Pandemics come and almost go – as do seaside shelters it seems.
The shelters of 1860 are quite literally a thing of the past.
Thye have become host to Niall McDiarmid‘s snaps of local business folk – the project developed when local residents raised concerns about the appearance of the shelters on the promenade.
Cllr Roger Parry said
The shelters are nearing the end of their lifespan and these sections of the prom will be upgraded as part of the waterfront project.
In the meantime, State of Independents will make great use of the shelters; celebrating our hardworking local businesses and hopefully encouraging footfall from the promenade to our high streets.
The last of the Rhos on Sea shelters is a dangerous customer suitably secured.
There remains two exemplars of the typology located at the Colwyn end of the bay.
The second shelter lacks the pierced concrete blocks.
So work progresses on the coastal defences, the promenade is refashioned after a fashion in the fashion of the day.
There is no longer a place for these unique exemplars of Municipal Modernism.
Before the work began, the promenade was a tired, uninviting and underused public space. Poorly lit and often host to anti-social behaviour, the uneven surfacing and crumbling shelters were the results of years of patchwork repairs.
The project has transformed the area into a public space which the local community can take pride in and make use of all year round.
The building was originally developed by C&A and it is thought that funding for the reliefs might have been provided by the store and/or Northern Arts. It became BHS which subsequently closed, the building is now occupied by Primark, C&A estates still own the site.
A simple three-arched entrance had been built facing the seafront and the area was now completely enclosed within a boundary. In 1909, large rides appeared, including a Figure Eight rollercoaster and a Water Chute. Elderton and Fail wanted to make a statement and create a new, grand entrance to the fairground. They hired the Newcastle architects Cackett& Burns Dick to survey the site and begin drawing up plans for new Pleasure Buildings.
Building began in February 1910 and the construction was completed by builders Davidson and Miller 60 days later. The use of the revolutionary reinforced concrete technique pioneered by Francois Hennebique was perfect for the job, being cheap and fast. The Dome and surrounding buildings – a theatre and two wings of shop units – opened on 14 May 1910 to great fanfare. Visitors marvelled at the great Spanish City Dome, the second largest in the country at the time after St. Paul’s Cathedral in London, which provided a spectacular meeting place with uninterrupted views from ground level to its ceiling, 75 feet above.
Telegraph-wire cyclists, acrobatic comedians, singing jockeys, mermaids, they all appeared at the Spanish City during its first decade. One of the wings hosted the menagerie, where visitors could see hyenas, antelopes and tigers! This was converted into the Picture House cinema in 1916.
A little further along, a selection of Seaside Moderne semis in various states of amendment and alteration.
Before I knew it I was in Blyth.
The town edged with military installations
Gloucester Lodge Battery includes the buried, earthwork and standing remains of a multi-phase Second World War heavy anti-aircraft gun battery and radar site, as well as a Cold War heavy anti-aircraft gun and radar site. The battery occupies a level pasture field retaining extensive rig and furrow cultivation.
827 men of the 225th Antiaircraft Artillery Searchlight Battalion of the U.S. Army, arrived at this location in early March 1944 and were attached to the 30th British AAA Brigade. Here they sharpened their skills in the high-altitude tracking of aircraft.
The cycle route took me off road along the estuary and under the flyover.
Encountering a brand new factory.
And the remnants of the old power station.
Blyth Power Station – also known as Cambois Power Station, refers to a pair of now demolished coal-fired power stationsThe two stations were built alongside each other on a site near Cambois in Northumberland, on the northern bank of the River Blyth, between its tidal estuary and the North Sea. The stations took their name from the town of Blyth on the opposite bank of the estuary. The power stations’ four large chimneys were a landmark of the Northumberland skyline for over 40 years.
After their closure in 2001, the stations were demolished over the course of two years, ending with the demolition of the stations’ chimneys on 7 December 2003.
UK battery tech investor Britishvolt has unveiled plans to build what is claimed to be Britain’s first gigaplant at the former coal-fired power station in Blyth in Northumberland.
The £2.6 billion project at the 95-hectare Blyth Power Station site will use renewable energy from the UK and possibly hydro-electric power generated in Norway and transmitted 447 miles under the North Sea through the ‘world’s longest inter-connector’ from the North Sea Link project.
