Mimmo RotellaBest known for his works of décollage and psychogeographics, made from torn advertising posters. He was associated to the Ultra-Lettrists an offshoot of Lettrism and later was a member of the Nouveau Réalisme, founded in 1960 by the art critic Pierre Restany.
I wish to blur the firm boundaries which we self-certain people tend to delineate around all we can achieve.
My name is Kurt Schwitters – I am an artist and I nail my pictures together.
New things had to be made out of fragments.
Together they begin to define the realm of cut and paste collage technology, the chance encounter, the hastily arranged marriage and the jarring clash of culture and counter-culture.
They are my guiding lights – by which to live, look and learn, to loop the Möbius loop into an expanding geometry of new meanings.
The lines curve toward each other and intersect.
JCDecaux was founded in 1964 in Lyonby Jean-Claude Decaux. Over the years it has expanded aggressively, partly through acquisitions of smaller advertising companies in several countries. They currently employ more than 13,030 people worldwide and maintain a presence in over 75 countries.
Outdoor advertising, reaches more than 410 million people on the planet every day.
I first came here some twenty years ago or so and on each subsequent visit little seems to change.
The exterior signage and fascia remain intact.
The orange light shades are still hanging limp and bright from the suspended ceiling.
The furniture and scarlet carpet unmoved, as the cheery waiting staff weave merrily in, out and round about with meals and drinks.
The distinctive white relief sits in the same place on the wall.
Almost inevitably I order a mug of tea.
Along with a plate of eggs chips and peas.
Eat and drink the lot and leave happy and contented – who can resist a well run, well appointed classic café?
A well-known and respected figure in the Bradford business world, Mr Paul Georgiou ran Fountains Coffee House in John Street for just shy of 50 years alongside his wife Mary, and has run cafés and other businesses in the city for almost six decades.
Other ventures created by Mr Georgiou include the Hole in the Wall nightclub, which was one of the first underground nightclubs in the city centre.It hosted acts including Sir Tom Jones and rockers Thin Lizzy as they rose to fame in the late 1960s and early 1970.
Sadly he passed away in 2019.
His main business Fountains Coffee House is now managed by his son Michael, but when it opened it was one of the first businesses to open in the John Street Market, as the Oastler centre was known then.
A beautiful coastal town with a regency feel which is ideal for visitors of all ages. Sat in the middle of spectacular countryside Sidmouth is home to beautiful beaches, stylish eating places and great shopping, with everything from unusual gifts, designer clothing and lifestyle goods available.
The day of my visit the Folk Festival was in full swing – I encountered hardened drunken cider drinkers, drunk in the park and more tie-dyed clothing, than you would consider it humanly possible to produce.
With a hey nonny no I left town – up a very steep hill.
At the top of the hill, I unexpectedly came upon an observatory.
It is both a historical observatory and home to an active amateur astronomical society. It is a centre for amateur astronomy, meteorology, radio astronomy, and the promotion of science education.
The observatory is regularly open to the public, staffed entirely by volunteers, and each summer hosts the South West Astronomy Fair.
Norman Lockyer was a Victorian amateur astronomer, who discovered the element Helium in the Sun’s corona in 1868 and was one of the founders of the science journal Nature in 1869. He became the director of the Solar Physics Observatory at South Kensington and the first professor of astronomical physics in the Normal School of Science – now the Royal College of Science, in 1887, he was knighted in 1897.
Using one’s own skill and ingenuity it is entirely possible to deduce that one arrived at such an august hill top observatory – at exactly X o’clock!
We’re now on the road to Beer, more of which in a moment first we’re on the way to Branscombe.
Characteristic Saxon chiselling on stones hidden in the turret staircase suggest the probability of an earlier, 10th century, Church on the site. Saint Winifred’s is among the oldest and most architecturally significant parish churches of Devon. The 12th century square central tower is one of only four completely Norman towers in Devon.
The church contains a rare surviving example of wall painting, dated about 1450 and discovered in 1911, the couple in this fragment illustrate Lust.
Sadly much of our ecclesiastical art was removed, destroyed or over painted during the Reformation, exacerbated by Cromwell and a general disdain for pictures and such.
Lust was also to be removed, destroyed or over painted.
The reverence for royal succession was and is actively encouraged.
