia.
From here up the hill to the Old Square.
Sainsbury’s Old Square store in the early 1970s photo Will Parker.
The majority of the Shopping Centre was demolished in 2014.
I remember when I was about fifteen in 1990, Coca-Cola were doing these yo-yos and if you went upstairs by the cafe, I think it was you could earn a gold coloured yo-yo. You just had to perform three tricks with it to earn one. I did walk the dog, the sleeper and I think it was around the world! Proud as punch with that I was. I know my uncle was Father Christmas for a few years on the bounce as well, when they used to have a grotto.
Dan Bracknall
These are the remnants.
Ascending to the dizzy heights of the Grade II Listed Memorial Gardens 1953 by Geoffrey Jellicoe designed as a memorial to the dead of the two World Wars and said to mark a significant stage in the evolution of his principles of design.
Sir Geoffrey Jellicoe was one of the century’s greatest landscape architects. His contribution to landscape design has been described as equal to the 18th-century gardener Capability Brown. He was educated at Cheltenham College and then trained to be an architect at the Architectural Association. It was while at the AA that his interest in landscape was first kindled.
The second phase, comprising the building of the memorial chapel in the Memorial Garden, and the flats and Brotherhood or Church Hall to the south of the open space known as St Matthew’s Close, was completed c 1960
Of back down the hill onward to the Walsall School of Art.
Walsall’s art school’s history is a story of gradual growth and change, evolving from evening classes in a chapel to a modern art college. The Walsall School of Design and Ornamental Art, founded in 1854 as an evening class, operated from 1861 at the Goodall Street Baptist Chapel and eventually became the Walsall College of Art.
To celebrate Queen Victoria’s Golden Jubilee, the Walsall Science and Art Institute was opened in 1888 at Bradford Place. In 1897, it was transferred to the Town Council and renamed the Walsall Municipal Science & Art Institute. In 1926, the institute was renamed Walsall Technical College. Post-war demand led to the establishment of the Walsall and Staffordshire Technical College at Wisemore – now St Paul’s Street, in 1952. The Walsall College of Art officially merged with the College of Technology in 1992 to form Walsall College of Arts and Technology – now simply Walsall College. The college maintains strong historical ties to local industries, such as the leather trade.
Further on there’s an enormous Telephone Exchange comprising fifties and seventies buildings.
Across the way a large system built block on a podium base.
Standing on the corner where it has always stood the Silver Knight Garage.
Heading back into the town centre, picking up on there’s a former Woolworths that looks like a Burton’s that thinks it’s a Barclays Bank, and also improbably a Swag King.
1933 by FW Woolworth Construction Dept – H Wimbourne
Next an indeterminate infill with pale blue panels and central pivoting metal window frames, soon to be demolished along with its neighbours, as part of the Connected Gateway Project.
Possibly a former BHS – known as Jacey House.
Next up Park Place.
Ai says – notable features include Park Place Meats – a town centre butcher, and Park Place Shoe Repairs, which offers engraving and key-cutting services.
It’s 1892 and the Twentieth Century is about to overwrite the expansive green sward of Northstead and Newlands.
The Manor of Northstead consisted of a medieval manor house surrounded by fields and farms in the parish of Scalby in the North Riding of Yorkshire. The estate originally bordered the northern side of the ancient boundary of the Borough of Scarborough, following the line of Peasholm Beck. The estate passed into the ownership of the Crown during the reign of King Richard III. By 1600, the manor house had fallen into disrepair, being latterly occupied by Sir Richard Cholmeley’s shepherd until it finally collapsed
Walking the streets on a sunny Scarborough day, I was struck by the capricious cornucopia of interwar and postwar architectural styles. These are well kept well behaved homes, many of which were built as imposing apartment blocks, possibly for the seaside retirees, or the transient tourist.
The coast encourages a playful sense of design, referencing vernacular styles and including several decorative devices.
So let’s take a wander around, see what we can see.
