Chorley Walk

I arrived at Chorley Railway Station.

The current railway station is a modern version from the 1980s that was built on top of the original station. The level of the old platforms can be seen under the existing station’s two platforms which are connected by underpass. The initial station was opened on 22 December 1841 by the Bolton and Preston Railway – which later became part of the Lancashire and Yorkshire Railway and was subsequently served by the Lancashire Union Railway between St Helens, Wigan North Western and Blackburn from 1869.

Passenger trains over this route between Blackburn & Wigan were however withdrawn in January 1960. Further work was done in 2016 and 2017 in connection with the electrification of the line between Euxton Junction and Manchester.

Wikipedia

Crossed over to the Interchange – which was formerly a humble bus station, opened in February 2003 replacing the previous structure.

Across the way a stand of shops with distinctive faience fascias.

Further along the Shepherds’ Victoria Hall – once home to the Jubilee of the Ancient Order of Shepherds’ Friendly Society which was quite prominent in Chorley in the late 1800’s and early 1900’s

Down the way a ways a Baptist Chapel of 1845 on Chapel Street – currently trading as Malcolm’s Musicland.

Next door the Chorley Town Cafe with some excellent stained glass.

Hang a sharp right to the Market – where there is this newish piece of public art Pattern of Life a bronze relief by Diane Gorvin and mosaic work by Tracey Cartledge

This piece involves an innovative combination of cast bronze and ceramic mosaic. Two bronze relief panels display female figures holding out rolls of fabric, each decorated with patterns and images that are particular to the town of Chorley. Payphones, for example were invented and manufactured in Chorley, the crested newt is protected here and you might also notice the famous Chorley Cakes. As the fabrics tumble down, the designs are translated from bronze relief on the wall surface into 2D mosaic in the pavement.

Looking down Fazakerley Street to where Fine Fare once was.

We’ll return to such matters in a moment – we have to get to the Post Office – which is no longer a Post Office.

Architect Charles Wilkinson.

It was a Post Office in 1935 – it also has a later extension.

The local list declares that the post office dates from 1935. This is almost certainly erroneous since the contract documents date from 1924, and from contract to completion the average construction and fitting-out time was about 18 months.

British Post Office Buildings

Happily, the Library is still a library.

Plans supplied by the Architects Messrs. Cheers & Smith of Blackburn which were approved by the Education Committee on the 18th August 1904design proposals for the new Technical School entitled Light and Air.

The considerable task of erecting the school was given to the local builder Mr. William Hampson of Pall Mall.

Surely the envy of his trade, the total contract was worth a mouth- watering £10,041 15s. 9d. – approx. £720,000 today.

The building was officially opened by the 16th Earl of Derby on September 24th 1906.

Chorley History Society

Heading to the Council Offices.

Over the road the town’s newest retail development Market Walk – the work of AEW Architects.

Chorley Council bought the shopping centre from Orchard Street Investments for £23m in 2013 and commenced a large-scale regeneration scheme in 2018 involving a £15m, 79,000 sq ft retail and leisure extension led by main contractor Eric Wright Group and designed by AEW Architects. Here, Conrad Heald of Chorley Council tells his interviewer, AEW director Phil Hepworth, how the scheme came to fruition and has rejuvenated the town centre.

Place North West

The memorial re-sited in 2018 commemorates the Chorley Pals.

In less than 20 minutes, 235 of the 720 men from the 11th East Lancs. were killed. Another 350 were wounded, of which 17 would eventually succumb to their wounds. Many of the Battalion died where they fell, in No Man’s Land.

As a result of the attack on the morning of the 1st July, the Chorley Pals – Y Company, had 31 men killed and three died within a month of their wounds received on that day. 21 have no known graves and their names are transcribed on the Thiepval memorial to the Missing on the Somme battlefield. A further 59 were wounded, making a total of 93 casualties out of approximately 175 men from Chorley who went over the top that morning.

Landscaping of the public realm by CW Studio.

Reversing now to the former Barclays Bank – which closed earlier in 2022.

We return now to the former Fine Fare.

The company began as one single supermarket in Welwyn Garden City in 1951, as an offshoot of the Welwyn Department Store, owned by Howardsgate Holdings, the company of Ebenezer Howard, the founder of the garden city movement.

Wikipedia

Now here’s a thing a bank which is a bank NatWest not gone west.

Next to the former Woolworths, opened in Chorley in 1930 on Market Street, with its pale Deco faience fascia.

