Bollards

As I was out walking on the corner one day, I spied an old bollard in the alley he lay.

To paraphrase popular protest troubadour Bob Dylan.

I was struck by the elegant symmetry and rough patinated grey aggregate.

To look up on the world from a hole in the ground,
To wait for your future like a horse that’s gone lame,
To lie in the gutter and die with no name?

I mused briefly on the very word bollards, suitable perhaps for a provincial wine bar, Regency period drama, or family run drapers – but mostly.

bollard is a sturdy, short, vertical post. The term originally referred to a post on a ship or quay used principally for mooring boats, but is now also used to refer to posts installed to control road traffic and posts designed to prevent ram-raiding and vehicle-ramming attacks.

The term is probably related to bole, meaning a tree trunk.

Wikipedia

Having so mused I began to wander a tight little island of alleys and homes, discovering three of the little fellas, each linked by typology and common ancestry, steadfastly impeding the ingress of the motor car.

Yet also presenting themselves as mini works of utilitarian art – if that’s not a contradiction in terms.

Having returned home I began another short journey into the world of bollards, where do they come from?

Townscape Products

Hostile Vehicle Mitigation

Huge range • Fast delivery • Right on price

PAS 68 approved protection for your people and property combining security, natural materials and style.

My new pals seem to be closely related to the Reigate.

Available in a mind boggling range of finishes.

Bollards can be our friends, an expression of personal freedom and security.

A pensioner says he will go to court if necessary after putting up concrete bollards in a last-ditch attempt to protect his home.

Owen Allan, 74, of Beaufort Gardens, Braintree, claims motorists treat the housing estate like a race track, driving well in excess of the 20mph speed limit, and that the railings in front of his home have regularly been damaged by vehicles leaving the road.

He was worried it would only be a matter of time before a car came careering off Marlborough Road and flying through the wall of his bungalow.

Braintree and Witham Times

Though on occasion may be perceived as an enemy of personal liberty, precipitating a head on collision with the local authority.

A furious family have been stopped from parking on their own driveway after bullyboy council officials installed concrete bollards outside their home.

We’re stuck between the devil and the deep blue sea here what the with yellow lines and the bollards.

Daily Express

I have cause to thank the humble concrete bollard, having suffered an assault on our front wall from a passing pantechnicon, I subsequently petitioned the council, requiring them to erect a substantial bollard barrier.

Which was subsequently hit by a passing pantechnicon.

They are our modernist friends, little gems of public art and should treated with due respect – think on.

You hostile vehicles.

William Mitchell – Bradford

This is one of many visits to the Kirkgate Market in Bradford, in order to take a look at the William Mitchell murals.

Positioned above the entrance/exit and either side of the exit/entrance.

They have had over time various companions to keep them company.

They are currently friendless – the Kirkgate Market is to be closed, its future uncertain – and by inference Big Bill’s public art is under threat too.

The Council has announced to its traders in Kirkgate Market and the Oastler Centre that it will not be carrying out the proposed refurbishment of Kirkgate Market as the new market in Darley Street will now accommodate non-food sales on one trading floor with the other trading floor being dedicated to fresh foods and the 1st floor for hot food and beverage sales.

The Telegraph and Argus

We don’t want to eliminate existing customers, or the low income customers who use the existing markets.

Mr Wolstenholme

Do they however wish to eliminate the murals?

As per they are unlisted, largely unnoticed and as such very vulnerable, get it while you can, take a trip to Bradford real soon.

Mention must also be made of the tiled ceramic mosaics which adorn one wall and the three panels on the raised area above the stalls.

Authorship unknown.

I was most intrigued by these tiles – I have not seen this type before – they have a resemblance to to Transform tiles that were produced in Staffordshire in the 1970s, but they are different in several ways.

The November 1973 T&A microfilm appears to have been stolen from Bradford Library so I can’t check reports and features from the time of the opening of the market on November 22 1973.

I would be grateful for any memories and news.

