Scarborough Coastal Stroll

Posted on by modernmoocher

This is one of many walks from South Bay Bathing Pool to South Bay Beach.

Today we begin at the Scarborough Library.

The Edward Bawden map was commissioned in 1931 by Tom Laughton, the hotelier of Pavilion Hotel in Scarborough.

I discovered Edward Bawden myself. I saw some illustrations of murals in the Illustrated London Newswhich had been carried out by Bawden at Morley College. The principal subject was a lodging house with a classical pediment and with the front walls taken out, so that the life in the house was shown from the basement to the attic. I found it delightful. I managed to find out where he lived, and I went to see him. I rang his bell; waiting on the steps I looked across the road and recognised the building that was the subject of the mural. At length a young and seemingly timid man came to the door; “There is your mural”, I said. He told me that I was the first person to spot his subject. He took me on a bus to see the paintings on the walls of Morley College.

The outcome was that he designed a wine list for the Pavilion Hotel, decorated a large ordnance map of Scarborough – (which when I left the hotel I gave to the children’s public library and also made an amusing perspective peepshow, which is still in my possession – Pavilions by the Sea was published in 1977.

The peepshow is on display on the first floor of Scarborough Art Gallery, where it still enchants children and adults alike.

Scarborough Museum and Galleries

The map is hand painted and based on the OS Map of 1926.

The map was fully restored and reframed in 2012 and now lives in Scarborough Library.

Bawden’s postcard for the Pavilion Hotel.

Tom Laughton was brother to Charles Laughton – the plaque is attached to their home the Victoria Hotel.

Enthused by Edward’s exquisite map I set off strolling along the seafront.

I always stop to pay my respects to these seriously neglected concrete beach chalets.

Thence to the former South Beach Bathing Pool designed by Scarborough’s former Borough Engineer, Harry W Smith.

Construction began shortly before the outbreak of WWI, and was taking place in December 1914, when Scarborough was bombarded by German ships. Workers were able to shelter, coincidentally, behind the new wall they had recently constructed for the pool.

Built in the Art Deco style, it measured 330ft long and 167 ft wide, and was filled naturally by fresh sea water, propelled into the pool by the tide each day – officially opened in 1915.

The pool closed in 1989.

Stories From Scarborough

Concrete Colonnade in the Post Modern manner.

Filey Brigg is barely visible through the mist.

The Scarborough Spa – boldly stands over the bay, beaches, and harbour, providing unrivalled views. With a lengthy and impressive past, it is a popular venue for touring performers and meetings, conferences, and training sessions.

The Spa dates back to the C18 when a mineral spring there became a place of fashionable resort. Originally there was just a timber embanked terrace to the shore. Later, in the early C19 a castellated building was raised. In 1858 Sir Joseph Paxton designed the new ashlar faced Spa pavilion raised on terrace with arcaded ground and first floor articulated by pilaster strips, seven bays, with projecting pilastered corner towers with balustraded parapets.

Grade II* Listed

Grand Hotel was chosen as one of Historic England’s seven wonders of the English seaside, as featured in the Daily Mail

Located in the town centre and built in 1863, the Grand Hotel Scarborough takes pride of place overlooking the town’s picturesque harbour and South Bay. This stunning Victorian building is an instantly recognisable landmark, and stands out amongst other hotels in Scarborough. 

We’ve stayed here a few times and we’ve never had a problem with our room. If you dont like lifts theres a lot of stairs but we like to keep fit anyway. Fridge was a bonus. Hairdryer, towels, three loo roll, towels, fan, iron, ironing board Good stock of tea and coffee, nice clean kettle. Paid for a room with a window and got unexpected sea view which was fab to wake up to. Gorgeous main area, singers on at nine, stayed in room thirteen no ghosts lol.

Will defo come again – thank you Grand Hotel.

Samantha K

Absolutely disgusting, the rooms was very dirty, full of dust, the room hasn’t been cleaned since the last person stayed as there body shape was still in the bed, bathroom had toothpaste all in the sink and the shower was absolutely filthy. Curtains are hanging off. Carpets are dirty. The food is very bad, cheap and under cooked. And most the food on the menu wasn’t even available. When speak to the staff I got verbal abuse from them and the chef told my partner to “f off”.. it’s just horrible experience. Do not wish this on anyone. You go outside to loads off homeless doing drugs and been drunk also. I actually ended having to leave and book an alternative accommodation.

Don’t stay here

Chloe S

Trip Advisor

Architect: Cuthbert Brodrick – 1863-67 an immense structure in red brick with tawny terracotta dressings, four storeys, basement, and storey at eaves cornice level, and two storey attic

Grade II* Listed

Olympia Leisure

This is the place to be, either to meet friends, make friends or just book a Party event for friends and family. With twelve lanes our Ten Pin Bowling Alley, with its modernised interior and updated scoring system is a fantastic place to relax.

We have fabulous balcony views of Scarborough’s Seafront and Bay and a Smoking Area. It’s the perfect venue for an office or workplace party, student celebration, holiday activity, or just a regular get together of friends.

Formerly the site of the Futurist Theatre

The Futurist Theatre was built to the design of Scarborough architect Frank Tugwell and opened on 27 June 1921 as a cine-variety theatre operated by William Catlin.

Originally it boasted a grandiose, ornate façade of robust, self-cleaning white glazed Carraraware tiles, the design of Henry Doulton.

This was later obscured during spring 1968 by a facelift of rectangular plain yellow cladding.

Demolition of the building began in June 2018 and was completed in August 2018.

The demolition and associated land works cost local taxpayers £3.91 million.

Wikipedia

Coney Island is a popular amusement centre located on Foreshore Road in Scarborough, offering a vibrant dose of classic seaside entertainment. It’s known for its unique architectural style and cool retro vibes that captivate visitors. This lively spot provides a welcoming atmosphere for all ages looking for fun by the coast.

Step inside Coney Island and discover a fantastic array of arcade games, ranging from exciting racing simulators where you can ‘drive’ sports cars and motorbikes, to a decent selection of both older and newer games. Beyond the flashing lights and sounds of the arcade, the centre also features a bowling alley, perfect for some friendly competition. Guests appreciate the ease of exchanging notes for coins at the desk, ensuring continuous play.

Yorkshire.com

I have been to t’other Coney Island – it looked like this.

Wear Mill Stockport

Posted on by modernmoocher

1920

As a consequence of the geology, geography, and topography of the area Stockport became an industrialised town.

Coal, water cotton and hats coalesced into a viable local economy, with a viaduct to carry goods, services and people over the River Mersey.

Beneath the viaduct and alongside the river is Grade II Listed Wear Mill

The first record of a mill on this site was when John Collier, a cotton manufacturer built a mill on this site in 1790. It was water powered. The mill probably consisted of two multi-storey spinning mills and attached weaving sheds, one destroyed by fire in 1831 and the other rebuilt in 1884.

Thomas Fernley bought the mill in 1824, and in 1831 needed to replace one mill with a new one that was of fireproof construction. This mill was eleven bays long and six storeys tall. The floors were sprung on transverse brick arches supported on cast iron columns. It was driven by a beam engine in an internal engine house to the east of the mill. It was over this engine house that the Manchester and Birmingham Railway built the Stockport Viaduct in 1840, and again when it widened in 1880. The second mill was replaced in 1884, but not the original wheelhouse. It is a five-storey, 15-bay mill of fireproof construction with narrow longitudinal vaults springing from iron joints. The original weaving sheds have been replaced with two-storey structures, creating a complex site.

Wikipedia

Employees at Wear Mill c.1907

I have circumnavigated the site on a previous post concerning the viaduct.

Way, way back in the Twentieth Century Mr LS Lowry came to take a look around.

As did photographer John Davies.

However cotton and hats do not last forever and the mill became home to a variety of small business operations, its future seemed precarious.

Along comes Capital & Centric wearing their developers’ hats to transform the site into an oasis of modern living.

Hundreds of youthful stock photographic figure illustrations were ordered to fill the proposed dwellings and contemporary leisure outlets.

Work began the future began to take shape.

The Weir Mill project in Stockport is breathing new life into a historic site, transforming the former cotton mill into a vibrant mixed-use community.

BDP

Lo, it came to pass – opened to the public August 2026.

I went to take a look around.

Available to rent right now – one bed from £1250 two bed from £1600

Living here comes with a stack of resident perks too. On-site amenities include a fully kitted out gym and studio, co-working spaces, mini-cini, residents lounge, private dining for big get togethers, and a rooftop garden fitted with electric BBQs.

Ollo Living

Cheetwood Road Manchester

Posted on by modernmoocher

1900

1920

1960

2026

I often wander these streets and write about the area’s history, or record the current state of affairs, then returning with 35mm film to photograph a black and white world.

On this occasion I am concerned with the tight little rectangle formed by Cheetwood Road, Broughton, Alison and Sherborne Streets.