By 2027, the firm estimates the gigaplant will be producing around 300,000 lithium-ion batteries a year.
The project is predicted to create 3,000 new jobs in the North East and another 5,000 in the wider supply chain.
Temenos is a Greek word meaning land cut off and assigned as a sanctuary or holy area.
Following a 1907 Act of Parliament the bridge was built at a cost of £68,026 6s 8d by Sir William Arrol & Co. of Glasgow between 1910 and 1911 to replace the Hugh Bell and Erimus steam ferry services. A transporter bridge was chosen because Parliament ruled that the new scheme of crossing the river had to avoid affecting the river navigation.
The opening ceremony on 17 October 1911 was performed by Prince Arthur of Connaught, at its opening the bridge was painted red.
In 1961 the bridge was painted blue.
In 1974, the comedy actor Terry Scott, travelling between his hotel in Middlesbrough and a performance at the Billingham Forum, mistook the bridge for a regular toll crossing and drove his Jaguar off the end of the roadway, landing in the safety netting beneath.
The cycle track followed the river, which sports a fine array of industrial architecture.
Tees Newport Bridge designed by Mott, Hay and Anderson and built by local company Dorman Long who have also been responsible for such structures as the Tyne Bridge and Sydney Harbour Bridge, it was the first large vertical-lift bridge in Britain.
In a slightly more upbeat mode St James the Apostle Owton Manor.
I convinced myself that this building on Station Road Seaton Carew was a former pub, I discovered following consultation with the local studies offices, that it was in fact a former children’s home destined to become a doctors.
I found myself looking back across the estuary to Redcar.
Northward toward Hartlepool.
Where the bingo was closed and the circus had left town.
Every Englishman’s home is a bouncy castle.
St John Vianneylocated on King Oswy Drive West View Estate.
Architect: Crawford & Spencer Middlesbrough 1961.
A large post-war church built to serve a housing estate, economically built and with a functional interior. The campanile is a local landmark.
The parish of St John Vianney was created in 1959 to serve the growing West View Estate, on the north side of Hartlepool. The church was opened by Bishop Cunningham on 4 April 1961. The presbytery was built at the same time.
Seeking assistance from a passing cyclist I negotiated a safe passage to Sunderland.
The Sunderland Synagogue is a former synagogue building in Sunderland, England. The synagogue, on Ryhope Road, was designed by architect Marcus Kenneth Glass and completed in 1928. It is the last surviving synagogue to be designed by Glass.
I took a right and arrived in Roker, where I saw these well tanned and tattooed cyclists taking a rest.
Pressed on, largely alongside the coast to South Shields.
Tyne Cyclist and Pedestrian Tunnel was Britain’s first purpose-built cycling tunnel. It runs under the River Tyne between Howdon and Jarrow, and was opened in 1951, heralded as a contribution to the Festival of Britain.
Built in 1928, this church was designed with some care and is an attractive, if fairly modest, Lombard Romanesque-style essay in brick. The use of a semi-circular apse, narrow brickwork and use of tile for decorative effect give it a pleasing appearance, typical of restrained but elegant work between the wars.
I arrived and took a look around, first time in town, here’s what I found.
We awoke, we dawdled around Deal, prior to our delightful breakfast.
Though the pier appeared to be closed.
Extending elegantly over a still, still sea.
The present pier, designed by Sir W. Halcrow & Partners, was opened on 19 November 1957 by the Duke of Edinburgh. Constructed predominantly from concrete-clad steel, it is 1,026 ft in length – a notice announces that it is the same length as the RMS Titanic, but that ship was just 882 feet, and ends in a three-tiered pier-head, featuring a cafe, bar, lounge, and fishing decks.
The lowest of the three tiers is underwater at all but the lowest part of the tidal range, and has become disused.
Pausing in Ramsgate to admire Edward Welby Pugin’s Grade II Listed – Granville Hotel.
