Wythenshawe Civic Centre

A social history of Wythenshawe and its Civic Centre can be found here at Archives +.

A general history of the garden city’s development can be found here at Municipal Dreams.

Lest we forget, the story begins with a level of overcrowding and human misery that is – thankfully – almost unimaginable in Britain today. In 1935, Manchester’s Medical Officer of Health condemned 30,000 (of a total of 80,000) inner-city homes as unfit for human habitation; 7000 families were living in single rooms.

The estate was always considered to be, in some sense, the realisation of an ambitious vision.

The world of the future – a world where men and women workers shall be decently housed and served, where the health and safety of little children are of paramount importance, and where work and leisure may be enjoyed to the full.

Cooperative Women’s Guild

Work began in the interwar years, and continued following the hiatus of 1939-45. The shopping centre named the Civic Centre was open in 1963, the actual Civic Centre containing a swimming pool, theatre, public hall and library in 1971.

A triumph for Municipal Modernism conceived by the City Architects and realised by Direct Works. This post war development owed more to the spirit of Festival of Britain optimism, new construction methods and materials, rather than the grandiose functionalist classicism of the original scheme.

The Co-operative Superstore was a key element in the provision of provisions.

Along with Fine Fare and Mercury Market.

Cantors

Shaw’s

Fred Dawes Whitworth Park Gas Showrooms

New Day furnishing the local HQ was at Hilton House Stockport

The flats were demolished in 2007

Edwards Court and Birch Tree Court 1987 – Tower Block

First there was a bowling alley.

Which became the Golden Garter

Closed 3rd January 1983

Then there was a theatre The Forum

There still is – The Forum is a bright and modern hub for co-located services used by community and business.

The original Forum opened in 1971. One of Manchester’s largest public buildings, it had a leisure centre, library, theatre, main hall and meeting rooms. By the mid 1990’s it was under used, had deteriorated internally and externally and needed substantial investment.

The new Forum, along with a new police sub-divisional headquarters and improved transport link was designed to help strengthen the town centre, and provide a landmark project to raise Wythenshawe’s profile within Manchester and beyond.

In the 1980’s they put on a superb array of shows including Roll on 4 O’Clock which starred John Jardine, Jack Smethurst and Glynn Owen. Oh What a lovely War; What the Butler Saw and Habeas Corpus by Alan Bennett.  Bury’s own Victoria Wood starred in Talent which she wrote.  Another Manchester icon Frank Foo Foo Lammar, famous as the top drag queen of the North-West  whose club was re-known for its great party nights appeared in The Rocky horror Show.

A land of elegant covered walkways and raised beds.

A land of 24 hour petrol stations and quadruple Green Shield Stamps.

Some where along the way we lost our way – taxi!

Photographs Manchester Local Image Collection

Ravensbury Street – Droylsden Cooperative Society Store

On the corner of Ravensbury and Stockholm Street Clayton Manchester there stands a Cooperative Shop of 1908.

We have previously visited another fine example on Northmoor Road.

In 1902 the area is still set to open ground.

This Manchester Local Image Collection photograph of 1912 shows new terraced homes emerging to meet the housing needs of the world’s first industrial city.

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Here is the street in 1965 the shop already shut.

The corner shop on Bank Street still trades.

The Stuart Street Power Station does not.

Changing patterns in shoppers habits sealed the fate of many local and corner shops, as larger supermarkets opened, increased mobility and car ownership became more common.

When I first visited the building was undergoing renovation work.

The beautiful terracotta tile work and corona obscured by scaffolding .

I returned last week to find the job almost done – converted to flats, in an are which has seen a great duke of improvement to the general housing stock, paving and street furniture.

A joy to see a fine building almost returned to its former glory, with a much needed social purpose, reviving the hopes of the city’s western edge.

Merseyway – Alan Boyson Screen Wall

Deep in the heart of Stockport at the centre of our very own shopping centre – Merseyway.

A pierced concrete relief screen wall surrounds the former Co-op, currently Primark, car park.

The work of Alan Boyson – today the 16th of March 2020 would have been his ninetieth birthday.

I’ve even gone so far as to analyse its structure:

So I went for a walk this morning, as I have on several previous occasions, to take a look around the site – inside and out.

Merseyway – Adlington Walk

Once widely admired, Ian Nairn esteemed architectural writer, thought it an exemplary exposition of modern integrated shopping and parking, sitting perfectly in its particular topography – way back in 1972.