Cheetwood Road is a postwar construction, a straight route replacing the meandering Cheetwood Lane. The road is lined with low level functionalist brick, steel and concrete industrial units.

Having fallen into disrepair they are now being renovated and reused.

In the early Twentieth Century the area was a mix of semi-derelict Victorian housing and industry.

Corner of Sherborne Street 1905

Cheetwood Lane 1917

The huge Holt’s Cheetwood Hotel has since been demolished, lasting until c1990.

Cheetwood Lane 1920

Images: Thomas Baddeley

Progress House 1969 – Domtar Howard Smith Ltd Paper Manufacturers.

Norweb Electricity

Images: Louis H Price Manchester Local Image Collection.

So here we are on Friday 7th August, taking yet another look.

The whole area and beyond is now the centre of a plan for regeneration.

Salford City Council and Manchester City Council have developed a joint Strategic Regeneration Framework to transform the Strangeways and Cambridge areas.

This plan addresses long-standing challenges such as counterfeit crime, poor-quality buildings, and flood risk, while creating opportunities for new homes, businesses, and green spaces.

Salford Gov

The Strangeways and Cambridge strategic regeneration framework sets out a vision to deliver around 7,000 homes in buildings up to 30 storeys and 3.1m sq ft of new or improved commercial space across 320 acres spanning both Manchester and Salford.

HMP Manchester & Jury Street: A catalytic neighbourhood at the heart of the SRF. Home of the existing HMP Manchester with potential for long term change subject to the relocation of the prison.

Derby Street: An intensified business district, supported to ensure the long-term preservation and evolution of the business base in the area.

Copper Park: A regional destination, multi-functional open space delivered to create positive amenity and biodiversity in response to future flood risk.

Overbridge: Gateway to Copper Park from the city centre, an area of significant residential potential – up to 2,000 homes – but with important economic assets and heritage.

Cheetham Park: A new urban-suburban residential neighbourhood of up to 1,000 homes, building on the heritage of the Victorian Cheetham Park and the nascent residential community around it.

Dutton Street: The Dutton Street area is a natural extension of the city centre. Subject to the existing Great Ducie Street SRF, it is identified as residential-led mixed use area – up to 4,000 homes – where significant development and investment is already evident. This part of the SRF could accommodate 1.75m sq ft of new commercial space

Lord Street: A transitional neighbourhood, connecting the residential-led change in Dutton Street with the economic focus of Derby Street to the north, and with Red Bank and Victoria North to the east.

Place Northwest

St Catherine’s Wood – Manchester

Posted on by modernmoocher

1807

1821

1860

1908

1960

Manchester Historical Maps

Collyhurst Rd Manchester M40 7TW

Image 1939 – Britain from the Air

Situated at the western end of the Irk Valley – there’s a brand new urban woodland park.

We worked together with Copenhagen practice, Schulze + Grassov on the Red Bank Masterplan in Manchester for Far East Consortium. It combines the wilderness of the riverside park setting and the metropolitan urbanity of Central Manchester.

Set within this wilderness, social, community and commercial infrastructure will support a thriving residential neighbourhood to foster an equitable, active, local, and resilient urban dwelling.

It is one of the first seven neighbourhoods being  regenerated  as part of the £4 billion Victoria North project, which is one of the largest in the UK and expected to build 15,000 new houses over the next decade.

MACCREANOR LAVINGTON

2022 plan – here’s one we made earlier.

The 2.7 acre St Catherine’s Wood, part of the emerging 5,000-home Red Bank neighbourhood within Victoria North, welcomed its first visitors on Friday.

Manchester City Council and Victoria North development partner FEC unveiled the city’s newest park at an event last week that gathered local stakeholders to the previously forgotten patch of woodland next to the River Irk.

Accessed via a pre-existing bridge off Collyhurst Road, the site has been transformed using part of a £51.6m Housing Infrastructure Fund grant from Homes England and £7m from the GMCA.

Place North West

This is the first phase of wider plans for Red Bank.

Red Bank forms the first phase of Victoria North that will see the regeneration of Manchester’s neighbourhoods running north of the city centre along the River Irk.

Red Bank forms the first phase of Victoria North that will see the regeneration of Manchester’s neighbourhoods running north of the city centre along the River Irk. The fast-flowing river is nested at the bottom of a valley, with its dramatic topography providing a respite from the general flatness of the central Manchester. The surrounding area was formerly at the centre of Manchester’s industrial might. Red Bank itself had held gasworks, a railway depot, mills, small factories and workers’ housing. Infamously, it was this neighbourhood that Engels used to describe the appalling quality of urban living in the “Conditions of the Working Class in England”.

NLA

The park is named for long gone St Catherine’s Church on Collyhurst Road.

Architects – Speakman and Charlesworth, built by, Messrs A Cochrane and Company, Manchester

On 5th November 1859, St Catherine’s Church Collyhurst was consecrated, with the service from the Book of Common Prayer, which gave thanks for the delivery of Parliament from the Gunpowder Plot and for the landing of William of Orange at Torbay in 1688. The church was named after a daughter of Lord Derby.

The rector of St Catherine’s in 1959 was Rev Robert C Tootel a Deputy Grand Chaplain of the Loyal Orange Institution of England. Due to dry-rot and a declining population the church had to close and the building was demolished in the 1960’s.

Manchester Orange

Image 1968 Lawrence Kaye Manchester Local Image Collection.

Collyhurst Road 1968 Manchester Local Image collection.

So the industry is all but gone, the older houses and their occupants displaced, the church and its congregation demolished and dispersed. A new world awaits the incoming population, a demographic and architectural leap into a high rise high rent future.

In this sense, the theory of the Communists may be summed up in the single sentence: Abolition of private property.

Friedrich Engels – The Communist Manifesto

Let’s take a walk in the park.

Collectively, we developed the idea of – Wild Urbanism, uniting the wilderness of the re-naturalised post-industrial landscape with the urbanity of the metropolitan world directly adjoining it. Merging nature and city life, it will offer the naturalised River Irk, the extended existing St Catherine’s Wood and a myriad of other interconnected green spaces to Mancunians. Cafes, restaurants, shops, community spaces and homes will be set among the nature to bring a dose of urbanity to the wilderness.

MACCREANOR LAVINGTON

When is a wilderness not a wilderness?

When it’s Wild Urbanism.

For further context see previous posts Dalton Street, Eastford Square, Sandhills and Collyhurst Circular.

This wilderness was and is home to a significant community of people with a sense of their history.

Collyhurst Voices.

Former Barclays and Bank of Baroda Manchester

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50 Swan St Manchester M4 5JU

This is a relatively diminutive building, which has been a constant source of fascination down the years, walking to and fro down Swan Street.

This is the site top centre, almost under construction in 1970.

To the left can be seen the long gone CWS Fresh Fruit Fish Poultry & Egg Depot.

Photo WM Johnstone 1970 Manchester Local Image Collection.

Photo Lawrence Kaye 1958 Manchester Local Image Collection.

I visited the Bank of Baroda in 2023 – but agreed to keep the interior views under wraps.

But now the bank has vacated the premises – so all can be revealed.

Then yesterday I took these snaps the interior seen through murky windows.

The Barclays insignia now revealed.

Bradford Walk 2026

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Here we are again – updating the 2020 post and subsequent 2024 visit.

Saturday 25th July arriving in bright sunshine at the Bradford Interchange – architects WC Brown City Architect and RL Moorcroft BR 1971.

Which has been transformed for the City of Culture 2025 by Bigg Design, with their multicoloured panels.

In addition there has been a transportation of the approach by Fereday Pollard, with the addition of seating in the newly landscaped plaza area.

Moving into the city centre there have been changes in the area between the Bradford Hotel and the Town Hall, it’s now a freshly landscaped space especially for pedestrians.

The NCP multi storey car park on Hall Ings has been demolished.

The demolition work is part of the Government-funded Transforming Cities Fund for Bradford.

Bradford Council, in partnership with the West Yorkshire Combined Authority, is bringing forward a flagship programme of forward-thinking transport schemes, alongside major public space enhancements, that will help us shape and drive forward Bradford’s future regeneration in the city centre and beyond.

Providing an accessible, attractive and cleaner alternative to car journeys is at the heart of the Leeds City Region Transforming Cities Fund, a major new programme of transport infrastructure investment secured as part of the West Yorkshire devolution deal. The programme, which is being delivered by the Combined Authority in partnership with local authorities, will be funded through £317 million from the Department for Transport plus local match funding up to £140 million.

Photo Telegraph and Argus.

The area was once traversed by this elegant raised walkway.

The Bradford Hotel remains resolutely unmoved, recently it has been used as an Asylum Hotel, unsure that this is still so.

Located in the heart of central Bradford, The Bradford Hotel provides an elegant refuge in the midst of the bustling city.

Originally opened as the Norfolk Gardens Hotel, the hotel was completed in 1972 and opened in June of that year.

Architects – William Walker Partnership.