The Granville development, so named after George Leverson Gower, second Earl Granville (1815-1891), was a venture undertaken by Edward Welby Pugin, together with investors Robert Sankey, George Burgess and John Barnet Hodgson on land acquired from the Mount Albion Estate in 1867. The scheme was to be an important new building in the eastward expansion of the town and the emergence of a fashionable new suburb. At the outset, the intention was to build a relatively restrained speculative terrace of large townhouses with some additional facilities. However, as the scheme progressed and it became apparent that buyers could not be secured, revised plans for an enlarged hotel complex were adopted in 1868 and brought to completion in 1869. These plans, which added a series of grand rooms including a banqueting hall, receptions rooms and an entrance hall in addition to a tunnel to connect to the railway line on the seafront, gardens, a complex of Turkish baths and a vast landmark tower (originally 170ft high, although truncated at a relatively early date), were remarkably ambitious. Ultimately, as it would transpire, the scheme was rather too ambitious on Pugin’s part; with his increasing reliance on loans eventually culminating in bankruptcy in October 1872, an event which precipitated his demise as an architect, tragically followed by his death just three years later.
Overlooking the sea, the ornamental gardens were laid out and presented to the Borough of Ramsgate by Dame Janet Stancomb-Wills in 1920 and opened to the public in June 1923 by the Mayor of Ramsgate Alderman A. W. Larkin. They are maintained by Thanet District Council and were Grade II listed on 4 February 1988.
The gardens were designed by the architects Sir John Burnet & Partners, and constructed by Pulham and Son. The main feature of the gardens, is a semi-circular shaped colonnade carved into the pulhamite recess.
On the upper terrace, approached by broad flights of steps, the gardens proper are reached. In the centre, and immediately over the shelter, is a circular pool enclosed on the north side by a semi-circular Roman seat.
On leaving the town we encounter this engaging flint church – Holy Trinity
Erected 1829-1830. David Barnes Architect, extended 1925.
Built of flint and rubble.
One of the first visitors to this church was Charles Dickens who offered a very unflattering description in his work, Our English Watering Place:
We have a church, by the bye, of course – a hideous temple of flint, like a petrified haystack. Our chief clerical dignitary, who, to his honour, has done much for education, and has established excellent schools, is a sound, healthy gentleman, who has got into little local difficulties with the neighbouring farms, but has the pestilent trick of being right.
In Margate the tidal pools are full of waveless sea water and kiddy fun.
The former crazy golf course is undergoing an ongoing programme of involuntary rewilding.
Lyons obtained a licence to use the Wimpy brand in the United Kingdom from Edward Gold’s Chicago based Wimpy Grills Inc. and, in 1954, the first Wimpy Bar was established at the Lyons Corner House in Coventry Street, London.The bar began as a special fast food section within traditional Corner House restaurants, but the success soon led to the establishment of separate Wimpy restaurants serving only hamburger-based meals.
In a 1955 newspaper column, Art Buchwald, syndicated writer for the Washington Post, wrote about the recent opening of a Wimpy’s Hamburger Parlor on Coventry Street and about the influence of American culture on the British.
Food served at the table within ten minutes of ordering and with atomic age efficiency. No cutlery needed or given. Drinks served in a bottle with a straw. Condiments in pre-packaged single serving packets.
In addition to familiar Wimpy burgers and milkshakes, the British franchise had served ham or sardine rolls called Torpedoes and a cold frankfurter with pickled cucumber sandwiches called Freddies.
During the 1970s Wimpy refused entry to women on their own after midnight.
Moving along eye spy the Isle of Wight Ferry through the Hovertravel window.
Hovertravel is now the world’s oldest hovercraft operator, and this service is believed to be unique in western Europe.
It is the world’s only commercial passenger hovercraft service.
The operator’s principal service operates between Southsea Common on the English mainland and Ryde Transport Interchange on the Isle of Wight: the crossing time of less than 10 minutes makes it the fastest route across The Solent from land to land.
This service commenced operations in 1965, Hovertravel currently operates two 12000TD hovercraft on a single route between Ryde and Southsea.
The Knight & Lee building, which is located between two conservation areas on a prominent corner of Palmerston Road and Clarendon Road in Southsea, Portsmouth, was designed by Cotton, Ballard and Blow.
Founded 1847 when Richard Gale acquired the Ship & Bell home brew house.
Registered in April 1888 with 80 public houses.
