Brucciani’s – Morecambe

Brucciani – 217 Marine Rd Central, Morecambe LA4 4BU217

Built on the eve of war in 1939, the local paper feared that Brucciani’s might not be good for the sedate Victorian image of Morecambe and that its presence could be positively harmful to young people. Originally a milk bar, Brucciani’s typifies the simple, geometric ‘high street deco’ styling popular at the time. The brown wood and chrome exterior has black lacquer base panels to the street, porthole lamps above the doors, ziggurat pattern doors, classic deco handles and original menus. The interior preserves extensive wall panelling, a slightly reworked counter, red Formica tables, red upholstered chairs, wall-to-wall etched glass of Venetian canal scenes, mirrors, deco clocks and even the original penny-in-the-slot cubicles in the cloakrooms.

Classic cafés

I’ve been coming here for over ten years now, alone or in company, come rain or shine and without fail, as sure as ice is nice, I have a banana spilt – or to be more precise a Banana Royal.

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This is a café with a café menu, café furniture, café staff and service.

It only ever wanted and wants to be a café, unchanged by the uncaring winds of vicissitude and fashion. To tread the turquoise and tan linoleum, ‘neath the period lighting fixtures and fittings, to be seated on the warm red leatherette, one elbow on the circular Formica table is to enter into into a pact with a perfect past.

It’s on the front you can’t miss it – overlooking the Sunset Bay.

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Odeon Cinema – Brighton Road Rhyl

Architects

Robert Andrew Bullivant 1910-2001
Harry William Weedon    1887-1970

Robert Bullivant joined the Harry Weedon practice in 1935 and was responsible for the design of the Odeons at Chester, York, Burnley, Exeter and Rhyl. Taken over by Hutchinson in 1969, this cinema was renamed Astra. It was made into a triple screen in 1972 and the stalls were later converted for bingo. It was designated Grade II listed status in 1989. The cinemas closed in 1995 and the building reverted to a single auditorium for bingo.

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So much of our picture house heritage no longer exists, where once a town or city could support several cinemas of varying scale, architectural merit or style, few now remain intact. Happily the Rhyl Odeon has survived from Astra, Apollo to Gala to the stars and beyond.

Playing to perennially packed houses, the people’s palaces accommodated old and young.

Saturday morning matinees  for the boys and girls – making this Great Country of ours a better place to live in.

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If memory serves, in the Odeon auditorium to the left of the screen there was a suitably stylish, numberless clock of six-sided shape. In 1972 the Odeon, by then taken over and renamed Astra Cinema, underwent alterations to become the first three-screen complex in Wales: Astra 1, 2 and 3. By the mid 1980s the Odeon/Astra had been taken over by Apollo and was running as two cinemas plus bingo at first – and bingo only since the present Apollo Cinema Complex opened on the prom.
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Foyer and auditorium

John Maltby 1937

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Ian Grundy 2008

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An original Odeon Theatre, built for the Oscar Deutsch Odeon Theatres Ltd. chain, opened on 30th October 1937 with Flora Robson in “Farewell Again”.

The corner entrance rotunda was lower than the rest of the building and was faced with cream faiance tiles, broken with windows. Behind this was a tower-like feature which contained the main foyer. Seating in the auditorium was provided for 862 in the stalls and 546 in the circle. On each side of the proscenium opening there were large panelled decorative grilles on the splay walls. Lighting in the auditorium was provided by concealed lighting in troughs across the ceiling.

From the 13th October 1969 it was taken over by the Hutchinson Leisure Group and re-named Astra Cinema. They triplexed the cinema from 24th April 1972 with seating for 750 in the former stalls and two mini screens seating 250 and 225 in the former circle. Later, the stalls screen was converted into a bingo club, whilst the two mini cinemas continued on film.

In the late-1980’s the building was taken over by Apollo Leisure UK Ltd. and it was re-named Apollo Cinema. The two mini cinemas were closed in October 1995 and the building was de-tripled into one space again, becoming the Apollo Bingo Club, which remains open today.

From 4th January 1989, the former Odeon Theatre was designated a Grade II Listed building.

Cinema Treasures

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Hyde Road – Manchester

From Ardwick Green in the west to Abbey Hey in the east – runs Hyde Road Manchester.