Adjacent is the Magistrates’ Court 1972.

City Architect WC Brown.

With a view through to One City Park 2024 Sheppard Robson.

One City Park in Bradford, England, draws attention with its striking architecture. The building’s curved design and forward-thinking concept create significant interest. For Sheppard Robson Architects, sustainability and the needs of people were paramount in the design. The facade of the complex features 1,700 glassfibre reinforced concrete elements from Rieder, making a distinctive design statement. The sandstone-coloured concrete components serve as both an architectural feature and a key element in creating a sustainable, visionary work environment.

Architonic

One City Park has been built on the site of the old Police Station opened in 1974 and demolished in 2010.

The area was once the centre of Will Alsop’s 2003 masterplan.

Which three years later are somewhat diluted:

The latest images of the scheme for the Bowl are generally disappointing and at the risk of a bad pun, the lake is now a watered-down version of Alsop’s vision.

Philip Veitch – of local practice Waller and Partners.

The Norfolk Gardens landscaping has opened up a fresh toward the Central Library 1965.

Architect – City Architect WC Brown with project architects G Sunderland and KLS Glen.

Next to the two Telephone Exchanges.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

Turn right around to take a look at the rear of the Ice Arena.

In January 1966 Mecca Leisure Limited opened the ice rink in Bradford under the name of the Silver Blades Ice Rink, it was reputed to be “The finest rink in the world”, with coloured lighting in the barriers, sparkling chandeliers over the ice, and a plush bar and restaurant.

The resplendently dressed skaters were entertained with organ music. The opening gala at the rink had performances by British skaters who had just returned from the World Championships, they included Sally Anne Stapleford, John Curry and ice dancers Bernard Ford and Diane Towler.

History

The take a turn around the bend to the front.

Let’s go up the hill to the University of Bradford.

The institution uses this image illustrating the transition of the BDP Richmond Building of 1964, to its contemporaneously clad iteration.

Out front is the tiled mural by Joe Mayo.

Some original seating has resisted transitioning.

The undercroft has not been so fortunate in resisting the chill wind of change.

We emerge into the clear light of day and the BDP designed Chesham and Horton blocks along with the former Nuclear Research Bunker.

Next back down into town to the shops that were shops.

Let’s hop to the Grade II-listed Co-op Sunwin House designed by CWS in house architect WA Johnson and JW Cropper in 1935. 

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Sunwin House had been – one of the most modern and stylish looking shops in Britain, when it was built in 1936, according to The 20th Century Society.

But the charity warned that the building, whose architectural style was inspired by Germany’s Bauhaus art movement, had stood empty for nearly 15 years and was in danger of creeping neglect.

Sunwin House, which was most recently used as a TJ Hughes department store after the firm went into administration in 2011, is one of 10 buildings featured on The 20th Century Society’s risk list for 2025.

BBC

The Freehold of Sunwin House, 65 Sunbridge Road, Bradford has been sold to a Bradford based investment company who have plans to refurbish the whole building principally based off a Retail/ Emporium use.

The building was purchased by Legal and General from the Co-operative Wholesale Society in 2005 subject to a lease to T J Hughes, who ceased trading in 2012. Following Administration, and the release and separation from the former Godwin Street Annexe, the original 95,000 sq ft Grade II Listed Store became an independent asset in 2017.

Holbeck Land

A stride away is the now closed Kirkgate Centre and Market – John Brunton and Partners 1975.

Demolition work will begin later this year to make way for the recently approved City Village development, comprising up to one thousand new homes, with the aim of creating a stronger, more welcoming, and sustainable future for Bradford.

Some residents have welcomed the changes, with the Kirkgate Centre previously described as a blight on the landscape. But others, like Barbara, lament the loss of the places they knew and loved.

Every time you go anywhere something has gone missing. Some of the changes are alright, some of them I think they could do without.

BBC

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

The William Mitchell concrete reliefs housed in the market are to be conserved along with the Fritz Steller tiles.

Higher up the hill John Brunton’s Highpoint has survived the call for demolition.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

It is now home to an innovative residential apartment complex with a community at its heart, which embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Redeveloped by Radii Living.

A tower block in Bradford likened to a structure from sci-fi movie Blade Runner has been named as the best brutalist building in the country.

Built in the 1970s, High Point, the former headquarters of the Huddersfield and Bradford Building Society, was recently converted into eighty seven flats as part of a £12m regeneration scheme.

National newspaper The Telegraph named the building top of its brutalist list – ahead of the Barbican, in London, Bristol’s Clifton Cathedral and Preston bus station.

Si Cunningham, who chairs Bradford Civic Society, said it remained one of the city’s

Most divisive buildings.

Symbolic of Bradford’s confidence and prosperity.

BBC

Highpoint’s neighbour the Oastler Centre is closed and awaiting demolition.

The Oastler Shopping Centre, formerly known as the John Street Market contained 176 stalls comprising a retail area, with an additional twenty three external shops and twenty seven storerooms. The cafes and stalls within the centre were various food, clothing and craft shops with some of the cafes and stalls having been in business since the 1960s.

The original outdoor open-air market was renovated to an indoor market in the early 1970s to make economic improvements to the upper side of the city centre and was named for the abolitionist Richard Oastler.

As part of the Bradford’s regeneration projects in line with the successful UK City of Culture 2025 bid, the Oastler Centre was scheduled to be demolished in late 2023 to make way for the new Darley Street Market.

Wikipedia

The Oastler Marker had its final day of trading on 28 June 2025.

The centre along with the nearby Kirkgate Market will be demolished and replaced with green space, housing and new commercial spaces in line with the new Darley Street Market and planned City Village, an area of green space nearby the site.

Happily the signage from the Oastler’s Fountains Coffee House has been preserved by the Bradford Industrial Museum.

Telephone Exchanges Bradford

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A tale of two exchanges in one city – forty years apart.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Charles Dickens.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

My thanks to Lisa Kinch of tele_exchange over at Instagram for the facts.

Let’s circumnavigate the site.

Just to spoil the twosome allusions there was a third exchange – just as there was a Third Man, returning from the dead.

Bradford’s last manual exchange was on the corner of Nelson Street and Union Street, opposite Bradford Town Hall.

It was opened by the National Telephone Company around 1900 to replace a magneto manual exchange in Swan Arcade. It closed on Saturday 26 July 1947 when the current Bradford exchange was opened.

The area has now been redeveloped.

Telephone Exchanges.

Bradford Brighter Homes Exhibition January 1936.

100,000th telephone to be connected in Bradford 1953 – for the use of the Lord Mayor.

Photos courtesy of BT Archives.

Bradford Interchange

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So here we are back in Bradford – updating elements of the 2020 walk.

Arriving right on time from Manchester Victoria at the Bradford Interchange.

First a little history,

Image – Disused Stations

The original railway station, named Bradford Exchange, was opened by the joint efforts of the Lancashire and Yorkshire Railway and the Great Northern Railway on 9 May 1850. The railway station with its 10 platforms was deemed too large and was again rebuilt, this time on a different site slightly further south.

Wikipedia

The Interchange was designed in 1962, it was hailed as a showpiece of European design when it opened in 1971.

Architects WC Brown Borough Architect and RL Moorcroft BR.

The bus station featured a large ridge and furrow design of overall roof, which was subsequently demolished in 1999 to allow for a rebuilding of the bus station, which was opened in 2001.

Further down the line, the plans of 2020 are yet to be realised.

So the curved and tented canopy is still in place, with the addition of seating in the newly landscaped plaza area – designed by Fereday Pollard.

The area has replaced the former taxi rank and drop-off point, and has new paving, seating and planters.

Designs include a new pocket park, plaza and interiors, all formed as a high quality welcoming visual amenity whilst repairing the disparate components which form the backdrop of the proposals. In the plaza, a kaleidoscope of colours is complemented by a grid of generous planters with integrated seating and vibrantly coloured furniture to create a celebratory and flexible meeting space. The ‘Colours of Bradford’ introduce clarity and joy, with the new plaza serving as an extension to the station concourse, allowing meeting and dwell space to interact with the city and onward journeys. Reinforcing the moor to meadow narrative of our original scheme, the new pocket park creates a pollinator park, encouraging and promoting a connection with the wider surrounding landscape of Bradford and combined with the Tower of Now, pays tribute to the rich and varied cultures found in Bradford.

Fereday Pollard

With Bradford awarded the UK City of Culture 2025, and an expected 15 million visitors during its year of celebrations, the city is ready for its moment in the spotlight. As part of these exciting developments, Bigg Design and Fun Makes Good are transforming Bradford’s main bus and rail interchange with super-scale, multi-surface artworks that will create an exciting, welcoming gateway to the city.

Bigg Design

Their design work not a million miles from the prints and paintings of Richard Paul Lohse.

For me, this lower concourse always seems to have echoes of Jean-Luc Godard’s film Alphaville.

There are no special props or futuristic sets: instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings – which in 1965 were new and strange architectural designs, represent the city’s interiors. 

