A Short Stockport Walk

Posted on by modernmoocher

I was asked by SMBC to take folks on a short Stockport walk – beginning at Stockport War Memorial Art Gallery and concluding at the Stockroom, a distance of less than a mile.

So here we are beginning at Stockport War Memorial Art Gallery a Grade II* listed building opened in 1927.

Designed in Neoclassical Greek Revival style with central tetrastyle Corinthian portico, the order loosely based on Temple of Apollo at Bassae

The Gallery has a long history of exhibitions from some of the art world’s finest artists. Today the gallery boasts an extensive exhibition program, which gives emerging artists a chance to showcase their work.

 Designed by James Theodore Halliday of Halliday Paterson & Agate of Manchester.

Sculpture by Gilbert Ledward.

© National Portrait Gallery

Crossing over the Wellington Road South to the site of the former Mount Tabor Chapel 1868 designed by William Hill.

Closed in 1954 demolished in 1969.

The capitals of Chapel’s Corinthian columns, surround the site of the Cockleshell Hero memorial 2017 – sculptor Luke Perry.

The former Edgeley milkman James Conway took part in the Royal Marines’ most famous wartime raid, where he was one of the twelve men who paddled more than eighty miles in canoes up the Gironde to plant limpet mines on shipping in the German occupied French city of Bordeaux in 1942.

Royal Navy UK

Down the hill to Stockport Town Hall 1908 another Grade II* listed building – designed by Sir Alfred Brumwell Thomas, built in a free English Baroque style.

Although much simpler than continental Baroque architecture, English Baroque designs were equally heavy, sensual and decorative.

Across the road the former Stockport Infirmary l832 Grade II listed – architect Richard Lane.

Currently named Millennium House, home to the Department of Works and Pensions.

Around the back of the Town hall we find Stopford House built in 1975 and designed by JS Rank OBE, Director of Development & Town Planning, Stockport Council.

The painting has recently been much improved by the folks from Merseyway Workshop along with local volunteers.

They also staged the hugely successful Stopford House Party in August.

Back down the road to the old Grand Central.

Formerly a large coal yard, replaced by a huge leisure facility and now a hotel and office complex, with a municipal swimming pool attached.

Next door the former Royal Mail sorting office.

The transformation of a building once dubbed Stockport’s ugliest has been completed, now known as The Mailbox.

When it was built in the 1970s, it was given extra reinforcement due to the risk of IRA letter bombs. The sorting office closed and moved sites in 2010, from when the building was vacant for nearly a decade.

The state-of-the-art development is now home to 117 ‘stunning’ new one and two-bedroom apartments and 12,500 square feet of commercial space. There is an atrium at its heart a roof terrace with views across the town centre.

It also has an eighteen -metre high green ‘living wall’ covering the front and other parts of the exterior, which with 114,500 plants is the largest of its kind by surface area in the North of England.

MEN 2023

Over the road the Grade II listed former Central Library – architects Bradshaw Gass and Hope, funded by Andrew Carnegie, opened in October 1913.

Current plans are to use the building as a new home for the Stockport Music Service.

Adjacent is the Garrick Theatre.

The Stockport Garrick Theatre was founded on 24th of October 1901, by engineer Edwin Heys and his fellow actors: fugitives from the disbanded dramatic society of Stockport Unitarian Church. Meeting in what was then The Church Coffee Tavern on St Petersgate, Heys and his friends resolved to found a new society ‘to perform the best plays by the most capable amateur actors and with the finest scenic effects’.

The society purchased its current building, an old mill occupied by an assortment of small businesses, in 1920. Since then, the building’s labyrinthine interior has undergone various refurbishments to enhance the society’s ability to produce theatre to the highest standards possible.

The newly painted murals are by Captain Kris.

Next door the Hat Works – the UK’s only museum dedicated to the hatting industry, hats and headwear.

Occupying part of the Grade II listed Wellington Mill, a cotton mill of 1831 which became Ward’s Hat Works.

Both cotton spinning and hat making contributing to the economic development of Stockport in the C19th.

Across the way the long gone Carlton Cinema Architects: Francis Edison Drury and Joseph G Gomersall.

Opened on 28th July 1937.

In July 1948 the cinema was taken over by the Essoldo Cinemas chain. In 1954 the Essoldo became the town’s first CinemaScope cinema and for many years was the only cinema to offer full stereophonic sound. Richard Burton in The Robe was the first widescreen film to be shown, followed by Marilyn Monroe in How to Marry a Millionaire.

At the height of the Davy Crockett craze, in 1956, Fess Parker made a personal appearance at the Essoldo.

It was converted into a twin screen cinema in 1971, by converting the balcony into Screen 2, it was taken over by the Classic Cinemas chain in 1972. Its final owners were the Cannon Group who ran the cinema from 1982 to its final closure on June 21st 1990.

The cinema was demolished in 1994 and a small park occupied the site for several years.

By 2011, offices had been built on site.

Cinema Treasures

Until March 2025 home to the Sky call centre.

Further down the road the former Wellington Hotel.

Known variously as Ups ‘n’ Downs, Glitz, Bentley’s and the Bees Knees.

Finally, partial occupation by a forlorn Pound Shop – defying economic trends by closing.

Street art by Cats and That.

Next to the Transport Interchange aka the Bus Station.

In collaboration with Transport for Greater Manchester and Stockport Metropolitan Borough Council, the project redesigned a 10,000 sq m bus interchange, linking the rail station with new landscaped parks. 

The development includes a fifteen-storey building with one hundred and ninety six apartments, commercial space, and parking. New parks and riverside spaces improve connectivity and enhance urban living, marking a transformative step in placemaking for Stockport.

BDP Design

Replacing the former Bus Station closed on Saturday 28th August 2021.

Down to the top of the Lowry Steps

LS Lowry snapped in 1962, the Viaduct in the not too distant distance – Grade II* listed structure and remains one of the world’s biggest brick structures.

Railway viaduct opened 1840 by GW Buck for Manchester and Birmingham Railway in brick and stone.

Twenty eight arches of total length over 540m – three spans at either end of 18ft, twenty two spans between of 63ft, and nearly 34m high above the river.

Said to contain eleven million bricks.

Stone moulded impost bands and rusticated faces to piers.

Took 21 months to build, at a cost of £72,700.

Widened to the west 1888 to 1889.

Historic England.

Down on the corner the former George Hotel.

Premises To Let as of 13th May 2018 – on the 2nd April 2018 the licence has lapsed, so this proved to be a barrier to it re-opening.

A former pub in Stockport town centre could be knocked down to make way for a tower stretching 17-storeys high. Plans have been sent to Stockport council for consideration and would bring 76 new apartments to the town replacing The George on Wellington Road, based opposite Merseyway Shopping Centre and near Stockport Viaduct.

MEN November 2025

Across the way the Heaton Lane Car Park is now rubble.

It is to become the site for the re-sited bus depot, as the current bus depot is demolished to make way for housing.

Though Place North West reports in August 2026:

Talks over a deal for a bus depot off Daw Bank have broken down after the council refused to meet the operator’s financial demands, prompting the authority to use compulsory purchase powers to acquire the site.

Despite protracted negotiations, Stockport Council and Stagecoach have failed to reach an agreement over an important piece of land the authority needs to deliver Stockport 8, a £350m, 1,300-home regeneration scheme.

Leaving Wellington Road we head for the Merseyway Precinct – 1965 architects Bernard Engle & Partners.

Where we find the Alan Boyson screen wall, screening the multi storey car park, now no longer above the Co-operative store, but above Primark.

Next in line the new occupants to Adlington Walk – Stockport’s fabulous Stockroom.

Stockroom is an exciting new creative and cultural centre in Stockport, designed for getting together, getting involved or just popping by for a brew. It has been developed with and for local people and the creative community to build an exceptional communal resource for entertainment and learning.

There’s room for everyone: to make noise, meet friends or find some peace, play, take part, think or do new things.

Part of Stockport’s £1 billion transformation, Stockroom is an ambitious £14.5 million cultural and creative centre that will breathe new life into the heart of the town.

Located in previously disused retail units, Stockroom has been brought to life through funding from UK Government’s Future High Streets Fund, which aims to rejuvenate town centres across the country.

The Stockroom have hosted a tribute to Alan Boyson, the exhibition The Marvel from Marple.