They traded from this building for sixty five years, before closing in March 1995 in order to move to a new store on Market Walk – it became an Argos, then it didn’t.

Woolies Buildings

Here we are now at a Post Office that is a Post Office but was an RBS Bank.

The new location is at the former Royal Bank of Scotland on Market Street in the town centre.

Since the Post Office that was based at WH Smith on New Market Street came to an end, when that store closed in January, it relocated to a temporary unit in Market Walk until a permanent solution could be found.

The unit, which had been provided by the postmaster from Burscough Bridge Post Office, closed on Tuesday.

Kenny Lamont, Post Office Network Provision Manager, said a Post Office is important to a community.

Lancashire Post

This had been a Methodist Church – then, it became the HQ of the Lancashire Electric Power Company.

The Lancashire Electric Power Company was one of the largest private electricity companies in the UK. It was established in 1900 and generated and supplied electricity to 1,200 squares miles of Lancashire from 1905 until its abolition under nationalisation in 1948.

Wikipedia

Time to back track to the Cop Shop – the work of County Architect Roger Booth and crew.

The Magistrates’ Courts are closed and up for sale.

Next door the White Hart once upon a time the Snooty Fox, a pub with an up and down trajectory – currently open and described online as plush.

Down the road a pub no longer a pub but an Urban Spa.

We offer you a full range of professional treatments tailored to your own personal needs. We treat every client as an individual and offer an extensive range of treatments and professional products making your visit one to remember.

Let’s go to the theatre – The Empire tucked away at the back of town.

The Empire Electric Theatre opened, as the town’s first purpose-built cinema, on 3rd September 1910. In 1912 Archie Hooley began his connection with the cinema business at the Empire Electric Theatre. By 1927 it had been re-named Empire Cinema and by 1930 it was equipped with a Western Electricsound system and was operated by the Perfecto Filmograph Co. Ltd. By 1939 it was operated by the Snape & Ward chain. According to the Kine Year Books, in 1940 the seating was for 800, while by 1952 it had been reduced to 679 – still a far cry from today’s 236 seats. 3D films were shown in the early-1950’s. Archie had died in 1944; his son Selwyn closed the cinema in 1957, apparently “because of the taxes”.

1959

Wrestling took over for a while before Chorley Amateur Dramatic and Operatic Society – CADOS acquired the building and renamed it the Chorley Little Theatre. Since 1960 CADOS have been putting on high-quality productions, presenting at least six productions per season – from September to July. It is also the home of the award-winning Chorley Youth Theatre who meet every Saturday, putting on shows throughout the year; and Chorley Empire Community Cinema who present the cinema experience on their 21ft wide screen with 8-Speaker Surround Sound. Run entirely by volunteers the theatre has state-of-the-art sound systems and a full range of lighting equipment. There are two spacious dressing rooms, space for costumes and props and the Empire Bar. The building has disabled access throughout the public area, including a toilet, and the auditorium is fitted with a hearing loop. There are three spaces for wheelchairs in the auditorium. It was re-named Chorley Empire Cinema at Chorley Theatre in October 2019 and films are still part of the programming.

Cinema Treasures

Spare a thought for the town’s lost cinemas:

The Odeon Market Street was built for and operated by Oscar Deutsch’s Odeon Theatres Ltd. chain, it opened on 21st February 1938 with Jack Buchanan in The Sky’s the Limit.

Architect Harry Weedon was assisted by PJ Price.

It was closed by the Rank Organisation on 6th February 1971 with George Lazenby in “On Her Majesty’s Secret Service”. After laying closed and un-used for over two years it was sold to an independent bingo operator and re-opened on 9th August 1973 as a Tudor Bingo Club. It later became a Gala Bingo Club which was renamed Buzz Bingo Club in June 2018. It was closed on March 21, 2020 due to the Covid-19 Pandemic. On 15th July 2020 it was announced that the closure would be permanent.

The building was handed over to Chorley Council who decided that asbestos removal would be too costly and the building was demolished in August 2021.

Located on Salisbury Street, off Cunliffe Street, built in 1888 as a military warehouse, it was converted into a roller skating rink around 1909. It opened as the Pavilion Picture Palace on 14th September 1911, operated by George Testo Sante, a music hall strong man, who also operated the Grand Theatre as a cinema. By 1915, music hall acts were also part of the programme. After the end of World War I, the flat floor of the cinema was raked, allowing for better viewing of the screen. The proscenium was 30ft wide, the stage was 16 feet deep and there were two dressing rooms.