Christopher Marsden 2012

Elim Pentecostal Church – Halifax

Hall St Halifax HX1 5AY

Elim Church

Having walked from Hebden Bridge to Halifax with Mr Phil Wood, we approached Hall Street – and gazed admiringly at this striking building, from across the A58.

Attributed to C.S. Oldfield and it was completed in 1972 apparently they did the relief too.

20th Century Society

A low serrated, ridge and furrow conical roof, corona and steel spire breaking the skyline.

Very much a building of two halves, the single storey hall, adjoining the body of the church, which is raised on a plinth.

They are linked by an internal hallway.

An intriguing mix of restrained classical detailing, along with the more modernistic roof and internal structure.

From the outside it is possible to discern the stained glass panels in the corona.

To the right of the main entrance is a modular sculptural relief, modelled in concrete cast in fibreglass.

There are eight individual modules, set in a grid of six by eleven – sixty six in total, rotated to break up the rhythm of the piece.

I was blessed on the day of my visit, with permission to photograph the interior, many thanks to Pastor Mark.

Water Pumping Plant – Bridlington

Walking the wet walkway of Bridlington’s south shore, I was pleasantly surprised by this semi-distant concrete construction.

Which cleverly accommodates a convenient public convenience.

The pumping station is the most immediately obvious aspect of the scheme , situated as it is on the promenade.

Hanson UK supplied the concrete, with a range of complex mixes required.

You’re trying to make concrete with as little water in it as possible, but it still has to move to be placed into position. The only way to achieve this is with powerful admixtures, which deflocculate the cement despite the lack of water in it to lubricate it.

This difficulty also applied to almost all the concrete above ground level for durability reasons – anything that could come into contact with seawater had to be able to withstand it.

The final major complication was the aesthetic requirements from the local council. All the visible concrete had to match an older Victorian Spa, located a little way up the beach, which had previously been refurbished using Hanson concrete.

We were asked to match the colour, shading and texture of the new concrete to the spa.

The team was forced to use white cement, which had been used in the spa, but because of durability requirements they needed to use a cement replacement to improve the overall chemical resistance of the product. They used ground granulated blast furnace slag to replace 55 per cent of the white cement, which is white in colour itself. This had the added sustainability benefit of replacing imported white cement with a local waste byproduct.

Hanson UK

All this to house the Yorkshire Water treatment plan and allow Bridlington to regain its Blue Flag status.

The extended pipework carrying the waste water far far away.

At the Headworks the Arup design concept was to extend the pumping station using pre-cast concrete panels that are sensitive to the existing facade. The development of 2015 succeeds in integrating a Brutalist aesthetic, into a largely Victorian setting. Incorporating several levels of seating and associated street furniture, affording some shelter and clear sight lines with transparent panels.

UK Water Projects

The artwork in front of the huts on Bridlington Promenade by Rachel Welford looks fantastic. The huts built by our contractors Morgan Sindall Grontmij (MGJV) were completed in August and they’re available for hire through the East Riding of Yorkshire Council. The beach huts are larger than the other beach huts on the Promenade and include disabled access and are especially suitable for family groups. Complementary artwork, also designed by Rachel Welford has been incorporated in the glass balustrade in front of the huts.

Yorkshire Water

Doncaster Modernism – Revisited

Having taken a tour around town last year, we are now revisiting Doncaster on a socially distanced Manchester Modernist walk.

Arriving by train at 8.30, just in time to check out the new lighting scheme in the station foyer.

Replacing the previous lighting.

Which in turn replaced the original Thirties lighting.

The forecourt redevelopment is a work nearing completion.

I was on my way to Intake by bus so it’s off on the 66 from the Frenchgate Inetrchange.

An urban environment so anonymous, that it can only just recognise itself. I was helpfully informed by two radio controlled security guards that photography was illegal.

More Interzone than Interchange.

Here are my transgressive snaps, I made my excuses and left – on the next available 66.

Decanting from the single decker I made my way across the way to All Saints, a George Pace church of 1956.

Built on the foundations of an unrealised Neo-Romanesque church of 1940, but reorientated east/west.

