The Church of Our Lady Star of the Sea was built using reinforced concrete around 1937 and its dedication carries tribute to sailors lost at sea. The roof is designed to resemble the hull of a boat, and the windows in the crypt port holes. These aspects reflecting the maritime heritage of Amlwch.
Designed by Giuseppe Rinvolucri, an Italian architect who was originally brought to Wales as a prisoner of war. He subsequently married a local woman, and lived and worked in north Wales, specialising in Roman Catholic churches. He also designed a number of other churches in Wales, including those at Abergele, and Porthmadog.
Around 600,000 Italian soldiers were taken prisoner during the First World War, about half in the aftermath of Caporetto. Roughly one Italian soldier in seven was captured, a significantly higher number than in other armies on the Western Front.
About 100,000 Italian prisoners of war never returned home, having succumbed to hardship, hunger, cold and disease – mainly tuberculosis.
Uniquely among the Allied powers, Italy refused to assist its prisoners, and even hindered efforts by soldiers’ families to send them food.
From the 1930s he was living at St Francis Grange, Glan Conwy, an art deco style dwelling overlooking the Conwy estuary.
The main entrance leads into a small vestibule with raking sides; further doorways lead into the end of the main body of the church. The ribbing that is such a prominent feature of the exterior of the church also dominates the design of the interior; the body of the church illuminated by bands of geometrically patterned lights between the ribs. The lateral walls have marble panels which also follow the pattern of the ribs; to the top are paired panels, each with a moulded quatrefoil plaques depicting biblical scenes, plain paired panels below. The marbled panels continue at the far end of the church, raised up over round-headed doorways flanking a recess painted with a depiction of the crucifixion; star shaped lights follow the line of the domed arch.
I think it is worthy of mention how the whole mass of imitation stone frontage was done by one plasterer long gone called Llew – Inja Rock, whose pretty unique style of work is still to be seen elsewhere around town today. He once showed me how it was done, all with a little teaspoon. What patience and what a proven good job to stand the trial of time of 40-plus years without a great deal, if any, remedial work. A sound memorial to a good working man.
For many years I have cycled y on my tours around Anglesey- often stopping to marvel at this concrete anachronism.
This time I stopped to walk around and take some snaps – here they are.
The Pevsner Buildings of Wales guide calls it:
A piece of Italian architectural daring of the 1930s – a soaring reinforced concrete and brick vault formed on six arches, expressed as ribs externally and internally, with a conical apse. Three transverse bands of glazing in geometric trefoils of white and blue.
Five glass stars – made in France, perforate the East wall round the apse.
Rinvolucri’s team of builders constructed the innovative parabolic vault in six months in 1935.
The same guide calls it Futurist, closer to Freyssinet’s 1920s airship hangars at Orly, Paris, than to Catholic Church design, and unlike the conservatism of Anglesey building.
He died in 1962 and is buried in St Agnes Road Cemetery, Conwy with Mina, who died in 1991.
When the figures say crime is falling, why are we more frightened than ever? Could our towns and cities be creating fear and mistrust? More property is being built in Britain than at any time since the Second World War – but it’s owned by private corporations, designed for profit and watched over by CCTV. From the Docklands boom to cities such as Manchester, gated apartment developments, gleaming business districts and plazas have sprung up over the country.
Has this ‘regeneration’ really made our lives better?
I’m returning to the MMU Didsbury Campus, the site began life as a baronial deer park and estate, in 1740 the site was purchased by the Broome family, and a new house was constructed after 1785 by William Broome, from 1812 owned by Colonel Parker. Following a succession of uses and owners the School of Education is established.
I studied for a PGCE in Art there in 1984.
Subsequently, fun and fashionable free-market economics, have increasingly governed the management of education and its assets.
MMU sold the site for an undisclosed sum to the developers PJ Livesey.
This is Sandown House, formerly the administrative block, redeveloped as private homes, each valued at £675,000 and upwards.
St James Park is an exclusive collection of beautifully converted heritage buildings and individually designed luxury homes offering opulent living accommodation finished to an uncompromising specification. Beautifully styled and perfectly connected, this gated development is located moments away from the heart of Didsbury Village.
So why choose a gated community?
The fear of fear it would seem, is on the increase, whilst crime itself is decreasing.
Royal Institute of Chartered Surveyors says that although residents feel safer in gated communities, it is more of a perception than a reality. Research in the US suggests that gating may not deter criminals and initial studies in the UK suggest the same.