Up the steps to the bus station.

Huddersfield Walked Again

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College of Technology: the central precinct with the two classroom blocks 1960 Frederick Gibberd.

Image – Henk Snoek 1960 RIBA pix

We no longer begin at the Kirklees College – it was knocked down and a Lidl built on the site.

So we begin at a new beginning, a new beginning for the Bus Station, during the current refurbishment the car park is closed.

We are transforming Huddersfield Bus Station into a fully accessible facility.

Work is underway on the £28 million facility, which is funded by the West Yorkshire Combined Authority and Kirklees Council.

I was informed by the seriously erudite Christopher Marsden, that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

We then cross over the road to the Civic Centre, with its gold leaf facade, and the perennially empty piazza, which along with the Magistrates’ Courts and Police Station, was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble. 

Exsilite is made by fusing grains of silica and pigments to form a slab that simulates onyx marble.

Exsilite is a Latin word meaning – spring/leap/burst forth/out, leap up, start up, bound; emerge into existence.

It is to be note that the doors and distinctive handles from the Courts to the Piazza have been removed.

The Police Station is to be vacated on completion of the new Police Station.

Next to the curved and ribbed concrete wall, concealing an electrical sub-station.

Further on down the road the former Co-operative store 1936 JW Cropper.

On opening day, the Examiner said the Co-op gave:

The town of Huddersfield a store that is entirely modern in design and equipped on the most up-to-date lines-a store of which the townspeople generally, and co-operators in particular, can be proud.

It has subsequently been seriously disabused by insensitive refurbishment and extension.

We cross over to view the access road to the service area of the market – now closed.

It was formerly topped off by a multi-storey car park – since demolished.

Then onward to the Grade II Bath House at Broadbent’s Engineering in Huddersfield.

1955, by Abbey Hanson architects – designing architect Andrew Buck, project leader Geoffrey Rowe.

The building is a very rare, possibly unique example of a purpose built bath house for foundry workers

* Its continuing function as a bath house has preserved its original purpose in both its layout and its fixtures and fittings as well as its design

* The design of the building manifests inspiration from both W Dudok and Frank Lloyd Wright, and achieves a high standard of accomplishment in its interpretation of contemporary architectural influences

* The use of local stone for external walls distinguishes it from brick built pithead baths of similar style, and the imaginative use of finishes lends further distinction

* The interior survives almost entirely intact, with original wash basins, shower and tap fittings, lockers, floor and wall surfaces, doors and light fittings.

Historic England

One of Huddersfield’s hidden architectural gems has been transformed into an attractive and unusual gallery-cum-coffee house and restaurant, destined to become a popular public space for meeting, eating and art appreciation. But among the attendees at a special unveiling event there were men who remembered its original function – as a bath house where scores of foundry workers could shower away a day’s grime.

University of Huddersfield

Up around the the bend and here we are at the Grade II listed Queensgate Market, 1968-70 to the designs of the J Seymour Harris Partnership, with Leonard and Partners as consultant engineers. 

Another feature of Huddersfield Market which sets it apart from other post-war market buildings is its incorporation of works of art. Fritz Steller was a German-born refugee architect who had settled in Stratford-upon-Avon. He pioneered the production of large scale ceramic art, having been interested in the use of a wide variety of materials in sculpture. The development company Murrayfield had a policy of incorporating public art into their schemes, and the project manager of J Seymour Harris, the architects for the Huddersfield development, was Gwyn Roberts, a friend of Steller. One of the Borough Councillors at Huddersfield was Clifford Stephenson, an enthusiast for public art and particularly for modern ceramic sculpture. This combination led to the appointment of Steller to produce designs for the new market hall. The size of the panels necessitated the construction of a special kiln for their firing, and experimental mixes for the composition of the clay which was resistant to acid rain and chemicals.

Historic England

Seen here on my visit in 2015, and subsequently in 2021.

Straight ahed to the service entrance at the rear of The Piazza.

The council wants to demolish the Piazza buildings as soon as possible.

Phase 3 was originally to be the Queen Street plot but Greenhead College’s plans for a new education building on the site failed to secure Government funding. Since then the council has been looking at alternatives – including a hotel, residential or offices – but now believes a new multi-storey car park could be the best way forward.

Phase 5 was to have been a £90 million events and concert venue with a multi-storey car park attached but that is no longer affordable. A review of the venue is underway and the council now thinks a “flexible multi-purpose” venue is the way forward. It would have a fully-seated capacity of 1,200 or 2,000 with a standing floor and seated balcony.

Huddersfield Hub

Turning our back on the market and away to Buxton House 1968.

Kirklees Council’s plans for the £16 million re-development of a Huddersfield town centre block of flats have collapsed.

Buxton House, between New Street and Albion Street, failed to meet modern fire safety standards and the council moved tenants and bought out owners and leases, pending a full-scale refurbishment.

Planning permission was granted in July 2024 to re-model the tower block to create forty one, one and two-bedroomed flats along with five studio flats with construction set to start in November 2025.

However, it has now been revealed that the council has failed to find a contractor and the scheme is on hold indefinitely.

Huddersfield Hub

Design for refurbishment.

The flats are part of a larger retail development by Bernard Engle & Partners.

Across the way Ramsden House a slab on a podium, part of the Murrayfield Redevelopment 1968 J Seymour Harris Partnership.

This block was the first and only phase of four that’s still intact. It’s a slab and plinth project with underground servicing marble finishes and two art mosaics that relate to the town. The Ramsden Street elevation mosaic depicts ‘Development of the woollen industry from a cottage craft to the beginning of the industrial revolution’ designed by Huddersfield artist, Harold Blackburn.

Princess Street bears ‘Facets of the Local Scene’ by Mural Consultants Ltd.

Modernist Buildings Trail

Across the way Whitfield’s Department Store 1963 Ralph Hudson.

The longstanding furniture & piano dealers, Whitfield’s expanded from numbers five and seven with this six6 storey tower.

Influenced by a tour of modern European retail premises the company chairman supplied the architect with photos of ideas.The glossy metallic finish reflects the excitement of the notion of an Ercol show room on the fourth floor and G-Plan on the fifth. Pianos were on the first floor and TVs & radio and their servicing were in the basement. Welcome to stylish living sixties style!

Modernist Buildings Trail

Down the hill and away to:

Public Library 1940 Architect: EH Ashburner & James Arthur Woodford.

James Woodford at work – on the right, sculpting figure representing the Spirit of Literature

Reference Library.

Image – Charles Pickard 1940.

The food hall and library is due to open in summer 2026 but more problems have been uncovered with the former library and art gallery which will become the new museum. Internal works are underway and more asbestos than expected has been found and an extra £1 million has been needed to pay for removal.

The council has also found several other “significant issues” that also needed to be resolved.

It could be mid-2029 before the museum is ready to open.

Off we go to the Midland Bank – then HSBC then not a bank at all, 1970 Peter Womersley with Roger Shaw of Kitson & Partners.

Next door the Halifax Building Society 1981 Abbey Hanson Rowe.

back to the main drag and the Pearl Assurance Building 1963 Elsworth Sykes & Partners.

The nipping down the lane to Neaversons 1935 with two Moderne fascia elevations by shop fitters Sharp & Law of Bradford, Grade II Listed as part of the Kirkgate Buildings.

Once selling bijou household goods, following occupation by several bars and cafes, currently empty.

Finally just in time to catch the last post at the Royal Mail Sorting Office – Post Office extension 1968 Office of Public Works.

Rochdale Observer

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The Rochdale Observer is a local newspaper published on Wednesdays and Saturdays for the  Metropolitan Borough of Rochdale.

It has been Rochdale’s main newspaper since 1856.

This is the original building on Drake Street.

This was replaced by the current building, which is no longer home to the newspaper.

Its foundation stone was laid in 1954 by the Rochdale-born singer and actress Gracie Fields.

Architect – Frank Bradley of Bolton.

Image – Mike Ashworth

It has subsequently been converted to apartments.

Behind the Observer offices on Drake street are the former Observer print works on Greenwood Street.

Worcester College Oxford

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I was walking from the railway station, a map of Oxford folded in my back pocket.

Having no real notion of anything really, I simply followed my intuition and ended up here.

Worcester College was founded in 1714 by the benefaction of Sir Thomas Cookes, 2nd Baronet 1648–1701 of Norgrove, Worcestershire, whose coat of arms was adopted by the college. Its predecessor, Gloucester College, had been an institution of learning on the same site since the late 13th century until the Dissolution of the Monasteries in 1539.

Founded as a men’s college, Worcester has been coeducational since 1979.

Wikipedia

This Mediaeval terrace is thought to be the oldest surviving domestic building in the city, known as the cottages – forming one side of the Quad.

This is the Casson Building – undergraduate accommodation.

The Linbury Building is a dedicated conferencing and private dining venue enjoying a beautiful natural setting among mature trees and landscaped lawns.