Acquired by Fuller, Smith & Turner Ltd in 2005 with 111 houses and closed.
Now we is at the Borough Arms and other favourite – purveyors of strong rough cider.
Built in 1899 architect AE Cogswell as the Old Vic now listed but no longer a pub
Along with the adjacent Wiltshire Lamb which since the 1980s this pub has had a variety of names including, Drummond’s, Tut ‘n’ Shive, Monty’s and now Hampshire Boulevard, usually shortened to HB.
The Norrish Central Library: city architect Ken Norrish 1976 – is all that remains this Brutal part of Portsmouth.
It faces the stylish new Civic Centre: Teggin & Taylor 1976 – a piazza completed by the adjacent Guildhall.
Alas no more:
The Tricorn Centrewas a shopping, nightclub and car park complex, it was designed in the Brutalist style byOwen Luder andRodney Gordon and took its name from the site’s shape which from the air resembled a tricorn hat.
Constructed in the mid-1960s, it was demolished in 2004.
Next we are by the former Portsmouth Polytechnic Fine Art block in Lion Terrace.
The ground floor corner housed the print room where I learnt my craft under the tutelage of Ian Hunter who we hooked up with for a pint and a chat.
Thanks ever so Ian for everything.
The happy days came to an end when the department was acrimoniously closed during a Hampshire shuffle.
We also cycled out to Langstone Harbour in search of the Arundel Canal lock gates, where Tim had languidly drawn away the hours, too many summers long ago.
After some circuitous searching we finally found them.
We ended a long day in the Barley Mow sharing yet another pint, one of many in our almost fifty year friendship.
While working for George Wimpey and Co. Ltd, and together with J E Tyrrell, Chief Architectural Assistant to Gosport Borough Council, Kenneth Barden was responsible for tiled murals on Seaward Tower and Harbour Tower, two sixteen-storey tower blocks built in 1963 on the Esplanade in Gosport.
They really are something they really are.
And so following a ride on the Gosport Ferry we arrive at Portsmouth Harbour.
The land where British Rail signage refuses to die!
I have passed this way before on a Bournemouth to Pompey trip and both Tim and I were students at the Poly here in the 70s – more of which later.
East Didsbury Station was opened in 1909 by the London and North Western Railway and, until 6 May 1974, was called East Didsbury and Parrs Wood.
From 1923, the line was operated by the London Midland and Scottish Railway. Following the formation in 1948 of British Rail, rail services were operated by the London Midland Region of British Railways, then North-Western Regional Railways.
Well not a great deal, it’s 1772 and the Gardens and Plaza, are as yet undreamt of – the area was occupied by water-filled clay pits called the Daub Holes, eventually the pits were replaced by a fine ornamental pond.
In 1755 the Infirmary was built here; on what was then called Lever’s Row, in 1763 the Manchester Royal Lunatic Asylum was added.
There were grander unrealised plans.
Including an aerial asylum.
The Manchester Royal Infirmary moved to its current site on Oxford Road in 1908. The hospital buildings were completely demolished by April 1910 apart from the outpatient department, which continued to deal with minor injuries and dispense medication until the 1930s.
After several years in which the Manchester Corporation tried to decide how to develop the site, it was left and made into the largest open green space in the city centre. The Manchester Public Free Library Reference Department was housed on the site for a number of years before the move to Manchester Central Library.
The sunken garden was a remnant of the hospital’s basement.
Towering cranes tower over the town, deep holes are dug with both skill and alacrity.
A Plaza begins to take shape, take a look.
All we need now are tenants.
Piccadilly Plaza now contains the renovated Mercure Hotel it was formerly known as the Ramada Manchester Piccadilly and Jarvis Piccadilly Hotel; the refurbishment was completed in 2008.
The retail units famously contained Brentford Nylons.
The company was eventually sold at a knock-down price and the new owner did not think the name worth having.
The noisy upstairs neighbours were Piccadilly Radio.
The first broadcast was at 5am on April 2nd 1974, it was undertaken by Roger Day, with his first words to the Manchester audience: “It gives me great pleasure for the very first time to say a good Tuesday morning to you… Hit music for the North West…we are Piccadilly Radio” before spinning Good Vibrations.