If they are allowed to develop unchecked, it will breed hostility and threaten the social cohesion of the UK’s cities, the surveyors warn.
Social exclusion, the bitter taste of economic apartheid is obviously the plat du jour here in St James Place – there is limited pedestrian access and secure gates to inhibit unwanted automotive ingress.
There is an exciting array of CCTV devices, encoded gates and doors, ever higher railings in evidence.
Security for the terminally insecure.
It is possible to live in an open environment in East Didsbury, here on Ford Lane folks come and go, hopefully interacting with friends, neighbours. family and strangers passing idly by.
Though this is one of the most affluent areas of Manchester, and happily one is unlikely to find oneself with an unemployed collier as a neighbour.
Community minded, demographically diverse cities, will produce safe, secure, healthy places to live.
There is no evidence that gated communities are in any way safer, in fact they may well be socially divisive – this is the never never land of smoked glass Range Rover windows and mirrored wardrobes.
Architectural critic Ian Nairn makes a convincing case for a socially mixed residential development, which still maintains a regard for the area’s heritage.
I visited Lillington Gardens Estate in August 2018 – now a mature development, where those residents I spoke with, seemed happy and content with their homes.
Sir John Bland 5th Baronet 1691 – 1743 of Kippax Park and Hulme Hall, was a British landowner and politician who sat in the House of Commons from 1713 to 1727.
His mother was Anne Mosley, daughter of Sir Edward Mosley of Hulme.
He retired from Parliament aged 35 and moved the focus of his local political activity from Yorkshire to Lancashire, where his mother had inherited Hulme Hall and the Lancashire estates which covered most of Manchester.
This is the celebration of privilege, power and property in pressed aluminium and print, saluting the progenitors of the Mosely Family, who once upon a time, were Manchester’s wealthiest landowners.
We live in an owned landscape where access is an issue.
Mr and Mrs Andrews would not the that little or nothing has changed since Gainsborough’s time.
Completed shortly after Mr. Andrews’ marriage to the daughter of a neighbouring gentry, a marriage that enhanced his estate, the image captures the unchanging power of property relations in pre-industrial England.
“They are not a couple in nature as Rousseau imagined nature,” John Berger comments. “They are landowners and their proprietary attitude to what surrounds them is visible in their stance and their expressions.”
The first thing I’d say is this is going to be an aspirational site within an aspirational area – PJ Livesey
So how did we get here?
Baroness Thatcher makes massive tax cuts for the wealthy, funded by North Sea Oil revenues, impoverishing the public purse, undervaluing the privatisation of public assets, encouraging the right to buy, yet inhibiting the building of social housing, hot housing the property owning democracy.
The term ‘property-owning democracy’ emerges from a discursive history of use. Coined by British MP Noel Skelton in 1920, the concept compounded the terms ‘property-owning’ and ‘democracy’ as a conservative response to left-leaning ideas of liberalism and socialism. At this stage, the term represented the necessity of protecting property rights from democratic organisation.
More recently stamp duty holidays, houses as speculative assets not homes, low interest rates, massive middle-class inheritances, deregulation in the financial sector, all fuel the upwardly mobile housing boom.
Whilst for the lower orders years and years of pay freezes, attacks upon trade unions, the continued decline in manufacturing, small state austerity, zero hour contracts, rent hikes, attacks on the unemployed, universal credit and indexed benefits, have all fuelled reduced social mobility.
Looks like we have a schism on our hands.
The UK became a much more equal nation during the post-war years. The data available shows that the share of income going to the top 10% of the population fell over the 40 years to 1979, from 34.6% in 1938 to 21% in 1979, while the share going to the bottom 10% rose slightly.
Since 1979 this process of narrowing inequality has reversed sharply, inequality rose considerably over the 1980s, reaching a peak in 1990.
Come, now, you rich men, weep and wail over the miseries that are coming upon you. Your riches have rotted, and your clothing has become moth-eaten. Your gold and silver have rusted away, and their rust will be a witness against you and will consume your flesh. What you have stored up will be like a fire in the last days. Look! The wages you have withheld from the workers who harvested your fields keep crying out, and the cries for help of the reapers have reached the ears of Jehovah of armies. You have lived in luxury and for self-gratification on the earth. You have fattened your hearts on the day of slaughter.
St James Park is an exclusive collection of beautifully converted heritage buildings and individually designed luxury homes offering opulent living accommodation finished to an uncompromising specification. Beautifully styled and perfectly connected, this gated development is located moments away from the heart of Didsbury Village, where residents can enjoy an abundance of independent café bars, restaurants and boutiques, as well as Didsbury Park on the doorstep.