The Pavilion Cinema was the first in town to screen ‘talkies, when an Electrochord sound system was installed in 1929. It was taken over by the J.F. Emery Circuit in 1932 and they operated it until the end of 1933. The sound system was upgraded to a British Talking Pictures sound system. In 1954 it was the first cinema in town to be fitted with CinemaScope and the proscenium was widened to 36 feet.

The Pavilion Cinema was closed by 1962 and converted into a bingo club. In 1972 it was re-opened as a cinema again, but due to Star Cinemas chain barring it from showing first run features – they operated the Plaza Cinema, it was closed after 5 months of operation. It was later demolished and the area was redeveloped for housing.

Cinema Treasures

No trace of The Hippodrome Theatre on Gillibrand Street, which was built and opened in 1909, or the Theatre Royal, opened on 30th September 1911, It was demolished in 1959.

A supermarket was built on the site which later became a McDonalds, which is now a Pizza Hut.

Last but not least – located on the Flat Iron Parade, aka Cattle Market, The Grand Theatre was a wooden building built in 1885, which presented melodramas and plays. In June 1909 it was taken over by George Testo Santo, who had been a music hall strongman, and his family. It went over to operating as a Picture Palace for a short season.

By 1914 it was operating as a full time cinema, but was destroyed by fire in 1914.

Chorley Theatre Cinema History Map

This was a splendid day out – there is much more to see, these have been some of the less obvious landmarks.

Go see for y’self!

Jaded Jubilee – June 4th 2012

On the day of HM Queen Elizabeth’s Diamond Jubilee I cycled around Ashton under Lyne.

Recording and commenting upon the material changes which had occurred, during her reign of some sixty years. In turn many of these things have in themselves disappeared from view.

Life is a series of natural and spontaneous changes.

Don’t resist them; that only creates sorrow.

Let reality be reality.

Let things flow naturally forward in whatever way they like.

Lao Tzu

Celebrating the gradual decline in spelling – Gill Scot Heron meets Tameside, everyone’s a winner.

Celebrating the proliferation of California Screen Blocks, hanging baskets and vertical blinds.

Celebrating the Pound Shop a profusion of road markings and pedestrian safety barriers.

Celebrating High Visibilty Workwear and the proliferation of the logotype

Celebrating advances in Information Technology and the decline of the retail sector.

Celebrating advances in fly-posting, street skating, youth culture and musical diversity.

Celebrating the re-use of redundant banks, sun beds, tattooing and t-shirts.

Celebrating advances in charity chop furniture pricing and the proliferation of leather sofas.

Celebrating the proliferation of the shuttered window, babies and home made retail signage.

Celebrating niche marketing in the child-based, haircare market and developments in digitally originated vinyl signage.

Celebrating street art and British popular music and modern cuisine.

Celebrating Punk Rock, wheel clamping and British can-do!

Celebrating the introduction of decimal coinage, raffle tickets, cheap biros, affordable imitation Tupperware, raffles and the Union Flag

Celebrating the huge importance of Association Football, hazard tape, shuttered doors and the ubiquity of the traffic cone.

Celebrating the ever growing popularity of Fancy Dress.

Celebrating pub tiles, the smoking ban, the use of plywood as an acceptable window replacement material and the current confusion regarding Britishness and Englishness.

Celebrating satellite telly, faux Victoriana and the development of the one way traffic system.

Celebrating plastics in the service of the modern citizen.

Celebrating laser-cut vinyl, adhesive lettering, regional cuisine and the imaginative minds of those who name our modern retail outlets.

Celebrating the welcome Americanisation of our youngster’s diet – Slush you couldn’t make it up!

Celebrating the welcome Americanisation of our youngster’s diet – Slush you couldn’t make it up!

Celebrating the return of the £1 pint, here at Oliver’s Bar, formerly The Cavern, a superbly appointed Bass Charrington owned, underground pub. 

My thanks to Emma Noonan for kindly appearing in the doorway.

Celebrating our ever widening range of ethnic cuisine and the use of the ingenious A4 laser-written poster montage.

Celebrating the wide variety of vernacular tribute bands – Reet Hot Chilli Peppers?

Celebrating the ever popular art of colouring-in and the wide availability of the felt tip pen.

Postwar Modern – The Barbican 2022

Is it a book is it a show?

It’s both – well it was a show and it’s still a book.

I went along and looked at the art and looked at the people looking at the art.