I legged it back to catch the bus back, the returning 66, much to the surprise of the surprised driver, making his return journey.

Jumping the 41A to Scawsby, displaying my risible home-printed map to the driver, requesting a shout when we arrived at the indicated destination, which he was unable to discern, and which I had failed illustrate.

I had contrived to arrive at the end of the line, a bit part player in a non-existent Béla Tarr film.

The heavy rain continued to fall.

I followed the bus route back to the Church of St Leonard and St Jude on Barnsley Road.

Following a thorough tour inside and out, I returned promptly to the town centre, on the limited stop express X19.

And hotfooted it to the Waterdale Centre, a work in progress, the CGI figures being as yet, a mere figment of the development officer’s fevered dreams.

Doncaster Council documents from the planning application for the demolition say, that while the exact project is not yet fully in place, discussions are taking place with the council on the project and grant funding is being sought to help the future regeneration scheme. But the council has said it supports schemes that would revitalise the Waterdale Centre area for retail, leisure, and tourism uses.

The centre is now owned by the Doncaster-based property firm Lazarus Properties, who bought it from the Birmingham firm St Modwen.

Lazarus director Glyn Smith said his firm had faith in the local economy of Doncaster town centre, even though larger multinationals seemed to be shying away.

Doncaster Free Press

The former ABC/Cannon Cinema

The ABC was built by Associated British Cinemas(ABC) as a replacement for their Picture House Cinema which had opened in 1914. It opened on 18th May 1967 with Omar Sharif in Doctor Zhivago presented in 70mm. Designed with 1,277 seats arranged in a stadium plan by the architectural firm Morgan & Branch, with input by architects C. ‘Jack’ Foster & Alan Morgan. It was decorated in a modern 1960’s style.

Closed in January 1981 for conversion into a triple screen it re-opened on 9th April 1981 with seating in the 3-screens.

The Cannon Group took control in the mid-1980’s and it was re-named Cannon and it closed on 18th June 1992, screening its opening film “Doctor Zhivago”.

The building has stood empty and unused since then, but in 2007, it was bought by Movie World for just £150,000. It is reputedly being re-modeled with extra screens added, however by 2009, only a clean-up of the interior has been achieved. The building sits empty and unused in 2020.

Cinema Treasures

The delayed opening of the new Savoy Complex will no doubt inform the future of the Cannon.

It’s a familiar tale of the local authority, developers, leisure and retail outlets chasing dreams, cash and hopefully pulling in the live now pay later public.

It’s all part of the Doncaster Urban Centre Masterplan which will transform the way Doncaster looks and the way residents and businesses use the city core.

The area is a pivotal point, I sincerely hope that the Waterdale Centre is revived, along with the adjacent Civic Quarter car park.

Refurbished in 2011 by Potter Church and Holmes since closed.

I noted the restrained Modernism of the National Spiritualist Church.

The service begins with a short prayer. The congregation sings three songs during the service using music that most people would recognise. There is usually a short reading or lesson on something to do with spiritualism or events in the world. There is also a talk by the guest medium who use their inspiration or intuition to compose an uplifting address.

Then the business of contacting the spirit world begins.

Along with its curious relief panels.

Back around to the back of the Waterdale and the surviving former bank fascia, civic offices and library.

Back through the Waterdale to discover the saddest of retail archeology.

The long lost tiled café wall and a mysterious porch.

A gloomy end to a very wet day.

Church of St Leonard and St Jude – Doncaster

Barnsley Road Doncaster DN5 8QE

Constructed 1957 – 1963

Another church by architect George Pace – along with William Temple Wythenshawe, St Saviours Bradford, St Marks Broomhill and the Church of St Mark Chadderton.

They are all built in his distinctive manner, brick and concrete, steel, wood and glass. Often working within tight budgets, respectful of the Christian Church’s early heritage, expressing mass and volume with simple geometry.

The exterior skin pierced by multiple rectangular windows, the interior revealing an elegant calm space with attendant simple decorative elements and fittings.