Accommodating up to one hundred guests for receptions or forty eight on a fully-catered basis, the Linbury Building offers the perfect venue for your mid-sized event. Set among the College’s award-winning gardens, the Linbury allows you to enjoy our unique natural setting thanks to floor-to-ceiling glazing which can be retracted to create an al fresco space in the summer.

With its own bespoke furniture made from English oak and College-crested leather chairs, the main conferencing space can be adapted into a wide variety of configurations, from seminar, cabaret or theatre to private dining and drinks receptions. The adjacent foyer area is a perfect space for delegate registration, break-out coffee and pastries or buffet lunch service. 

Worcester College

John Davan Sainsbury – Baron Sainsbury of Preston Candover 1927 – 2022 was a British businessman and politician. He served as the President of Sainsbury’s, and sat in the House of Lords as a life peer and member of the Conservative Party

Robert Alfred Maguire 1931–2019 was an influential British modernist architect and leading thinker in the British liturgical architectural movement of the Church of England. Maguire and Keith Murray formed an architectural practice in 1959.

Nazrin Shah ascended the throne of Perak in 2014. As Sultan of Perak, he has been a strong advocate for education, Islamic moderation, and national unity. He has served as deputy king under Sultan Muhammad V of Kelantan, Sultan Abdullah of Pahang, and Sultan Ibrahim of Johor.

The Sultan Nazrin Shah Centre is a new building of 2017 housing a large lecture theatre, a student learning space, seminar rooms and a dance studio. The project is not simply the provision of new facilities, but also the development and enhancement of the setting of this significant part of the College site. Whilst the relationship between the new buildings and the listed parkland is important, it is only one part of a complex arrangement.

Níall McLaughlin Architects

Elizabeth Frink’s sculpture Seated Man II – on loan from Yorkshire Sculpture Park, in accordance with the wishes of the artist’s late son, Lin Jammet, 2020.

He overlooks The Sainsbury Building student accommodation – 1983 Architect: Richard MacCormac

View from the loggia to the upper terrace.

Archive images 1983 – Charles Martin RIBA pix

The common room.

The central lobby.

A study bedroom.

The College Chapel was built in the 18th century. George Clarke, Henry Keene, and James Wyatt were responsible for different stages of its lengthy construction 1720–1791, owing to a shortage of funds. The interior columns and pilasters, the dome, and the delicate foliage plastering are all Wyatt’s work. His classical interior was insufficiently emphatic for the tastes of militant Victorian churchmen, and between 1864 and 1866 the chapel was redecorated by William Burges.

It is highly unusual and decorative; being predominantly pink, the pews are decorated with carved animals, including kangaroos and whales, and the walls are riotously colourful, and include frescoes of dodos and peacocks. Its stained glass windows were to have been designed by John Everett Millais, but Burges rejected his designs and entrusted the work to Henry Holiday.

Wikipedia

My first visit to Oxford and the centuries wide cornucopia of architectural styles and fashion.

See also: St Catherine’s College, Materials Science, and The Florey Building.

Materials Science University of Oxford

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The Denys Wilkinson Building was designed by Philip Dowson at Arup in 1967.

The building houses the astrophysics and particle physics sub-departments of the Department of Physics at Oxford University, plus the undergraduate teaching laboratories. It was originally built for the then Department of Nuclear Physics and named the Nuclear Physics Laboratory. From 1988, the building was known as the Nuclear and Astrophysics Laboratory after the Sub-Department of Astrophysics moved from the University Observatory in the Science Area. On 21st June 2002, the building was renamed as the Denys Wilkinson Building, in honour of the British nuclear physicist Sir Denys Wilkinson, who was involved in its original creation.

Wikipedia

Denys Wilkinson Building Oxford photo – Webb Aviation.

Department of Nuclear Physics, Oxford Arup Associates 1971 – Colin Westwood RIBA pix.

The University of Oxford is relocating its undergraduate physics practical teaching from the Denys Wilkinson Building amid concerns about the presence of asbestos at the ageing site.

From Michaelmas this year, some practical teaching labs will move to the former Biochemistry and Biological Sciences Teaching Centre, with the remainder moving by Michaelmas 2027. The Biochemistry and Biological Sciences Teaching Centre will be adapted for physics practical teaching. Around six hundred undergraduates currently take part in compulsory practical coursework in the Denys Wilkinson Building across the first three years of Oxford’s physics degrees. 

A University spokesperson told Cherwell that the decision to relocate had been taken proactively to avoid the risk of a sudden building failure causing disruption later. The spokesperson added that the Denys Wilkinson Building:

 Is being carefully managed through the later years of its usable life, adding that the building has some legacy issues, including asbestos.  

Cherwell

Originally completed in 1967, the building had not been maintained and required significant repairs to the roof structure of the accelerator tower, which had suffered from prolonged water ingress.

All defects were identified through a hammer test survey and thorough visual inspection, the original concrete was broken out back to a sound substrate and was square cut to depth of 10mm, thus preventing featheredging of the subsequent repair.

Exposed reinforcement was mechanically wire brushed, and prepared using high performing and sustainable products from Sika. Treated with Sika Monotop 1010; a bonding primer and corrosion protection, followed by the application of Sika Monotop 4012; a concrete repair mortar, to the original surface levels.

Structural Renovations

This building has been assessed under the Planning – Listed Buildings and Conservation Areas Act 1990 as amended for its special architectural or historic interest. The asset currently does not meet the criteria for listing.

It is not listed – the Secretary of State for Culture, Media and Sport disagreed with Historic England’s recommendation for this case 23rd July 2015.

Heritage Gateway

Let’s take a look at what I looked at:

Florey Building – Oxford Queens College

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Florey Building, a residential student block.

RIBA pix 1977 Alastair Hunter

Designed by James Stirling and Partners in 1966-1967 for Queen’s College, Oxford, and built 1968-1971, with Roy Cameron as associate, and Frank Newby of F J Samuely and Partners as engineer.

RIBA pix 2005 Jeremy Harrison

Listed at Grade II* for the following principal reasons:


* as a highly significant work by Sir James Stirling, one of Britain’s foremost post-war architects; 


* as the last of a triumvirate of university buildings that are without doubt amongst Stirling’s most significant works in England; 


* as a highly creative re-working of a familiar formal language, executed with masterful handling of form and colour, characteristic of Stirling’s style;


* for the high degree of survival of the original plan form, fixtures and fittings, which have been little altered since the building’s completion, including but not limited to the bedrooms, porter’s lodge, and breakfast room;


* as a distinctive and popular piece of post-war university architecture.

Historic England

On the day of my visit the building was secured and in a state of semi-dereliction, mothballed by the owners The Queens College Oxford.

There have been plans and a competition for refurbishment:

Perhaps the most charismatic of James Stirling’s surviving buildings; the Florey Building is hugely admired worldwide for its boldness and heroism.

Despite some practical and infamous failings, the Florey has a cult presence in Oxford: a modernist’s riposte to a city defined by traditional architectural masterworks.

The Queen’s College Fellows seek a dedicated team who are inspired by Stirling’s exhilarating vision. The challenge: to use advances in technology to update the building, provide modern facilities and achieve exemplary energy design.

The competition has now concluded — 27th February 2014

The Queen’s College, Oxford is delighted to announce that the team led by Avanti Architects has won the design competition to update the Grade II listed Florey building, widely regarded as an emblem of modernism. Avanti will now work to develop their scheme for the project and determine construction priorities.

The plans however were poorly received:

Alas the proposal for Florey lets down the practice, the college and most importantly Jim Stirling and the Modernist corpus, with a design that all but wrecks the essence of this unique building.

Alan Berman – founding partner at Berman Guedes Stretton

These proposals must be thrown out and consigned with distaste to the dustbin as a gross violation of Stirling’s intentions.

If permitted, they would constitute the comprehensive betrayal, by alteration, of one of the internationally most important buildings of the 20th century.

Thomas Muirhead – Stirling’s friend and former colleague.

Architects Journal

Furthermore there has been a history of criticism of the building:

At the official opening in 1971, the Queen Mother was rumoured to have said it was the ugliest building she had ever seen.

College bursar AA Williams described it as – a structure revolting and inhuman in its hideousness and defective in practically every aspect of its functioning.

Just a year later, students were complaining that it leaked, was noisy, too hot in summer, too cold in winter, they couldn’t stand up straight in the showers, and there were no baths.

Lord Florey, the pioneer of penicillin after whom the building is named put up the money, and was almost the architect’s sole supporter in the college.

This culminated in a legal battle, an intense dislike of the building throughout the college, a reluctance to spend anything but the minimum on maintenance, and decades later, to the possibility of demolition.

Oxford Mail.

So with little institutional love and a soupçon of general loathing, we are left with a Listed building in limbo.

Happily Leicester University are taking care to care for their Stirling building.

Chorley Walk – 2026

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Once upon a time it was 2022 and I was in Chorley.