City Hall – Leicester

Architects: Barnish and Silcock 1938

The medieval Leicester Guildhall was used as the Town Hall for around 300 years. By the mid-19th Century much larger premises were needed to support a rapidly growing industrial centre.  The Victorian Town Hall was opened in 1876 on the site of the old cattle market.

In 1919, Leicester was recognised as a city. It continued to expand, along with its Council. Conditions in the Town Hall soon became cramped and some departments began to move out. By 1930 it was agreed new municipal offices were needed to centralize the Housing, Electricity, Rates, Motor Licence and Valuation departments. They would form part of a major redevelopment of Charles Street, the so-called quarter of a million pound building on a million pound road.

The modest opening ceremony took place on 7th November 1938. In his speech the Lord Mayor, Councillor Frank Acton, said it was a privilege to open “this long sought-after and wonderful place.”  A stone tablet to mark the event can be seen opposite the reception desk in the entrance foyer. The building was designed to command attention and respect, and conform to a modern desire for simplicity. Clad in Portland Stone, its interior included many elegant Art Deco features, many of which have been restored.

Story of Leicester

The refurbishment was undertaken by Franklin Ellis Architects.

The office floors accommodate workstations for 480 staff, together with breakout areas and meeting rooms. The project included re-purposing original municipal spaces for new assembly functions; restoring period features; and providing a dignified civic interior appropriate to the functions of the Council. An environmentally conscious servicing solution minimises the building’s energy usage.

Attenborough Hall

By the 1930s, demand for electricity was growing rapidly. The Municipal Offices housed the Leicester Corporation Electricity Department (later the East Midland Electricity Board) and were specially furnished with a model kitchen for:

Housewives who are interested in the modern uses of electricity in the home.

A special theatre also presented weekly cookery demonstrations and a Service Centre displayed, sold and hired out electrical appliances.

The theatre is still extant, though sadly no longer available for cookery demonstrations.

On the back wall this mural remains as a reminder of the theatre’s the former use.

Many thanks to Grant Butterworth – Head of Planning, for negotiating access to the hall and accompanying us on our Modernist Mooch.

In the 1960s a nuclear bunker was constructed. This was one of many across the country built by local authorities to protect key personnel from radiation in the event of an attack, enabling some form of government to continue. Today, the bunker has long gone, and the basement of City Hall is now used as a storage area.

By 1963 the De Montfort Hall Box Office was located in the building.  This caused chaotic scenes in Charles Street when, in October of that year, around 3,000 youngsters queued all night for tickets to see The Beatles. When the Box Office opened at 9:30am, the queue stretched back to Humberstone Gate and was held in check by a pitifully thin line of police. The Leicester Mercury described the scene as:

A heaving, shouting, screaming, unruly, undignified, disorderly mob – a disgraceful night.

Pressure from the crowd caused a 10 foot square window in Halford´s shop to break.  With all the tickets sold, the crowd dispersed and the Leicester Mercury said Charles Street resembled

A filthy, unswept ghost street, badly in need of the cleaners to remove the mountains of waste paper and return its respectability. 

With thanks again to the Story of Leicester.

Kardomah Café – Swansea

Morris Buildings 11 Portland St Swansea SA1 3DH

Welcome, at the Kardomah Cafe we have a long history of excellent service, great food and wonderful coffee. We are an independent, established, family run business of nearly 50 years. Traditional values are important to us and have helped us create a warm and friendly atmosphere, which is seen by many of our customers as an important part of their lives, a place to meet their friends, whilst enjoying quality food and drink.

The company that created the Kardomah brand began in Pudsey Street, Liverpool in 1844 as the Vey Brothers teadealers and grocers. In 1868 the business was acquired by the newly created Liverpool China and India Tea Company, and a series of brand names was created beginning with Mikado. The Kardomah brand of tea was first served at the Liverpool colonial exhibition of 1887, and the brand was later applied to a range of teas, coffees and coffee houses. The parent company was renamed Kardomah Limited in 1938. The brand was acquired by the Forte Group in 1962, sold to Cadbury Schweppes Typhoo in 1971, and became part of Premier Brands some time between 1980 and 1997. The brand still exists, selling items such as instant coffee and coffee whitener.

The Kardomah Cafés in London and Manchester were designed by Sir Misha Black between 1936 and 1950.

Manchester
LondonRibapix

The original Swansea branch was at 232 High St, and known as ‘The Kardomah Exhibition Cafe & Tea Rooms’, moving to the Castle Street in 1908.