It was the first commercial radio station to broadcast in the city, and went on to launch the careers of a host of star DJs, the likes of Gary Davies, Chris Evans, Andy Peebles, Timmy Mallett, Mike Sweeney, Pete Mitchell, James Stannage, Steve Penk and James H Reeve.
Waiting for a mate who worked at Piccadilly Radio we ventured down the stairs next door to get a drink and because of our clothes/leather jackets we were chucked back up the steps. We should of stood our ground like one of my mates who was told he could stay if he turned his jacket inside out, thinking he wouldnt do it, but he did and had a drink with his red quilted lining on the outside.
“Food served at the table within ten minutes of ordering and with atomic age efficiency. No cutlery needed or given. Drinks served in a bottle with a straw. Condiments in pre-packaged single serving packets.”
In addition to familiar Wimpy burgers and milkshakes, the British franchise had served ham or sardine rolls called torpedoes and a cold frankfurter with pickled cucumber sandwiches called Freddies.
Even on the greyest days the Plaza was a beacon of Modernity.
Though sadly we eventually lost Bernard House.
However, City Tower still prevails as a mixed use office block, adorned east and west with big bold William Mitchell panels.
Which were to be illuminated by ever changing images, produced by photo electric cells – sadly unrealised.
So goodbye Piccadilly – farewell Leicester Square? – it’s a long, long way to the future, and we’re barely half way there.
While we’re in the vicinity take a quick trip up and down the car park ramp.
Notably the entrance to the Hotel Piccadilly was on the first floor, accessed by non-existent highways in the sky – sweet dreams.
This time as an interchange, where bus, tram and train converge – the most modern of modern ideas.
The brand-new Ashton-under-Lyne Interchange is now open, providing passengers with much-improved facilities and a modern, accessible gateway to the town.
The Interchange supports the economic growth of the town and helps people to get to and from their places of work as well as Ashton’s great shops, markets, restaurants and bars in a modern, safe and welcoming environment.
The Interchange has been developed by Transport for Greater Manchester in partnership with Tameside Council and funded with support from central government’s Local Growth Deal programme.
The building contractor was VINCI Construction UK.
In my memory of days long gone by, I call to mind the stops strewn around St Michael’s Square – all points east I assume, Stalybridge, Mossley, Micklehurst, Dukinfield, Glossop and beyond.
Prior to 1963, Ashton-under-Lyne’s buses and trolleybuses stopped at a variety of termini throughout the town centre. Manchester Corporation services called at Bow Street and Old Square, by Yates’ Wine Lodge; Ashton-under-Lyne Corporation’s buses opted for Market Street and Wellington Road by the town hall.
Ashton zooms forward into the future, its flat-roofed modern facilities complemented by ranks of low-level shelters and edged to the east by a walled lawn and flower bed – where we all loved to sit of a sunny day.
And the under the cover of the canopy at night, ready for the time of your life, at the Birdcage, pub or pictures.
I remember the kiosk on the corner, a jewellers around the other corner.
I’ll meet you under the clock.
Photo: Ron Stubley
Here we see that the original shelters have been replaced and realigned.
Temporary Queensbury shelters were put in place prior to the addition of GMPTE’s standard shelters, seen in Stockport and Oldham bus stations. By the close of 1983, the recognisable GMPTE ones emerged. The cover at the precinct end was later glazed and became stands A to C.
The second version of Ashton-under-Lyne’s bus station opened on the 18 March 1985. After two and a half years refurbishment work, it was opened at 11.30 by Councillor Geoffrey Brierley.
And that’s the corner where we would deck off the open backed buses, hitting the pavement at speed.
That’s the deep blue and cream Ashton livery later superseded by SELNEC, GMPTE and TFGM – the wonderful full fare, unfair world of Margaret Hilda Thatcher’s privatisation, Arriva, First and Stagecoach first.
Then in the 1995 with the development of the Arcades Shopping centre, the whole site is reconfigured, now seen nestling in the shadow of the Dustbin.
