This is not the first time that I have crossed the threshold of a hair salon – having done so first in Failsworth, keeping company with Sheila Gregory and her chatty clientele.
Both Sheila and Marilyn preserve something of the past, not just in fixtures and fittings, but also in something of an old world charm. A land of shampoos and sets, lacquer and curlers, conviviality and coffee cups.
On the day of our chance encounter here in East Didsbury, we are all experiencing the first week of Covid lockdown – the salon is ostensibly closed, yet Marilyn was kind enough to allow us a few socially distanced moments to stop, snap and chat.
She has been here since 1963, nothing and everything has changed. She had intended to retire some time ago, but on the death of her husband she decided to continue cutting and curling, three days a week, living above the shop, doing just enough.
The interior is largely as was, mirrored, Formica topped and charming – with a delightful reception seating area.
All so lovingly cared for – Marilyn was using the current closure to keep up with the upkeep, washing towels and sweeping up.
I worked as quickly as possible not wishing to compromise anyone’s well-being. As ever on these occasions it is a privilege to be permitted to spend time in someone else’s world, thanks ever so Marilyn.
Ernest Whiteley opened the shop on Easter Sunday 1901
His first week’s taking were £7 14s 1d.
He thought that he had done very well – says granddaughter Ann Clough.
Grandad lost his sight in 1940, I became his eyes. When he lost his sight and he handed over the till keys to mother, they had a little weep.He handed over to my mother because father had died three months before.
Ann has run the shop for the last sixty years, along with Sue, a full-timer for some thirty years.
The rep isn’t coming any more, ordering is online, that’s no good to us.
This is a cash only low-tech, high stock operation.
If they don’t have it – it probably doesn’t exist.
From the outside little has changed sine the 1930s, wide glass, well arranged windows, displaying a wide array of wondrous haberdashery.
All contained within an arcade with Art Deco detailing.
There are many, many mannequins from another age.
One man from Scotland stayed for hours, he had a fetish for the mannequins, we couldn’t get rid of him.
The side of the shop is largely given over to net curtains of every size, shape and design, labelled Monica, Daisy, Andrea, Vicky or Sarah.
The names were chosen by Sue, it’s a lot easier for people to say, I want Vicky, 36 deep, than the one with the squiggly flowers, or to remember the manufacturer’s number.
Inside is a haven of domesticity, dusters abound, along with all the other attendant cloths and towels to ensure household cleanliness.
Not forgetting the correct clothing for those domestic chores.
The original display units are a delight.
Almost every surface is awash with lady’s unmentionables – winter draws on, wrap up.
There are covers and doilies of every description.
And the finest display of sensibly priced handkerchiefs, fancy and plain.
Every sign and tag hand written with pride.
It was, as ever a privilege and a joy to spend a short time in another world, thanks ever so to Ann and Sue for their time and patience.
If your passing pop in spend a pound or two – I bought three dish cloths.
One customer told me he was going to a party dressed in a white mini-dress, purple wig, thigh boots and black tights, he came to look at nighties and tried one on in the changing cubicle. You’ve got to be broad-minded. It can be very disconcerting when you hear a man zipping up a corset.
Monday 3rd August 2015 one finds oneself wide wake in the Rydeview Hotel.
Faced with a breakfast best described as indescribable.
I arose and departed, not angry but hungry.
Made my way to the corner of Southsea Common, where once we drank – Tim Rushton and I were often to be found in The Wheelbarrow together.
A boozer no longer, now named for the city’s long gone famous son.
How bad a pub is this? I walk past it to get to my local. Most nights there are six people max in the bar, all huddled around the bar itself, backs to the door. – this often includes the landlord and landlady. They have live music there once in a while and you can’t get served by the one bloke behind the bar – the landlord and landlady never help out, they don’t seem to give a toss.
Beers crap, not worth a visit.
It was never like that in our day.
Visiting our former abode on Shaftesbury Road – where I once dwelt along with Tim, Catherine, Liz and Trish.
Yet more Stymie Bold Italic.
Back to the front for a peer at the pier.