It is with deepest regret that despite the best efforts of everyone involved, it has now been confirmed that Lynwood Convalescent Home will close at the end of 2025. Whilst it was previously hoped that Lynwood could remain open for a further period, unfortunately, there are insufficient funds required to keep the Home operating and a sale of the building is progressing.
The Yorkshire Miners’ Welfare Convalescence Home charity who owns the home is continuing to support beneficiaries and staff during this difficult period. The trustees of the Home are currently discussing how the charity will use the funds from the property sale to support beneficiaries going forward and plans will be communicated in the coming weeks and months.
We fully understand the disappointment and impact this decision will have on our beneficiaries and staff. Please be assured that the trustees remain committed to keeping all stakeholders informed about the future of the charity.
Hi, there are a few point that we feel need addressing, the WiFi kept going off. Both shower heads were very high and we could not adjust them. The grouting in the bathroom floor was broken, which made the tiles loose and needs attention. The toilet in the bathroom was loose and felt insecure. The cooker was not properly secured to the housing, it felt loose in the housing. The TV kept loosing signal and the picture would break up – thank God for youtube, as that was pretty good
Apart from the points mentioned the apartment was clean and tidy and very nice.
We have previously stayed at Manor Heath on four occasions and always enjoy it and look forward to our next visit. We stayed in apartment two, which was very comfortable, but would benefit from a coffee table or nest of tablets, so you could relax and put your drinks on it
Reviewed by Sharon 5.0 ★
Seaside Hideaway combines a fantastic North Bay location with comfortable rooms, delicious breakfasts and a warm personal welcome from your hosts, Jim and Sarah.
If you’re thinking about a spring break by the coast, take a look at our spring breaks in Scarborough guide for ideas on where to stay and what to do.
Penrhyn Bay is a peaceful seaside town and residential suburb of Llandudno in Conwy County, North Wales, known for its scenic sand-and-shingle beach. Located east of the Little Orme, it offers coastal walks, rock pooling, and a quiet alternative to nearby bustling resorts. The area is popular for its local community feel, nearby seal spotting, and easy access to North Wales attractions.
Following several recent suburban posts in my local area, I decided to take a train to Colwyn Bay, in order to revisit an old friend, last seen in 2023.
The quality of light and the well behaved deportment of the houses and owners, exuded the demeanour of a model village.
There are new model cars, extensions, impressed drives, garden ornamentation, quirkily rendered reliefs and cladding.
For my part I cannot help bur recall the TV show Green Acres whenever I pass by Green Pastures.
Eva Gabor preferring the glamour of Manhattan.
To the rural life.
Culturally and stylistically, Green Pastures sits somewhere betwixt and between.
In reality the fictional life of Green Pastures became Mulberry Close, in the hit TV show Inside No. Nine
Vinette Robinson, Reece Shearsmith, Adrian Scarborough, Steve Pemberton and Dorothy Atkinson.
So much for the scriptwriters wild imaginings, what does the road look like?
A broad sweeping swathe of tarmac, with a range of 70s housing typologies – wall less gardens, where grass becomes easily impressed concrete, gravel and artfully paved car parks.
Asymmetric roof, bedroom balcony with optional infill, ever more pointless integrated garage, as the inflated automobile refuses to fit in.
The ubiquitous carriage lamp, B&Q Georgian front door and hanging basket, all head up the relentless quest to defy period integrity, in favour of a free market, free for all of undiluted historicism.
The future and the past and the houses are infinitely all extendable.
Butetown – or The Docks Tre-biwt is a district and community in the south of the city of Cardiff. It was originally a model housing estate built in the early 19th century by the 2nd Marquess of Bute, for whose title the area was named.
Commonly known as Tiger Bay, this area became one of the UK’s first multiculturalcommunities with people from over fifty countries settled here by the outbreak of the First World War, working in the docks and allied industries. Some of the largest communities included the Somalis, Yemenis and Greeks, whose influence still lives on today.
In 1906, work began on the present-day church, which also serves the Russian Orthodox community in south Wales. Designed by local architects, James and Morgan, it is located on a site provided by the 4th Marquess of Bute, to the west of Bute Street. The modestly-sized building is of Byzantine style with a domed nave and an apse at the east end. It retains the original dedication to StNicholas. The interior is very ornate, with a lot of carved woodwork. The dome and upper walls have painted Biblical scenes in vivid colours with gold decoration.