This German magazine dedicated several pages to coverage of Merseyway back in 1971.

Note the long lost decorative panels of Adlington Walk.

Many thanks to Sean Madner for these archive images.

Mainstream Modern has recorded its conception and inception, as part of a wider appreciation of Greater Manchester’s architecture.

The architects were Bernard Engle and Partners in conjunction with officers of Stockport Corporation and the centre opened in 1965. The separation of pedestrians and cars, the service areas, the multi level street, the city block that negotiates difficult topography to its advantage, are all planning moves that are of the new, ordered and systemised, second wave modernism in the UK. The aggregate of the highways engineering, the urban planning and the shifting demands of retailers frequently arrived at a form and order such as this. In this way Merseyway is unremarkable, it’s like many other centres in many other towns – consider the rooftop landscape of Blackburn. It is, however, typical and has been typically added to and adjusted during its life and presents perhaps the face of the last retail metamorphosis before the out-of-town really made the grade.

Each successive remaking and remodelling has seriously compromised the integrity of the development. We are left with dog’s dinner of poorly realised Post Modern and Hi-Tech additions, along with a failure to maintain the best of the original scheme.

Plans are now afoot to revamp the precinct – starting with Adlington Walk.

Proposed facilities include a soft play space, new seating, buggy stores, high grade toilets, parent and child facilities and a multi faith prayer room.

William Mitchell – CIS Manchester

We have met before, of course we have – here in Newton Heath

Here in Liverpool

Here in Hull

At Manchester University

In Eastford Square

And of course in Salford

Today on my way elsewhere, in search of something or other, I walked into the lobby of the CIS.

I asked permission from the Receptionist to take a few snaps, was referred to the Head of Security, who referred me to the Receptionist, who ‘phoned Paul, who turned out to be Steve, who thought that it would be OK.

So I did – here are those very snaps, my thanks to the cooperative staff of the Cooperative Insurance Society.

New Face In Hull

And lo it came to pass – I came to Hull.

Again.

Guiding a group of willing Modernists on a walk.

We were there at the behest of Esther and Leigh, gathering to say farewell to Alan Boyson’s Three Ships, as it transpired we were there to celebrate its reprieve, following their campaign for listing.

Over a million tesserae glowed in the low winter sun – so did we.

As Helen Angell read her poem – Christopher Marsden and Esther Johnson recording the performance for posterity.

The Three Ships are attached to a former Cooperative Store – complete with a formerly working Cooperative Store clock – where we meet at four minutes to six – forever.

We had previously encountered Hammonds of Hull/House of Fraser – soon to be a food court, artisan everything outlet.

And this Festival of Britain style functionalist council building.

Onward to the Queens Gardens the almost filled in former Queens Dock – forever fourteen feet below sea level.

We encounter Ton Liu’s Solar Gate – a sundial that uses solar alignment to mark significant times and dates in Hull. The super-light innovative two-shell structure is place-specific, responding to pivotal historic events and to the cultural context of its location in Hull’s Queens Gardens adjacent to the ancient site of Beverley Gate.

Carved stone panels Kenneth Carter 1960 – Ken’s art career began as an inspiring teacher, first at his alma mater, Hull College of Art, and later as principal lecturer at Exeter College of Art.

A number of decorative fountains featured in the ponds; those at the eastern end designed as part of the sculptured panels of 1960, by Robert Adams, described by Herbert Read as belonging to: 

The iconography of despair. Here are images of flight, of ragged claws, scuttling across floors of silent seas, of excoriated flesh, frustrated sex, the geometry of fear.

Top of the shop William Mitchells relief – time to pause and reflect.

Paying homage to Frederick Gibberd author of the College and Queens Gardens scheme.

En passant catching a glimpse of this splendid non-functioning water feature.

Off on the bus to St Anthony and Our Lady of Mercy just off Beverley Road.

More of which here.

A swift walk around the corner for a swift walk around the University of Hull campus, first encountering the Gulbenkian Building.

And a brief encounter with the Brynmor Jones Philip Larkin Library.

Thanks again to Esther for pointing out this delightful owl – the work of Willi Soukop

My life was never planned, it just happened.

Castle House Co-op Store – Sheffield

So here we are outside, you and I in 2015 – it seems like yesterday.

