Bonny Street Police Station – Blackpool

We are here are again – you Bonny Street bobbies, it seems, are not.

Departed for pastures new – to Marton near to the big Tesco. 

As well as a front counter, the new headquarters provides a base for some of the local policing and immediate response teams, an investigations hub and 42 custody cells.

Live Blackpool

On my previous visit I was in fact apprehended by a uniformed officer, perturbed by my super-snappy happy behaviour. Following a protracted discussion, I convinced the eager young boy in blue, that my intentions were entirely honourable.

Having visited the Morecambe site un-accosted.

And witnessed Bury’s demise.

I’m something of a Roger Booth aficionado, largely still at large.

Whilst Richard Brook is something of an expert.

Suffice to say I pay a visit to see my old pal the cop shop, whenever I find myself in town, stop to chat and snap – how are things, what’s happening?

Blackpool Central that’s what!

It seems that you are to become an Alien Diner.

Themed bar and event restaurant concept with roller coaster service, hourly special effects shows and exploration tours.

The £300m Blackpool Central development will bring world-class visitor attractions to a landmark site on the famous Golden Mile. Along with new hotels, restaurants, food market, event square, residential apartments and multi-storey parking.

Chariots of the Gods inspires the masterplan for the long-awaited redevelopment. It’s the global publishing phenomenon, written by Swiss author Erich Von Däniken. Exploring alien encounters and unsolved mysteries of ancient civilisations.

Chariots Of The Gods will be the main theme for Blackpool Central. Including the anchor attraction – the UK’s first flying theatre.

A fully-immersive thrill ride that will create the incredible sensation of human flight.

Time it seems changes everything, stranger than fiction.

The Bonny Street Beast’s days are numbered – your local Brutalist pal is no more, wither Wilko’s?

Your piazza planters are waterlogged.

Your lower portals tinned up.

Your curious sculptural infrastructure sunken garden neglected and forlorn.

Your low lying out-rigger stares blankly yet ominously into space.

Likewise your tinted windows.

Your subterranean car park access aromatic and alienating.

So farewell old pal, who knows what fate awaits you, I only know you must be strong.

Not until we have taken a look into the future shall we be strong and bold enough to investigate our past honestly and impartially. 

How often the pillars of our wisdom have crumbled into dust! 
 

Erich von Däniken

North Shore Blackpool

Here we are again, having posted a post way back when – on Seaside Moderne.

Where the whole tale is told – the tale of Borough Architect John Charles Robinson‘s inter-war Deco dream tempered by Municipal Classicism. A stretch of Pulhamite artificial rock cliffs 100ft high between the new gardens and the lower promenade constructed in 1923. The lower promenade at sea level was remodelled during 1923–5 with a colonnaded middle walk.

So here we are again September 2020, a country in Covid crisis bereft of crowds.

I took a short walk along its length – to the lift and back.

The Cabin Lift is designated at Grade II for the following principal reasons: * It is a nationally rare type of seaside structure that is of interest as part of the history and development of certain seaside resorts * It is of a well-executed design and uses good-quality material to good effect that can be particularly appreciated from the upper promenade * It is a conspicuous and eye-catching structure especially when viewed to maximum effect from the lower promenade * The Cabin Lift’s architectural merit contributes significantly to Blackpool’s importance as a holiday resort of national and international renown.

Historic England

This is where they stop to stare, to stare at the sea, shaking solace in distant waves, lapping gently on soft sands.

The rusting rails, beleaguered benches and stolid junction boxes, calmly resist the erosion of sea and salt airs with grace.

Returning to the tower and the outstretched pier, southbound.

Richard Dunn Sports Centre – Bradford

Rooley Avenue Bradford West Yorkshire BD6 1EZ

Named for local lad pugilist Richard Dunn, the ambitious imagining of architect Gordon Elliott – the sports centre opened in 1978.

Comprising pools, sports hall, dance studio, sauna, gym and ancillary facilities the centre was certainly state of the art.

Sweeping interlocking arcs of concrete, were at the heart of the structure.