Loudoun Square was originally built in the mid-1850s as upmarket homes for merchants, mariners, ship brokers and the like around a central park.
Photo 1962
In the 1960s, most of the original housing was demolished including the historic Loudoun Square, the original heart of Butetown. In its place was a typical 1960s housing estate of low-rise courts and alleys, and two high-rise blocks of flats.
Between 1960 and 1966 two sixteen-storey tower blocks, Loudoun House and Nelson House, were built on the centre of Loudoun Square
The demolition of the old buildings in Bute Street gets under way in 1963.
Surveybase have undertaken detailed scanning and modelling prior to the planned post Grenfell re-cladding.
The Loudoun Square regeneration project is a collaboration between Cardiff City Council, Cardiff Community Housing Association, Cardiff Local Health Board and Cardiff and Vale NHS Trust. The site is located between Cardiff City Centre and Cardiff Bay, and was previously occupied by an existing health centre and local shops, together with a vacant area of land.
The area has been regenerated with the creation of new modern facilities to serve the local community and include a new health centre, shops, affordable homes and community facilities.
Taking in Mauldeth Road, Pinewood Close and Leegate Gardens
Mauldeth Road is lined with larger houses, Victorian and interwar villas, bijou apartments and the odd Modernist interloper.
Through the avenues and alleyways, home to those ever so tidy inter and postwar enclaves.
Where a mans gotta work out which side he’s on Any way he chooses Chances are he loses No one gets to live too long
Though in my experience the converse is true, this is a mature community gently maturing, on the inside of everything.
Hiding what may possibly be hidden behind the hedge, though the privacy of privet is in retreat, replaced by bay, birch, holly and the extremely hardy laurel.
The left hand house has purposefully retained the original Crittall Windows.
High above the streets of Stockport – zooming in to a cluster of cul de sacs branching out from Tithe Barn Road.
Cul de sac translates as bottom of the bag, the French do not use the term, preferring voie sans issue, literally a dead end.
In the slums of New York City, on the East River just below the Queensboro Bridge, wealthy people live in opulent and luxurious apartments because of the picturesque views of the river, while the destitute and poor live nearby in crowded, cockroach-infested tenements.
I assume that countless civic meetings and Estate Agents’ offices eschew the terminal term – dead end, in favour of the assumed elegance of the cu de sac.
Polanski’s second English-language feature, it follows two injured gangsters who take refuge in the remote island castle of a young British couple in the North of England, spurring a series of mind games and violent altercations.
I was informed by a local resident that the streets and houses had been used by film crews, firstly for ease of access, the location being closed off, and secondly as the period architecture aligns perfectly with the current penchant for mid-century styling.
Within the typology there area number of variants, bungalow, dormer bungalow, link detached, semi-detached and detached.
Very very few of the homes have retained their original features, the imperative of our age is to extend and improve.
There is a covenant in the deeds which prevents the building of border fencing – therefore the development retains its small-scale suburban American ambience.
Within such a tight network of suburban streets, restrained Modernism sits alongside the traditional semi, the grand villa and humble abode. A smattering of stained glass and an original door here and there.
One example of a curved Crittall bay, sitting next door to a distant uPVC cousin.
Hesitant examples of Arts and Crafts and hints of Tudorbethan, subtle shades of sub Lutyens, the odd Art Deco detail.
We never keep to the present. We recall the past; we anticipate the future as if we found it too slow in coming and were trying to hurry it up, or we recall the past as if to stay its too rapid flight. We are so unwise that we wander about in times that do not belong to us, and do not think of the only one that does; so vain that we dream of times that are not and blindly flee the only one that is. The fact is that the present usually hurts. We thrust it out of sight because it distresses us, and if we find it enjoyable, we are sorry to see it slip away. We try to give it the support of the future, and think how we are going to arrange things over which we have no control for a time we can never be sure of reaching.