The beautiful picturesque village of Beer is located on the UNESCO World Heritage Jurassic Coast in Devon. Surrounded by white chalk cliffs, the shingle beach is lined with fishing boats still bringing in their daily catches and is famous for its mackerel.
On the edge of the South West Coast Path, Beer has some of the most stunning coastal walks in the county, one of the best being from Seaton to Beer with dramatic views across the Jurassic Coastline. Beer was also named recently by Countryfile as the Top Picnic spot in the UK from Jubilee Gardens at the top of the headland, chose for its stunning view of the beach and village from the hillside.
A narrow lane leads to the bay, clogged with oversized Toytown motor cars, full of folk in search of something which they’re doing their level best to remove, destroy or over paint.
Toytown is home to Larry the Lamb,and his clever sidekick, Dennis the Dachshund. Each day a misunderstanding, often arising from a device created by the inventor, Mr. Inventor, occurs which involves Ernest the Policeman, the disgruntled Mr Growser the Grocer and the Mayor.
Delightful home compromised by the curse of the ubiquitous uPVC.
Whether you are looking for interesting attractions, wanting to explore stunning natural landscapes, experience thrilling outdoor activities, or just wanting somewhere to stay, eat or shop, you’ll find it all in Seaton.
I found a pie shop and a pastie.
I found an ironmongers with a Stymie Bold Italic/Profil fascia.
Frequented by men who tend to adopt a combative stance when confronted with displays of ironmongery.
I found the road to Lyme Regis and the Regent Cinema.
The Regent Cinema opened on 11th October 1937 with Hugh Wakefield in The Limping Man. It was built for and was operated by an independent exhibitor.
Bristol based architect William Henry Watkins designed a splendid Art Deco style inside the cinema which has seating on a stadium plan, originally the seating capacity was for 560. It has a raised section at the rear, rather than an overhanging balcony. Lighting in the auditorium is of a ‘Holophane’ type, which changes colours on the ceiling. The proscenium opening is 35 feet wide. There was a cafe located on the first floor level.
In recent Years it has been operated by the independent Scott Cinemas chain. The Regent Cinema has been recently restored. From October 2000, English Heritage gave it a Grade II Listed building status.
2016 – Following the devastating fire at the Regent Cinema on Tuesday 22nd March, we can now confirm that the auditorium block of the Regent has been damaged beyond repair, and will have to be rebuilt. Damage to front of house areas is largely cosmetic, and will be attended to as part of the wider build scheme. We have every intention to rebuild the cinema to its former glory.
2019 – The WTW-Scott Cinema group is still actively engaged in a potential rebuild scheme for the Lyme Regis cinema. We’re currently working on our fourth set of design proposals, from which we need to reach the point where the rebuild scheme is both financially and architecturally viable. At present, we have not consulted with local authorities as there is little point in wasting everybody’s time presenting a scheme design that isn’t viable. New build cinemas are architecturally very complicated, and the Lyme Regis venue being a listed building presents challenges to overcome, all of which add significantly to any build schedule. Once we have a viable, workable scheme, we look forward to working with the local authority and Historic England to progress this.
The remainder of my time in Lyme was spent desperately seeking a bed for the night, to no avail. Following multiple enquiries and dead end directions to no-go destinations, I headed out of town.
Bridport bound – where I chanced upon a Pub/B&B the magnificent Lord Nelson where the owners allowed me to store my bike in the ninepin bowling alley.
I sat in the beer garden at the Lord Nelson and boozed – chatting to a local lad that worked in the local brewery, brewing the local beer, that was served in this very same local pub.
Palmers Ales are brewed in one of Britain’s oldest and prettiest breweries and have been since 1794. The only thatched brewery in the UK, Palmers sits adjacent to the river Brit just a mile from Dorset’s Jurassic Coast. All our fine ales are brewed using water from our own naturally rising spring.
Our Head Brewer uses only the finest Maris Otter malt and carefully selected whole leaf hops to produce ales in a way they have been made for generations. Palmers historic brewhouse has a traditional Mash Tun, an open top Copper, along with top fermentation, this is the way ale should be brewed.
I finished up somewhere else, sat outside chatting to someone else, about something else.