Alderman Moss bequeathed the house and gardens to the City of Manchester on his death in 1919 because he wanted the house and its contents to remain, as far as possible, intact “to show what a comfortable house of the olden times was like”.
Everything’s gone grey, in the aspirational race for the neutral high ground of individualism, they have painted you into a corner of dull, monochromatic conformity.
Welcome to the professional world of self interested, low-interest, the get rich quick deregulated go-getter.
Now get out.
I dreaded walking where there was no path And pressed with cautious tread the meadow swath And always turned to look with wary eye And always feared the owner coming by; Yet everything about where I had gone Appeared so beautiful I ventured on And when I gained the road where all are free I fancied every stranger frowned at me And every kinder look appeared to say “You’ve been on trespass in your walk today.” I’ve often thought, the day appeared so fine, How beautiful if such a place were mine; But, having naught, I never feel alone And cannot use another’s as my own.
This is a revamped version of my original post, I was contacted by residents, who had reservations concerning the photographs that I had taken of their homes, whilst on their private roads, without their permission, in contravention of current legislation.
I have replaced these with photographs taken from public roads and also from pictures found on the developer’s website.
Places are different: Subtopia is the annihilation of the difference by attempting to make one type of scenery standard for town, suburb, countryside and wild. So what has to be done is to maintain and intensify the difference between places. This is the basic principle of visual planning. It is also the end to which all the other branches of planning – sociology, traffic circulation, industry, housing hygiene – are means. They all attempt to make life more rewarding, more healthy, less pointlessly arduous.
There comes a time in everyone’s life, when one simply must go to Rotherham, at least once – so I did.
To keep company with my personal town guide, Sheffield Modernist and local resident, Helen Angell.
I arrived early at Rotherham Central, so went for a solo wander.
The station was originally named Rotherham, becoming Rotherham and Masborough in January 1889 and finally Rotherham Central on 25 September 1950.
The newish Rotherham Central station was opened to passengers on 11 May 1987, the present iteration on Friday 24 February 2012, as part of the Rotherham Renaissance plans for the regeneration of the town.
Opened 22 December 1934 as the Regal Cinema with Leslie Howard in Girls Please. Sandy Powell, the famous comedian attended opening night this 1,825 seat. It was designed by the Hull based architectural firm Messrs Blackmore & Sykes for local exhibitor Thomas Wade and was leased to the Lou Morris chain.
By 1937 it was operated by the London & Southern Super Cinemas Ltd. chain. The Regal Cinema was leased to the Odeon circuit in 1946 and was re-named Odeon. It was sold by the Rank Organisation to an independent operator in 1975 and renamed Scala Cinema, by 1981 using the circle only.
Closed 23rd September 1983 with the film Porky’s.
Became a bingo hall initially named Ritz but now Mecca. On 20th February 2020 the building was put up for sale by auction at an asking price of £600,000+, but failed to sell, with the maximum reached £590,000. Mecca bingo continues in the building.
Main contractors J. Finnegan it’s thirteen storeys high – housing forty eight dwellings.
Interwar Technical College – Howard Building
From the 1930s, it provided technical-orientated education from the Howard Building on Eastwood Lane, Rotherham. In 1981, three neighbouring colleges of arts, technology and adult education were merged into one. As a result, the college became known as Rotherham College of Arts and Technology.
Revised plans to convert the historic Howard Building in Rotherham town centre into self-contained studios and apartments have been approved by the planning board at Rotherham Council.
The prominent former college building was sold prior to going to auction last September after it was advertised as a development opportunity and given a guide price of £250,000 by local auctioneers, Mark Jenkinson & son.
A group of rogue property directors with links to a prominent derelict building in Rotherham have been banned for a total of 54 years. The six, of Absolute Living Developments, were found to have misled more than 300 people to invest at least £12 million in residential properties.
The firm was linked through a lender to Avro Developments, which had plans passed in 2015 to renovate former college block the Howard Building in Rotherham town centre.
With a strident high tech canopy, very recently added – though Rotherham’s history stems back 800 years when it is thought that the original royal market charter was granted by King John in the year 1207.
There are traces of the 1970’s rebuild.
Bunker-like The Trades former music venue/pub, which replaced the former riverside Trades Club.
The PA now silenced.
This was an amazing event. The bands were really good and the drinks offers, while limited, were good. The ceiling in the ladies toilets had fallen through and was dripping, presumably there had been a leak from all the rain, but this didn’t lessen the awesome experience.