Topped out with a suspended canopy.

Attracting huge crowds on the occasion of its opening.

Images The Telegraph and Argus.

The building was to be demolished in April of this year – it closed in November 2019.

I assume that the state of the art became less state of the art – as running costs grew and newer greener technology became state of the art.

The state of the art Sedbergh Sports and Leisure Centre opened in September 2019.

Initially the Richard Dunn site was to be sold for development, this along with plans for demolition seem to be in abeyance.

Arrangements are being made to turn Bradford’s Richard Dunn Sports Centre into a temporary mortuary should the current Coronavirus crisis escalate.

April 2020

It’s remarkable – here are my photographs from February 2020.

I advise you to get along and take a look, just as soon as humanly possible.

Recently John Mann was granted permission to snap the deserted interior.

The ghostly gasps of the exercising public exorcised forever.

Eileen Ayres, who has worked at Richard Dunns from before it even opened to the public said:

When I came here this place was super, super modern – state of the art. Now we’re moving to Sedbergh it is great to be in a state of the art facility again. The younger staff are so excited about the move to a new, modern sports centre.

I have a lot of memories of here, a lot of staff I’ve met and become friends with over the years. We’ve had a lot of events here, international events that have taken place here over the years. When Richard Dunn was new a lot of people wanted to hold these events here. Now we have a new leisure centre I hope some of these events come back to Bradford.

I started at 23, I said I was just coming for a year. Here we are 41 years later.

When asked if she thinks it is right to be closing down Richard Dunn she said:

In my heart no, but realistically it has to go. It is run down – it would be way too expensive to run or refurbish. You can’t keep putting money into old things.

Telegraph and Argus

Serveway Five – Merseyway

There comes a time in very life when you finally go where you have never been before – even though you have walked by that very same place almost every day.

That’s how I found myself in Serveway Five.

Situated on the north east corner of Merseyway.

1984 – Stockport Image Archive

It is bounded by the former Burton’s store, the long gone BHS now home to Poundland, a later extension to the precinct and a Nineteenth century building. Illustrating the mongrel nature of many English towns, the result of world wars, speculative development and town planning.

It’s a self contained world of loading, unloading unloved and overused.

Home to the pirate parker, carelessly avoiding the imposition of the municipal surcharges.

Shops and goods come and go part of the merry retail gavotte.

The trams once clang, clang, clanged along and the Picture House opened 2nd June 1913, later The Palladium, finally closing in 1956 – now occupied by a huge Charity Shop – Highway Hope.

The Merseyway construction is a modern amalgam of mosaic, brick and cast concrete.

The older brick building now almost rendered and coated in off white exterior emulsion.

There are signs of life and former lives.

This is a nether world that never really was a world at all.

The place where the sun almost doesn’t shine.

And the blue sky seems like an unwelcome intrusion.

So as the retail sector contracts and the virus remains viral – wither Serveway Five?

The Council purchased the development at no cost to taxpayers via the current income stream. The rationale for purchase was to create a sustainable future for the centre via a series of targeted redevelopments. Key aspirations for the centre will be to fully integrate it into the town centre. We also want it to complement our exciting ownerships such as Debenhams, Redrock and Market Place and Underbanks.

The investment will seek to change perceptions of not only the retail offer but also Stockport as a whole. It will ultimately create a town centre that will benefit the local business community and Stockport residents.

Bagnall Court and West View Court – Manchester

Tucked in the crook of West View Road and Shawcross Lane a tower block and an adjacent slab block can be found.

For twenty years or so I’d cycled close by, either on Longley or Ford Lane on my way back and to from work.

By night the blocks are a sight to be seen, illuminated alongside the nearby M60.

Let’s take a look at Bagnall Court.

Originally commissioned by Manchester Borough Council, built by Direct Works and contractors Holst, currently managed by Parkway Green.

Consisting of thirteen storeys and sixty two homes.

The balconies were open and shielded in glass, later to be replaced by thick metal sheeting.