The body of the church has two asymmetric orthogonal outriders and a tall bell tower.

The transept chapel

The chancel and apse has a raised roof with a glazed face.

Let’s literally take an anti-clockwise look around the outside.

I was warmly welcomed by The Revd David D’Silva, Curate-in-Charge and kindly given free access to the church’s interior.

The wooden framed roof supported by huge parabolic arches of laminated timber.

There are retrieved pews, temporarily reordered to accommodate Covid requirements.

Pugin statuary.

Pace’s own detailed design work in the altar screen and crucifix.

A Mediaeval font.

Light enters from several sources on three elevations.

And through the glazed area of the raised gable.

A delightful morning’s work visiting this well used and cared for church.

South Bay Scarborough – Chalets

The world is inherently unstable, along comes a train a resort appears, along comes a ‘plane a resort disappears, along comes a virus and people disappear.

Whole chunks of the land fall in the sea, eventually.

The South Bay Gardens were slipping away.

Some of the oldest sun bathing chalets almost became an Arts Hub.

Seaside chalets were under threat, with the cause believed to be the failure of a retaining wall.

The swimming pool has been and gone, only an empty shell remains.

There are speculative plans and piecemeal repairs, but these are difficult times, and attracting substantial finance and flocks of tourists to revitalise the town, is no simple matter.

From 2011 I have visited South Bay, intrigued by all the above, but there’s a special place in my heart for these concrete chalets.

They never get a mention.

Here they are some years ago.

The primary coloured paint almost still fresh on their well locked doors.

They stand forlorn on the concrete shore overlooking an indifferent North Sea, hoping for a future in an uncertain age.

As I snapped I chatted to a local ANTIFA Anarcho Punk – ex Mansfield Miner and political activist, he feared that they would be swamped by some tidal wave of gentrification.

If so when, not soon.

As a post script I have been informed that the site was used as a kid’s den in the CBBC TV series All at Sea!

Underpass – Scarborough Again

I’ve been here before on a much sunnier day.

Avoiding heavy showers and even heavier seas, I’m here again.

Three ways in and out of a doughnut on Scarborough’s South Bay.

One way in and out of the North Sea.

The underpass it seems is generally under threat, unsafe, often unloved and underground – often underused.

Once thought to be the answer to the threat posed to the pedestrian, by increased motor traffic, they are now deemed unsafe – poorly lit, badly maintained and scenes of anti-social activity.

Havens for those who are a threat to themselves.

Don’t let that put you off, get down and get with it!

Why not treat yourself to a walk around the South Bay Underground Car Park?

Then get out of it rapido.

Beeversleigh Flats Clifton Rotherham

What’s got six faces and several legs and stands next to Clifton Park?

The Beeversleigh tower block that’s what!

Built between 1968-71.

Main contractors J. Finnegan it’s thirteen storeys high – housing forty eight dwellings.

Tower Block

It can be seen clearly from the town below, Rotherham’s only high rise.

I wandered on.

With an unusual exterior grid of concrete encasing the central hexagonal structure, creating balconies which encircle the homes.

Perched on two levels of concrete columns, on a sloping site.

Looking luminous on a bright August morning.

I was enchanted and amazed, taking time to walk around look and snap.

Rotherham Underpass #3

First there was the first, then secondly the second – this is the third and last underpass.

A fitting finish to the series as we pass through the final subterranean frontier out into the clear light of the South Yorkshire day.

Each one is a neglected gem of municipal modernism, the underpass a feature under threat, the pedestrian often subsumed by the drive to accommodate the motor car.

As of last Wednesday, we all seem to have tenuously hung on in there.

Oh we’ll hear the thunder roar, feel the lightning strike.
At a point we’ll both decide to meet at the same time tonight
.

Rotherham Underpass #2

Having posted the first underpass – let’s take a look at the second.

Orange on white, circles within circles squared.

Rotherham Underpass #1

I had seen a photograph posted by Mandy Payne of an underpass in Rotherham – illustrating a delightful concrete relief.