Otherwise open to access the Library service and archives, eat drink and play, use a computer, or a lavatory, read whilst relaxing in a comfy chair, stay cool or warm, stare into space either upstairs or downstairs.

Whatever floats your personal boat, though currently unsuitable for floating actual boats.

Mention must be made of near neighbours the Merseyway Workshop – the plant planters who we met up at Stopford House.

The Merseyway Workshop is a community focused, inspiring place for innovation and collaboration.

A DIY-style hub on Stockport’s pedestrianised high-street. Offering open use of creative workshops, drop-in activity sessions and skill exchanges.

Working in clay and wood, access to a fully equipped B&W darkroom and so much more.

One short mile or so a cornucopia of history – layer upon layer of exciting architecture.

Get out take a walk take a look!

Coldhurst Oldham

Posted on by modernmoocher

Here we are in Oldham, tracing the path of dense industrialisation, demolition, rebuilding and refurbishing.

Here in 1936, the area dominated by enormous mills, surrounded by terraced housing.

Postwar clearance leaves a blank canvas for the Municipal Modernist.

A network of culs de sac, open green spaces, and a variety of brick built low rise housing.

Seen here in 2008.

Here on Drake Close is a record of the estate’s refurbishment, cladding and colouring in the new render.

Fast forward to 5th September 2026 – a day which began overcast and wet, latterly blessed by bright sunlight.

Wide Angle View – Liverpool

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So here we are at RIBA North to take a closeup wide angle view of the past.

In 1969, the Architectural Review magazine launched Manplan, a ground-breaking and often uncompromising assessment of Britain’s built environment at the end of the sixties.

Combining pioneering graphic and print techniques with powerful photojournalism, the attention grabbing magazine sought to question and critique architectural ideas at the time.

Photography lay at the heart of the series- through striking black and white reportage, Manplan revealed how architecture and urban planning shaped people’s daily lives, highlighting social issues that continue to be relevant today, such as inadequate housing, community, and loneliness.

Workers’ housing in Newcastle-upon-Tyne, with Dunston Power Station behind.

Image: Tim Street-Porter Architectural Press Archive RIBA Collections.

Bold in tone and innovative in style, Manplan reframed conversations on urban development and brought attention to socially conscious design within the built environment.

The Wide-Angle View exhibition reflects on its legacy and highlights the powerful role photography and design can still play in communicating and challenging over half a century on

Lillington Gardens Estate Pimlico

Image: Tony Ray-Jones

My Visit to the estate in 2018

Constructed in phases between 1961 and 1980 to a plan by Darbourne & Darke.

The estate was among the last of the high-density public housing schemes built in London during the postwar period, and is referred to as one of the most distinguished. Notably, seven years before the Ronan Point disaster ended the dominance of the tower block, Lillington Gardens looked ahead to a new standard that achieved high housing density within a medium rather than high-rise structure. It emphasised individuality in the grouping of dwellings, and provided for private gardens at ground and roof levels.

Blackburn Corporation office tower and shopping centre.

Image: Peter Baistow

My visit in 2025 – the tower and shopping centre having been significantly remodelled.

Architects: BDP

Preston Bus Station

Image: Peter Baistow

My visit in 2018 – prior to refurbishment and listing.

Architects: Keith Ingham for BDP.

Newcastle Civic Centre with bronze statue of Tyne God by David Wynne.

My visit in 2017 which also included the Interiors and the Council Chamber.

Architects: George Kenyon.

The companion exhibition catalogue to the RIBA’s photography exhibition: Wide Angle View: Architecture as social space in the Manplan series 1969-70.

Purchase here.

Given the current government’s drive for new build housing and new towns, I feel that the time is right to reassess the role of our citizens planners and architects own shaping this new New World.

Let’s all plan The Plan.

In July 2025, the government published its five-step plan to deliver a decade of renewal for social and affordable housing. This plan committed to delivering the biggest increase in social and affordable housebuilding in a generation, alongside a transformational and lasting change in the safety and quality of social housing.

Policy Paper

Consideration should also be given to all the infrastructure that the housing may require – the schools, hospitals, libraries, shops, play areas et al.

No more shabby PFI, but substantial public buildings of real quality and distinction.

No more developer led, overseas capital fed, elite inner city out of town cookie cutter ghettoes.

Oldham Walk

Posted on by modernmoocher

1915

The Oldham area was once home to several railway stations – many of which have since closed.

There is currently no rail link to and from the town.

Tram services between Manchester and Oldham have returned – for the first time since trams stopped running in Oldham in 1946. 

The first service to Oldham Mumps left Manchester Victoria at 05:24 BST – calling at the eight stops on the line.

The tram then made the return journey, leaving Oldham at 06:00 BST and taking about 25 minutes to reach Manchester city centre.

BBC News

Oldham Central

To the right an huge Sainsbury’s supermarket 1999-2001 Pringle Richards Sharratt.

To the left can be seen the semi-derelict Grade II Listed Prudential Assurance Building 1898-91 Alfred Waterhouse & Son – now in the ownership of Oldham Council.

Image – Victorian Society

Back tracking toward Phoenix House – with its implausible heron.

It’s been four years since the Department of Work and Pensions left their Union Street office and eighteen months since plans were submitted to turn it into eighty two flats.

However, apart from hoardings being installed around the building, there doesn’t appear to have been much movement at the site – at least not legally.

Oldham Times

Turning the corner to Metropolitan Place.

Currently in use by Oldham Council – formerly home to the Registry Office, wedded couples referred to it as the Hobson Street Cathedral.

Though there seems to have been plans for both office and co-working space, along with conversion to apartments.

Back out onto Union Street and down to Gallery Oldham 2002 Pringle Richards Sharratt.

Linking to the older Library and Art Gallery 1883 T Mitchell with sculpture by JJ Milson.

Today the building has been restored to include the Council Chamber and Mayor’s Dining Room, public exhibition spaces and a new home for Oldham Theatre Workshop.

The Old Library is one of the earliest examples of an ashlar faced, in-situ formed concrete multi story building.

Oldham Gov

Take a turn up Greaves Street and here’s a faience clad Victoria House a former Billiard Club 1912 Winder & Taylor – subsequently the hall was used as council housing offices and a college before becoming vacant.

Oldham Boxing moved into the building in 2011.

Next door a Ponsonby And Carlile Solicitors Office 1902 Edgar Wood – Grade II Listed.

Back now onto Union Street and the GMB Offices.

Onwards to the former Oldham Evening Chronicle

Down the hill and left to the Walshaw Street Bus Depot 1936

Image: Jeff Smith Oldham’s Past

Home to the Pennine Lounge.

Next we head up Yorkshire Street to Harry’s Bar – formerly The Artizans Rest 1937.

Architects: CT Taylor – Roberts & Bowman.

In 2025, it was revealed by the Manchester Evening News that Oldham council planned to buy the building and demolish it with the price tag for the project reported to be £1m. The money comes from a £2.5m pot of regeneration finding given to the local authority by the government.

MEN

Image: Oldham’s Past

Image: George Symes

These two carved panels have been removed.

Just around the corner is the former Kings Picture Hall – currently Bees Knees.

Located in the town centre, directly opposite the Coliseum Theatre. The King’s Picture Hall was opened 18th September 1911. In October 1912 a café was opened in the building adding a further amenity to the cinema. In 1929 it was equipped with a British Thomson Houston sound system.

The King’s Picture Hall was closed on 25th June 1966 with Ryo Ikebe in Battle in Outer Space and Randolph Scott in Comanche Territory.

On 2nd July 1966 it was converted into a bingo club.

In 2006 it was a nightclub.

Cinema Treasures

A stand of shops – stepped the accommodate the incline, partially clad in Westmorland Slate.

Oldham Town Centre now has a new high-quality public space – Parliament Square

Six new restaurant units will be located within the Old Town Hall alongside a brand new 800-seat, seven screen ODEON cinema.

BDP 2017

A stunning glass extension to the side of the Grade II-listed building provides access to the various levels of the cinema and is also the frontage to the new restaurants.

George Woodhouse of Bolton 1841, extended by Edward Potts of Oldham 1879-80. 

Oldham Gov

To the left is a statue of Springhead born Annie Kenney – political activist, socialist feminist and suffragette, modelled by Denise Dutton, unveiled 14 December 2018.

The Egyptian Room Food Hall project extends BDP’s partnership with Oldham Council and the rejuvenated Grade II listed Old Town Hall building in Oldham town centre, the main transformation of which was also designed and delivered by BDP.