Clarence Pier is an amusement pier located next to Southsea Hoverport. Unlike most seaside piers in the UK, the pier does not extend very far out to sea and instead goes along the coast.
The pier was originally constructed and opened in 1861 by the Prince and Princess of Wales and boasted a regular ferry service to the Isle of Wight. It was damaged by air raids during World War II and was reopened in its current form on 1 June 1961 after being rebuilt by local architects AE Cogswell & Sons and R Lewis Reynish.
Low cloud grey skies and drizzle.
This sizeable two bedroom apartment situated on the seventh floor of the ever popular Fastnet House is offered with no onward chain and the option of a new 999 year lease as well as a share of the freehold. With panoramic views over The Solent towards the Isle Of Wight and Spinnaker Tower, situated in a central location and close to all amenities, this lovely apartment offers luxury living for any prospective buyer. With lift access, the apartment comprises; entrance hallway, a large lounge diner with box bay window boasting stunning sea views across the city and The Solent, master bedroom with built in wardrobes and sea views over The Solent, a spacious second bedroom, fitted kitchen with breakfast bar and a recently updated modern shower room.
Coal Exchange– Peter and Dawn welcome you to their traditional pub in the heart of Emsworth adjacent to the public car park in South Street and close to the harbour.
Lillywhite Bros Ltd is a family run business established over 60 years ago in Emsworth, which is ideally located between Portsmouth and Chichester. It is currently run by brothers Paul and Mike who continue to keep up with modern techniques and equipment, as well as maintaining their traditional values and high standard of customer service.
Next thing you know I’m in Pagham, having become very lost somewhere between there and here, asking for directions from the newsagents and buying a bottle of Oasis.
The newsagent was mildly amused by lack of map, sense and/or sensibility.
I spent many happy hours here in my youth playing the slots with The King.
We would stay here in Tamarisk with my Aunty Alice and Uncle Arthur and Smudge the cat, an idyllic railway carriage shack two rows back from the pebbled seashore.
We would enjoy a shandy at the King’s Beach with Lydia, Wendy and David.
All gone it seems.
On to Bognor a B&B and a brew – a brief glimpse into my luxury lifestyle.
I’ll take an overcast Monday evening stroll along the prom, where I chanced to meet two landlocked Chinese lads, gazing amazed at the sea – they were on a course in Chichester learning our own particular, peculiar ways.
There was no-one else around.
Who can resit the obvious allure of the novelty item?
Or an Art Deco garage fascia.
Fitzleet House was built in the 1960s architects: Donald Harwin & Partners, it consists of seventy four flats, fifteen of them are in a three-storey block next to the main building.
PS&B are pleased to offer this sixth floor flat which is situated conveniently close to the town centre and within close proximity of the sea front. The accommodation is newly refurnbished and is offered unfurnished with south/west facing lounge with small balcony with far reaching views to the sea. Kitchen and bathroom with shower over bath and one double bedroom. Further benefiting from having modern electric heating and double glazing, telephone entry system, lift to all floors, communal sky dish and white goods. With regret no pets and no children – £685 rental is payable calendar monthly in advance.
For many years, a gentleman called Todd Sweeney collected sunshine statistics from the roof of Fitzleet House, which were then forwarded to the Met Office in London to assist with national statistics, and in 1983 one group of Cubs arranged a special tea party on the roof of the building as part of the national tea-making fortnight.
Drew up a list of buildings, made plans – dream on.
The best laid schemes o’ mice an’ men gang aft a-gley.
However, whilst on my 2015 cycle tour of the south west coast I arrived almost accidentally yet serendipitously outside Babbacombe Model Village.
A good place to visit as dogs are welcome and this is important to us. The models were very cleverly designed and each one is recognisable and very funny anecdotes and labels. It was much bigger than it looked but flowed easily and was fun and charming to walk around. There is also a free mini crazy golf room which makes a change to not charge for something like this and a joy to see. I really enjoyed myself and it is all so well maintained you can feel the passion of the people creating it.
I went in – how could I have done otherwise?