Enlisting the assistance of friend and local resident Helen Angell, we set out on a mission to visit the roundabout in back of the big Tesco, which housed the three underpasses.

This is the first – painted white, well whiteish – more than somewhat disabused by the passage of time and the passage of users of the underpass.

Brute and angular, incised and cursive and currently lacking authorship or attribution.

Holloway Wall – 2020

Of course I’ve been here before – and you may have as well.

And I’ve been to Huyton too.

Tony Holloway’s work also illuminates the windows of Manchester Cathedral.

As well as the panels of the Faraday Tower, just the other side of UMIST.

The wall is listed, fenced and obscured by the gradual incursion of assorted greenery.

It’s beginning to attract moss, amongst other things – just not like a rolling stone.

Like nearly everything else, it looks different each time you pass by, more or less light, new tags and signs – so here it is as of Saturday 13th June 2020.

Locked in during the lockdown.

Wythenshawe Park – Bowls Pavilion

We were on a journey – retracing the route of Yuri Gagarin’s 1961 visit to Manchester, from Ringway to Brooks Bar.

Then all of a sudden we weren’t, having deviated from Princess Parkway into Wythenshawe Park.

Missing the opportunity to pass under the underpass.

A collective decision was made to pass under the cantilevered and much revered bowls and tennis pavilion.

The building opened in 1960, designed by L.C. Howitt City Architect.

I striking contrast to Wythenshawe Hall 1540 – recently restored following an arson attack, the bowls and tennis pavilion shows no inclination toward Tudorbethan revivalism.

Sleek and aloof supported by a single piloti, offering elevated and ground level views of the sporting areas.

Archive photographs of 1969 from the Local Image Collection.

Time, central government austerity and changes in leisure habits have not been kind to the building.

The manufacturers of security railings, grilles and shutters however, have continued to prosper unfettered.

A sadly tamed and poorly fed creature, standing next to the un-mown lockdown crown green arenas.

We were nonetheless arrested by what was and what may yet still be.

Yuri Gagarin’s Manchester Route 2019

This is the journey made by Comrade Yuri Gagarin 12th July 1961 – as detailed in my previous post.

This is that same journey by bike and my observations of 19th August 2019.

Original Terminal Building LC Howitt and SG Besant Roberts 1962

Ringway Road

Shadow Moss Road

Simonsway

Brownley Road

St Andrews ChurchJCG Prestwich and Son 1960

St Luke The Physician – Taylor and Young 1938-9

Altrincham Road

Church of the Latter Day SaintsTP Bennet and Son 1964

Princess Parkway

St Ambrose  Reynolds & Scott 1956

Barlow Moor Road

Manchester Road

Upper Chorlton Road

Chorlton Road

Imperial Picture Theatre – W.H. Matley 1914

I had wrongly assumed for months that this was the AUFW Offices it wasn’t – it’s two doors down, the other side of the Imperial.

The stonework above the door is a clue, thanks awfully to my observant comrades – July 12th 2020.

The 59th anniversary of Yuri’s visit.

Yuri Gagarin Manchester 1961

Exactly three months to the day after his flight in Vostok I had ushered in a new age of space exploration, on 12 July 1961, the trim figure of Yuri Gagarin strode down the gangway of a British Viscount airliner and walked briskly out across the runway of Manchester airport towards a sea of expectant faces, and flashing camera bulbs.

Working Class Movement Library

There are many excellent accounts of his visit – for a detailed view Gurbir Singh’s book Yuri Gagarin in London and Manchester is hard to beat.

It is from this source that I was able to retrace Yuri’s journey, from the then Ringway Airport, to the offices of the AUFW at Brooks Bar.

Archive photographs – Local Image Collection

Thousands lined the wet streets of Manchester that day as he passed by in his beige open topped Bentley – standing proud waving to all and sundry.

This is Yuri’s journey via the Manchester Local Image Collection.

A loose approximation of what he may have see on that day in 1961.

We were allowed out of Brownley Green school to line the road as he passed, great memories.