1987 – Tower Block

2020

Around the corner to West View Court – also commissioned by Manchester Borough Council, built by Direct Works and contractors Holst, currently managed by Parkway Green.

Nine storeys in height containing seventy three homes.

1987 – Tower Block

2020 – the distinctive coloured panels and glass shields now replaced.

Beneath the block an amazing void, entrance and stairway.

West View Court has an amazing community cinema The Block.

Wythenshawe Civic Centre

A social history of Wythenshawe and its Civic Centre can be found here at Archives +.

A general history of the garden city’s development can be found here at Municipal Dreams.

Lest we forget, the story begins with a level of overcrowding and human misery that is – thankfully – almost unimaginable in Britain today. In 1935, Manchester’s Medical Officer of Health condemned 30,000 (of a total of 80,000) inner-city homes as unfit for human habitation; 7000 families were living in single rooms.

The estate was always considered to be, in some sense, the realisation of an ambitious vision.

The world of the future – a world where men and women workers shall be decently housed and served, where the health and safety of little children are of paramount importance, and where work and leisure may be enjoyed to the full.

Cooperative Women’s Guild

Work began in the interwar years, and continued following the hiatus of 1939-45. The shopping centre named the Civic Centre was open in 1963, the actual Civic Centre containing a swimming pool, theatre, public hall and library in 1971.

A triumph for Municipal Modernism conceived by the City Architects and realised by Direct Works. This post war development owed more to the spirit of Festival of Britain optimism, new construction methods and materials, rather than the grandiose functionalist classicism of the original scheme.

The Co-operative Superstore was a key element in the provision of provisions.

Along with Fine Fare and Mercury Market.

Cantors

Shaw’s

Fred Dawes Whitworth Park Gas Showrooms

New Day furnishing the local HQ was at Hilton House Stockport

The flats were demolished in 2007

Edwards Court and Birch Tree Court 1987 – Tower Block

First there was a bowling alley.

Which became the Golden Garter

Closed 3rd January 1983

Then there was a theatre The Forum

There still is – The Forum is a bright and modern hub for co-located services used by community and business.

The original Forum opened in 1971. One of Manchester’s largest public buildings, it had a leisure centre, library, theatre, main hall and meeting rooms. By the mid 1990’s it was under used, had deteriorated internally and externally and needed substantial investment.

The new Forum, along with a new police sub-divisional headquarters and improved transport link was designed to help strengthen the town centre, and provide a landmark project to raise Wythenshawe’s profile within Manchester and beyond.

In the 1980’s they put on a superb array of shows including Roll on 4 O’Clock which starred John Jardine, Jack Smethurst and Glynn Owen. Oh What a lovely War; What the Butler Saw and Habeas Corpus by Alan Bennett.  Bury’s own Victoria Wood starred in Talent which she wrote.  Another Manchester icon Frank Foo Foo Lammar, famous as the top drag queen of the North-West  whose club was re-known for its great party nights appeared in The Rocky horror Show.

A land of elegant covered walkways and raised beds.

A land of 24 hour petrol stations and quadruple Green Shield Stamps.

Some where along the way we lost our way – taxi!

Photographs Manchester Local Image Collection

Sharston Bus Depot – Manchester

Bradnor Rd Sharston Industrial Area

Wythenshawe Manchester M22 4TE

This building formed part of the later phasing of the proposed Garden Suburb of Wythenshawe. It was intended to house up to 100 double-decker buses but was put to use as a factory for components for Lancaster bombers during the war. It is included here for the functionalist qualities of the building and the acknowledgement of the daring of the City Architects Department. Academic papers, as late as 1952, cited this simple structure as exemplar of its type; Elaine Harwood notes, ‘this was the pioneering example of the means of construction, and the model for larger shells at Bournemouth and Stockwell’. The arches that support the shell have a span of over fifty metres and are spaced at twelve metre intervals. The concrete shell roof is of the short-barrel type commonly used on single span buildings such as hangars, it is uniformly around seventy millimetres thick. The only single span structure larger than this was indeed an aircraft hangar, at Doncaster Airport, demolished around 1990. This building is now in the ownership of an airport parking company that utilise it as vehicle storage; close to its original function.