Then all of a sudden it wasn’t and I was elsewhere – fast forward to yesterday and I was in Chorley again.

Arriving at the Railway Station.

White Coppice

The current railway station is a modern version from the 1980s that was built on top of the original station – it is entirely functional, but more than somewhat undistinguished.

Crossing over the road to Market Walk.

Whether it’s fashion, gifts, everyday essentials or an entertaining day out that you’re after, Market Walk has it all. With over thirty shops along an outdoor parade, plus entertainment and hospitality venues, there’s something for everyone.

AEW Architects were appointed by Chorley Council in 2015 as Architects for the Market Walk Scheme.

The Council’s aspiration was to breathe life back into the town centre by enhancing Chorley’s retail and leisure offer and refocusing Chorley’s centre as a destination for local residents and surrounding towns. The development needed to entice new, and retain existing, businesses in the town. Aesthetically, the development also needed to be a landmark for, and create a modern gateway into, the town – driving footfall towards Chorley’s commercial centre.

Next door is the Bus Station, opened in February 2003 replacing the previous structure.

Opening of the previous Bus Station – Ribble the area’s operators, before the Stagecoach arrived.

Red Rose Collections.

The Post Office – with its later extension.

Though dated 1935 the architect  Charles Wilkinson died in 1927 – posthumous construction following his earlier plans?

Former Fine Fare finds a new occupant the Big Bargain Store.

The NatWest Bank is still a NatWest Bank.

Next the Royal Bank of Scotland presenting and passing as a Post Office.

My good friend Mainstream Modern informs me that the architects were Cruickshank & Seward.

The distinctive white tiles of 2020 having become a living wall.

Long gone – this swish interior with its alarmingly charming calendar.

Let’s have a look around the back.

Next door this sinister functionalist brick structure.

Next to the Chorley Theatre, formerly the Empire Electric Theatre and currently the Empire Cinema.

Opened on on 3rd September 1910, one of the nation’s longest continuously running cinemas.

I spent some time chatting to the chatty guardian of the booking office, I learnt that the recently installed blue plaque commemorates the areas links to esteemed Beano artist Leo Baxendale.

Leo attended St Mary’s School which was sited opposite the theatre, he had a miserable time there, an experience which formed the basis for the famed Bash Street Kids.

He may well now chuckle to himself in comic book heaven, knowing that the school was demolished in 1982.

Red Rose Collections

It’s only right that the town boasts a Leo Baxendale Trail.

Furthermore, I was ever so excited to hear that the really surreal Leonora Carrington, was a local lass and that the theatre were screening her biopic Leonora in the Morning Light.

Back down to earth with a bang and just around the bend – here’s a former Social Services building, very much in the post-war manner.

Next thing you know we are at the Police Station.

County Architect’s Report: 1963-64.

The design team was Roger Booth, Lancashire County Architect; CA Spivey, Assistant County Architect; DB Stephenson, Design Architect; and DG Edwards, AG Gass, responsible for the detailed design and construction. The seven-storey in-situ concrete framed main block was the last bespoke police station to be built in Lancashire, following this the department developed a systemised concrete construction method which was deployed across the county. The dramatic cantilevers gave the new building a stature and presence that signalled authority. The lower levels were accessed by ramps and provided space for police vehicles. To enter the police station one ascended a set of external stairs across a pool that once contained koi carp – fittingly, one boy described the new building as a ‘fishtank’ upon its completion. The magistrates’ court was finished externally in a grey brick and carried the signature pyramid rooflights that were synonymous with the Department.

Many thanks to Richard at Mainstream Modern

Next door its partner in crime the Magistrates Courts.

Opened in 1968.

The courts are up for sale – offers in the region of £800,000 – the property has planning permission for an eleven storey apartment building with fifty two flats, three ground floor retail units and roof terrace.

The disused court building was last sold in 2022 for £300,000, according to the Land Registry.

Designs for the scheme were drawn up by FWP Group.

Next door is a pub no longer a pub.

Once upon a time a Vaux Brewery house the White Hart – implausibly renamed the Snooty Fox for a brief period.

Photo Alan Winfield 1988 – The Never Ending Pub Crawl

This was a really big looking pub.

The pub was decent enough inside with a large room which was empty on our Friday dinner visit, the pub was a Vaux tied house so we were well pleased as we had not done many of them.


We had a drink of Vaux bitter which went down well.

Interior from Red Rose Collections.

Currently the Ukraine Unit Donation Centre.

Our group was created in February 2022 to try and help raise awareness of the crisis in Ukraine and to help organise and coordinate local efforts to send support from across the Borough of Chorley in Lancashire. We have since grown into a major hub for donations.

Across Chorley & District multiple educational facilities, community groups and organisations reacted and began to spread awareness and collect donations. In order to sift and sort a lot of local donations, a unit has been loaned by Chorley Council. A large percentage of the region’s aid has come into this unit and we are regularly packaging aid and supplies in preparation for the next leg of the journey to Ukraine, whether it’s transported there by us or other charitable organisations.

Our philosophy is that if we can all do a little bit, together we can make a big difference.

Bouncing back to what was and never shall be no more Barclays Bank.

Almost finally we find ourselves at the Council Offices 1982.

You will be delighted to hear that Chorley Council has a Masterplan

Self Architects generated a high level Masterplan for this prominent site. The scheme proposes a boutique hotel, offices, restaurants/bars, along with apartments, aiming to transform the town centre by intervention to enhance the overall vision by:

  • Establish a series of formal/informal public spaces
  • Diagonally link public spaces
  • Greening pedestrian streets
  • Reducing dominance of cars
  • Improving evening economy

Having a moment or two on my hands I ventured to the land beyond beyond – the land of the concrete bench, bin and planter combo.

They are on Hollinshead Street.

Google Streetview 2022.

The Chapel of St John the Evangelist – York St John University

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This is one of many George Pace Churches I have visited – St Marks Broomhill – William Temple – St Leonard and St Jude – Keele University Chapel – St Saviours – Church of St Mark.

I am grateful to Natalie Ainscough for directing me here to York.

The chapel was closed on a Saturday so we wandered around outside, peering curiously through the windows. Surrounded by mature planting, the bare brick and glazing is more than somewhat softened, the planting however does inhibit the intrepid photographer.

Designed 1965, built 1966-7; architect George Gaze Pace, executant assistant Ronald Sims.

Reinforced concrete frame, partly left exposed, clad in pale brick. Monopitched roofs. Low flat roofs to entrances and between the three main elements with thick board-marked eaves. Central space flanked by angled transepts, with organ loft to (liturgical) west end and wing of offices behind. Long narrow flat-headed windows between brick mullions, timber doors. Attached walls and steel gate lead to inner garden, intended for contemplation.

Interior with exposed concrete frame, including piers and thick ring beam at gallery level, with brick infill. Boarded timber ceiling to main space; board-marked ceilings to low side aisles. Choir gallery with organ, designed by Pace, set behind timber lattice screen also to his designs, and reached via narrow spiral stair. Ceramic piece to balcony front 1999 by Helen Batty. Some pews, brought from the college’s former chapel of 1858 remodelled by Pace in the 1950s.

Hanging pendant light-fittings to Pace’s designs. Altar, lectern and altar seating all by Pace; pulpit designed 1998. Windows – internally the concrete of the mullions is exposed, all originally clear leaded lights, but now stained glass is being incorporated, most notably ‘The Water of Life’ by Cathy Nutkins, a 1990 graduate, in right-hand transept.

Chapel of Christ the Teacher to rear, by foyer, refurbished 1994 by Helen Turner, textile artist. The building is well-suited to the incorporation of student works of art, some temporary, some permanent, and additions are continually being made to the collection.

Grade II Listed

Photo: © Richard Burrows 2022

There is a full and thorough analysis of the building here at York C20

And an audio tour right here.

Wigan Walk – 2026

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It’s been four years since our 2022 Wigan Walk – so time to see if there has been a refreshing change.

Beginning with a trip to the former flicks, the Princes Cinema now trading as Pure nightclub, sometimes home to Singo Bingo.

Originally the site of New Princes Theatre, opened on the 1st May 1911, the cinema was demolished and replaced, on an adjacent plot, by Princes Cinema in 1933.

Onward now to see the three Telephone Exchanges.

Interwar

Sixties

Ofd special note the adjacent Electrical Substation of the day.

Plus extra added military history.

Seventies

Tucked in behind the Telephone Exchange are several streets of Edwardian social housing – the Spring Gardens Scheme of 1905.

The property is practically paying its way, and all the present generation has to find is a small sum of ninety odd pounds for sinking funds. For this we get fifty-nine families decently housed, the rateable value of the town increased, a slum abolished, an eyesore removed, the health of the inhabitants remarkably improved, their environment made clean, refined, and elevating, whilst our successors in 1959 will inherit an unencumbered estate.

Municipal Dreams

Next to the Wigan Post Office Sorting Office 1959.