The Loom is a brand new events space next to Oldham’s new indoor market on Parliament Square in the town centre. The gala-sized event space can fit up to one thousand standing guests, seven hundred seated, or five hundred dining, or can be split-off into smaller rooms for exhibitions, gigs, or theatre performances.

Design for a war memorial chapel, St Mary’s Church 1920.

Architect: Nugent Francis Cachemaille-Day.

Artist: H Lewis Curtis.

Image: RIBA pix

Next to the former Yorkshire Bank 1970 John Brunton & Partners.

Under construction 1970

Image: Kayla Chadwick

Down to the Spindles Shopping Centre 1991

Originally the site of St Peter’s Shopping Centre architect Richard Seifert

St Peter’s House – housed Oldham Area Health Authority Administrative Offices

Images: Yesteryear Oldham then & now 

Spindles has been revamped by AEW Architects.

Stained glass by Brian Clarke installed in 1993.

Between 1990 and 1993, Brian Clarke designed a series of three interrelated roof lights in stained glass for the Spindles Shopping Centre in his hometown of Oldham, Lancashire. Among the largest stained glass windows in Europe, and some of the largest public artworks in the UK, these panels connect the main public areas of the principal shopping centre in the town.

No town walk would be complete without a former Burton’s.

Next to the Bus Stations 2008 Austin-Smith Lord situated either side of the Civic Centre.

In the midst of it all is the Queen Elizabeth Hall.

The Queen Elizabeth Hall in Oldham will soon open its doors for the last time before it permanently closes to the public and is prepared for demolition. Since being condemned for containing Reinforced Autoclaved Aerated Concrete – RAAC in 2023, its days have been numbered.

Now the old theatre is part of plans to bring 2,000 new homes into the town centre in a partnership between Oldham Council and the developers Muse.

Oldham Times

Chris Connor as Elvis at the Oldham Queen Elizabeth Hall.

Surrounded on two sides by the Civic Centre – the lower parts are by Richard Seifert & Partners 1962, the fourteen storey Tower and Hall 1974-78 are by Cecil Howitt & Partners.

Plans are underway at the civic centre, the largest site in the regeneration project, to create a vibrant community providing eight hundred and thirty eight homes rising up to fifteen-storeys with mixed-use commercial spaces on the ground floor. This development will integrate seamlessly with the surrounding neighbourhood, particularly the nearby Former Magistrates’ Court site. The Civic Tower at the edge of the site will be retained and redeveloped as a hotel in a later phase.

Where have the Magistrates’ Courts gone?

Architects: Leach Rhodes Walker 1977.

Demolished in 2019 to make way for further redevelopment.

The proposals for the Former Magistrates Court site include two hundred and nineteen new homes with the tallest block ten-storeys and a green route connecting Manchester Chambers with King Street. The designs have been developed to ensure a unified neighbourhood with a common design language and seamless movement between other sites. 

Team Civic

Oldham Council and Muse intend to work in partnership over the next 15 years to develop the sextet of council-owned brownfield sites across the town centre.

Place North West

Next door the Police Station – architects: Leach Rhodes Walker.

Next to the Mecca Bingo formerly Shopping Giant.

We conclude at the Telephone Exchange.

Viewed across the site where Bailey’s used to be – aka Romeo & Juliet’s, Butterflies, Astoria ballroom and Bowling Alley, Froggies and Riley’s.

The site originally started out as the Grand Theatre, a performance space designed by London architects Thomas Taylor and Ernest Simister who also designed Chadderton Town Hall.

In 1937, Gaumont Super Cinemas took over the building, gutted the auditorium and transformed it into stalls and one circle seating totalling 1,842 to open their 1930s cinema.

BBC

In 1991, the Chronicle reported on a mysterious haunting which was thought to have taken place in Butterfly’s nightclub in Oldham.

Before Butterfly’s had been a nightclub the building had been used for many purposes, and in 1939 was known as the ‘Grand Theatre.’ The building was undergoing renovations when Mr Lloyd was killed. ‘Witnesses said that Mr Lloyd was crushed underneath the beam which he was trying to guide down with a rope.’

However, Derek Lloyd’s theory of the origin of the ghost was not accepted by everyone at the time. Due to the fact the ghost appeared to be wearing a white T-shirt, people believed it was unlikely to be the spirit of a 1930s man. In response, Derek argued that ‘my father always had his sleeves rolled up at work because he suffered from a skin complaint.’ 

Gallery Oldham

In 2011 the building was converted into a roller derby centre known as the Thunderdome, once home to the Rainy City Roller Derby who moved out in 2020.

It was announced in April 2023 that the building was proposed for demolition and the end came in May 2025.

Image: Mark Hughes

Wear Mill Stockport

Posted on by modernmoocher

1920

As a consequence of the geology, geography, and topography of the area Stockport became an industrialised town.

Coal, water cotton and hats coalesced into a viable local economy, with a viaduct to carry goods, services and people over the River Mersey.

Beneath the viaduct and alongside the river is Grade II Listed Wear Mill

The first record of a mill on this site was when John Collier, a cotton manufacturer built a mill on this site in 1790. It was water powered. The mill probably consisted of two multi-storey spinning mills and attached weaving sheds, one destroyed by fire in 1831 and the other rebuilt in 1884.

Thomas Fernley bought the mill in 1824, and in 1831 needed to replace one mill with a new one that was of fireproof construction. This mill was eleven bays long and six storeys tall. The floors were sprung on transverse brick arches supported on cast iron columns. It was driven by a beam engine in an internal engine house to the east of the mill. It was over this engine house that the Manchester and Birmingham Railway built the Stockport Viaduct in 1840, and again when it widened in 1880. The second mill was replaced in 1884, but not the original wheelhouse. It is a five-storey, 15-bay mill of fireproof construction with narrow longitudinal vaults springing from iron joints. The original weaving sheds have been replaced with two-storey structures, creating a complex site.

Wikipedia

Employees at Wear Mill c.1907

I have circumnavigated the site on a previous post concerning the viaduct.

Way, way back in the Twentieth Century Mr LS Lowry came to take a look around.

As did photographer John Davies.

However cotton and hats do not last forever and the mill became home to a variety of small business operations, its future seemed precarious.

Along comes Capital & Centric wearing their developers’ hats to transform the site into an oasis of modern living.

Hundreds of youthful stock photographic figure illustrations were ordered to fill the proposed dwellings and contemporary leisure outlets.

Work began the future began to take shape.

The Weir Mill project in Stockport is breathing new life into a historic site, transforming the former cotton mill into a vibrant mixed-use community.

BDP

Lo, it came to pass – opened to the public August 2026.

I went to take a look around.

Available to rent right now – one bed from £1250 two bed from £1600

Living here comes with a stack of resident perks too. On-site amenities include a fully kitted out gym and studio, co-working spaces, mini-cini, residents lounge, private dining for big get togethers, and a rooftop garden fitted with electric BBQs.

Ollo Living

Mecca Bingo Oldham

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Once upon a time you were not a bingo hall.

You were a Shopping Giant – a Co-op superstore.

Pioneer co-op opened King Square superstore in 1974, changing to Shopping Giant, then eventually Discount Giant.

Oldham’s Past

Dominating Oldham for most part of the decade was Co-op’s Shopping Giant. It was a great place where you could stock up on your groceries and buy non-food items. It boasted its own Handybank, had a separate chemist opposite the main store and a fast food restaurant – qv Food and Drink section. Cars parked on the roof and at ground level with access via trolley-friendly escalators.

Other delights included Mario’s salon – on Manchester Street underneath the main store, and an ice cream stand by the entrance nearest the Bank Top Tavern.

Mancunian 1001

Nothing, like everything lasts forever – so you became the Mecca Bingo Hall.

Being something of a car park aficionado I couldn’t resist walking up the ramp to take a look around.

To the right is the tower of the Civic Centre, it was designed by Cecil Howitt & Partners, and the topping out ceremony was held on 18 June 1976.

Plans are underway at the Civic Centre, the largest site in the regeneration project, to create a vibrant community providing 838 homes rising up to 15-storeys with mixed-use commercial spaces on the ground floor. This development will integrate seamlessly with the surrounding neighbourhood, particularly the nearby Former Magistrates’ Court site.

The Civic Tower at the edge of the site will be retained and redeveloped as a hotel in a later phase.