Mainstream Modern

The building is Grade II* listed

Historic England

Manchester Local Image Collection1954

Walking from our house to Sharston, this was the furthest point west – I kept on walking towards the security gates, they opened – I snapped, they closed.

This is now the home of Manchester Airport Parking – no place for a pedestrian, I walked away, slowly circumnavigating this uplifting, uplifted behemoth.

I walked home.

I once was glazed but now I’m clad – how sad!

Elaine Harwood

St John The Baptist RC – Rochdale

I have had the privilege and pleasure to visit St John’s several times over the years and doubly pleased to visit with a group of some 30 Modernists in March 2020 as part of a Rochdale Walk, prior to the lockdown days later.

I cannot thank Christine Mathewson and her fellow volunteers enough for the warm welcome we were given. They take such pride in their church and are eager to convey that pride along with their obvious erudition.

Approaching from the adjacent railway station we could not fail to be impressed by the scale and grandeur of the church, a wonderful mix of the Byzantine and restrained Art Deco – most clearly expressed in the sculptural angels looming high above the tram stop.

The building is Grade II* Listed and deservedly so – details can be found here on the Historic England site.

The original design pre-1917 by Oswald Hill, executed in 1923-25 by Ernest Bower Norris. Henry Oswald Hill was a promising architect with a clear interest in contemporary church-building trends, as evidenced here and at the nearby RC Church of St Joseph, Heywood, he was tragically killed in action in the First World War.

St Joseph’s

The church uses concrete to its advantage in the construction of the striking, 20m-wide central dome, surrounded by the delicate touch of several arched stained glass windows at the perimeter.

Illuminating the concave space in a heavenly manner.

The apsed sanctuary contains an encompassing mosaic scheme of powerful emotional intensity designed by leading mosaic designer, Eric Newton of specialist firm Ludwig Oppenheimer Ltd.

The mosaic is breathtaking in scale, design and execution – nothing can prepare you for its impact as you enter the church.

The quality of the sanctuary mosaic is further enhanced by the use of high-quality tesserae made of stone, coloured marbles and coloured glass, set off by a shimmering background of gold tesserae.

The apsed sanctuary is completely covered in a mosaic scheme with the theme Eternal Life designed by Eric Newton. Newton was born Eric Oppenheimer, later changing his surname by deed poll to his mother’s maiden name. He was the grandson of Ludwig Oppenheimer, a German Jew who was sent to Manchester to improve his English and then married a Scottish girl and converted to Christianity. In 1865 he set up a mosaic workshop, (Ludwig Oppenheimer Ltd, Blackburn St, Old Trafford, Manchester) after spending a year studying the mosaic process in Venice. Newton had joined the family company as a mosaic craftsman in 1914 and he is known to have studied early Byzantine mosaics in Venice, Ravenna and Rome. He later also became art critic for the Manchester Guardian and a broadcaster on ‘The Critics’. Newton started the scheme in 1932 and took over a year to complete it at a cost of £4,000. It had previously been thought that he used Italian craftsmen, but historic photographs from the 1930s published in the Daily Herald show Oppenheimer mosaics being cut and assembled by a Manchester workforce of men and women. It is likely, therefore, that the craftsmen working on St John the Baptist were British.

Historic England

The whole building is full of surprising details of the highest quality.

Lit by simplest yet most effective stained glass.

This is an exemplary building, on entering one is filled with both calm and awe, an experience which is never diminished by subsequent visits.

The mosaic work is on local and international significance – it is unthinkable that it may ever be lost to us, or that funding was not forthcoming to secure its future into perpetuity.

I implore you to visit, whensoever that may be possible.

Please take a moment append your comments on this post and play some small part in ensuring the St John’s is preserved for generations to come.

Bollards

As I was out walking on the corner one day, I spied an old bollard in the alley he lay.

To paraphrase popular protest troubadour Bob Dylan.