Next we take a look at the Bus Station.

Wigan’s original bus station was on Market Square.

Image Wigan World

It was demolished in 1985 as part of a wider redevelopment of the town centre to make way for the Galleries Shopping Centre. A new bus station, built at a cost of £2.3 million, began construction in April 1986, and opened in November 1987.

Wikipedia

Transport for Greater Manchester commissioned Austin-Smith:Lord to design a replacement nineteen stand £15.7m bus station in Wigan Town Centre, the project was completed in October 2018.

Construction images – Bee Network.

Around the corner to the Wigan & Leigh College.

The original building of 1954 by Howard V Lobb G Grenfell Bains & Hargreaves, with later extension.

There have been several phases of redevelopment and new build in recent years.

This block of the Technical School has been demolished since my last visit.

Thomas Linacre Technical School for Boys mural 1954.

Image – RIBA pix

Across the road the former Grammar School.

Wigan Grammar School was founded in 1597 and closed in 1972, as part of the comprehensive education movement.

It then became Mesnes High School, and subsequently Wigan College’s Mesnes Building in 1989. 

Since 2003, it has been known as the Thomas Linacre Centre and is an out-patient department for the Wrightington Wigan and Leigh NHS Trust.

It was designated a Grade II listed building in 1997.

Architect: A E Munby

DJ Russ Winstanley was a former pupil, here he is in 1975 at the Wigan Casino holding up a copy of Footsee by Wigan’s Chosen Few b/w Seven Days Too Long by Chuck Wood.

On Millgate we find the former Wigan Civic Centre.

Once it was all boarded up with nowhere to go.

Subsequently resuscitated by Capital&Centric.

Across the way the new Library and Life Centre by Astudio and LCE Architects.

Down the road is the recently refurbished Leisure Centre.

Built on the site of the International Swimming Pool – opened 1968 demolished 2010.

Across the way to Scholes Comprehensive Development 1964

Five thirteen-storey tower blocks adjacent to Douglas House in Scholes were approved in 1964. Lower-rise housing and flats spread to the east. In 1968, a further 13-storey block, Boyswell House, was built at this eastern end of the Scholes Comprehensive Development Area. Almost 500 slum houses, housing 566 families, were demolished that same year and 581 new council homes completed.

Municipal Dreams

Image – Tower Block 1987

Next to the Roger Booth cop shop that became a Premier Inn.

A super-comfy bed, blackout curtains, a powerful shower and free Wi-Fi – our double rooms have everything you’ll need for a great night’s sleep.

Next door the Wigan & Leigh Courthouse 1992 Wigan MBC Architect.

Relief figure of justice by Christine Ward.

Onward to Brocol House – currently home to the Job Centre

Image – Wigan Peers

Originally built for the Inland Revenue one the site of the Brewers Arms – has the welcoming charm shared by the majority of Ministry of Works buildings of the period.

Nearly done – up the road to the County Playhouse.

Which masquerades as Ibiza.

The club’s atmosphere is defined by thumping music and a vibrant crowd eager to dance and celebrate. Its modern interior design complements the lively ambience, creating an inviting space for locals and visitors alike.

Construction began on the County Playhouse in 1916. However, due to a shortage of materials and labour during World War I, it was not completed until 1919.

Finally opened on 22nd December 1919 with The Hun Within – starring Dorothy Gish.

The County Playhouse closed on Sunday 13th November 1966 with Disney’s “The Sword and the Stone”. It was taken over by the Leeds Based Star Cinemas chain and they converted it into Star Bingo and Social Club opened on 24th November 1966.

MAS sales store 1982 – Frank Orrell Photography

The building has since been used as a discount store and Playhouse Club Café. It then became home to the 1,200 capacity Pure Nightclub. In the early-2000’s it became the Ibiza nightclub. The Pure nightclub move into the former Princes Cinema

Cinema Treasures

Time for a swift half in The George to end your tour?

Great for a local pint one of the cheapest in Wigan I believe, slightly rough at times but no fights just real local people who are generally friendly. Proper drinking gaff, and karaoke on certain nights.

Use Your Local

Castle House – Southampton

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A view from the Balcony of Castle House, Castle Way Southampton in the very early 70’s, St Michael’s Church and one of the liners are clearly visible.

Photo – John Fahy

Under construction.

Photo – Kim Herdman

Taken in 1963

Photo – Lutek Fitulek

April 22nd2016.

Photo – Richard Czuprynski

Entrance 1985

Photo – Miles Glendinning.

Following our visit to Wyndham Court let’s take a look at Castle House.

One thirteen -storey block containing seventy two dwellings – 1960 Eric Lyons

San Remo Towers – Boscombe

Posted on by modernmoocher

San Remo Towers Sea Rd Boscombe Bournemouth BH5 1JY

Alwyn Ladell

Block of 164 flats, with penthouse and office, over basement garage. 1935-8 by Hector O Hamilton. Pale brick, with areas of render, particularly to ground and upper floors, faience tiling, and concrete floors. Flat roof behind high parapets edged with pantiles, and with pantiled roofs over staircase towers and over penthouse. Single stack serving boiler house. U-shaped plan around central courtyard, set over garage.

The flats, on five floors, are set in five blocks, with corridor access via separate residents and trade stairs and lift from each of six entrance doors – the central block C is served by the main entrance as well as its own. Through access between blocks on ground floor only. The estate office projects on the ground floor of Block C. The exterior is in a delightful Spanish mission style, with extensive use of coloured faience around doors and in window jambs. Metal casement windows with small panes, round-arched to ground and fifth floor, where coloured jambs predominate. Projecting balconies of brick and render to the larger flats, with coloured balustrades and supported on console brackets. Glass rooflights to the basement car park. The six entrances with double panelled doors, set in lively decorated surrounds of brightly coloured faience, with barley sugar engaged columns under Ionic capitals and block designation – A-E, main entrance, in faience lettering. French doors with small panes to courtyard. Attached brick retaining walls at entrance to courtyard.

Interiors: The residents’ staircases with jazz modern metal balustrading, those for tradesmen with stick balusters. Interiors of flats not inspected but understood to have been modernised. San Remo Towers is one of the most comprehensive seaside developments of flats to be erected in the 1930s. It was planned as early as 1935-6 by Armstrong Estates Limited of Guildford. It was opened on 1 June 1938 as ‘a magnificent block of 164 superior flats, 296-260 per annum rental, garage for 130 cars’. Facilities offered as inclusive in this price included centralised hot water and central heating, an auto vac’ cleaning system, centralised telephones, a resident manager, a porter, daily maid, boot cleaning and window cleaning services. There was a Residents’ club with a reading room card room, billiard room and library, and a children’s recreation and games room. There were kiosks in the ground-floor lobbies selling tobacco and convenience items, where the staff took orders for the local tradesmen. The fifth-floor restaurant offered a la carte meals, which could be taken at pension rates of 38s per week. A simpler dinner cost 2/6d.

Restaurant Crockery 1940

The use of an American architect, Hector O Hamilton, may be an explanation for the building’s large range of facilities, including the grand underground car park and sophisticated servicing. The residents’ club was converted to a penthouse in the 1950s, but the block retains its select tone. The elevations were described in 1940 as dignified and select and harmonise with the general surroundings. Today they are admired as for the very striking way in which they stand out from their surroundings as a piece of 19305′ exotic fantasy transported to seemly Bournemouth.

San Remo Towers is one of the most impressive seaside developments in England of its period. Source: Waycotts, San Remo Towers, 1940 letting brochure. 

Historic England.

Following on from the nearby Boscombe Pier.

First seen in 2015 on my South Coast cycling tour, today I was on foot with time to wander around San Remo Towers.

For me it is the most charming and capricious of seaside apartment blocks – a playful symphony of faience and fancy. An exotic dose of Californian Hispanic on the Dorset coast.

Today, most of the flats have been refurbished and sold to independent buyers. In 2019, the lessees worked together to buy the building and it is now owned by San Remo Towers SRT Freehold Ltd. Not all the flats have share of freehold yet, but the option is available for any lessee who wishes to join.

SRT Freehold

Hector O. Hamilton, young New York architect, who won a share in the first prize with his design for the projected Palace of the Soviets in Moscow, announced yesterday that he would sail for Russia in a month at the invitation of the Soviet Government to aid in the construction of the building. Although persons familiar with Russia have warned that he would be paid in rubles and probably not be permitted to take the $6,000-his share in the prize money-out of the country, Americans who have worked there point out that it is the policy of the Soviet Government to pay technical men from this country in dollars. They say also that while it is against the law to take rubles out of the country this law does not apply to foreign currency.

NY Times

Speak Russian

Boscombe Pier

Posted on by modernmoocher

The Boscombe Pier Company was formed in 1886 and the first pile was laid on 11th October 1888. Designed by Archibald Smith, the 600 foot pier opened on 28th July 1889.

The local council took over the pier in 1904 and erected buildings at the entrance and on the pier-head. Facilities included a busy steamer landing stage.