Team Civic

Images have revealed how the site of Oldham’s Mecca Bingo was envisioned to be transformed into a new state-of-the-art ‘commercial quarter’.

However the council says that while the site is still potentially earmarked for redevelopment – it is not likely to come forward any time soon.

MEN 2023

Telephone House Preston

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A visit to Preston on our Modernist Walks would not be complete without a visit to Telephone House.

Local enthusiast George Sharples, a chemist by trade who was familiar with telegraph engineering, also had ambitions in this field and successfully applied for a licence to operate from his premises at 7 Fishergate.

His Preston Telephonic Exchange opened a few weeks later, having recruited local businesses who at first were reluctant to move away from the highly efficient telegraph message services and embrace the new technology.

Things progressed quite rapidly after that and by 1886 Sharples had sold his business to the county operators, who in turn were taken over by the National Telephone Company in 1889. Within a year the £9 subscription rate offered by Sharples had increased to £12 – a familiar tale. Within three more years this organisation had set up its telephone exchange in Guildhall Street and a decade later moved operations to the old Preston Gas Company offices in Glover Street, where the multi-storey Avenham car park now stands.

Despite the NTC being taken over in 1912 by the Post Office, the Preston Telephone Exchange remained at the Glover Street premises until 1931, when an automatic telephone system was installed in the General Post Office building in the Market Place. Subscribers now had the freedom to dial most calls themselves. At the official launch of the new system it was stated that 15,000 calls were handled daily in Preston.

From the mid-1940s the increase in telephones was dramatic, with modern technology and underground cables leading to greater efficiency. A reflection of this progress was seen locally in June 1964 when the main Preston telephone exchange was moved to the purpose-built structure on Moor Lane. The era of trunk dialling had arrived and by 1980 two out of three homes within the Preston Telephone Area had a telephone installed.

Images and further information Lancashire Post.

Image – Norwyn Photographics

Twixt Walker Street and Moor Lane the mighty BT Building – Telephone House by Building Design Partnership, 1960-64.

A decent office block with rough patterned concrete end walls. 

Pevsner

The front elevation was re-clad in 1992 the back is intact

BDP’s founder Professor Sir George Grenfell Baines, known affectionately as GG, was born in 1908 and set up in practice as an architect in Preston in 1937.

Four years later he teamed up with two other Preston practices and the Grenfell Baines Group was born. Expansion in various locations in the UK continued throughout the 1940s and 1950s and in 1951 GG was the only northern architect appointed to design a building for the Festival of Britain in London.

In 1961, his long cherished ambition of establishing the world’s first interdisciplinary practice was realised and Building Design Partnership was founded.  It was a successful formula and on the occasion of his retirement in 1974 GG’s advice was

“keep going, getting better.”

BDP

Cheetwood Road Manchester

Posted on by modernmoocher

1900

1920

1960

2026

I often wander these streets and write about the area’s history, or record the current state of affairs, then returning with 35mm film to photograph a black and white world.

On this occasion I am concerned with the tight little rectangle formed by Cheetwood Road, Broughton, Alison and Sherborne Streets.

Cheetwood Road is a postwar construction, a straight route replacing the meandering Cheetwood Lane. The road is lined with low level functionalist brick, steel and concrete industrial units.

Having fallen into disrepair they are now being renovated and reused.

In the early Twentieth Century the area was a mix of semi-derelict Victorian housing and industry.

Corner of Sherborne Street 1905

Cheetwood Lane 1917

The huge Holt’s Cheetwood Hotel has since been demolished, lasting until c1990.

Cheetwood Lane 1920

Images: Thomas Baddeley

Progress House 1969 – Domtar Howard Smith Ltd Paper Manufacturers.

Norweb Electricity

Images: Louis H Price Manchester Local Image Collection.

So here we are on Friday 7th August, taking yet another look.

The whole area and beyond is now the centre of a plan for regeneration.

Salford City Council and Manchester City Council have developed a joint Strategic Regeneration Framework to transform the Strangeways and Cambridge areas.

This plan addresses long-standing challenges such as counterfeit crime, poor-quality buildings, and flood risk, while creating opportunities for new homes, businesses, and green spaces.

Salford Gov

The Strangeways and Cambridge strategic regeneration framework sets out a vision to deliver around 7,000 homes in buildings up to 30 storeys and 3.1m sq ft of new or improved commercial space across 320 acres spanning both Manchester and Salford.

HMP Manchester & Jury Street: A catalytic neighbourhood at the heart of the SRF. Home of the existing HMP Manchester with potential for long term change subject to the relocation of the prison.

Derby Street: An intensified business district, supported to ensure the long-term preservation and evolution of the business base in the area.

Copper Park: A regional destination, multi-functional open space delivered to create positive amenity and biodiversity in response to future flood risk.

Overbridge: Gateway to Copper Park from the city centre, an area of significant residential potential – up to 2,000 homes – but with important economic assets and heritage.

Cheetham Park: A new urban-suburban residential neighbourhood of up to 1,000 homes, building on the heritage of the Victorian Cheetham Park and the nascent residential community around it.

Dutton Street: The Dutton Street area is a natural extension of the city centre. Subject to the existing Great Ducie Street SRF, it is identified as residential-led mixed use area – up to 4,000 homes – where significant development and investment is already evident. This part of the SRF could accommodate 1.75m sq ft of new commercial space

Lord Street: A transitional neighbourhood, connecting the residential-led change in Dutton Street with the economic focus of Derby Street to the north, and with Red Bank and Victoria North to the east.

Place Northwest

St Catherine’s Wood – Manchester

Posted on by modernmoocher

1807

1821

1860

1908

1960

Manchester Historical Maps

Collyhurst Rd Manchester M40 7TW

Image 1939 – Britain from the Air

Situated at the western end of the Irk Valley – there’s a brand new urban woodland park.

We worked together with Copenhagen practice, Schulze + Grassov on the Red Bank Masterplan in Manchester for Far East Consortium. It combines the wilderness of the riverside park setting and the metropolitan urbanity of Central Manchester.

Set within this wilderness, social, community and commercial infrastructure will support a thriving residential neighbourhood to foster an equitable, active, local, and resilient urban dwelling.

It is one of the first seven neighbourhoods being  regenerated  as part of the £4 billion Victoria North project, which is one of the largest in the UK and expected to build 15,000 new houses over the next decade.

MACCREANOR LAVINGTON

2022 plan – here’s one we made earlier.

The 2.7 acre St Catherine’s Wood, part of the emerging 5,000-home Red Bank neighbourhood within Victoria North, welcomed its first visitors on Friday.

Manchester City Council and Victoria North development partner FEC unveiled the city’s newest park at an event last week that gathered local stakeholders to the previously forgotten patch of woodland next to the River Irk.

Accessed via a pre-existing bridge off Collyhurst Road, the site has been transformed using part of a £51.6m Housing Infrastructure Fund grant from Homes England and £7m from the GMCA.

Place North West

This is the first phase of wider plans for Red Bank.

Red Bank forms the first phase of Victoria North that will see the regeneration of Manchester’s neighbourhoods running north of the city centre along the River Irk.

Red Bank forms the first phase of Victoria North that will see the regeneration of Manchester’s neighbourhoods running north of the city centre along the River Irk. The fast-flowing river is nested at the bottom of a valley, with its dramatic topography providing a respite from the general flatness of the central Manchester. The surrounding area was formerly at the centre of Manchester’s industrial might. Red Bank itself had held gasworks, a railway depot, mills, small factories and workers’ housing. Infamously, it was this neighbourhood that Engels used to describe the appalling quality of urban living in the “Conditions of the Working Class in England”.

NLA

The park is named for long gone St Catherine’s Church on Collyhurst Road.

Architects – Speakman and Charlesworth, built by, Messrs A Cochrane and Company, Manchester

On 5th November 1859, St Catherine’s Church Collyhurst was consecrated, with the service from the Book of Common Prayer, which gave thanks for the delivery of Parliament from the Gunpowder Plot and for the landing of William of Orange at Torbay in 1688. The church was named after a daughter of Lord Derby.

The rector of St Catherine’s in 1959 was Rev Robert C Tootel a Deputy Grand Chaplain of the Loyal Orange Institution of England. Due to dry-rot and a declining population the church had to close and the building was demolished in the 1960’s.

Manchester Orange

Image 1968 Lawrence Kaye Manchester Local Image Collection.

Collyhurst Road 1968 Manchester Local Image collection.