Castle Street

The Castle Street cafe was the meeting place of The Kardomah Gang, which included Dylan Thomas, and was built on the site of the former Congregational Chapel where Thomas’s parents were married in 1903. The cafe was bombed during WW2 and was later replaced by the present Kardomah Coffee Shop Restaurant in Portland Street.

Wikipedia

An in-depth history is available here.

I’d never had the pleasure of visiting a Kardomah before, imagine my delight when I was directed there by local artist, activist and archivist Catrin Saran James, during our delightful Swansea Moderne tour!

Following an extensive walk from one end of town to the other, I returned there for a late midday bite to eat and a sit down – it looked a little like this:

Many thanks to the staff and customers for putting up with me wandering around for a while with my camera, whilst they worked and ate.

Diolch yn fawr.

Cumbernauld Housing

Sunday morning in Glasgow, I caught the first train out from Queen Street Station.

In October 2017, a £120 million project began on bringing the station up to modern standards, demolishing many of the 1960s buildings and replacing them with a new station concourse, which was completed in 2021.

I arrived in Cumbernauld and walked toward the Central Way and back again.

Cumbernauld was designated as a new town in December 1955, part of a plan, under the New Towns Act 1946, to move 550,000 people out of Glasgow and into new towns to solve the city’s overcrowding. Construction of its town centre began under contractors Duncan Logan, chief architect Leslie Hugh Wilson and architect Geoffrey Copcutt – until 1962 and 1963, and later Dudley Roberts Leaker, Philip Aitken and Neil Dadge.

Wikipedia

This is the housing that I saw.

IRK VALLEY #ONE

The first leg of a journey to the source of the River Irk beginning behind Victoria, finishing by the Hexagon Tower in Blackley.

The Irk’s name is of obscure etymology, but may be Brittonic in origin and related to the Welsh word iwrch, meaning roebuck

In medieval times, there was a mill by the Irk at which the tenants of the manor ground their corn and its fisheries were controlled by the lord of the manor. In the 16th century, throwing carrion and other offensive matter into the Irk was forbidden. Water for Manchester was drawn from the river before the Industrial Revolution. A bridge over the Irk was recorded in 1381. The river was noted for destructive floods. In 1480, the burgesses of Manchester described the highway between Manchester and Collyhurst which – the water of Irk had worn out. In 1816, of seven bridges over the Irk, six were liable to be flooded after heavy rain but the seventh, the Ducie Bridge completed in 1814 was above flood levels.

According to The New Gazetteer of Lancashire the Irk had – more mill seats upon it than any other stream of its length in the Kingdom and – the eels in this river were formerly remarkable for their fatness, which was attributed to the grease and oils expressed by the mills from the woollen cloths and mixed with the waters. 

However, by the start of the 20th century the Irk Valley between Crumpsall and Blackley had been left a neglected river – not only the blackest but the most sluggish of all rivers.

Wikipedia

The river emerges from beneath the city into an area named Scotland – a remnant of Manchester’s links with the Jacobite Rebellion.

To the left were the squalid Victorian homes of Red Bank – currently presenting as the Green Quarter.

The river briefly becomes subterranean again.

This is a river with an ignominious history – famously damned by émigré Friedrich Engels.

At the bottom flows, or rather stagnates, the Irk, a narrow, coal-black, foul-smelling stream, full of debris and refuse, which it deposits on the shallower right bank.

Mr Engels currently resides by the Medlock.

The stretch along Dantzic Street into Collyhurst Road was heavily industrialised, of which some remnants prevail.

Along with an abandoned traveller’s camp, where once the gas works had stood.

New housing is being built forming the first wave of the Victoria North masterplan.

Previous enterprises have hit the buffers beneath the railway on Bromley Street.

To the right is Dalton Street once home to the Collyhurst Cowboy.

Here are the remains of Vauxhall Street, named for Vauxhall Pleasure Gardens, built in the remains of the Collyhurst Quarry – which in turn became Sandhills.

There are current plans afoot to create a City River Park.

In addition the local authority oversees the Irk River Valley Project , along with Groundwork, United Utilities, Woodland Trust and Greggs.

To the left are St Catherine’s Steps

Immortalised by almost local lad LS Lowry

Spanning the defunct railway workings, affording a view of the brightly blooming city centre.

Leaving Collyhurst Road, we journey along Smedley Road.

Seen here in 1934.

Passing beneath Queens Road – Queens Park to the right.

Queen’s Park was one of Britain’s first municipal parks created in 1846. The park was originally arranged around Hendham Hall, home of the Houghton family however this was demolished in 1884.