Many of the buildings reflect the areas’ Seaside Moderne styles, from the holiday chalets to the substantial Modernist Villa, plus all the up to the minute services and infrastructure one would expect in a modern model village.
You’re getting three for the price of one – Larry and Johnny only offered two between them.
Friday 5th September Great Yarmouth to Cromer.
Saturday 6th September Cromer to Skegness.
Sunday 7th September Skegness to Cleethorpes.
The royal we however are unable to display the fine array of snaps to which you have become accustomed – normal service will not be resumed as soon as possible.
How so you ask – I’ll tell you how so, you may recall the seafront snaps taken on Great Yarmouth prom under the cover of darkness.
Well you see, I inadvisedly rested my camera upon sandy surfaces in order to steady the shot. I subsequently discovered that sand and photographic technology are a poor pairing.
I killed my camera.
To see a world in a grain of sand, and a heaven in a wild flower, hold Infinity in the palm of your hand, and eternity in an hour.
I think not.
There’s only one thing for it – two Tesco Value disposable cameras!
With diminished means the royal we hurried on, with diminished returns in view, it is with heavy heart and sand filled socks that I present such thin gruel.
No pearls from this grit filled oyster, all chaff and no wheat – that’s me.
It was hard work editing these images – resembling archival material discovered at the bottom of a 16th century tar barrel.
They’re not even in the right order.
And I’m unsure of many of the locations.
Please accept my profound apologies, I’ll never do it again – I promise.
Appleby’s Famous Farm Ices – Main Rd Conisholme Louth LN11 7LS
This is all the information we have available, if you pop in, please ask them to get in touch with Big Barn to add more.
Stymie Bold Italic aka Profil double whammy coming right up!
Gammon is a traditional gentlemen’s hairdressers in Long Sutton, call into Gammon’s and experience the atmosphere of Long Sutton’s only male hairdressers.
We are exclusively a traditional men only salon, catering for all ages. Running a drop-in system, and with two chairs available waiting times are kept to a minimum.
At Gammon Traditional Gentleman’s Hairdressers you can also purchase a range of Electric Razors and Toiletries along with a large variety of Gifts.
Gammon Traditional Gents Hairdressers also stock fragrances for him and her that include:- Chanel, Safari, Polo, Ghost, Opium, Quorum, Tabac, Lacoste, Calvin Klein, Dolce and Gabanna, Poison, Davidoff, Iceberg Twice, Jazz, Aramis, Sergio Tacchini, Azzaro, Farenheit, Giorgio, and many more.
Welcome to Giles Bros located in Kings Lynn town centre. Established in 1921 and still trading from the same premises offering MOT’s on all makes of vehicle in the centre of King’s Lynn. If your looking for a reliable and friendly service you have come to the right place. Please feel free to look around our website and see just what we offer.
Although modern motor vehicles have changed so much since the early days our customer commitment hasn’t.
There has been a pier in Cromer since 1391, but history really relates from 1822 onwards. In this year, a 210 foot wooden jetty was built, but unfortunately it was washed away in 1843. It was then replaced with another slightly longer one, 240 foot, which lasted until 1890. This one was also destroyed by the stormy seas and the remains were consequently sold at auction for £40.
Following this, very sensibly, an iron jetty was built that was 500 foot long, together with a bandstand which was eventually extended into a pavilion.
During the war Cromer Pier was sectioned for defence purposes.
The poor Pier also had its fair share of being damaged too, which I suppose is understandable, being stuck out in the sea!
St Magaret Witton-by-Walsham one of the enchanting Norfolk churches I passed by and the only one I entered. It had provision for an unattended brew and home made cake, just the job.
The church is an elegant, well-kept, peaceful building, but it is also rather quirky. There are two splayed round windows in the lower north side of the nave it seems reasonable to think that they are genuine Saxon windows, and this is a genuine Saxon piece of wall. As is the lower part of the south wall, for both sides have long and short work ironstone blocks forming the corners with the west wall.
In the early 14th Century they began to expand the church, but rather than rebuild it they heightened the existing walls, which is why the tower and the church still make an awkward juxtaposition even today. There is a clerestory on both sides of the church, but an aisle only to the south, contemporary with the clerestory, rather than with the 15th century crowning of the tower with a bell stage and battlements.