In 1924/5 and 1927, the head was renewed in high alumina concrete. Between 1958 and 1960, the neck was reconstructed using reinforced concrete. In 1940, the pier was breached for defence reasons.

Between 1958 and 1960, the neck was reconstructed using reinforced concrete.

A restaurant and the Mermaid Theatre were built at the pier-head in 1961 although the ‘Theatre’, in fact, opened as a covered roller-skating rink for its first two seasons. In April 1965, the leaseholder, Cleethorpes Amusements, converted it into an arcade. The council formally took over the Mermaid ‘Theatre’ in 1988 when the lease ended.

In 2008, the area around Boscombe pier underwent extensive renovation. The derelict and unsafe building at the end of the pier was demolished, and replaced by a simple viewing and fishing platform. The rest of the pier was also restored.

National Piers Society

I was first here in 2015 cycling the South Coast – heading to Portsmouth.

Historic England’s listing notes:

However, the neck building is a design of great verve and vivacity that well demonstrates the revitalisation of the British seaside resort in the 1950s. The contemporary style associated with Frank Lloyd Wright’s Usonian houses and made popular with Californian homes in the 1940s was well suited to the requirements of an architecture that combined ‘sun and fun’. The contemporary style made a feature of expressing different elements or planes of a composition with different materials, and here the combination is honest and each element well detailed. The sweep of the cantilevered, boomerang-shaped roof is a particularly joyous feature. It is a building that would have been despised as being exactly of its date until recently; now it is a building that can be celebrated for that very reason, and a rare example of pier architecture from these years.

Open seven days a week from 9am to 11pm – may be subject to change due to weather conditions.

Inside the Grade II listed building at the pier’s entrance, you’ll find a café, takeaway and a beach shop. Outside you can have a go on the bouldering walls and the slackline.

There’s no charge to go on Boscombe Pier, there’s also a viewing platform at the end of the pier.

BCP Council

The resident, who does not wish to be named, was walking along the seafront from Southbourne to Boscombe Pier on Thursday, March 17, at around 10.30am when he noticed strange objects in the sky.

He told the Echo:

“I noticed in the sky three bright, what looked like orange, lights approaching me head on from the west to the east quite low down. I thought they might be aircraft landing lights which seemed strange as it was blue sky and a sunny day.

Bournemouth Echo

Warrington Walk

Posted on by modernmoocher

It’s a sunny day in May and we begin at Warrington Bank Quay station.

The first Warrington Bank Quay station opened on 4 July 1837.

The station was rebuilt when the line was electrified in 1973, a new power signal box covering an extended area was built east of the station for the electrification.

In 2009 a new entrance hall was completed, with a travel centre/ticket office and a shop.

The buffet on the London bound platforms was modernised.

Wikipedia

The station was once operated on a split level.

Next onwards to the Pyramid Arts extension 2002, a reworking by Studio BAAD of the former County Court and Inland Revenue Offices 1897-8 by Sir Henry Tanner.

Studio BAAD Ltd started winding up proceedings for a Creditors Voluntary Liquidation in April 2021 and the company was dissolved on 21 July 2021

The centre is currently closed – work began on the redevelopment, which has been funded by a £5 million grant from the Government, in July 2024.

The project aims to make the building more modern, accessible and fit for the future.

The redevelopment includes the addition of a new café and bar area while the Exhibition Hall will become a bigger capacity venue.

Across the way the Masonic Hall 1932-33 Albert Warburton.

Further along to Hilden House a former Department of Works and Pension building, currently undergoing a transformation into a residential block.

The £18m office to residential reset of the 52,400 sq ft building will offer a mix of one- and two-bedroom apartments in plans now approved by the local authority.

Caro Developments, working in tandem with architect Falconer Chester Hall, hopes to start construction later this year.

According to a planning statement submitted on the developer’s behalf by Savills, once complete, the five-storey block will offer residents a concierge service, a gym and wellness facility, a resident’s lounge, and a co-working area.

Place North West 2025

Way out of period but a notable Warrington landmark are the Golden Gates designed in 1862.

The gates were made for the International Exhibition of 1862, and then intended for Queen Victoria’s Sandringham home in Norfolk. Coalbrookdale found it hard to find a buyer for such grand gates, so Frederick Monks, one of the town’s earliest councillors, was able to buy and bring them to Warrington to stand at the front of the town hall lawn.  Monks also presented the cast iron Cromwell statue, designed by John Bell, to Warrington in 1899.

Warrington Gov

The Golden Gates are Grade II* Listed, along with the gate piers and the lamps which line the driveways at either side of the town hall

Up the road now to the Soap Works – first views from across the railway tracks.

Then over the bridge.

Joseph Crosfield was born in Warrington, the fourth son of George Crosfield and his wife Ann née Key. In 1814, Joseph’s apprenticeship having finished, at the age of 21 he decided to establish his own soap making business in Warrington.

In 1911 the company was purchased by Brunner, Mond & Company and 1919 it was absorbed into Lever Brothers. From 1929 Crosfield was a subsidiary of Unilever. In 1997 its Warrington speciality chemicals division that made ingredients for detergents and toothpastes was acquired by ICI and in 2001, Ineos Capital purchased the company. The name Crosfield was finally lost as it was renamed Ineos Silicas. In 2008 Ineos Silicas was merged with PQ Corporation, with the new company retaining the name of PQ Corporation.

Wikipedia

The Crosfield’s factory closed for good in October 2020.

Dante FS Group formally acquired four acres of the site this month for an undisclosed fee from EcoVyst.

The latter firm will continue to operate from sections of the site, as will PQ Corporation, with Dante buying land closest to the train station, including the visible blue buildings and white Unilever tanks.

Renamed Platform at Bank Quay, the ‘next-generation, state-of-the-art modular data centre’ is ‘set to power the UK’s growing AI economy’ and bring high-tech jobs to the town.

Warrington Guardian

Across the way the Scared Heart RC Church 1894 Sinnott Sinnott and Powell.

Listed Grade II

We now approach the Pink Eye roundabout where we may view the Pink Eye Silo.

Middle right this Aero Photo of 1928 shows a much larger mill complex.

Also the site of an older bridge – later replaced by a pipe carrying structure.

We then follow the riverside green line path twixt Soap works and Mersey, heading toward the Transporter Bridge.

The route explained by the indispensable Friends of the Warrington Transporter Bridge.

Warrington Transporter Bridge aka Bank Quay Transporter Bridge or Crosfield’s Transporter Bridge across the River Mersey is a structural steel transporter bridge with a span of 200 feet.

It is 30 feet wide and 76 feet above high water level, with an overall length of 339 feet.

It was commissioned in 1916 and, although it has been out of use since about 1964, it is still standing. It was designed by William Henry Hunter and built by William Arrol and Co.

The Transporter Bridge was built to despatch finished product from the cement plant that had been built on the peninsula. It was originally designed to carry rail vehicles up to eighteen tons loaded weight.

The bridge was converted for road vehicles in 1940, and was certified to carry loads of up to thirty tons in 1953.

FOTWTB

This was my first visit in 2017 – recorded on Modern Mooch.

Highlight on any day out anywhere is the discovery of arcane British Rail typography.

There’s a brief history of Freightliner history right here.

Back now to Bank Quay and off to the Telephone Exchange.

This is the 1969 building designed by the MODBW, Reginald Norman Dixon with lead architect P Clinton.

Linked to the 1955 building designed by John Onslow Stevens.

Biggest thanks to Lisa Kinch who can be found over on Instagram, for all her informative research into telephone exchanges.

Toward the town centre and we pass the Bold Street Methodists Church – 1973-75.

Currently closed and for sale.

Thence to the Block 1 nightclub.

Medicine night club early 2000s.

Originally a Tetley’s house named The Woolpack.

Got served my first pint in there, I was only 14.

Karl Beckett

Coming down those stairs, I slipped and the heel came off my boot, I’d only had one drink – loved those boots.

Sue Duncan

This was the original Woolpack on the site.

Much of the town centre is dominated by the Golden Square shopping centre.

Designed in 1974 by Ardin and Brookes and Partners, since enlarged.

There is also extensive pedestrianisation and hard landscaping on the surrounding streets, carried out in 2002 by Landscape Design Associates with sculptural works by Howard Ben Tre.

Finally to the Bus Station which used to look like this:

Until it became an Interchange and looks a lot like this.

Warrington’s new bus interchange was opened on 21 August 2006. From 1979, bus users travelled from a facility on Golborne Street, but it was very unpopular due to its very dreary appearance. 

On The Buses.

Though the final word must go to an absent friend.

Where once the New Town House stood.

Built in 1976 to house the Warrington & Runcorn Development Corporation.

Visited by myself the Modern Mooch in 2021

Nobody actually likes brutalist buildings. 

They just pretend to like them to make themselves look cool, it’s like craft beer and food that comes in tiny portions.