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It’s a a road I have travelled from my early teens onwards, visiting friends, family, speedway, school sports days, fun and frolics at Belle Vue, tea and toast in Sivori’s, bike parts from Cowans. Working at the former Bishop Greer School, drinking in it’s many pubs, going to the flicks at the Apollo.

It was an area thick with the hustle and bustle of folks going about their business – working, shopping, boozing, waltzing in the Elizabethan, or the waltzers, bobbing up and down on the Bobs. A self contained community, just about prosperous enough in times of full employment –  take just one more walk with me.

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All photographs from the Manchester Local Image Collection

Poco a Poco – Stockport

There was a field – Ash Farm, farmhouse and field, at the junction of Manchester Road and Denby Lane, owned by one Harry Hitchen.

Harry Hitchen’s ambitious grandson reckoned that it was time that Heaton Chapel had a picture house, so on 6th May 1939 – where once there was a fertile farmer’s field, the seven hundred seat Empress Cinema opened.

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Opening with a screening of Alexander Korda’s The Scarlet Pimpernel.

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It continued to trade as a cinema until 18th April 1959, whereafter it transformed at the end of that year, into a dance house opening as the Empress Club on the 9th December, run by Manchester City footballer, Keith Marsden.

Other parts of building were used for Flamingo Coffee Jive Club, from 1961 Empress Bingo club used the none-cabaret portion of the building.

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Empress Ballroom

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Keith Marsden

In many northern towns and cities at this time a thriving beat scene emerged, literally hundreds of local bands, playing a circuit of clubs large and small.

Further details can be found here at Manchester Beat and Lanky Beat.

One such band played at the Empress on 14th November 1964, formerly The Matadors, then becoming The Swinging Hangmen, later known as The Hangmen. With a now sound, slick suits, a business card and a swinging, dead, novelty teddy bear mascot, they had everything going for them.

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I too played in such bands during the late 60’s and early 70’s, piling in and out of assorted vans, cars and buses to arrive at a packed venue, sandwiched between the bingo and a top flight comedian.

December 1968, in a flurry of flags, the Poco a Poco Club and Casino is born, international cabaret and entertainment abounds from here on in, beginning a fashion for the American style supper club, boil in the bag dining, for the discerning chicken in a basket cases.

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As beat becomes mod, psych, prog and glam a new generation of bands adapt and mutate to suit the ever changing moods and modes of modern music.

One such were Toby Twirl.

They hailed from Newcastle upon Tyne in the North East of England. Formed in the 60’s and originally called ‘The Shades of Blue’. After being signed to Decca Records by Wayne Bickerton, a name change was called for, as there was a US group of the same name. The group released three singles on Decca – Back In Time, Toffee Apple Sunday and Movin In. Although critically acclaimed in later years, none of the singles charted due to lack of major radio play. The group concentrated on live work during the late 60’s and early 70’s and were a top draw around the North of England. The line up was Dave ‘Holly’ Holland vocals, Barrie Sewell keyboards, Stuart Somerville bass, Nick Thorburn guitar and John Reed drums. Stuart was replaced by Dave Robson after he was tragically drowned in Tynemouth and Holly was replaced by Steve Pickering.

Interest in 60’s psych has seen the recent release of a Toby Twirl LP, a long overdue compilation of their admirable singles – including Romeo and Juliet 1968.

Other Poco regulars included Wishful Thinking:

Prior to 1969, they were recording with ex-Shadows drummer and record producer TonyMeehan. Between 1965 and 1969 the group released 9 singles and a live album. There were some changes in personnel and some successes, most notably Step by Step, Count To ten, Cherry Cherry, It’s So Easy and Peanuts, the latter remaining in the Danish charts for 3 months and also reaching No 8 in Japan.

My personal choice would be their version of Clear White Light.

Famously  Mr David Laughing Gnome Bowie played there on the 27th April 1970, just a few days before receiving his Ivor Novello award at The Talk Of The Town in London, for Space Oddity, which had been voted the best original song of 1969.