The cooling towers and flats are long gone – the coal-fired power station operated from 1923 until October 1978.
The Prince of Wales Power Station in Rotherham was located on Rawmarsh Road and was opened by the Prince of Wales – the future King Edward VIII.
The former Grattans catalogue offices can be seen to the left.
Renamed Bailey House and still in use by the local authority, its days it seems are numbered.
The building is named after Rotherham-born engineer Sir Donald Bailey whose ingenious bridge designs played a key role in shortening World War II, the house in which Bailey was born, 24 Albany Street is still standing.
Sadly no longer home to the Harlem Shuffle
No big names – just big sounds.
There are some surviving power station buildings.
Along with electrical infrastructure.
Up the road next, to the former fire station, which now houses J E James Cycles.
It is surrounded by typically atypical inter war housing.
I could make the wild assumption, that these flat roofed maisonettes were originally homes fit for firefighters.
They are all built in his distinctive manner, brick and concrete, steel, wood and glass. Often working within tight budgets, respectful of the Christian Church’s early heritage, expressing mass and volume with simple geometry.
The exterior skin pierced by multiple rectangular windows, the interior revealing an elegant calm space with attendant simple decorative elements and fittings.
The body of the church has two asymmetric orthogonal outriders and a tall bell tower.
The transept chapel
The chancel and apse has a raised roof with a glazed face.
Let’s literally take an anti-clockwise look around the outside.
I was warmly welcomed by The Revd David D’Silva, Curate-in-Charge and kindly given free access to the church’s interior.
The wooden framed roof supported by huge parabolic arches of laminated timber.
There are retrieved pews, temporarily reordered to accommodate Covid requirements.
Pace’s own detailed design work in the altar screen and crucifix.
A Mediaeval font.
Light enters from several sources on three elevations.
And through the glazed area of the raised gable.
A delightful morning’s work visiting this well used and cared for church.
Fairfield is a suburb of Droylsden in Tameside, Greater Manchester, England. Historically in Lancashire, it is just south of the Ashton Canal on the A635 road. In the 19th century, it was described as “a seat of cotton manufacture”. W. M. Christy and Sons established a mill that produced the first woven towels in England at Fairfield Mill.
Fairfield is the location of Fairfield High School for Girls and Fairfield railway station.
The community has been home to members of the Moravian Church for many years after Fairfield Moravian Church and Moravian Settlement were established in 1783.
Also the merchant banker and art collector Robin Benson (1850–1929).
Charles Hindley 1796 – 1857 was an English cotton mill-owner and radical politician the first Moravian to be elected as an MP.
Turning into Fairfield Avenue from Ashton Old Road you’ll find Broadway sitting prettily on your right hand side. It was intended to be an extensive Garden Village but was abandoned at the outbreak of the First World War. The estate consists of 39 houses, built between 1914 and 1920 in a neo-Georgian style. These are a mixture of detached, semi-detached and terraces in a range of sizes.
Broadway is a small scale example of a garden suburb development and is composed of a mixture of detached, semi detached and terraced houses ranging in size and built in a reddish-orange brick with dark brick dressing and patterning. The properties appear to be generously proportioned and they share similarities in design and construction and a unifying scheme of decoration.
It issuggested that the ‘imaginative exploitation of the levels and texture suggest that Woods was responsible for the layout, but the chaste Neo-Georgian character of the houses undoubtedly reflects the taste of Sellers’.
Sneaking through the alley – lined with a Yorkshire Stone fence you enter the Moravian Settlement.
The Unitas Fratrum or Moravian Church is an international Protestant Christian group which originated from the followers of Jan Hus in Bohemia (now part of the Czech Republic) during the 15th century. As a result of persecution, the group eventually re-established itself in Saxony in the early 18th century, and it is from there that followers first came to this country in the 1730s, with the intention to go on to carry out missionary work in America and the Caribbean. A decision was taken to establish the first Moravian Settlement in England at Fulneck in Yorkshire in 1744. The first Moravian settlement to be located in Tameside was in Dukinfield during the 1740s. It was there that they laid the foundation stone for their chapel at the top of Old Road in May 1751. By 1783, 40 years after their first arrival in Tameside, the lease on their land at Dukinfield expired, and negotiations for a new one proved difficult. This resulted in the purchase and removal of the community to a 54 acres site at Broad Oak Farm in Droylsden where they established a new settlement known as Fairfield.