I was struck by the elegant symmetry and rough patinated grey aggregate.

To look up on the world from a hole in the ground,
To wait for your future like a horse that’s gone lame,
To lie in the gutter and die with no name?

I mused briefly on the very word bollards, suitable perhaps for a provincial wine bar, Regency period drama, or family run drapers – but mostly.

bollard is a sturdy, short, vertical post. The term originally referred to a post on a ship or quay used principally for mooring boats, but is now also used to refer to posts installed to control road traffic and posts designed to prevent ram-raiding and vehicle-ramming attacks.

The term is probably related to bole, meaning a tree trunk.

Wikipedia

Having so mused I began to wander a tight little island of alleys and homes, discovering three of the little fellas, each linked by typology and common ancestry, steadfastly impeding the ingress of the motor car.

Yet also presenting themselves as mini works of utilitarian art – if that’s not a contradiction in terms.

Having returned home I began another short journey into the world of bollards, where do they come from?

Townscape Products

Hostile Vehicle Mitigation

Huge range • Fast delivery • Right on price

PAS 68 approved protection for your people and property combining security, natural materials and style.

My new pals seem to be closely related to the Reigate.

Available in a mind boggling range of finishes.

Bollards can be our friends, an expression of personal freedom and security.

A pensioner says he will go to court if necessary after putting up concrete bollards in a last-ditch attempt to protect his home.

Owen Allan, 74, of Beaufort Gardens, Braintree, claims motorists treat the housing estate like a race track, driving well in excess of the 20mph speed limit, and that the railings in front of his home have regularly been damaged by vehicles leaving the road.

He was worried it would only be a matter of time before a car came careering off Marlborough Road and flying through the wall of his bungalow.

Braintree and Witham Times

Though on occasion may be perceived as an enemy of personal liberty, precipitating a head on collision with the local authority.

A furious family have been stopped from parking on their own driveway after bullyboy council officials installed concrete bollards outside their home.

We’re stuck between the devil and the deep blue sea here what the with yellow lines and the bollards.

Daily Express

I have cause to thank the humble concrete bollard, having suffered an assault on our front wall from a passing pantechnicon, I subsequently petitioned the council, requiring them to erect a substantial bollard barrier.

Which was subsequently hit by a passing pantechnicon.

They are our modernist friends, little gems of public art and should treated with due respect – think on.

You hostile vehicles.

William Mitchell – Bradford

This is one of many visits to the Kirkgate Market in Bradford, in order to take a look at the William Mitchell murals.

Positioned above the entrance/exit and either side of the exit/entrance.

They have had over time various companions to keep them company.

They are currently friendless – the Kirkgate Market is to be closed, its future uncertain – and by inference Big Bill’s public art is under threat too.

The Council has announced to its traders in Kirkgate Market and the Oastler Centre that it will not be carrying out the proposed refurbishment of Kirkgate Market as the new market in Darley Street will now accommodate non-food sales on one trading floor with the other trading floor being dedicated to fresh foods and the 1st floor for hot food and beverage sales.

The Telegraph and Argus

We don’t want to eliminate existing customers, or the low income customers who use the existing markets.

Mr Wolstenholme

Do they however wish to eliminate the murals?

As per they are unlisted, largely unnoticed and as such very vulnerable, get it while you can, take a trip to Bradford real soon.

Mention must also be made of the tiled ceramic mosaics which adorn one wall and the three panels on the raised area above the stalls.

Authorship unknown.

I was most intrigued by these tiles – I have not seen this type before – they have a resemblance to to Transform tiles that were produced in Staffordshire in the 1970s, but they are different in several ways.

The November 1973 T&A microfilm appears to have been stolen from Bradford Library so I can’t check reports and features from the time of the opening of the market on November 22 1973.

I would be grateful for any memories and news.

Christopher Marsden 2012

Elim Pentecostal Church – Halifax

Hall St Halifax HX1 5AY

Elim Church

Having walked from Hebden Bridge to Halifax with Mr Phil Wood, we approached Hall Street – and gazed admiringly at this striking building, from across the A58.