I stood on Chester Road with my mum, I was 4 years old, but still remember it.

At that time, I was a student, working my socks off in the Central Library, I went outside into St. Peter’s Square to watch him pass, he gave everyone a big smile.

Still tell my children, tiny at the time – you saw the first man in space, I remember his smile.

Worked in an office in Albert Square – had a grandstand view of him arriving at the Town Hall.

I can remember a police escort taking Yuri to Albert Square via Princess Parkway through Withington, Fallowfield and Moss side, there were hundreds of people lined up watching a waving at him.

When Gagarin visited Manchester he was given a bronze bust of Lenin made by the Amalgamated Union of Foundry Workers. Four were made in total and my Dad owns one of them.

My Grandad’s funeral was on the day he came, as we passed down Altrincham Rd onto the Parkway policemen who were holding back the crowds saluted, he would have loved it.

Yeah I seen him stood up in a big car with a green uniform on. It was going down Brownley Rd passing Meliden Crescent heading for the Airport in Wythenshawe, I was about 6 years old.

Working for Manchester Parks as a 20 yr old on Princess Parkway and he came past me as I was mowing the grass, in an open top Rolls or Bentley, he saluted me personally as he passed, of course I stood to attention and returned the salute – Magic Moment

Ringway Road

Shadow Moss Road

Post-war social housing

Simonsway

Brownley Road

St Andrews Church JCG Prestwich and Son 1960

Housing built 1934

1960 development

St Luke The Physician1938-9 by Taylor and Young

Benchill Hotel – demolished Autumn 2012

Altrincham Road

Royal Thorn – demolished 2001

Princess Parkway

St Ambrose A well-detailed, relatively modest post-war design by Reynolds & Scott, with an impressive and largely unaltered vaulted interior.  The dedication relates to St Ambrose Barlow, a Catholic martyr from nearby Barlow Hall. 

Barlow Moor Road

The Oaks demolished in the early 1990s following a brief life as the Sports Bar

Manchester Road

The Seymour – demolished 2002

Upper Chorlton Road

The Whalley Hotel closed in 2014

Chorlton Road

Imperial Picture Theatrewas opened in 1914. Seating was provided in stalls level only. It had a 5 feet deep stage and two dressing rooms. There was also a café in the cinema. Around 1929 it was equipped with a Western Electric sound system.

Architect W.H. Matley

The Imperial Picture Theatre was closed on 15th January 1976 with Charlotte Rampling in Caravan to Vaccares and Jean-Claude Brialy in A Murder Is a Murder Is a Murder.

Cinema Treasures

164 Chorlton Road Hulme Manchester – offices of the Amalgamated Union of Foundry Workers, it was at their invitation that Yuri had visited Manchester.

Concrete Garages

In casual conversation with Mr Matt Rettalick, at the Manchester Modernist HQ our attention casually turned to the topic of the prefabricated concrete garage.

I thought little more of it until yesterday, I then I resolved to get to the bottom of the matter.

Joseph Monier was a gardener and his idea was to develop permanent planters at a low price. In 1867, he patented different products made of reinforced concrete.

Pre-Cast History

Precast panelled buildings were pioneered in Liverpool 1905. The process was invented by city engineer John Alexander Brodie, a creative genius who also invented the idea of the football goal net. The tram stables at Walton in Liverpool followed in 1906. The idea was not taken up extensively in Britain. However, it was adopted all over the world, particularly in Eastern Europe and Scandinavia.

Wikipedia

The first concrete kit garages appeared in 1952, manufactured by Marley, earlier models had been constructed from wood, asbestos, corrugated iron or galvanised steel.

The sunrise became a common symbol of inter war optimism.

The increase in car ownership, the growth in the DIY ethic and the lack of an integrated garage, drove the demand for a pre-cast concrete auto-haven at the end of the drive.

They became a staple of the small ads.

Easy terms built to last.

Kenkast is the name which for me resonates down through the years, though there were it seems, several other manufacturers.