Whereas yesterday I was inside not outside, but more of that in a moment.

It seems that you were listed in 2009 and deservedly so.

1964 by George S Hay, Chief Architect for CWS, with interior design by Stanley Layland, interior designer for CWS. Reinforced concrete with Blue Pearl granite tiles and veneers, grey granite tiles and veneers, buff granite blocks, glass, and brick.

There’s just so much to stand and stare and marvel at.

Vulcan by Boris Tietze commisioned by Horne Brothers 1961 for their head office building No. 1 King Street. Glass fibre on a metal armature the 8 foot high figure holding a bundle of metal rods.

You were just about still open then, then you weren’t, then you were again – but a Co-op no more alas.

Fast forward to 2018

Work is underway on plans for a tech hub in Sheffield after a funding package was agreed.

Followed by a casual stroll towards 2019 where we are talking a peep inside courtesy of owners Kollider and book shop La Biblioteka.

I’d never ever seen the interior, save through the photographs of Sean Madner who captured the key features in 2014, prior to refurbishment.

So the Modernists and I pitched up this Sunday afternoon, the conclusion of our Sheffield Walk.

Lets take a look at the end stairwells, two very distinct designs one dotty one linear, both using Carter’s Tiles.

Configured from combinations and rotations of these nine modular units and two plain tiles.

Configured from combinations and rotations of these twelve modular units and two plain tiles.

The site has retained some of its original architectural typography.

The former top floor restaurant has a suspended geometric ceiling with recently fitted custom made lighting.

The timber-lined boardroom has a distinctive horseshoe of lighting, augmenting the board room table – which is currently away for repair, oh yes and a delightful door.

High atop the intoxicating vertiginous swirl of the central spiral stairway is the relief mural representing a cockerel and fish made of aluminium, copper and metal rod, with red French glass for the fish’s eye and cockerel’s comb.

Illuminated from above by this pierced concrete and glass skylight.

Many of the internal spaces have been ready for their new tenants.

This is a fine example of Modernist retail architecture saved from decay and degradation by the timely intervention of a sympathetic tenant.

Long may they and Castle House prosper – Sheffield we salute you!

Doncaster – Modernism

The railway station was built in 1849 replacing a temporary structure constructed a year earlier. It was rebuilt in its present form in 1933 and has had several slight modifications since that date, most notably in 2006, when the new interchange and connection to Frenchgate Centre opened.

The front elevation is realised in a typical inter-war brick functionalist style.

Of particular note are the lobby lighting fixtures and clock, the booking hall and offices are listed Grade II.

There are plans to redevelop the station approach replacing the current car parking with a pedestrianised piazza.

The High Street boast a former branch of Burton’s with its logo intact.

An intriguing Art Deco shop frontage – combining a menswear outlet with a pub.

Further along an enormous Danum Co-operative Store in the grandest Deco manner – 1938-40. Designed by T H Johnson & Son for the Doncaster Co-operative Society Ltd.

Currently partially occupied with no access to the glass stairways.

Following the development of the Frenchgate Centre the Waterdale Centre sunk into a slow decline.

And the Staff of Life has lost a little of its estate pub period charm, following successive typographic makeovers and paint jobs.

There are plans to improve the centre.

A naked couple sculpture which caused complaints went back on display in 2015.

The Lovers statue, depicting the couple embracing, attracted criticism after being installed in the Arndale Shopping Centre in Doncaster in the 1960s.

It was removed in the late 1980s and put into storage before being restored with the help of a local art group.

The designer was architect Eckehart Selke

Moving through to the shiny new Civic Area note the older library and demolished college.

There are further plans to redevelop the Library, Museum and Art Gallery.

Passing through we reach the Magistrates’ Courts and Police Station.

From 1949 onwards plans were afoot to develop the Waterdale area of Doncaster – civic buildings, courts, educational provision and the like, WH Price the Borough Surveyor at the helm. In 1955 Frederick Gibberd was appointed to oversee the site, though many of his designs were unrealised, his Police Station and Law Courts opened in 1969.

The Police Station it seems is to be redeveloped.

Moments away a delightful clinic with a decorative fascia.

Whilst next door is the Museum and Art Gallery.

And finally next door St Peter in Chains Church.

Ten Acres Lane Again – Manchester

Having travelled back in time along Ten Acres Lane why not come along with me now and see just what’s left – right?