So the industry is all but gone, the older houses and their occupants displaced, the church and its congregation demolished and dispersed. A new world awaits the incoming population, a demographic and architectural leap into a high rise high rent future.

In this sense, the theory of the Communists may be summed up in the single sentence: Abolition of private property.

Friedrich Engels – The Communist Manifesto

Let’s take a walk in the park.

Collectively, we developed the idea of – Wild Urbanism, uniting the wilderness of the re-naturalised post-industrial landscape with the urbanity of the metropolitan world directly adjoining it. Merging nature and city life, it will offer the naturalised River Irk, the extended existing St Catherine’s Wood and a myriad of other interconnected green spaces to Mancunians. Cafes, restaurants, shops, community spaces and homes will be set among the nature to bring a dose of urbanity to the wilderness.

MACCREANOR LAVINGTON

When is a wilderness not a wilderness?

When it’s Wild Urbanism.

For further context see previous posts Dalton Street, Eastford Square, Sandhills and Collyhurst Circular.

This wilderness was and is home to a significant community of people with a sense of their history.

Collyhurst Voices.

Post Industrial Ancoats

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This is a story of streets which almost existed in 1836, an area enclosed by Gould Street, Bromley Street and Rochdale Road.

Further developing my Collyhurst Cheetham Circular.

By 1870 there are a number of streets which now no longer exist, along with the homes and industry, they have been subsumed by car parks.

In 1960 the Rochdale Road Gas Works built in 1824, is then still extant.

The expansive site spanned over nine acres, including four retort houses, with a capacity of producing 8,500,000 cubic feet of gas daily. Since the end of the 18th century, the site was home to a locomotive/goods shed outside of the main works tramline infrastructure which was used for coal transportation for off-site refining. In the early 1940s, reorganisation and reconstruction ledto alterations and clearance of existing above-ground structures.

Image – Britain from the Air

Image 1907 J Jackson Manchester Local Image Collection.

Image 1958 Lawrence Kaye Manchester Local Image Collection.

Bromley Street.

Image 1964 Lawrence Kaye Manchester Local Image Collection.

Image 1966 Thomas Brooks Manchester Local Image Collection.

It’s 2026 and almost everything has been erased.

This is the only remnant of the former gasworks, preserved on Gould Street car park.

The raggle-taggle gaggle of businesses cling on to the Bromley Street arches beneath the railway.

The other side of the tracks.

Bilbrook Street just about hanging in there.

Burstock Street.

Here we are at the former home of Isomax Construction Company Ltd.

Manufacturing and execution of liquid waterproofing systems since 1990. All products are unique development, protected by patents and trademarks. All products are water-based and thus are 100% ecological. More than 1,200,000 sqm of executed projects with ten years warranty, since 1990.

Export to Serbia, Poland, Spain, Montenegro, France,

Latterly the former industrial premises have become temporary home to a Warehouse House Party – under the banner of We Are Nowhere.

In 2024 the are was becoming Victoria North – with the incipient intrusion of gargantuan residential blocks.

A far cry from the workers’ homes of Sudell Street.

The redevelopment project will create better-connected public spaces, new and improved transport links, and more homes, parks and retail spaces for the city’s growing population. Victoria Riverside is at the forefront of the new, distinct residential neighbourhood at Red Bank and New Town, benefitting from its location within Manchester City Centre, but offering something new to its community.

Victoria Riverside

Former Barclays and Bank of Baroda Manchester

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50 Swan St Manchester M4 5JU

This is a relatively diminutive building, which has been a constant source of fascination down the years, walking to and fro down Swan Street.

This is the site top centre, almost under construction in 1970.

To the left can be seen the long gone CWS Fresh Fruit Fish Poultry & Egg Depot.

Photo WM Johnstone 1970 Manchester Local Image Collection.

Photo Lawrence Kaye 1958 Manchester Local Image Collection.

I visited the Bank of Baroda in 2023 – but agreed to keep the interior views under wraps.

But now the bank has vacated the premises – so all can be revealed.

Then yesterday I took these snaps the interior seen through murky windows.

The Barclays insignia now revealed.

Bradford Walk 2026

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Here we are again – updating the 2020 post and subsequent 2024 visit.

Saturday 25th July arriving in bright sunshine at the Bradford Interchange – architects WC Brown City Architect and RL Moorcroft BR 1971.

Which has been transformed for the City of Culture 2025 by Bigg Design, with their multicoloured panels.

In addition there has been a transportation of the approach by Fereday Pollard, with the addition of seating in the newly landscaped plaza area.

Moving into the city centre there have been changes in the area between the Bradford Hotel and the Town Hall, it’s now a freshly landscaped space especially for pedestrians.

The NCP multi storey car park on Hall Ings has been demolished.

The demolition work is part of the Government-funded Transforming Cities Fund for Bradford.

Bradford Council, in partnership with the West Yorkshire Combined Authority, is bringing forward a flagship programme of forward-thinking transport schemes, alongside major public space enhancements, that will help us shape and drive forward Bradford’s future regeneration in the city centre and beyond.

Providing an accessible, attractive and cleaner alternative to car journeys is at the heart of the Leeds City Region Transforming Cities Fund, a major new programme of transport infrastructure investment secured as part of the West Yorkshire devolution deal. The programme, which is being delivered by the Combined Authority in partnership with local authorities, will be funded through £317 million from the Department for Transport plus local match funding up to £140 million.

Photo Telegraph and Argus.

The area was once traversed by this elegant raised walkway.

The Bradford Hotel remains resolutely unmoved, recently it has been used as an Asylum Hotel, unsure that this is still so.

Located in the heart of central Bradford, The Bradford Hotel provides an elegant refuge in the midst of the bustling city.

Originally opened as the Norfolk Gardens Hotel, the hotel was completed in 1972 and opened in June of that year.

Architects – William Walker Partnership.

Adjacent is the Magistrates’ Court 1972.

City Architect WC Brown.

With a view through to One City Park 2024 Sheppard Robson.

One City Park in Bradford, England, draws attention with its striking architecture. The building’s curved design and forward-thinking concept create significant interest. For Sheppard Robson Architects, sustainability and the needs of people were paramount in the design. The facade of the complex features 1,700 glassfibre reinforced concrete elements from Rieder, making a distinctive design statement. The sandstone-coloured concrete components serve as both an architectural feature and a key element in creating a sustainable, visionary work environment.

Architonic

One City Park has been built on the site of the old Police Station opened in 1974 and demolished in 2010.

The area was once the centre of Will Alsop’s 2003 masterplan.

Which three years later are somewhat diluted:

The latest images of the scheme for the Bowl are generally disappointing and at the risk of a bad pun, the lake is now a watered-down version of Alsop’s vision.

Philip Veitch – of local practice Waller and Partners.

The Norfolk Gardens landscaping has opened up a fresh toward the Central Library 1965.

Architect – City Architect WC Brown with project architects G Sunderland and KLS Glen.

Next to the two Telephone Exchanges.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

Turn right around to take a look at the rear of the Ice Arena.

In January 1966 Mecca Leisure Limited opened the ice rink in Bradford under the name of the Silver Blades Ice Rink, it was reputed to be “The finest rink in the world”, with coloured lighting in the barriers, sparkling chandeliers over the ice, and a plush bar and restaurant.

The resplendently dressed skaters were entertained with organ music. The opening gala at the rink had performances by British skaters who had just returned from the World Championships, they included Sally Anne Stapleford, John Curry and ice dancers Bernard Ford and Diane Towler.

History

The take a turn around the bend to the front.

Let’s go up the hill to the University of Bradford.

The institution uses this image illustrating the transition of the BDP Richmond Building of 1964, to its contemporaneously clad iteration.

Out front is the tiled mural by Joe Mayo.

Some original seating has resisted transitioning.

The undercroft has not been so fortunate in resisting the chill wind of change.

We emerge into the clear light of day and the BDP designed Chesham and Horton blocks along with the former Nuclear Research Bunker.

Next back down into town to the shops that were shops.

Let’s hop to the Grade II-listed Co-op Sunwin House designed by CWS in house architect WA Johnson and JW Cropper in 1935. 

Architect W A Johnson worked for the Cooperative Wholesale Society from 1899 until 1950. He was heavily influenced by the German architect Erich Mendelsohn after 1930, evident in his embrace of the International Modernist style. Johnson travelled widely in Germany and Holland, and Mendelsohn’s Schocken store in Stuttgart 1928 is quoted as being a particular inspiration for the Bradford Co-op.