Attributed to C.S. Oldfield and it was completed in 1972 apparently they did the relief too.

20th Century Society

A low serrated, ridge and furrow conical roof, corona and steel spire breaking the skyline.

Very much a building of two halves, the single storey hall, adjoining the body of the church, which is raised on a plinth.

They are linked by an internal hallway.

An intriguing mix of restrained classical detailing, along with the more modernistic roof and internal structure.

From the outside it is possible to discern the stained glass panels in the corona.

To the right of the main entrance is a modular sculptural relief, modelled in concrete cast in fibreglass.

There are eight individual modules, set in a grid of six by eleven – sixty six in total, rotated to break up the rhythm of the piece.

I was blessed on the day of my visit, with permission to photograph the interior, many thanks to Pastor Mark.

Water Pumping Plant – Bridlington

Walking the wet walkway of Bridlington’s south shore, I was pleasantly surprised by this semi-distant concrete construction.

Which cleverly accommodates a convenient public convenience.

The pumping station is the most immediately obvious aspect of the scheme , situated as it is on the promenade.

Hanson UK supplied the concrete, with a range of complex mixes required.

You’re trying to make concrete with as little water in it as possible, but it still has to move to be placed into position. The only way to achieve this is with powerful admixtures, which deflocculate the cement despite the lack of water in it to lubricate it.

This difficulty also applied to almost all the concrete above ground level for durability reasons – anything that could come into contact with seawater had to be able to withstand it.

The final major complication was the aesthetic requirements from the local council. All the visible concrete had to match an older Victorian Spa, located a little way up the beach, which had previously been refurbished using Hanson concrete.

We were asked to match the colour, shading and texture of the new concrete to the spa.

The team was forced to use white cement, which had been used in the spa, but because of durability requirements they needed to use a cement replacement to improve the overall chemical resistance of the product. They used ground granulated blast furnace slag to replace 55 per cent of the white cement, which is white in colour itself. This had the added sustainability benefit of replacing imported white cement with a local waste byproduct.

Hanson UK

All this to house the Yorkshire Water treatment plan and allow Bridlington to regain its Blue Flag status.

The extended pipework carrying the waste water far far away.

At the Headworks the Arup design concept was to extend the pumping station using pre-cast concrete panels that are sensitive to the existing facade. The development of 2015 succeeds in integrating a Brutalist aesthetic, into a largely Victorian setting. Incorporating several levels of seating and associated street furniture, affording some shelter and clear sight lines with transparent panels.

UK Water Projects

The artwork in front of the huts on Bridlington Promenade by Rachel Welford looks fantastic. The huts built by our contractors Morgan Sindall Grontmij (MGJV) were completed in August and they’re available for hire through the East Riding of Yorkshire Council. The beach huts are larger than the other beach huts on the Promenade and include disabled access and are especially suitable for family groups. Complementary artwork, also designed by Rachel Welford has been incorporated in the glass balustrade in front of the huts.

Yorkshire Water

Doncaster Modernism – Revisited

Having taken a tour around town last year, we are now revisiting Doncaster on a socially distanced Manchester Modernist walk.

Arriving by train at 8.30, just in time to check out the new lighting scheme in the station foyer.

Replacing the previous lighting.

Which in turn replaced the original Thirties lighting.

The forecourt redevelopment is a work nearing completion.

I was on my way to Intake by bus so it’s off on the 66 from the Frenchgate Inetrchange.

An urban environment so anonymous, that it can only just recognise itself. I was helpfully informed by two radio controlled security guards that photography was illegal.

More Interzone than Interchange.

Here are my transgressive snaps, I made my excuses and left – on the next available 66.

Decanting from the single decker I made my way across the way to All Saints, a George Pace church of 1956.

Built on the foundations of an unrealised Neo-Romanesque church of 1940, but reorientated east/west.

I legged it back to catch the bus back, the returning 66, much to the surprise of the surprised driver, making his return journey.