Each Manchester street tells its own tales of homes and people been, gone, rebuilt and buried – whole industries evaporating laid waste by seismic economic forces, land changing use again and again – shop door bells which are a now but a ghostly tintinnabulation on the wind.

Starting from the Oldham Road end the clearance of older terraced homes was followed by the construction of newer 70s social housing.

The former Tootal’s Mill is now owned by Sleepdown Textiles.

Some of the older terraces were spared the wrecker’s ball.

Industrial sites remain fenced and unused slowly returning to some form of urban natural habitat.

The cast-iron Rochdale Canal bridge is still in place – it was itself a replacement for an earlier masonry version.

Mather and Platt’s foundry sheds are just about hanging on – though I am uncertain of their current use and ownership.

The recreation ground is now an extensive community football facility and also home to the National Taekwondo Centre.

This large tract of land once Jackson’s Brickworks is under consideration for a modern private housing development

Much of the inter-war housing stock is still extant.

The sad shell of the Co-operative corner shop currently half storefront church half former tyre supplier is a sorry sight.

The still-standing CWS Works.

Finally passing under the railway bridge and descending into the Medlock Valley – our journey’s end.

Castle Street – Edgeley #1

 

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I have shuffled and shopped up and down Castle Street for some forty years or so – things have come and things have gone – and continue to do so. High streets have always been subject to so many external forces, they reshape and reform, in rhythm with the times and tides of history.

Horse drawn carriages and trams are long gone, along with the double-decker bus, people powered people rule in a pedestrianised precinct, charity begins at Barnardo’s, the Co-op has been and gone and returned, just up the way.

Two whole chapels, pubs and cinemas seem to have just disappeared.

So let’s take a short trip through time and space along a short strip of Stockport’s past.

Get your boots on.

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Gore Brook – A History

To begin at the beginning, well actually to begin in the middle and walk to the current beginning. The Gore Brook flows from the Lower Gorton Reservoir and from there onwards to meet the Chorlton Brook in the west, though I should imagine that prior to the construction of the waterworks, it was fed by more distant moorland waters.

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Manchester being on the eastern edge of the Lancashire Plain and the western edge of the Pennines is riddled with rivers, rivers which now wriggle in an under and overground web, across heavily developed urban areas. Following the Industrial Revolution former meadow, common and farmland was overwritten by factories, housing and roads, the rural character of the rivers and brooks soon becoming darkened and polluted by the surrounding industries.

I was lead here by my search for a lost pub The Garratt on Pink Bank Lane, then drawn in further by this site The Red Path of Longsight.

The Red Path is a pedestrian link between Pink Bank Lane and the Gorton boundary at Buckley Road. It roughly follows the course of Gore Brook. The original footpath, running from Buckley Road to the bank of the brook, was made using black cinders. It was probably made in the 1940s to provide access to the allotments located on either side. In the early 1950s , a concrete bridge was laid across Gore Brook and the footpath extended to Pink Bank Lane. This section used red bricks in it’s construction, probably supplied by Jacksons brickworks . Crushed bricks were then used as a topping to make the path smoother and fill in any cracks. The thoroughfare soon became known as the Red Path.

So wide eyed and mapless I bowled up at Brook Terrace, just off Stockport Road Longsight, in search of The Gore and its source.

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In the early 1900’s the river was still open and bridged, here at Stockport Road, later culverted and covered – anticipating the arrival of Tesco’s and Granada TV Rentals.

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From there we pass under the railway along Brook Terrace and into Parry Road.

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The underpass is still there and very much in use, as is Stanley Grove School – the Manchester Central Schools’ Kitchens are long gone, along with the food filled, insulated aluminium cases, that fed the hungry mouths of many, with semolina, pink custard, meat pies and lumpy mash.

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Onwards to Elgar Street and still no sign of the river, hidden beneath our feet, the corner of Northmoor Road, can be seen on the corner, no longer distributing dividends, but now providing social housing.

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We arrive at Pink Bank Lane, a rich mix of terraced homes, flats and factories – and the long lost Garratt, and the long lost Gore.

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Though the lazy, lazy river has been confined in a brick lined wind, to meet the ever pressing needs of the Gorton Sewage Works.

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The river then hugs the edge of Annie Lea Playing fields on Buckley Road, until it disappears again as it meets Mount Road, the playing fields are still open ground – the Manchester Cleansing Department, seen on the left – is no more.