Dropping down to Hendham Vale.

To the right is the Smedley Hotel.

The Smedley Hotel is a very large pub that is hidden away on a quiet back street. Once inside there were a few different rooms and I had a drink in the bar which was fairly large and seemed in need of some attention. The pub still had its old Chesters signs outside and there were three real ales on the bar. I had a drink of Chesters bitter and this was a very nice drink the other beers were Chesters mild and Boddington’s bitter.

I thought this pub would be long gone but it is still standing and I think open for business.

Alan Winfield 1994

Lost to the world are the Manchester Moderne flats of Kennet House overlooking the Irk Valley on Smedley Lane.

Hendham Way becomes a pedestrianised lane.

Taking the road up and then down, returning to the river, and following the wrong path – alongside the Hapurhey Reservoir and Ponds.

A remnant of the industrial era the reservoirs and ponds, once used by the factories as a source of water, have over the year become a thriving habitat which supports a substantial amount of wildlife.

Then cutting back and regaining the correct path.
Finally arriving at the Hexagon Tower.

Black and white photographs: Manchester Local Image Collection

Macklin Street Launderette – Derby

27 Macklin St Derby DE1 1LE

I had wandered along the road in search of a hotel that wasn’t there and found a launderette that was.

The Pennine was almost gone.

The launderette was empty and offered an oasis of oddity in an otherwise predictable day.

There is always a mild sense of trepidation, entering a space devoid of folk, slowly placing footsteps tentatively, over those of the lost souls, that have trodden the worn floor coverings in times past.

Just look over your shoulder – I’ll be there.

Once inside the daylight fades, replaced by tremulous fluorescent tubes, illuminating the discoloured coloured surfaces.

Blown vinyl, damp carpet, dulled stainless steel, tired laminate and pine panels.

A fine mix of dystopia and cheerless optimism.

Everything is almost always out of order.

BT Hanley Tower

You’re nobody ’til somebody loves you,
You’re nobody ’til somebody cares.
You may be king, you may possess the world and it’s gold,
But gold won’t bring you happiness when you’re growing old.

Hanley GSC represents a major telecommunication facility for BT and is positioned within the City boundaries of Stoke-on-Trent, on a very congested site.

The building fabric was starting to degrade and in need of structural refurbishment.

Works comprised of cleaning down the externals by high pressure water jetting, carrying out concrete repairs, applying an anti-carbonation coating, anti-corrosion treatments, painting the windows and applying sealants to windows and various joints around the structure.

All work was carried out whilst the exchange was fully manned and operational.

Works were carried outover a 26 week period, utilising mast climbers around the structure, with a limited amount of scaffolding on the low level structures.

Contract value £580,000

Makers.

Derided locally as an eyesore, currently the tallest building in town following the demolition of Unity House.

It has an antecedent as an immediate neighbour.

Former telephone exchange and offices – circa 1900.

Brick and terracotta with plain tiled roof. Eclectic style, with main block of three storeys, and three 3 narrow bays with flanking towers, all vertical spaces elongated.

The Potteries

Let’s take a look at the young upstart.

Coventry Station 2021

Here we are again, we have been here before – one of the nation’s finest post war railway stations.

Gateway to the City of Culture.

Though I freely admit that my heart belonged to Stoke’s failed bid.

So much so I bought a shirt.

Stoke Sentinel

The station is the work of architects WR Headley and Derrick Shorten who worked with John Collins, Mike Edwards and Keith Rawson.

Outstanding architecturally, particularly for its spatial qualities and detailing. 

It’s Grade II listed and rightly so.

Alan Murray-Rust April 1963
John Maltby RIBA Pix
March 1962
Warwickshire Railways

So here is my exploration of its spatial qualities and detailing. 

Hilton House – Stockport

Once the head office of New Day Furniture.

A local company which designed, manufactured and retailed furnishings around the North West.

Oldham Street Manchester
Rochdale Road Harpurhey
Wythenshawe

The office building is a highlight of my Stockport Walks – it has a lightness of touch incorporating a partial podium, slab block and lower rise extensions.

There is a sensitive mix of glass, stone, concrete and brick across a variety of scales and volumes.

May 2020 – plans are submitted to remodel the exterior of Hilton House

Marketing Stockport

The remodelling of the building include reparations and repainting brickwork, render and cladding as part of wider plans to rejuvenate Hilton House to rebrand as a more attractive and contemporary office location in Stockport town centre.

Studio KMA have proposed conversion to apartments.