Batley Garages 128 Colledge Road Holbrooks Coventry Warks

Introducing the ultra-modern sprung up and over doors.

And a slap in the face for the truth to materials merchants.

Bowmonk Garages Spring Gardens Doncaster Yorks

Built to last.

A gorgeous Profil/Stymie Bold Italic banner and the promise of the only concrete garage that doesn’t look prefabricated – the ultimate status symbol.

C&R Garages Northowram Halifax

Compton Garages Fenny Compton Leamington Spa Warks

Coombe Construction Malden Road New Malden Surrey

Cradwill Tiles Ltd Kettering Northants

The garage of the future.

Dencroft Garages Bradford Road Batley

Established 1948 and still in business.

Kencast Astley Manchester

Marley South Ockendon Romford

Still in business and responsible through time for a range of products and the development of the DIY Super Store.

Still standing.

Silver Mist Brockham Betchworth Surrey

J Thorn & Sons Brampton Road Bexleyheath Kent

Also supplying an exciting array or industrial buildings.

S Wernick & Sons still very much in business

We now live in an age of endless non-stop domestic extension, all of the above are reminders of an age when extra external domestic space was added over a weekend, with help from a friend.

Hastings 2015

I had completed my journey from Weston super Mare, with a final day’s cycle ride from Eastbourne and had two days to spare.

So I took some time to have a mooch around and this dear readers is what I did see.

I have snapped the seafront shelters previously and put together one post after another.

These are an integral part of Sidney Little’s concrete promenade scheme

Lurched toward London Road Launderette in St Leonards – which was featured in my 2020 book eight laundrettes.

Next door is this Post Office mosaic.

Back to the front for a more traditional seaside shelter.

Exploring the backstreets in search of fitness for purpose and secret signs.

Then diving in for a delicious dosa at the long gone St Len’s Lakshmi Mahal – since moved to Bexhill on Sea.

Snapping the plaques at the White Rock Theatre.

Currently closed but hopefully open in time for the We Love The Spice Girls.

Popped into Arthur Green – former gent’s outfitters, current bric a brac brokers.

Before we know it, we’re in another laundrette, once more without washing in the Wash Inn.

Back along the front to the well appointed and freshly painted Marine Court.

Time to pop into the not always open subsequently closed St Leonard’s Church.

When World War II broke out, Hastings and St Leonards-on-Sea were considered vulnerable to attacks and invasion from abroad. On the night of Saturday 29 July 1944 a doodlebug was hit over the English Channel. Damaged, it nevertheless continued to fly towards the coastline of St Leonards-on-Sea. It was approaching Marine Court which was hosting a servicemen’s party – but it veered and crashed in front of the doors of St Leonard’s Church, making a deep crater. The tower fell into this, and the rest of the church was brought down as well. Although there were no casualties, the church was completely destroyed. Although the problem of rock falls and subsidence associated with the cliffs had continued throughout the life of the church, the War Damage Commission would only pay for it to be rebuilt on the same site. The architectural partnership of brothers Giles and Adrian Gilbert Scott were commissioned to design the new building.

Patrick Reyntiens stained glass

The unique features were inspired by Canon Cuthbert Griffiths, rector from 1929 to 1961. Following a dream, he went to Israel and had the prow of a Galilean fishing boat constructed to form the pulpit.

Marble work on the floor depicts locally caught skate and herring.

Beyond the communion rail are loaves and fishes set in different marble patterns bordered by scallop shells, a copy of the Byzantine mosaic in the Church of the Feeding of the Five Thousand in Galilee.

The structure set into shifting cliffs is subject to subsidence.

Procedures have been completed for St Leonard’s Parish Church on Marina to be closed for worship. 

The service will be next Saturday August 4 2018 at 3pm. 

Because the building cannot be used the service will be at St Ethelburga’s in St Saviour’s Road.

St Leonard’s has been called the church with an inbuilt message.  Even the very stones cry out to those who have eyes to see, ears to hear and a heart to understand and accept the Good News of the Gospel.