Jumping the 41A to Scawsby, displaying my risible home-printed map to the driver, requesting a shout when we arrived at the indicated destination, which he was unable to discern, and which I had failed illustrate.

I had contrived to arrive at the end of the line, a bit part player in a non-existent Béla Tarr film.

The heavy rain continued to fall.

I followed the bus route back to the Church of St Leonard and St Jude on Barnsley Road.

Following a thorough tour inside and out, I returned promptly to the town centre, on the limited stop express X19.

And hotfooted it to the Waterdale Centre, a work in progress, the CGI figures being as yet, a mere figment of the development officer’s fevered dreams.

Doncaster Council documents from the planning application for the demolition say, that while the exact project is not yet fully in place, discussions are taking place with the council on the project and grant funding is being sought to help the future regeneration scheme. But the council has said it supports schemes that would revitalise the Waterdale Centre area for retail, leisure, and tourism uses.

The centre is now owned by the Doncaster-based property firm Lazarus Properties, who bought it from the Birmingham firm St Modwen.

Lazarus director Glyn Smith said his firm had faith in the local economy of Doncaster town centre, even though larger multinationals seemed to be shying away.

Doncaster Free Press

The former ABC/Cannon Cinema

The ABC was built by Associated British Cinemas(ABC) as a replacement for their Picture House Cinema which had opened in 1914. It opened on 18th May 1967 with Omar Sharif in Doctor Zhivago presented in 70mm. Designed with 1,277 seats arranged in a stadium plan by the architectural firm Morgan & Branch, with input by architects C. ‘Jack’ Foster & Alan Morgan. It was decorated in a modern 1960’s style.

Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the 3-screens.

The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film “Doctor Zhivago”.

The building has stood empty and unused since then, but in 2007, it was bought by Movie World for just £150,000. It is reputedly being re-modeled with extra screens added, however by 2009, only a clean-up of the interior has been achieved. The building sits empty and unused in 2020.

Cinema Treasures

The delayed opening of the new Savoy Complex will no doubt inform the future of the Cannon.

It’s a familiar tale of the local authority, developers, leisure and retail outlets chasing dreams, cash and hopefully pulling in the live now pay later public.

It’s all part of the Doncaster Urban Centre Masterplan which will transform the way Doncaster looks and the way residents and businesses use the city core.

The area is a pivotal point, I sincerely hope that the Waterdale Centre is revived, along with the adjacent Civic Quarter car park.

Refurbished in 2011 by Potter Church and Holmes since closed.

I noted the restrained Modernism of the National Spiritualist Church.

The service begins with a short prayer. The congregation sings three songs during the service using music that most people would recognise. There is usually a short reading or lesson on something to do with spiritualism or events in the world. There is also a talk by the guest medium who use their inspiration or intuition to compose an uplifting address.

Then the business of contacting the spirit world begins.

Along with its curious relief panels.

Back around to the back of the Waterdale and the surviving former bank fascia, civic offices and library.

Back through the Waterdale to discover the saddest of retail archeology.

The long lost tiled café wall and a mysterious porch.

A gloomy end to a very wet day.

Church of St Leonard and St Jude – Doncaster

Barnsley Road Doncaster DN5 8QE

Constructed 1957 – 1963

Another church by architect George Pace – along with William Temple Wythenshawe, St Saviours Bradford, St Marks Broomhill and the Church of St Mark Chadderton.

They are all built in his distinctive manner, brick and concrete, steel, wood and glass. Often working within tight budgets, respectful of the Christian Church’s early heritage, expressing mass and volume with simple geometry.

The exterior skin pierced by multiple rectangular windows, the interior revealing an elegant calm space with attendant simple decorative elements and fittings.

The body of the church has two asymmetric orthogonal outriders and a tall bell tower.

The transept chapel

The chancel and apse has a raised roof with a glazed face.

Let’s literally take an anti-clockwise look around the outside.

I was warmly welcomed by The Revd David D’Silva, Curate-in-Charge and kindly given free access to the church’s interior.