Blaise Pascal
Let each of us examine his thoughts; he will find them wholly concerned with the past or the future. We almost never think of the present, and if we do think of it, it is only to see what light it throws on our plans for the future. The present is never our end. The past and the present are our means, the future alone our end. Thus we never actually live, but hope to live, and since we are always planning how to be happy, it is inevitable that we should never be so.
In 1896 the area to the east of central Stockport is a potpourri of emergent industry, railways, a river and agriculture – a product of the second Ice Age, the subsequent formation of the Mersey Valley and the Industrial Revolution.
By 1911 there is an expansion in the housing stock.
A comprehensive history of the area cane be found here.
In 1918, the UK property landscape was dominated by private renters, who made up 75% of all households. At the time, only 25% of the population owned their own homes.Over the next few decades, home ownership gradually increased, reaching about 38% by 1958. This shift was accompanied by a decrease in private renting, which fell to 41% during the same period.
The most significant growth in home ownership occurred between 1958 and 2003. The percentage of owner-occupiers surged from 38% to 70%. This period saw a corresponding decline in both private renting, which fell to just 8% in 2003, and social renting, which peaked at 29% in 1978 before declining to 22% by 2003.
The pattern of home ownership has been determined by a number of factors –
The Property Owning Democracy – Coined by British MP Noel Skelton in 1920, the concept emphasised the terms ‘property-owning’ and ‘democracy’ as a conservative response to left-leaning ideas of liberalism and socialism.
Right to Buy scheme, introduced by Margaret Thatcher’s Housing Act 1980, allowed long-term council social tenants in England and Wales to buy their homes at a significant discount, fostering homeownership but drastically reducing the stock of affordable social housing, leading to ongoing housing shortages and debates over its legacy.
The Property Ladder which commodifies housing. Where once house and home were largely for life, the upwardly mobile homeowner wishes to continually acquire value and status through trading ever onwards and upwards.
Socially the role of the home has also changed over time, once a place to be outside of – working or playing, the home is now possibly a place of both work and play. A larger percentage of weekly earnings is now absorbed by housing costs, and the lure of the multi-channel Smart TV, gaming systems, take away food and supermarket lager, nails the residents’ slippers firmly to the laminate flooring.
This has gone hand in hand with the trend home improvements and extensions – fed by glossy magazines, design led property TV shows advocating a New England, Shabby Chic, Maxi/Minimalist Vibe.
Welcome to the new England.
It’s January 2026 and I have taken to the area between Mauldeth Road, Thornfield Road, Queens Drive and Didsbury Road.
What is actually going on in my locale? – The only way to find out is to go and take a good look around.
Symbol of middle-class aspiration, conservatism and compromised individualism, the semi-detached house is England’s modern domestic type par excellence.
Semi-detached houses are the most common property type in the United Kingdom. They accounted for 32% of UK housing transactions and 32% of the English housing stock in 2008. Between 1945 and 1964, 41% of all properties built were semis.
Semi-detached houses for the middle class began to be planned systematically in late 18th-century Georgian architecture, as a suburban compromise between the terraced houses close to the city centre, and the detached villas further out, where land was cheaper.
Although semi-detached housing is built throughout the world, it is generally seen as particularly symbolic of the suburbanisation of the United Kingdom and Ireland.
The homeowners quest for the individual within a typology, no two doors the same, render re-rendered, period details largely erased, occasionally preserved, windows awash with white uPVC, along with the more recent incursion of one shade of grey, front gardens replaced by unimpressive pressed concrete car parking, cars and more cars, bay windows held at bay by red brick walls and well-trimmed beech hedges.
My pink half of the drainpipe Separates next door from me My pink half of the drainpipe Oh, Mama – belongs to me
My baby takes the morning train He works from nine till five and then He takes another home again To find me waitin’ for him
Sheena Easton
Welcome to the land of Terry and June – the seemingly complacent home to the newly aspirational classes, anathema to those thrill seeking Modernists, embracing the dynamism of the city, or those Ruralists protecting the integrity of the countryside.