Conversion of existing 1970s office building to apartments.

A combination of one-bed, two-bed and three-bed units ensure a new sustainable use in Stockport town centre.

The proposal incorporates the use of coloured glass panels to create a modern, fresh aesthetic.

As of July 2021 the property is under offer.

Post-Pandemic it may well be that the demand for office space is in retreat and the conversion to modern living space the more likely end use.

Salford Walk

We begin on the Crescent – taking in the former AUEW Building.

B&W images copyright USIR Archives

It became part of Salford University’s estate, renamed the Faraday Building.

It is currently unoccupied.

The University’s Masterplan is shifting emphasis to the Peel Park and Media City sites.

Also leaving Crescent House in limbo.

The original master plan would have swept away the Victorian Technical Institute and Salford Art Gallery.

Across the road are the Maxwell Buildings.

They were built between 1959 and 1960 to a design by the architect C H Simmons of the Lancashire County Architects Department.

The interior decorative order of Sixties’ institutions was integral to the architectural design, sadly this is no longer so.

Which may be the subject of ambitious redevelopment.

Take a turn around the corner to the Cockcroft Building.

The east facing mural painted out and obscured by retrofitted infrastructure.

These incised stone panels obscured by plants.

To the left is the Clifford Whitworth Library – this is the original architectural impression – signed Peter Sainsbury.

The original fascia was tile clad.

Subsequently replaced by uPVC boards.

Yet again the original interior was integral too the architectural scheme and period.

Across the way the Chapman Building.

It was designed by WF Johnson and Partners of Leamington Spa, as a lecture theatre block and gallery. It sits with its long axis running parallel to the railway behind. The series of grey volumes, occasionally punctuated by colourful floods of red and green trailing ivy, hang together in a less than convincing composition. The orientation and access to the building seem confused and detached from any cohesive relationship to the rest of the campus, but there is something perversely attractive about the right essay in the wrong language. The reinforced concrete building contained five lecture theatres, communal spaces, an art gallery, AV support areas and basement plant rooms. Following a major refurbishment in 2012, several additions were made to the exterior and its total concrete presence somewhat diminished. It still houses lecture theatres and a number of other learning and social spaces.

Mainstream Modern

To the rear of the building there are some of the original details, now painted a series of funny colours.

A ways down the road the former Salford Technical College.

Now the part of the University of Salford, this grouping is probably the most significant work by Halliday Meecham during this period. The blocks wrap to almost enclose a courtyard and they step up in height towards the rear of the site. To the front is a lecture theatre block in dark brick. The multi-storey elements are straightforward in their construction and appearance and have had their glazing replaced. Perhaps the richest elements here are the three totemic structures by artist William Mitchell, which were listed at Grade II in 2011. Mitchell was actively engaged with the experiments of the Cement and Concrete Associations during the 1960s and produced a wide variety of works for public and private clients; other works regionally include the majority of the external art and friezes at Liverpool Metropolitan Cathedral and the Humanities Building at Manchester University. These textured concrete monoliths appear to have an abstract representation of Mayan patterns and carry applied mosaic. They were made on site using polyurethane moulds. There is another Mitchell work hidden behind plasterboard in the inside of the building.

Mainstream Modern

Subsequently assimilated into the University.

Across the A6 the former estate pub the Flemish Weaver is currently shrouded in particle board and in use as a base for construction workers.

Just down the way The Woolpack is no more.

April 1965 saw the Salford City Reporter proudly boast in an article that

The Ellor Street dream begins to come true – complete with interviews with residents of the newly constructed Walter Greenwood, Eddie Colman and John Lester Courts all which towered some 120 feet above the Hanky Park skyline.

These particular blocks of flats were of special significance because their completion was the end of the first stage of the Ellor Street redevelopment scheme which was to provide 3,000 new homes, the £10 million pound Salford Shopping Precinct and a new civic centre – which never got built – making this A Salford of the Space Age.

Salford Online

The tower blocks are now clad and the site a construction base for cladders.

Full details of Salford’s complex and extensive redevelopment can be found here at Tower Block.

Walter Greenwood Court was demolished in 2000/2001, whilst Eddie Colman and John Lester Court are now student accomodation for the nearby Salford University.

Onwards and underwards towards Salford Shopping City.

The construction of the shopping centre and surrounding areas continued and on 21 May 1970 the new Salford Market officially opened. From 1971 onwards new shops inside the precinct itself began to open.