Though as we know, nothing lasts forever and the shelters, passengers and buses get shunted and rebuilt yet again,
When World War II broke out, Hastings and St Leonards-on-Sea were considered vulnerable to attacks and invasion from abroad. On the night of Saturday 29 July 1944 a doodlebug was hit over the English Channel. Damaged, it nevertheless continued to fly towards the coastline of St Leonards-on-Sea. It was approaching Marine Court which was hosting a servicemen’s party – but it veered and crashed in front of the doors of St Leonard’s Church, making a deep crater. The tower fell into this, and the rest of the church was brought down as well. Although there were no casualties, the church was completely destroyed. Although the problem of rock falls and subsidence associated with the cliffs had continued throughout the life of the church, the War Damage Commission would only pay for it to be rebuilt on the same site. The architectural partnership of brothers Giles and Adrian Gilbert Scott were commissioned to design the new building.
Patrick Reyntiens stained glass
The unique features were inspired by Canon Cuthbert Griffiths, rector from 1929 to 1961. Following a dream, he went to Israel and had the prow of a Galilean fishing boat constructed to form the pulpit.
Marble work on the floor depicts locally caught skate and herring.
Beyond the communion rail are loaves and fishes set in different marble patterns bordered by scallop shells, a copy of the Byzantine mosaic in the Church of the Feeding of the Five Thousand in Galilee.
The structure set into shifting cliffs is subject to subsidence.
Procedures have been completed for St Leonard’s Parish Church on Marina to be closed for worship.
The service will be next Saturday August 4 2018 at 3pm.
Because the building cannot be used the service will be at St Ethelburga’s in St Saviour’s Road.
St Leonard’s has been called the church with an inbuilt message. Even the very stones cry out to those who have eyes to see, ears to hear and a heart to understand and accept the Good News of the Gospel.
It’s Tuesday 5th August 2015 and the taps don’t match – is this a good omen?
Or simply proprietorial pragmatism?
And why is the sink a funny shape?
Any road up we’re off up the road, the sun’s a shining and here we are in Littlehampton.
Looking at a pale blue gas holder, some way off in the middle distance.
Staring up at a fishmonger’s ghost.
Passing by an ultra-squiggly seaside shelter as a runner passes by.
The Long Bench at Littlehampton is thought to be the longest bench in Britain and one of the longest in the world. The wood and stainless steel bench ‘flows’ along the promenade at Littlehampton in West Sussex – curving round lamp posts and obstacles, twisting up into the seafront shelters, dropping down to paths and crossings.
The bench was opened in July 2010 and can seat over 300 people. It was funded by Arun District Council and CABE’s ‘Sea Change’ capital grants programme for cultural and creative regeneration in seaside resorts. The bench was also supported by a private donation from Gordon Roddick as a tribute to his late wife Anita, the founder of the Body Shop, which first began trading in Littlehampton.
Water treatment plant.
Nothing lifts the spirits quite like a wildflower meadow.
Imagine my surprise having gone around the back – an expressionist concrete spiral stairway.
Letting the sky leak in here at Burlington Court in Goring on Sea
The phrase deceptively spacious is one that is often overused within the property industry, however it sums up this ground floor flat prospectively. Offering a great alternative to a bungalow and providing spacious and versatile living accommodation, this is an absolute must for your viewing list.
What a delightful Modernist frieze on the side of Marine Point – Worthing!
With lifts to all floors this triple aspect corner apartment is situated on the fifth level and has outstanding panoramic sea views across from Beachy Head to Brighton through to the Isle of Wight. It is also benefits from stunning South Down views to the west and north. The property has been recently refurbished to a high specification and includes features such as: Quick-Step flooring, security fitted double glazed windows, a hallway motion sensor lighting system, extensive storage space and two double bedrooms.
Fox and Sons are delighted to offer For Sale this immaculate seafront penthouse located within the highly desirable Normandy Court situated on the sought after West Parade, Worthing. Upon entry you will notice that the communal areas are kept in good condition throughout.
One of the finest modular pre-cast concrete car parks in the land.
Borough council officers have recommended developing the Grafton car park, with a fresh study recommending that building new homes there is key – saying it is important to help revitalise the town centre and bring in new cutlural and leisure activities.
The car park is currently undergoing essential maintenance to be able to keep it open in the short term but the recommendation is that it should eventually be demolished to make way for the new development.