St Leonards Church

Factory – Windmill Lane Denton

I’ve cycled by here for some fifty years or more – always admiring its serrated roof.

Way back when we would roam around on our bikes, exploring the waste ground adjacent to Jackson’s Brickworks.

Where we would scavenge tape from the Rotunda tip.

I remember it as a Remploy Centre.

My last 13 years prior to retirement last May were spent at the centre, on Windmill Lane, Denton. Just before I left, a lot of demolition work was done, prior to redevelopment of much of the site.

I seem to remember the place always being referred to locally as Th’ Rehab – the Rehabilitation Centre, a Government training centre, where skills were taught, such as joinery, bricklaying etc, and there was also a Remploy Unit housed there.

Local men could go for a free haircut, administered by a well supervised trainee.

Denton History

1949 Manchester Local Image Collection

It is listed in a 1968 directory of rehabilitations centres.

Currently forming part of Tameside Business Park with multiple occupancy.

Proximity to the M60, seen here under construction is paramount to its future success.

This former production plant for concrete components is now sadly partitioned and houses a number of businesses, only one of which still has a manufacturing base. The engineer for the project was also the client; reinforced concrete engineers, Matthews & Mumby. The intention was to create large floor areas, free from columns, to accommodate fourteen casting beds of about fifty metres in length. The structure of the two sheds was formed from arch units assembled on the ground, jacked into position and post-tensioned to form large tied span arches. Each arch spans approximately thirty metres and was designed to carry up to fourteen one tonne loads along the monorail hangers that ran the length of the factory, centred to each casting bed and suspended from the arches. Lantern section glazing hugs the curve of the arches that act as a reflective surface to provide an even light across the factory floor. The rails and hangers added a further louvered filter to the light, described at the time as ‘the ‘venetian blind’ effect. Originally the elevation between the V shaped columns was also glazed, this has now been filled and significantly reduces the aesthetic presence of the exposed structure and a distinctly ‘modern’ building of the time. 

Mainstream Modern – my thanks to Richard Brook for the text and archive images.

So one sunny day last week, on a lockdown walk I went to take a look around.

The addition of cladding is never an uplifting sight on any site – the integrity of the building is seriously challenged.

Sometimes a former Rehabilitation Centre can do without rehabilitation it seems.

Eastbourne to Hastings

Wednesday 5th August 2015 the last and shortest leg of the journey, feeling fit and well, yet more than somewhat sad that it’s almost all over.

Ten days of cycling almost mostly by the sea – mostly seeing things.

Stopping by Fusciardi’s to say hello to the tiles.

I live in landlocked Stockport, yet yearn for the coastal life.

These recent posts have been put together in June 2020, locked down, going nowhere near there, just here.

There are sections of the seaside ways around yet to be explored, the whole of Cornwall, Wirral to the Lakeland Borders, Cleethorpes to Berwick.

Someday one day soon.

I’d left plenty of time to mooch around Pevensey Bay – Beachlands in particular.

Having made previous visits, I was keen to explore further.

I have paired pairs of homes here – Beachlands.

Along with single singular homes here – Beachlands Again.

What we have here is an abbreviated account of an extraordinary estate.

T Cecil Howitt was responsible for the initial designs, sketches and layout of the first fifty houses in Beachlands, making him both the architect father and inspiration for the estate.

The estate is also home to the so called Oyster Bungalows.

The oyster shell houses, together with the homes on the Beachlands Estate, were a form of kit build, imported from Sweden by local builders Martin and Saunders. The original plan to build envisaged a choice from as many as twelve possible kits, built in four waves, the estate is now studied, photographed and mentioned by architectural historians from across the country.

Pevensey Bay Life

The estate is the embodiment of mutable Modernism – some original details prevail, whilst others are overwritten in the style de jour.

Having strolled and chatted to the warm and friendly residents, what does still permeate the whole development is a loose bonhomie – that easy going, anything goes manner which the seaside embodies.

The Ridgeback World Voyage takes centre stage – thanks for keeping me company every day.