Tradition has broken down. Taste is utterly debased, the town, long since degraded, is now being annihilated by a flabby, shoddy, romantic nature worship. That romantic nature worship is destroying also the object of its adoration, the countryside.
The growth of British towns and cities, from the onset of the Industrial Revolution, created a demand for new homes, the earliest developments were close to the centres of production and administration. Followed by the creation of outlying estates for the fleeing middle classes, as the smoke began to billow and the trains and buses began to run.
Originally the work of speculative private enterprise, followed by homes built by the local authority along with charitable institutions.
My own experience has taught me that Suburbia is architecturally diverse, socially less so, as various areas are segregated by class, and perhaps less so by ethnicity and/or culture.
The majority of the population live in Suburbia it seems, there now follows a selection of the suburban sites which I have visited in the last ten years or so.
In search of Suburbia.
There are areas of Victorian terraced housing Manchester which survived clearance – such as Jetson Street in Abbey Hey.
By 1931 1.1 million council houses were built and 2.8 million privately owned homes.
Post WW2 the emphasis was on an expansion of social housing, along with a growth in privately owned property – detailed information and analysis of social housing can be found here at Municipal Dreams.
These homes were at times both temporary and of non-standard construction.
This prefabricated house was originally built for the good folk of Doncaster, later finding itself in Humberston Fitties
These Wythenshawe BISFHomes designed by Frederick Gibberd, the so-called Tin Town are still very much habitable homes.
Post war development was inextricably linked to the New Towns.
The new towns in the United Kingdom were planned under the powers of the New Towns Act 1946 and later acts to relocate people from poor or bombed-out housing following World War II. Designated new towns were placed under the supervision of a development corporation, and were developed in three waves. Later developments included the “expanded towns”: existing towns which were substantially expanded to accommodate what was called the “overspill” population from densely populated areas of deprivation.
Plantation is an area in the city of Glasgow, Scotland. It is situated south of the River Clyde and is part of the former Burgh of Govan. It lies approximately between the areas of Cessnock and Ibrox to the west, Kingston to the east, and Kinning Park to the south.
The 80-acre Craigiehall estate, previously three smaller properties, was bought in 1783 by John Robertson, a cashier in the Glasgow Arms Bank, who with his brothers owned cotton and sugar plantations in the West Indies. He renamed it Plantation, possibly as a reminder of the West Indies plantations. It then, in 1793, passed to John Mair, a merchant who developed the building and gardens. Plantation passed to the Maclean family, in 1829, in the person of William Maclean, a Glasgow Baillie.
In the years that followed, the estate was bisected by the railway to the south, with the shipbuilding yards of The Clyde Trust cutting off the estate from the river. Plantation was laid out for tenement houses in the 1870s and Maclean, Plantation, Mair and Craigiehall Streets refer to the history of the old estate.
Plantation Quay formed part of the site for the Glasgow Garden Festival in 1988 and subsequent Glasgow Science Centre.
A crowd gathered to watch a football match at Plantation, 1955. The players in dark jerseys appear to be celebrating a goal.
The mostly male spectators are focused on the game, while in the foreground a couple of women pass by with prams. The tenements in the background provide their inhabitants with a bird’s-eye view of the match. Other spectators are perched on top of a high wall separating the tenement back courts from the football pitch.
In 1955 Partick Camera Club set out to create a photographic survey of Glasgow. As the project progressed, other camera clubs joined and each was allocated a district of the city to photograph. Glasgow Museums exhibited the photographs at Kelvingrove Art Gallery and Museum and at the People’s Place, and in 1956 the exhibition was shown at the Palace of Art in Bellahouston Park. The photographs are now part of Glasgow Museums’ collections.
So the folks, homes, industry and streets of the past have been and gone.
I was walking through the area in March 2023 one quite quiet morning, and attracted by the neat rows of austere grey terraces, low rise blocks and maisonettes, which have replaced the tenements.
The estate is clean and well maintained, open areas of grass criss crossed with pedestrian paths, surrounded by mature trees, motor cars have discrete parking areas.
Modern Mooch 