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Here on Knutsford Road we see the construction of the tunnels and culverts, the footbridge to the left spanning the railway, is still there.

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Finally we see The Gore reemerging clear, clean, wide, proud and resplendent in Sunny Brow Park, where it is still maintained as a decorative, duck-filled lake.

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Briefly underground again and into the back of Far Lane, skirting the Brookfield Church graveyard.

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Then tunnelling under Hyde Road at the back of the church lodge, appearing once again alongside Tan Yard Brow.

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The manmade waterfall continues to cascade, the Fairfield to Old Trafford railway is now the Fallowfield Loop, Manchester Cycleway, young lads no longer mess about in wellies and torn Tek Sac jeans on the bank, the Tannery no longer tans.

Then we end our journey by the broad expanse of the Lower Gorton Reservoir, implausibly dotted with jolly yachts, and home to a now absent stepped outflow stream. Look up to the east, and there you’ll see the moors, you could go further.

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All archive photographs from Manchester Local Image Collection.

 

 

 

Northmoor Road Co-op – Manchester

Cooperative Society shops and meeting hall. Dated 1912; altered. Red brick with liberal dressings of green and buff glazed terracotta, red tiled roof with geometrical patterned band and cockscomb ridge tiles. Rectangular plan. Edwardian Baroque style. Two storeys and attic, 11 bays; projected ground floor with dark green Ionic pilasters between the shops and a central recessed porch with dark green surround, light green Ionic columns and segmental open pediment ; inverted voluted brackets linking ground floor pilasters to alternate pedestals of 1st-floor colonnade, which has Ionic semi-columns with festoons and a thin cornice, all in matching light green terracotta; swagged frieze of buff terracotta with buff modillions to a green cornice; brick parapet with buff terracotta balustrades and triangular dormers in alternate bays, interrupted in the centre by a green segmental pediment with raised lettering “Beswick Cooperative Society LTD”. Tall segmental-headed windows at 1st floor including a canted bay in the centre with parapet lettered “Built AD 1912”, and coupled windows in the 2nd, 3rd, 10th and 11th bays, all with elaborate surrounds of buff terracotta including quoined jambs, moulded transoms and enriched keystones; and stained glass in the upper lights. Square Baroque-style turret at left gable.

Grade II Listed

The building itself was originally designed for commercial use with a department store on the ground floor boasting five departments including a butchers, shoes and boots, a drapery and a grocery. On the first floor there was a meeting room that was large enough to host dances with live music. Its inaugural event was an exhibition by the Co-operative Workers Society that also included a recital by the C.W.S. orchestra of Balloon Street; it was reported to have been a great success. It was also used for community events such as the Crowcroft Bowls Club prize-giving ceremony in 1914.

Northmoor Road was called North Road at the time the building was in use as a co-operative and was developed between 1899 and 1930’s. Its most famous resident was J.R.Tolkien who lived here between 1926 and 1947.

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Now home to Great Places Housing

This is such a substantial building exuding an opulent retail grandeur that easily leaves your local Tesco Local in the deep dark ignominious shade. From a time when the expanding Cooperative movement provide for most of the areas material needs – though the Beswick Society was disliked for its aggressive territorial ingress, outside of any recognised geographic constriction.

Externally it is still substantially as was – clearly visible from the nearby Stockport Road and continuing to command the street with degree of grace.

Go take a walk, take a look!

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San Remo Coffee Bar – Rochdale

Sanremo or San Remo is a city on the Mediterranean coast of western Liguria in north-western Italy. Founded in Roman times, it has a population of 57,000, and is known as a tourist destination on the Italian Riviera. It hosts numerous cultural events, such as the Sanremo Music Festival and the Milan–San Remo cycling classic.

Rochdale is a market town in Greater Manchester, England, positioned at the foothills of the South Pennines on the River Roch, 5.3 miles north-northwest of Oldham, and 9.8 miles  north-northeast of the city of Manchester. Rochdale is surrounded by several smaller settlements which together form the Metropolitan Borough of Rochdale, population 211,699. Rochdale is the largest settlement and administrative centre, with a total population of 107,926. Home to the Cooperative Movement, Rochdale AFC and a redundant cotton industry.