The club traded on through the 70’s and 80’s, continuing to ride the trends in popular music, the emergence of the discotheque and the almost superstar local DJ. As interest in the live cabaret music scene waned, the club began hosting boxing matches in the 80’s. Changing its name to Chester’s in 1983 and finally closing in May 1987.

It had lasted almost 50 years as a rich source of entertainments for thousands of Stopfordians, from a flickering film to a flaming beat, sadly it all ended in demolition.

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The beat goes on.

Many thanks to Stephen for the essential facts and copyright images from his website.

Sea Front Shelter – Hastings

I have been here before, adoring the full range of Hasting’s sea front shelters.

They form an integral part of the general scheme designed and overseen by The Concrete King Sidney Little.

On my most recent visit the most distant shelter was receiving a wash and brush up, a brand new coat of paint or two, restored to bright red and white shipshape order, this land locked delight looked ready to set sail across the adjacent Channel to who knows where.

Offering a somewhat occluded view of blue skies and faraway shores, the bus stops here and goes on forever and forever.

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Paddling Pool – Whitby

High atop West Cliff Whitby is a pale blue imitation of the deep blue North Sea below.

A TG Green Cornishware blue and cream striped pot, reimagined on the distant Yorkshire coast, in paddling pool form.

Scarborough Borough Council has resurfaced the paddling pool, re-concreted and repainted the bottom and the sides. The railings adjacent to the footpaths at Whitby Pavilion have been repaired and re-painted and seating next to the crazy golf has also been improved.

 Martin Pedley, Scarborough Borough Council’s asset and risk manager said:
The council has, in conjunction with the voluntary sector, invested both time and money in continuing to revitalise the West Cliff area in preparation for the summer season and the influx of visitors to Whitby.
1033839943West Cliff councillor Joe Plant added:

The improvement works that have been done both last year and this year is most welcome. Not only the visitors will benefit, but local people also and it again shows working in partnership with the voluntary sector does make a difference.

The Big Society in action, replacing railings improving lives.

I arrived in late April the pool as yet sans d’eau, more of a pedalling pool than paddling pool as the BMX bandits invaded the space, in direct contravention of the rules and regulations.

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The water when present is some twelve inches deep, clearly better suited to larking, splashing and cavorting rather than performing The Twister, a  bewildering blur of twists and turns two and a half back-somersaults with two and a half twists during the 1.5 seconds between launching and entering the water at 40mph.

The pool is flanked to the north by a sweeping Lubetkin style, flat roofed pavilion complete with fully functioning toilet facilities.

Turn your back on the Abbey, go wild – take a wet walk on the West Cliff side.

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Adolfine Ryland

Adolfine Ryland worked as a printmaker, sculptor, painter and designer. Her practice across these different media was united by her keen-edged, modern style and inventive graphics. She had studied at Heatherley’s and at the Grosvenor School of Modern Art under printmaker Claude Flight. 

Ryland’s main exhibiting venue was the Women’s International Art Club, where she showed from 1927 onwards, becoming a member from 1936 to 1954. She also undertook public commissions, and worked for London County Council designing low reliefs for a number of buildings, among them the School of Butchers and St Martin’s School of Art. Her reliefs for the art school, which still decorate the entrance, show students at work. But Ryland’s work is not always easy to identify as she sometimes signed herself ‘Koncelik’, her mother’s maiden name.

In 1987 the Michael Parkin Gallery in London held an exhibition Printmakers of the 20s and 30s and Adolfine Ryland. On show were Ryland’s paintings, drawings, prints, sculptures and designs for book jackets and posters. Amongst them were two designs advertising London Underground, which speak of an optimistic age of efficient, modern public transport to the new suburbs.

It says so here

I was sauntering down Charing Cross Road on Saturday last, minding my own and everyone else’s business, then perchance I chanced upon a series of low reliefs, tucked neatly away in a nearby portal.

The London County College for the Distributive Trades – rightfully adorned with appropriate public art depicting the lasses and lads, going about their very practical business.

These are the work of Adolfine Ryland.

The building is currently in use as Foyles Bookshop.

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Returning home, I did a little online research, turning these examples of her work. As is often the case with those figures considered to be on the margins of the big bad Art World, time and the subsequent neglect, conspire to leave little by way of evidence of their invaluable efforts.

This is our loss.

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