Sunwin House had been – one of the most modern and stylish looking shops in Britain, when it was built in 1936, according to The 20th Century Society.

But the charity warned that the building, whose architectural style was inspired by Germany’s Bauhaus art movement, had stood empty for nearly 15 years and was in danger of creeping neglect.

Sunwin House, which was most recently used as a TJ Hughes department store after the firm went into administration in 2011, is one of 10 buildings featured on The 20th Century Society’s risk list for 2025.

BBC

The Freehold of Sunwin House, 65 Sunbridge Road, Bradford has been sold to a Bradford based investment company who have plans to refurbish the whole building principally based off a Retail/ Emporium use.

The building was purchased by Legal and General from the Co-operative Wholesale Society in 2005 subject to a lease to T J Hughes, who ceased trading in 2012. Following Administration, and the release and separation from the former Godwin Street Annexe, the original 95,000 sq ft Grade II Listed Store became an independent asset in 2017.

Holbeck Land

A stride away is the now closed Kirkgate Centre and Market – John Brunton and Partners 1975.

Demolition work will begin later this year to make way for the recently approved City Village development, comprising up to one thousand new homes, with the aim of creating a stronger, more welcoming, and sustainable future for Bradford.

Some residents have welcomed the changes, with the Kirkgate Centre previously described as a blight on the landscape. But others, like Barbara, lament the loss of the places they knew and loved.

Every time you go anywhere something has gone missing. Some of the changes are alright, some of them I think they could do without.

BBC

In 1979, the building won a European award from the International Council of Shopping Centres.

But the Historic England report described its design as mundane and repetitive.

The William Mitchell concrete reliefs housed in the market are to be conserved along with the Fritz Steller tiles.

Higher up the hill John Brunton’s Highpoint has survived the call for demolition.

The derelict former headquarters of Yorkshire Building Society, on one of the highest parts of the city centre, looms over the city centre, and to many people is the city’s ugliest building.

It is now home to an innovative residential apartment complex with a community at its heart, which embraces ideas of sustainability, preservation, and rejuvenation that will bring a new lease of life to this abandoned landmark.

Redeveloped by Radii Living.

A tower block in Bradford likened to a structure from sci-fi movie Blade Runner has been named as the best brutalist building in the country.

Built in the 1970s, High Point, the former headquarters of the Huddersfield and Bradford Building Society, was recently converted into eighty seven flats as part of a £12m regeneration scheme.

National newspaper The Telegraph named the building top of its brutalist list – ahead of the Barbican, in London, Bristol’s Clifton Cathedral and Preston bus station.

Si Cunningham, who chairs Bradford Civic Society, said it remained one of the city’s

Most divisive buildings.

Symbolic of Bradford’s confidence and prosperity.

BBC

Highpoint’s neighbour the Oastler Centre is closed and awaiting demolition.

The Oastler Shopping Centre, formerly known as the John Street Market contained 176 stalls comprising a retail area, with an additional twenty three external shops and twenty seven storerooms. The cafes and stalls within the centre were various food, clothing and craft shops with some of the cafes and stalls having been in business since the 1960s.

The original outdoor open-air market was renovated to an indoor market in the early 1970s to make economic improvements to the upper side of the city centre and was named for the abolitionist Richard Oastler.

As part of the Bradford’s regeneration projects in line with the successful UK City of Culture 2025 bid, the Oastler Centre was scheduled to be demolished in late 2023 to make way for the new Darley Street Market.

Wikipedia

The Oastler Marker had its final day of trading on 28 June 2025.

The centre along with the nearby Kirkgate Market will be demolished and replaced with green space, housing and new commercial spaces in line with the new Darley Street Market and planned City Village, an area of green space nearby the site.

Happily the signage from the Oastler’s Fountains Coffee House has been preserved by the Bradford Industrial Museum.

Telephone Exchanges Bradford

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A tale of two exchanges in one city – forty years apart.

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.

Charles Dickens.

The Exchange of 1939 designed by FA Key.

The Exchange of 1976 by Trevor H Anson PSA Architect.

My thanks to Lisa Kinch of tele_exchange over at Instagram for the facts.

Let’s circumnavigate the site.

Just to spoil the twosome allusions there was a third exchange – just as there was a Third Man, returning from the dead.

Bradford’s last manual exchange was on the corner of Nelson Street and Union Street, opposite Bradford Town Hall.

It was opened by the National Telephone Company around 1900 to replace a magneto manual exchange in Swan Arcade. It closed on Saturday 26 July 1947 when the current Bradford exchange was opened.

The area has now been redeveloped.

Telephone Exchanges.

Bradford Brighter Homes Exhibition January 1936.

100,000th telephone to be connected in Bradford 1953 – for the use of the Lord Mayor.

Photos courtesy of BT Archives.

Bradford Interchange

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So here we are back in Bradford – updating elements of the 2020 walk.

Arriving right on time from Manchester Victoria at the Bradford Interchange.

First a little history,

Image – Disused Stations

The original railway station, named Bradford Exchange, was opened by the joint efforts of the Lancashire and Yorkshire Railway and the Great Northern Railway on 9 May 1850. The railway station with its 10 platforms was deemed too large and was again rebuilt, this time on a different site slightly further south.

Wikipedia

The Interchange was designed in 1962, it was hailed as a showpiece of European design when it opened in 1971.

Architects WC Brown Borough Architect and RL Moorcroft BR.

The bus station featured a large ridge and furrow design of overall roof, which was subsequently demolished in 1999 to allow for a rebuilding of the bus station, which was opened in 2001.

Further down the line, the plans of 2020 are yet to be realised.

So the curved and tented canopy is still in place, with the addition of seating in the newly landscaped plaza area – designed by Fereday Pollard.

The area has replaced the former taxi rank and drop-off point, and has new paving, seating and planters.

Designs include a new pocket park, plaza and interiors, all formed as a high quality welcoming visual amenity whilst repairing the disparate components which form the backdrop of the proposals. In the plaza, a kaleidoscope of colours is complemented by a grid of generous planters with integrated seating and vibrantly coloured furniture to create a celebratory and flexible meeting space. The ‘Colours of Bradford’ introduce clarity and joy, with the new plaza serving as an extension to the station concourse, allowing meeting and dwell space to interact with the city and onward journeys. Reinforcing the moor to meadow narrative of our original scheme, the new pocket park creates a pollinator park, encouraging and promoting a connection with the wider surrounding landscape of Bradford and combined with the Tower of Now, pays tribute to the rich and varied cultures found in Bradford.

Fereday Pollard

With Bradford awarded the UK City of Culture 2025, and an expected 15 million visitors during its year of celebrations, the city is ready for its moment in the spotlight. As part of these exciting developments, Bigg Design and Fun Makes Good are transforming Bradford’s main bus and rail interchange with super-scale, multi-surface artworks that will create an exciting, welcoming gateway to the city.

Bigg Design

Their design work not a million miles from the prints and paintings of Richard Paul Lohse.

For me, this lower concourse always seems to have echoes of Jean-Luc Godard’s film Alphaville.

There are no special props or futuristic sets: instead, the film was shot in real locations in Paris, the night-time streets of the capital becoming the streets of Alphaville, while modernist glass and concrete buildings – which in 1965 were new and strange architectural designs, represent the city’s interiors. 

Up the steps to the bus station.

Huddersfield Walked Again

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College of Technology: the central precinct with the two classroom blocks 1960 Frederick Gibberd.

Image – Henk Snoek 1960 RIBA pix

We no longer begin at the Kirklees College – it was knocked down and a Lidl built on the site.

So we begin at a new beginning, a new beginning for the Bus Station, during the current refurbishment the car park is closed.

We are transforming Huddersfield Bus Station into a fully accessible facility.

Work is underway on the £28 million facility, which is funded by the West Yorkshire Combined Authority and Kirklees Council.

I was informed by the seriously erudite Christopher Marsden, that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

We then cross over the road to the Civic Centre, with its gold leaf facade, and the perennially empty piazza, which along with the Magistrates’ Courts and Police Station, was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble. 

Exsilite is made by fusing grains of silica and pigments to form a slab that simulates onyx marble.

Exsilite is a Latin word meaning – spring/leap/burst forth/out, leap up, start up, bound; emerge into existence.

It is to be note that the doors and distinctive handles from the Courts to the Piazza have been removed.