However, due to a lack of funds and a political scandal which saw chairman Albert Jones jailed for eight months construction of Salford Precinct was halted. The site had only 95 shop units compared to the proposed 260, the hotel and two storey car park were never built.

The architectural core of the site has been retained, including the 23 storey Briar Court residential tower.

Tucked in behind is Mother of God and St James RC Church.

Clearances took place from the middle of the twentieth century and new high-rise housing blocks were built, as well as a shopping centre.

There was a Catholic presence in the area from 1854, when schools were built. What was described in The Tablet as a beautiful church, an Early English Gothic design by M. Tijou – presumably Herbert Tijou, architect of the chapel to Loreto College, Manchester, was opened by Cardinal Manning, Archbishop of Westminster in 1875.

One hundred years later this church was demolished and replaced by the present building.

The architects were Desmond Williams & Associates, the design bearing some similarity to their St Sebastian, Salford. In 2010 the church of All Souls, Weaste, was closed, and the marble sanctuary furnishings brought to the church.

Description

All orientations given are liturgical. The church is steel framed with brick walls and a monopitch roof (originally covered with copper, now with felt).  Bold brick forms create a presence, and the design is somewhat defensive, with few windows. The building is entered from a lower porch which forms a narthex. The slope of the roof and the stepped clerestory lighting create a striking impression inside, and full-height windows towards the east end incorporate stained glass figures said to have originated in the previous church. Marble sanctuary furnishings are presumably those from the church in Weaste and appear to be of later twentieth century date, while the font is of traditional type with a clustered stem and may have come from the earlier church.

Taking Stock

Returning to The Crescent the High Street Estate is all but demolished, save for one resident and their row.

This is an area which has seen a succession of clearances, redevelopment and shifts in demographics during a relatively short and intense period of change.

That process of change continues to hastily unfold.

Stockport Bus Station – Closed

April 1979 work begins.

Opening on March 2nd 1982.

Closing on Saturday 28th August 2021.

I have been in in and out of here for some forty odd years, writing of its history and recording its decline.

No more cold damp shelters, no more cavernous and grimy public conveniences, no more chips and shop.

Bye bus station.

Carlton Theatre – Hull

470-476 Anlaby Rd Hull HU3 6SH

Opened on 9th September 1928 with the silent film Lonesome Ladies.

The Carlton Picture Theatre in Anlaby Road was designed by the firm of Blackmore & Sykes and was built by Messrs. Greenwood and Sons.

It was run by Hull Picture Playhouse Ltd.

This was a lavish suburban cinema, with an elaborate green and gold sliding dome utilising Venetian glass and housing hundreds of concealled lights. Roman marble mosaics and painted plaster panels on the walls added to the sense of occasion engendered by a trip to the flicks.

A Fitton & Haley organ was installed, but this was later removed to the more central Cecil Theatre and was destroyed when that theatre was bombed during WW II.

The cinema had two entrances, one in each of the two towers on the front corners of the building. Above the proscenium was the inscription, rather inapt given how soon talkies arrived :

“A Picture is a poem without words”.

There was a single balcony and, for its date, a surprisingly large car park.

It continued unaltered, save for minor war damage, until its closure in April 1967, after which it was simply converted to bingo usage which continued as a Mecca Bingo Club until 2008.

Cinema Treasures

This is an immense and noble building, a once great single screen cinema.

Unluckily closed for some thirteen years, now looking neglected and forlorn.

Tinned up and awaiting an uncertain future, planning was applied for conversion to apartments, it was refused.

It is unlisted and unloved in need of friends and funds, who could operate a cinema and theatre in the manner of The Plaza in my hometown of Stockport.

The interior has been recorded by 28 Days Later.

We all deserve better.

The number of cinemas in Hull peaked at thirty six in 1938.

British film making flourished during the war years and cinema attendances were much higher, but by the end of the Second World War there were only twenty five – several had been bombed.

In 1964 competition from radio and television, and latterly bingo, reduced the number of cinemas to ten.

Now there are four.

REX Launderette Hull #2

Having been to REX Launderette #1 – seemed rude not to visit REX Launderette #2.

It’s a ways up the road on foot and then you can jump the bus back.

Give it a go!

REX Launderette Hull #1

Having made my name as the #1 laundrette snapper in the land with my runaway sell-out publication

eight laundrettes.

I continue to casually record the typology should the occasion arise.

Last Tuesday afternoon returning from Hessle on the 56 bus, I caught sight of the REX.

So I was duty bound to return on the Wednesday to take a good old look around.

This is what I found.