The two towns come together at 27 Drake Street, Rochdale, Lancashire OL161RX, home to a fine café and Italian born Tony and family. It has a well preserved menu that reflects industrial Lancastrian tastes rather than flavours of Liguria. It has an internal decorative order that is pure mid century a la mode – Pennine Style. Several more than several signs leave you in no doubt as to the availability of pies, pies with chips/potatoes, peas, gravy, veg – pies of all varieties, pies.

So pie, chips, peas and gravy it was, with a mug of tea – it always is.

Pop in say Buongiorno!

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Merseyway – Stockport

Once there was a river there, formed by the thunder of Irish Sea ice gouging a great glacial valley, bowling along boulders and millstone grit through phyllosilicate clays and sedimentary sandstone.

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Then there wasn’t.

The Mersey, formed in Stockport as the Tame and Goyt conjoined, inconveniently filled with industrial grime and mire, then conveniently covered over in 1936.

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Creating the thoroughly modern thoroughfare Merseyway.

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The giant concrete culvert and bridge leaving the river cowering cautiously below.

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Of time and a river – little stands still and the town is whisked briskly into the late Twentieth Century with plans for a pedestrianised precinct.

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Completed and opened in 1965 the shopping precinct was concrete poetry in motion, incorporating the surrounding topography and extant architecture with grace and aplomb. Combining retail, restaurants and car parking facilities in a manner that critic Ian Nairn considered to be amongst the finest in the land.

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We had travelators, integrated paving, street furniture, and lighting across several levels. A carefully considered whole, combining all that was best in modern design with style, élan and panache – along with Freeman, Hardy and Willis.

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A clock tower, an Alan Boyson concrete car park screen and public art.

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Would that it was still so, a variety of additions and subtractions have left Merseyway in architectural limbo, concrete legs akimbo across the river below, striding towards the future in a more than somewhat bewildered manner.

Yet we still continue cast our eyes upwards towards a clock that isn’t there, ride a non-existent walkway to the sky, try on an imaginary crop-top in C&A’s Clockhouse.

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Photographs Stockport Image Archive

Coventry – Central Co-op

 

Built between 1955-56 and opened November 1956 the central Co-operative Society store in Coventry is a clean, clear example of post-war design and redevelopment, epitomised by the city’s plan and realisation.

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Picture – Natalie Bradbury

Sadly it finally closed its doors in 2015, along with many other of the Society’s larger stores, as they moved their focus to smaller food outlets.

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Happily it has been listed, saved from the indignity of the wrecking ball and the building of further student flats. Coventry, along with other UK cities, has begun to rely on the expansion of higher education, in the face of industrial and retail decline. The future use of the site, is as yet uncertain. Sadly I am now informed that the listing did not go through, make of that what you will.

While such measures are not an ultimate protection from bulldozers or drastic renovation, it is considered the building helps tell the tale of the city centre’s contemporaneously vaunted but since controversial rebuilding after the Coventry Blitz.

One of the city’s largest and oldest stores was closed last year as a victim of flagging city centre trade in an internet era, and EDG Property bought the site.

No planning applications have been received, although the council says ‘prospective buyers’ have stated an intention to demolish the building to erect two 12-storey towers of student accommodation.

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So it stands empty, the late summer foliage obscuring its splendid signage.

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Still in clear view the stone relief work of John Skelton November 1956. Three of the eight column have incised Hornston stone works, depicting the activities of the CWS.

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Screen Wall Water Feature – Manchester

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Breakin’ down the walls of heartache, 

I’m a carpenter of love and affection.

So sang Johnny Johnson of the Bandwagon.

They were a permanent fixture at the New Century Hall in the late sixties.

Attached to New Century House, the Hall was an integral part of the extensive Cooperative Society property development in Manchester.

Much of that development now faces an ever uncertain future.

None more so than the adjoining screen wall.

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Set to the north-east side of the building’s entrance forecourt is a concrete sculptural screen wall by John McCarthy with an abstract relief to the south-west side facing into the forecourt. The wall is aligned at a right angle to the building’s main entrance and has a shallow rectangular pool (now drained) set in front. The wall includes numerous openings from which water originally flowed into the pool, but the system is no longer in working order. The pool also originally incorporated small fountains.

Information from Historic England

At a time when the whole of the centre of the city seems alive with construction, refurbishment, gentrification and more quarters than you could shake a stick at, this forlorn and seemingly unloved gem stands, shrouded in shrubs.

I’m a carpenter of love and affection, who would not care to see, this particular wall:

Broken down.

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