The Police Station is to be vacated on completion of the new Police Station.

Next to the curved and ribbed concrete wall, concealing an electrical sub-station.

Further on down the road the former Co-operative store 1936 JW Cropper.

On opening day, the Examiner said the Co-op gave:

The town of Huddersfield a store that is entirely modern in design and equipped on the most up-to-date lines-a store of which the townspeople generally, and co-operators in particular, can be proud.

It has subsequently been seriously disabused by insensitive refurbishment and extension.

We cross over to view the access road to the service area of the market – now closed.

It was formerly topped off by a multi-storey car park – since demolished.

Then onward to the Grade II Bath House at Broadbent’s Engineering in Huddersfield.

1955, by Abbey Hanson architects – designing architect Andrew Buck, project leader Geoffrey Rowe.

The building is a very rare, possibly unique example of a purpose built bath house for foundry workers

* Its continuing function as a bath house has preserved its original purpose in both its layout and its fixtures and fittings as well as its design

* The design of the building manifests inspiration from both W Dudok and Frank Lloyd Wright, and achieves a high standard of accomplishment in its interpretation of contemporary architectural influences

* The use of local stone for external walls distinguishes it from brick built pithead baths of similar style, and the imaginative use of finishes lends further distinction

* The interior survives almost entirely intact, with original wash basins, shower and tap fittings, lockers, floor and wall surfaces, doors and light fittings.

Historic England

One of Huddersfield’s hidden architectural gems has been transformed into an attractive and unusual gallery-cum-coffee house and restaurant, destined to become a popular public space for meeting, eating and art appreciation. But among the attendees at a special unveiling event there were men who remembered its original function – as a bath house where scores of foundry workers could shower away a day’s grime.

University of Huddersfield

Up around the the bend and here we are at the Grade II listed Queensgate Market, 1968-70 to the designs of the J Seymour Harris Partnership, with Leonard and Partners as consultant engineers. 

Another feature of Huddersfield Market which sets it apart from other post-war market buildings is its incorporation of works of art. Fritz Steller was a German-born refugee architect who had settled in Stratford-upon-Avon. He pioneered the production of large scale ceramic art, having been interested in the use of a wide variety of materials in sculpture. The development company Murrayfield had a policy of incorporating public art into their schemes, and the project manager of J Seymour Harris, the architects for the Huddersfield development, was Gwyn Roberts, a friend of Steller. One of the Borough Councillors at Huddersfield was Clifford Stephenson, an enthusiast for public art and particularly for modern ceramic sculpture. This combination led to the appointment of Steller to produce designs for the new market hall. The size of the panels necessitated the construction of a special kiln for their firing, and experimental mixes for the composition of the clay which was resistant to acid rain and chemicals.

Historic England

Seen here on my visit in 2015, and subsequently in 2021.

Straight ahed to the service entrance at the rear of The Piazza.

The council wants to demolish the Piazza buildings as soon as possible.

Phase 3 was originally to be the Queen Street plot but Greenhead College’s plans for a new education building on the site failed to secure Government funding. Since then the council has been looking at alternatives – including a hotel, residential or offices – but now believes a new multi-storey car park could be the best way forward.

Phase 5 was to have been a £90 million events and concert venue with a multi-storey car park attached but that is no longer affordable. A review of the venue is underway and the council now thinks a “flexible multi-purpose” venue is the way forward. It would have a fully-seated capacity of 1,200 or 2,000 with a standing floor and seated balcony.

Huddersfield Hub

Turning our back on the market and away to Buxton House 1968.

Kirklees Council’s plans for the £16 million re-development of a Huddersfield town centre block of flats have collapsed.

Buxton House, between New Street and Albion Street, failed to meet modern fire safety standards and the council moved tenants and bought out owners and leases, pending a full-scale refurbishment.

Planning permission was granted in July 2024 to re-model the tower block to create forty one, one and two-bedroomed flats along with five studio flats with construction set to start in November 2025.

However, it has now been revealed that the council has failed to find a contractor and the scheme is on hold indefinitely.

Huddersfield Hub

Design for refurbishment.

The flats are part of a larger retail development by Bernard Engle & Partners.

Across the way Ramsden House a slab on a podium, part of the Murrayfield Redevelopment 1968 J Seymour Harris Partnership.

This block was the first and only phase of four that’s still intact. It’s a slab and plinth project with underground servicing marble finishes and two art mosaics that relate to the town. The Ramsden Street elevation mosaic depicts ‘Development of the woollen industry from a cottage craft to the beginning of the industrial revolution’ designed by Huddersfield artist, Harold Blackburn.

Princess Street bears ‘Facets of the Local Scene’ by Mural Consultants Ltd.

Modernist Buildings Trail

Across the way Whitfield’s Department Store 1963 Ralph Hudson.

The longstanding furniture & piano dealers, Whitfield’s expanded from numbers five and seven with this six6 storey tower.

Influenced by a tour of modern European retail premises the company chairman supplied the architect with photos of ideas.The glossy metallic finish reflects the excitement of the notion of an Ercol show room on the fourth floor and G-Plan on the fifth. Pianos were on the first floor and TVs & radio and their servicing were in the basement. Welcome to stylish living sixties style!

Modernist Buildings Trail

Down the hill and away to:

Public Library 1940 Architect: EH Ashburner & James Arthur Woodford.

James Woodford at work – on the right, sculpting figure representing the Spirit of Literature

Reference Library.

Image – Charles Pickard 1940.

The food hall and library is due to open in summer 2026 but more problems have been uncovered with the former library and art gallery which will become the new museum. Internal works are underway and more asbestos than expected has been found and an extra £1 million has been needed to pay for removal.

The council has also found several other “significant issues” that also needed to be resolved.

It could be mid-2029 before the museum is ready to open.

Off we go to the Midland Bank – then HSBC then not a bank at all, 1970 Peter Womersley with Roger Shaw of Kitson & Partners.

Next door the Halifax Building Society 1981 Abbey Hanson Rowe.

back to the main drag and the Pearl Assurance Building 1963 Elsworth Sykes & Partners.

The nipping down the lane to Neaversons 1935 with two Moderne fascia elevations by shop fitters Sharp & Law of Bradford, Grade II Listed as part of the Kirkgate Buildings.

Once selling bijou household goods, following occupation by several bars and cafes, currently empty.

Finally just in time to catch the last post at the Royal Mail Sorting Office – Post Office extension 1968 Office of Public Works.

Launderette Rochdale

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30 Milkstone Rd Rochdale OL11 1EB

At some time in the not too distant past it seems to have lost its fascia board.

After also trading as HMA Launderette.

Google streetview.

On my way somewhere else with time to spar I popped in.

Rochdale Observer

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The Rochdale Observer is a local newspaper published on Wednesdays and Saturdays for the  Metropolitan Borough of Rochdale.

It has been Rochdale’s main newspaper since 1856.

This is the original building on Drake Street.

This was replaced by the current building, which is no longer home to the newspaper.

Its foundation stone was laid in 1954 by the Rochdale-born singer and actress Gracie Fields.

Architect – Frank Bradley of Bolton.

Image – Mike Ashworth

It has subsequently been converted to apartments.

Behind the Observer offices on Drake street are the former Observer print works on Greenwood Street.

Florey Building – Oxford Queens College

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Florey Building, a residential student block.

RIBA pix 1977 Alastair Hunter

Designed by James Stirling and Partners in 1966-1967 for Queen’s College, Oxford, and built 1968-1971, with Roy Cameron as associate, and Frank Newby of F J Samuely and Partners as engineer.

RIBA pix 2005 Jeremy Harrison

Listed at Grade II* for the following principal reasons:


* as a highly significant work by Sir James Stirling, one of Britain’s foremost post-war architects; 


* as the last of a triumvirate of university buildings that are without doubt amongst Stirling’s most significant works in England; 


* as a highly creative re-working of a familiar formal language, executed with masterful handling of form and colour, characteristic of Stirling’s style;


* for the high degree of survival of the original plan form, fixtures and fittings, which have been little altered since the building’s completion, including but not limited to the bedrooms, porter’s lodge, and breakfast room;


* as a distinctive and popular piece of post-war university architecture.

Historic England

On the day of my visit the building was secured and in a state of semi-dereliction, mothballed by the owners The Queens College Oxford.

There have been plans and a competition for refurbishment:

Perhaps the most charismatic of James Stirling’s surviving buildings; the Florey Building is hugely admired worldwide for its boldness and heroism.