When the Tudors extended the tower, they needed a way for people to get up to the bell stage. Rather than build a stairway inside the tower in the conventional manner, they built a stair turret inside the church, against the west wall of the nave, which is at once awkward and intriguing. Tucked in beside the stair turret is a large converted barrel organ. I remembered the late Tom Muckley observing that small villages like this usually owned just one barrel organ, which was used in the church on Sunday and then moved to the pub for the rest of the week.
On the night of 14 November 1940, the city of Coventry was devastated by bombs dropped by the Luftwaffe. The Cathedral burned with the city, having been hit by several incendiary devices.
The decision to rebuild the cathedral was taken the morning after its destruction. Rebuilding would not be an act of defiance, but rather a sign of faith, trust and hope for the future of the world. It was the vision of the Provost at the time, Richard Howard, which led the people of Coventry away from feelings of bitterness and hatred. This has led to the cathedral’s Ministry of Peace and Reconciliation, which has provided spiritual and practical support, in areas of conflict throughout the world.
Her Majesty the Queen laid the foundation stone on 23 March 1956 and the building was consecrated on 25 May 1962, in her presence. The ruins remain hallowed ground and together the two create one living Cathedral.
Ralph Beyer carving the foundation stone for Coventry Cathedral.
The new Cathedral was itself an inspiration to many fine artists of the post-war era. The architect, Sir Basil Spence, commissioned work from Graham Sutherland, John Piper, Ralph Beyer, John Hutton, Jacob Epstein, Elisabeth Frink and others – most still to reach the peak of their artistic careers.
St. Michael and the Devil on the southern end of the east wall. It was sculpted by Sir Jacob Epstein, who, sadly, died in 1959, and therefore didn’t live to see his masterpiece mounted on the cathedral wall a year later.
Entrance to the cathedral is through the Screen of Saints and Angels – it is seventy feet high and forty five feet wide and is supported by a bronze framework hung by wires from the roof for added strength.
This unique screen formed part of Sir Basil Spence’s first vision for the new cathedral. As he stared out from the ruins of the bombed cathedral, he saw the shape for the new church through a screen of saints. This transparent wall would link the old and new – making each mutually visible from within each other. Provost Howard set out to draw up a scheme consisting of all the saints who were responsible for the bringing of Christianity to Britain. As John Hutton began to make initial designs, he soon realised that row upon row of saints would need to be broken up in some way, and suggested that angels be inserted between the saints.
The eighty one foot high Baptistery Window containing a total of one hundred and ninety five lights of stained glass in bright primary colours designed by John Piper and Patrick Reyntiens, with the Stone of Bethlehem for a font just in front. Each individual window contains an abstract design, but the overall effect is breathtaking. Basil Spence himself designed the stone containing the glass.
The great tapestry was another example of a re-think in design. Basil Spence’s original intention was to depict the Crucifixion but Provost Howard suggested that the subject be Christ in Majesty and from there on, this idea prevailed
The Chapel of Christ in Gethsemane is approached by following the aisle from the Baptistery window towards the altar which is at the north end. The mosaic depicts the Angel of Agony by Steven Sykes and becomes more impressive when seen from a distance through the wrought iron crown of thorns designed by Basil Spence.
A short passageway takes you through to the Chapel of Christ the Servant – also known as the Chapel of Industry due to the view of Coventry workplaces from its narrow windows.
Monumental inscriptions to walls and floor by Ralph Beyer
At the far end of the aisle, opposite the Baptistery Window is the Chapel of Unity, with its detailed mosaic floor, donated by the people of Sweden, representing the nations of the world and lit by shafts of light from the narrow stained glass windows around the circumference of the star shaped chapel.
This design was Basil Spence’s vision of a chapel representing the star which began the story of Christ – from the outside it appears shaped similarly to a Crusader’s tent.
The chapel is intended for prayer by all denominations, not just Anglican, and for this reason was purposely built with no view of the great altar.