The wooden framed roof supported by huge parabolic arches of laminated timber.

There are retrieved pews, temporarily reordered to accommodate Covid requirements.

Pugin statuary.

Pace’s own detailed design work in the altar screen and crucifix.

A Mediaeval font.

Light enters from several sources on three elevations.

And through the glazed area of the raised gable.

A delightful morning’s work visiting this well used and cared for church.

South Bay Scarborough – Chalets

The world is inherently unstable, along comes a train a resort appears, along comes a ‘plane a resort disappears, along comes a virus and people disappear.

Whole chunks of the land fall in the sea, eventually.

The South Bay Gardens were slipping away.

Some of the oldest sun bathing chalets almost became an Arts Hub.

Seaside chalets were under threat, with the cause believed to be the failure of a retaining wall.

The swimming pool has been and gone, only an empty shell remains.

There are speculative plans and piecemeal repairs, but these are difficult times, and attracting substantial finance and flocks of tourists to revitalise the town, is no simple matter.

From 2011 I have visited South Bay, intrigued by all the above, but there’s a special place in my heart for these concrete chalets.

They never get a mention.

Here they are some years ago.

The primary coloured paint almost still fresh on their well locked doors.

They stand forlorn on the concrete shore overlooking an indifferent North Sea, hoping for a future in an uncertain age.

As I snapped I chatted to a local ANTIFA Anarcho Punk – ex Mansfield Miner and political activist, he feared that they would be swamped by some tidal wave of gentrification.

If so when, not soon.

As a post script I have been informed that the site was used as a kid’s den in the CBBC TV series All at Sea!

Underpass – Scarborough Again

I’ve been here before on a much sunnier day.

Avoiding heavy showers and even heavier seas, I’m here again.

Three ways in and out of a doughnut on Scarborough’s South Bay.

One way in and out of the North Sea.

The underpass it seems is generally under threat, unsafe, often unloved and underground – often underused.

Once thought to be the answer to the threat posed to the pedestrian, by increased motor traffic, they are now deemed unsafe – poorly lit, badly maintained and scenes of anti-social activity.

Havens for those who are a threat to themselves.

Don’t let that put you off, get down and get with it!

Why not treat yourself to a walk around the South Bay Underground Car Park?

Then get out of it rapido.

Beeversleigh Flats Clifton Rotherham

What’s got six faces and several legs and stands next to Clifton Park?

The Beeversleigh tower block that’s what!

Built between 1968-71.

Main contractors J. Finnegan it’s thirteen storeys high – housing forty eight dwellings.

Tower Block

It can be seen clearly from the town below, Rotherham’s only high rise.

I wandered on.

With an unusual exterior grid of concrete encasing the central hexagonal structure, creating balconies which encircle the homes.

Perched on two levels of concrete columns, on a sloping site.

Looking luminous on a bright August morning.

I was enchanted and amazed, taking time to walk around look and snap.

Rotherham Underpass #3

First there was the first, then secondly the second – this is the third and last underpass.

A fitting finish to the series as we pass through the final subterranean frontier out into the clear light of the South Yorkshire day.

Each one is a neglected gem of municipal modernism, the underpass a feature under threat, the pedestrian often subsumed by the drive to accommodate the motor car.

As of last Wednesday, we all seem to have tenuously hung on in there.

Oh we’ll hear the thunder roar, feel the lightning strike.
At a point we’ll both decide to meet at the same time tonight
.

Rotherham Underpass #2

Having posted the first underpass – let’s take a look at the second.

Orange on white, circles within circles squared.

Rotherham Underpass #1

I had seen a photograph posted by Mandy Payne of an underpass in Rotherham – illustrating a delightful concrete relief.

Enlisting the assistance of friend and local resident Helen Angell, we set out on a mission to visit the roundabout in back of the big Tesco, which housed the three underpasses.

This is the first – painted white, well whiteish – more than somewhat disabused by the passage of time and the passage of users of the underpass.

Brute and angular, incised and cursive and currently lacking authorship or attribution.