Following a sound night’s sleep, courtesy of the Ocean Hotel, I set out on my Ridgeback World Voyage – purchased through the Cycle to Work Scheme, I have essentially used it in order to cycle away from work.
My dream had always been to devise a way of life, where the lines between work, leisure and culture disappear, where such tiresome social constructs have finally become redundant – let’s go!
Having failed to learn from my previous jaunt, that a map is a handy aid to successful travel, I set off merrily without one – on Sunday 25th July 2015.
Following Sustrans’ signs will suffice, says I to myself.
I arrived safely in Brean, as the rain began to fall with a deeply disheartening enthusiasm.
The signage indicated a route across the beach – I quickly learnt that heavy rain and sand do not produce a sufficiently solid surface for cycling, when push comes to shove, there’s only one way forward.
There was no escape to the left, the extensive run of caravan parks and private leisure facilities having erected attractive razor wire topped barriers and locked gates – I pressed on.
With every arduous tortured sandy step, I developed an even deeper antipathy towards Pontin’s Brean Sands.
Here at Brean Sands we have been busy getting ready to welcome guests to our park. We have painted all our apartments, we have fitted over 10,000 metres skirting board throughout the apartments. All external soffits have been painted along with all the Double Decker apartments and main buildings. The QV Bar, Restaurant and also the Fun Factory have all had new flooring fitted. Our Restaurant bays are now refitted as well as improvements to our till area & reception desk.
Free at last from the sandy hell of the shore, I sought succour in this seaside café – where panoramic views of the sea come free.
Having enjoyed the multiple benefits of a breakfast not included tariff at the Ocean Hotel, I was now very, very hungry indeed – I made very, very short work of egg and beans on toast.
I briefly kept company with a Swiss couple, who were on an extensive motor car tour, I quickly became something of an apologist for the day’s foul weather.
It’s not always like this you know.
Stating the obvious, yet thinking the converse.
The panoramic view through the other window – a delightful row of rain soaked, link low rise maisonettes – nirvana!
I was arrested by this arresting wayside shelter/art gallery facility commemorating the Coronation of 1953, in the village of Chedzoy.
The village is at the western end of King’s Sedgemoor and lies on an ‘island’ of Burtle marine sands, close to King’s Sedgemoor Drain. The area was settled possibly in the Mesolithic period, and timber trackways from the third to first millennium B.C. provided routes to other settlements on the Somerset Levels. Roman artifacts have been found in the parish.
The name of the village is pronounced Chidgey or Chedzey, and derives its name from being Cedd’s Island. The zoy part of the name being derived from eg or ieg meaning island.
The shelter stands at the corner of Front and Higher Streets – it would appear that the Burghers of Chedzoy had exhausted their inexhaustible font of creative naming resources, by the time that streets had been invented – the Mesolithic fools.
The village people seem to be suffering from some collective false memory syndrome recollection of a fabulous Mer-family past.
Improving weather in the Bridgwater area, as we languish in the cool shade of the by-pass, beside the River Parrett.
The River Parrett has its source in the Thorney Mills springs in the hills around Chedington in Dorset in England and flows west through the Somerset Levels. The mouth is a Nature Reserve at Burnham on Sea where it flows into Bridgwater Bay on the Bristol Channel. The river is tidal for 18.6 miles up to Oath; and, because the fall of the river, between Langport and Bridgwater is only 1 foot per mile, it is prone to frequent flooding, in winter and high tides.
The River Parrett is 37 miles long and its main tributaries include the Rivers Tone, Isle and Yeo. The River Cary drains into the Parrett via the King’s Sedgemoor Drain. The River Parrett drains an area of over 652.5 square miles – comprising around fifty percent of the land area of Somerset.
Here we are in Williton – where the modern world is ready to sweep in unannounced as announced in the Somerset County Gazette.
Plans to build a new supermarket, retail units and health centre in Williton have been resubmitted this week. J. Gliddon and Sons Ltd. has put forward new plans for the redevelopment of land off the A39 Bank Street in Williton, behind its existing store.
The shop will be demolished to create the access road, with the company expected to occupy a new unit fronting onto Bank Street once the mini-roundabout has been built.
Well so far so good – I arrived in Minehead in one piece – bike intact.