As well as providing domestic accommodation, the buildings at Fairfield had industrial functions. During the late 18th and 19th centuries the Settlement would have been a hive of religious and industrial activity, which included the church, schools, domestic dwellings, inn, shop, bakery, laundry, farm, fire engine, night-watchman, inspector of weights and measures, an overseer of roads, physician, as well as handloom weaving and embroidery.
What a delight – the stunning surprise that awaits you, around one particular suburban corner of Bradford.
I had called ahead, to arrange the visit – the Reverend Dorothy Stewart had gracefully invited me to join members of the community and herself, one wild and windy Wednesday.
Steel frame and shuttered concrete with dark red brick walls in stretcher bond, and slate roofs.
Church of 1966 with attached hall of 1971, both designed by architect George Pace. Characterised by asymmetric arrangement of roofs, exposed structure and juxtaposition of materials, this is a complete and largely unaltered example of Pace’s work. The asphalt roof and windows are in very poor condition. Repair works to the roof were carried out in 2016 with funding from the National Lottery Heritage Fund’s former Grants for Places of Worship scheme.
The exterior is stark and angular, the body of the church is a broad rectangle with no division between nave and chancel, with a bell tower to the east, vestries to the north-west and a chapel to the west. At the western end is the church hall, added in 1971. Externally a single asymmetric roof covers the main body of the church, rising at the east end to form a mono-pitch section over the altar area and incorporating the bell tower. There is a porch at the east end of the north side, and a transept with a double pitch roof. To the west is a single storey, flat roof section with an entrance to the north, extending to the transept. West of the main body of the church on the south side is a separate roof, housing a chapel. To the west is the church hall, with a north-south asymmetric roof. All the windows are rectangular, of varying sizes, with plain glass in rectangular leaded lights. Lintels over the doors and the parapet of the flat roofed block are of shuttered concrete, as are the window surrounds.
The body of the church contains Victorian stripped oak bench pews derived from St John’s church in Little Horton, arranged with a central aisle. To the north side is a range of contemporary pews in wood with vertical slatted fronts, in front of the organ, recovered from St. Chrysostom’s Bradford , by Driver and Haigh of Bradford, which is housed in the transept with a matching front of vertical wooden slats.
Let’s take a look.
To the rear is the cylindrical font in white concrete with a wooden lid, set on a raised platform. Suspended above it is a large light fitting in black metal, inscribed around the edges with the words: “This font is erected by relatives and parishioners in memory of/ Beatrice May Parkin, for over forty years a Sunday School teacher and/ worker for St Saviour’s Church, who died 2nd March 1961”.
There is no separate chancel, and the finishes throughout are exposed brick, shuttered concrete and limed oak. The sanctuary area is in the south-east corner and consists of a tall angled purple brick reredos, topped with concrete, and a lower detached, angled purple brick pillar to each side each holding a shelf and incorporating a wooden seat. In front of the central reredos is an integral wooden bench with three backs, and a large black metal cross in the same style as those on the exterior but with more elaboration, fixed to the floor on a raised concrete block. To the fore is the altar table on a low raised platform. The whole is enclosed within an altar rail of iron and wood, open to the centre.
The main roof has exposed wooden trusses supported on concrete pillars and beams, with rafters and purlins also exposed creating a latticework pattern.
The whole interior order is orderly, calm and coherent, a simple consistency of materials and architectural intent.
The solid wood, studded chapel door has the words “I am the Good Shepherd” engraved on it. The chapel has exposed beams and rafters, and an altar to the north with iron and wood altar rail in front. Pews are as in the church. There is a mosaic plaque behind the altar which came from St John’s church in Little Horton.
Beyond to the west is the narthex, with shuttered concrete ceilings pierced by circular skylights, exposed brick walls and doors to the chapel, service rooms and hall.
Such a pleasure to visit such an enchanting church – it was a precious privilege to be welcomed by the congregation, warden and Reverend Dorothy.
Digressing for once from the modern to the near modern in an ancient landscape. Having cycled to Tregaron I took a walk along the Mountain Road with chapel hat peg expert Tim Rushton.
Afore very long we came upon a chapel, set slightly back from the track, tucked snugly into the trees.
Deserted yet maintained, grass trimmed the low structure sealed soundly against the weather.
Calvinistic Methodist small chapel/schoolroom of 1866, a branch of Bwlchgwynt Chapel, Tregaron. Simple plastered interior with cast-iron and timber combined pews and desks. Small plain pulpit. Listed as the best preserved of the small branch chapels in the region. Historically important as illustrating the spread of non-conformity during the mid to later C19 in sparsely populated upland districts.