Despite some practical and infamous failings, the Florey has a cult presence in Oxford: a modernist’s riposte to a city defined by traditional architectural masterworks.

The Queen’s College Fellows seek a dedicated team who are inspired by Stirling’s exhilarating vision. The challenge: to use advances in technology to update the building, provide modern facilities and achieve exemplary energy design.

The competition has now concluded — 27th February 2014

The Queen’s College, Oxford is delighted to announce that the team led by Avanti Architects has won the design competition to update the Grade II listed Florey building, widely regarded as an emblem of modernism. Avanti will now work to develop their scheme for the project and determine construction priorities.

The plans however were poorly received:

Alas the proposal for Florey lets down the practice, the college and most importantly Jim Stirling and the Modernist corpus, with a design that all but wrecks the essence of this unique building.

Alan Berman – founding partner at Berman Guedes Stretton

These proposals must be thrown out and consigned with distaste to the dustbin as a gross violation of Stirling’s intentions.

If permitted, they would constitute the comprehensive betrayal, by alteration, of one of the internationally most important buildings of the 20th century.

Thomas Muirhead – Stirling’s friend and former colleague.

Architects Journal

Furthermore there has been a history of criticism of the building:

At the official opening in 1971, the Queen Mother was rumoured to have said it was the ugliest building she had ever seen.

College bursar AA Williams described it as – a structure revolting and inhuman in its hideousness and defective in practically every aspect of its functioning.

Just a year later, students were complaining that it leaked, was noisy, too hot in summer, too cold in winter, they couldn’t stand up straight in the showers, and there were no baths.

Lord Florey, the pioneer of penicillin after whom the building is named put up the money, and was almost the architect’s sole supporter in the college.

This culminated in a legal battle, an intense dislike of the building throughout the college, a reluctance to spend anything but the minimum on maintenance, and decades later, to the possibility of demolition.

Oxford Mail.

So with little institutional love and a soupçon of general loathing, we are left with a Listed building in limbo.

Happily Leicester University are taking care to care for their Stirling building.

Chorley Walk – 2026

Posted on by modernmoocher

Once upon a time it was 2022 and I was in Chorley.

Then all of a sudden it wasn’t and I was elsewhere – fast forward to yesterday and I was in Chorley again.

Arriving at the Railway Station.

White Coppice

The current railway station is a modern version from the 1980s that was built on top of the original station – it is entirely functional, but more than somewhat undistinguished.

Crossing over the road to Market Walk.

Whether it’s fashion, gifts, everyday essentials or an entertaining day out that you’re after, Market Walk has it all. With over thirty shops along an outdoor parade, plus entertainment and hospitality venues, there’s something for everyone.

AEW Architects were appointed by Chorley Council in 2015 as Architects for the Market Walk Scheme.

The Council’s aspiration was to breathe life back into the town centre by enhancing Chorley’s retail and leisure offer and refocusing Chorley’s centre as a destination for local residents and surrounding towns. The development needed to entice new, and retain existing, businesses in the town. Aesthetically, the development also needed to be a landmark for, and create a modern gateway into, the town – driving footfall towards Chorley’s commercial centre.

Next door is the Bus Station, opened in February 2003 replacing the previous structure.

Opening of the previous Bus Station – Ribble the area’s operators, before the Stagecoach arrived.

Red Rose Collections.

The Post Office – with its later extension.

Though dated 1935 the architect  Charles Wilkinson died in 1927 – posthumous construction following his earlier plans?

Former Fine Fare finds a new occupant the Big Bargain Store.

The NatWest Bank is still a NatWest Bank.

Next the Royal Bank of Scotland presenting and passing as a Post Office.

My good friend Mainstream Modern informs me that the architects were Cruickshank & Seward.

The distinctive white tiles of 2020 having become a living wall.

Long gone – this swish interior with its alarmingly charming calendar.

Let’s have a look around the back.

Next door this sinister functionalist brick structure.

Next to the Chorley Theatre, formerly the Empire Electric Theatre and currently the Empire Cinema.

Opened on on 3rd September 1910, one of the nation’s longest continuously running cinemas.

I spent some time chatting to the chatty guardian of the booking office, I learnt that the recently installed blue plaque commemorates the areas links to esteemed Beano artist Leo Baxendale.

Leo attended St Mary’s School which was sited opposite the theatre, he had a miserable time there, an experience which formed the basis for the famed Bash Street Kids.

He may well now chuckle to himself in comic book heaven, knowing that the school was demolished in 1982.

Red Rose Collections

It’s only right that the town boasts a Leo Baxendale Trail.

Furthermore, I was ever so excited to hear that the really surreal Leonora Carrington, was a local lass and that the theatre were screening her biopic Leonora in the Morning Light.

Back down to earth with a bang and just around the bend – here’s a former Social Services building, very much in the post-war manner.

Next thing you know we are at the Police Station.

County Architect’s Report: 1963-64.

The design team was Roger Booth, Lancashire County Architect; CA Spivey, Assistant County Architect; DB Stephenson, Design Architect; and DG Edwards, AG Gass, responsible for the detailed design and construction. The seven-storey in-situ concrete framed main block was the last bespoke police station to be built in Lancashire, following this the department developed a systemised concrete construction method which was deployed across the county. The dramatic cantilevers gave the new building a stature and presence that signalled authority. The lower levels were accessed by ramps and provided space for police vehicles. To enter the police station one ascended a set of external stairs across a pool that once contained koi carp – fittingly, one boy described the new building as a ‘fishtank’ upon its completion. The magistrates’ court was finished externally in a grey brick and carried the signature pyramid rooflights that were synonymous with the Department.

Many thanks to Richard at Mainstream Modern

Next door its partner in crime the Magistrates Courts.

Opened in 1968.

The courts are up for sale – offers in the region of £800,000 – the property has planning permission for an eleven storey apartment building with fifty two flats, three ground floor retail units and roof terrace.

The disused court building was last sold in 2022 for £300,000, according to the Land Registry.

Designs for the scheme were drawn up by FWP Group.

Next door is a pub no longer a pub.

Once upon a time a Vaux Brewery house the White Hart – implausibly renamed the Snooty Fox for a brief period.

Photo Alan Winfield 1988 – The Never Ending Pub Crawl

This was a really big looking pub.

The pub was decent enough inside with a large room which was empty on our Friday dinner visit, the pub was a Vaux tied house so we were well pleased as we had not done many of them.


We had a drink of Vaux bitter which went down well.

Interior from Red Rose Collections.

Currently the Ukraine Unit Donation Centre.

Our group was created in February 2022 to try and help raise awareness of the crisis in Ukraine and to help organise and coordinate local efforts to send support from across the Borough of Chorley in Lancashire. We have since grown into a major hub for donations.

Across Chorley & District multiple educational facilities, community groups and organisations reacted and began to spread awareness and collect donations. In order to sift and sort a lot of local donations, a unit has been loaned by Chorley Council. A large percentage of the region’s aid has come into this unit and we are regularly packaging aid and supplies in preparation for the next leg of the journey to Ukraine, whether it’s transported there by us or other charitable organisations.

Our philosophy is that if we can all do a little bit, together we can make a big difference.

Bouncing back to what was and never shall be no more Barclays Bank.

Almost finally we find ourselves at the Council Offices 1982.

You will be delighted to hear that Chorley Council has a Masterplan

Self Architects generated a high level Masterplan for this prominent site. The scheme proposes a boutique hotel, offices, restaurants/bars, along with apartments, aiming to transform the town centre by intervention to enhance the overall vision by:

  • Establish a series of formal/informal public spaces
  • Diagonally link public spaces
  • Greening pedestrian streets
  • Reducing dominance of cars
  • Improving evening economy

Having a moment or two on my hands I ventured to the land beyond beyond – the land of the concrete bench, bin and planter combo.

They are on Hollinshead Street.

Google Streetview 2022.

Launderette – Boscombe

Posted on by modernmoocher

479 Christchurch Rd Boscombe Bournemouth BH1 4AD

Seen here in 2011 via Google – with clear windows and delightful signage.

2024 with vinyl covered windows and sign intact.

By the time of my visit in May 2026 – the sign and the Bentley were no more.

This is my most recent wander into a washateria following something of a lay off. Having previously published a launderette book and calendar way back when.

So once again we enter that familiar bubble of bubbles, whirrs and washing.