Having only the vaguest notion of where my onward route lay – I hastened to the Tourist Information Office. Having carefully explained my malaise the helpful staff gazed at me with mild amazement, liberally mixed with slightly perplexed eye-rolling and the odd tut.
Having received quite detailed instructions, I was almost immediately lost, following a road that abruptly ceased to be a road. Reluctantly I picked up a woodland path, rutted with tree roots and certainly not a suitable cycling route.
It fell away sharply, as I careered out of control down the precipitous slope.
On reaching the end I discovered that my new rain jacket had also fallen away, along with my treasured Casio watch, which was tucked safely in the pocket.
I lightly bit my lip and reflected that climbing back up the precipitous slope, which I had only too recently incautiously careered down, was not an option – onward ever onward.
In my mind the younger me looks at the older me – having lost all faith in my ability to manage my life with even a modicum of honesty and integrity, or at best a basic grasp of reality.
A whitewashed Grade I Listed 15th-century Church, with a 14th-century tower.
Welcome to this outstanding Parish Church, which, thanks to it’s distinctive white appearance stands as a beacon on the hills of Exmoor. For centuries Selworthy Church has been a focus for residents and visitors as a place to experience the power and presence of God. We hope you find peace of God here and leave uplifted, refreshed and inspired.
Further on down the road somewhere or other I had a cup of tea and piece of cake.
Had I carried out even the most basic research, I would have known that the ups and downs of Exmoor are no easy ride, particularly in heavy rain without a rain jacket.
As the sky darkened I was heartened by the sight of the light’s of Ilfracombe, twinkling star like in the distance – following eighty six miles of toil and a measure of trouble, I finally arrived at the pre-booked digs. They had been concerned by my no-show, relieved when I finally arrived, incredulous when I told the tale of the day’s travails. The lady of the house ever so kindly washed and dried my sodden clothing.
I showered and hit the town – eschewing food in favour of a pint, chatting to a garrulous gang of solar panel cleaners from Cornwall.
Returning merrily to the B&B and the prospect of slumber.
Though remnants remain – this is a short journey through a hole in fence, down into the warren of power station offices past.
They have been stripped of their former use and meaning, transformed into a transitory art performance space, paint and plaster now peeling, appealing to the passing painter, partially reclaimed by nature.
I’ve been to the Barbican before, wandering the walkways without purpose.
This is a whole new box of tiles, the search for a re-sited mural, a first time meeting with what would seem at once like an old and well-loved friend.
Dorothy Annan20 January 1900 – 28 June 1983
Was an English painter, potter and muralist, married to the painter and sculptor Trevor Tennant. She was born in Brazil to British parents and was educated in France and Germany.
Annan’s paintings are in many national collections, she is also known for her tile murals, many of which have been destroyed in recent decades. Only three of her major public murals are believed to survive, the largest single example, the Expanding Universe at the Bank of England, was destroyed in 1997.
I was looking for her mural which illustrates the telecommunications industry – formerly of the Fleet Building Telephone Exchange Farringdon Road.
The murals were commissioned at a cost of £300 per panel in 1960. Annan visited the Hathernware Pottery in Loughborough and hand-scored her designs onto each wet clay tile, her brush marks can also be seen in the fired panels.
The building was owned by Goldman Sachs, who wished to redevelop the site and opposed the listing of the murals.
In January 2013, the City of London Corporation agreed to take ownership of the murals, and in September 2013 these were moved to a permanent location in publicly accessible part of the Barbican Estate. They are displayed in their original sequence within an enclosed section of the Barbican High Walk between Speed House and the Barbican Centre.
So following a discursive and somewhat undirected circumnavigation of the Center we were finally united – it only seemed polite to linger a while and take some snaps – here they are.
The first mission in the Fitton Hill, a post-war housing estate, was due to the work of Fr Buckley, an assistant priest at St Patrick’s Oldham. He arranged for the purchase of land in the Fitton Hill area in 1940, before the new housing was built. Once the estate had begun to be developed, Fr Buckley said Mass in an upper room in Maple Mill. The foundation stone of Holy Rosary was laid by Bishop Marshall on 2 October 1954 and the church was officially opened by Mgr Cunningham in July 1955. The presbytery was built in about 1970. The first campanile blew down and had to be rebuilt. In 2009, the parishes of Holy Family and Holy Rosary were merged.