Platform 13/14 Piccadilly – Concreter Planter

So here we are again at Piccadilly Station – stood standing at the western end of Platforms 13 and 14, waiting on a Southport train.

Time to spare and spend a few more magic moments with an old and trusted friend.

The back-filled concrete planter.

Seen here in a neglected and forlorn state, awaiting minor repairs to its upper sealed surface.

Once incarcerated and seemingly set for demolition, our diminutive concrete pal has lived to fight another day.

Standing alone in all elements, disabused by illicit smokers, grabbing a serruptitious chuff, whilst avoiding the ubiquitous Network Rail CCTV.

Sat upon by the indolent leg weary traveller, having missed yet another cancelled train.

Your days may yet be numbered, as the platforms are part of a Station upgrade – the platforms are not thought to be commodious by the majority of train users.

I for one shall campaign for your preservation and reinstatement – right at the heart of matters.

My personal, totemic modernist work of public art.

Somethings are worth fighting for!

Sandown Court – Southport

I must go down to the seas again, to the vagrant gypsy life,

To the gull’s way and the whale’s way where the wind’s like a whetted knife;

And all I ask is a merry yarn from a laughing fellow-rover,

And quiet sleep and a sweet dream when the long trick’s over.

Where better to lay your weary head than Southport’s Sandown Court?

Longing for languorous days, gazing out at the distant sea, from the window of your fourteenth floor flat.

What’s Good for the Goose – is worth a gander.

My extensive research shows the flats were a location for the Norman Wisdom film, a saucy serving of seaside slap and tickle.

Conveniently situated twixt shore and traffic island – offering extensive accommodation for the discerning tenant.

Balconies clad with cast concrete abstracted panels, attractive dolphin-based water feature.

What more could you ask for?

Shopping Precincts – UK Again

This time of year, with limited light and an inclement climate, it’s far easier to travel by picture postcard. Researching and searching eBay to bring you the finest four colour repro pictures of our retail realm.

We have of course been here before – via a previous post.

It is however important to keep abreast of current coming and goings, developments are ever so often overwritten by further developments.

Precincts my appear and disappear at will – so let’s take a look.

What the CMYK is going on?

Abingdon

Aylesbury

Blackburn

Bradford

Chandlers Ford

Coventry

Cwmbran

Derby

Eastbourne

Exeter

Gloucester

Grimsby

Hailsham

Irvine

Jarrow

Middlesborough

Portsmouth

Scarborough

Solihull

Southampton

Stockport

Torquay

Wakefield

St Anthony and Our Lady of Mercy – Hull

667 Beverley Rd Hull HU6 7JL

Set back from Beverley Road – we just about found this delightful Modernist gem. Tucked in amongst student accommodation and approximate to the Endsleigh College.

It was well worth the circuitous bust journey from the Interchange to St Anthony and Our Lady of Mercy

The church built in 1965 is fan-shaped in plan. Concrete portal frame with yellow brick infill. Shallow-pitched sheet metal clad roof. The main rear wall is flat and blind, with a parapet, and extends across the building at full height. From this wall the main body of the church radiates, three facetted bays to either side, with a saw tooth eaves line, then a projecting square block which houses the narthex and west gallery. The saw tooth eaves continue just above the entrance block to complete the fan shape. Attached to the other side of the main wall are the low, square projections of the side chapels and sacristies and a concrete framed bell tower with shallow pitched roof. The entrance block is clad is artificial stone, has a wide, glazed screen with central doors and a thin flat canopy. 

We had arrived some twenty five strong as part of Manchester Modernist’s Hull Mooch – we were very warmly welcomed and left more than satisfied by the riches both within and without.

My thanks to Deacon Rev. Robert Shakesby

Above this an inset panel of decorative mosaic by Ludwig Oppenheimer Ltd of Manchester -the firm ceased trading in 1965. The facetted elevations have large glazed areas set in a bold concrete grid of mullions and transoms, tripartite in the centre with a border of smaller divisions. The bell tower is placed in the centre of the east wall and has a port cullis-like bell-opening facing west.

The mosaic is surrounded by decorative abstract panels in light relief

Let’s take a look inside.

The interior is a light and spacious essentially single cell, with the shallow canted projection of the sanctuary – top lit by a row of seven small circular skylights, the low side chapels and the organ gallery. The concrete portal frame provides a dramatic grid radiating from the centre of the east wall. Sanctuary fittings in contrasting marbles, by Toffolo & Son of Hull, designed as a piece. Similar marble altar in the northeast side chapel. The chapels have subtle shallow-pitched arches. West gallery also with circular skylights. Organ pipes at either end arranged within a striking double-curve enclosure, like a grand piano in plan. Open-backed pews and original light fittings. Stained glass by Leo Earley of Earley & Co. of Dublin. Stations of the Cross, wooden relief panels set within integral frames, somewhat stark.

Thanks to Taking Stock for the facts.

New Face In Hull

And lo it came to pass – I came to Hull.

Again.

Guiding a group of willing Modernists on a walk.

We were there at the behest of Esther and Leigh, gathering to say farewell to Alan Boyson’s Three Ships, as it transpired we were there to celebrate its reprieve, following their campaign for listing.

Over a million tesserae glowed in the low winter sun – so did we.

As Helen Angell read her poem – Christopher Marsden and Esther Johnson recording the performance for posterity.

The Three Ships are attached to a former Cooperative Store – complete with a formerly working Cooperative Store clock – where we meet at four minutes to six – forever.

We had previously encountered Hammonds of Hull/House of Fraser – soon to be a food court, artisan everything outlet.

And this Festival of Britain style functionalist council building.

Onward to the Queens Gardens the almost filled in former Queens Dock – forever fourteen feet below sea level.

We encounter Ton Liu’s Solar Gate – a sundial that uses solar alignment to mark significant times and dates in Hull. The super-light innovative two-shell structure is place-specific, responding to pivotal historic events and to the cultural context of its location in Hull’s Queens Gardens adjacent to the ancient site of Beverley Gate.

Carved stone panels Kenneth Carter 1960 – Ken’s art career began as an inspiring teacher, first at his alma mater, Hull College of Art, and later as principal lecturer at Exeter College of Art.

A number of decorative fountains featured in the ponds; those at the eastern end designed as part of the sculptured panels of 1960, by Robert Adams, described by Herbert Read as belonging to: 

The iconography of despair. Here are images of flight, of ragged claws, scuttling across floors of silent seas, of excoriated flesh, frustrated sex, the geometry of fear.

Top of the shop William Mitchells relief – time to pause and reflect.

Paying homage to Frederick Gibberd author of the College and Queens Gardens scheme.

En passant catching a glimpse of this splendid non-functioning water feature.

Off on the bus to St Anthony and Our Lady of Mercy just off Beverley Road.

More of which here.

A swift walk around the corner for a swift walk around the University of Hull campus, first encountering the Gulbenkian Building.

And a brief encounter with the Brynmor Jones Philip Larkin Library.

Thanks again to Esther for pointing out this delightful owl – the work of Willi Soukop

My life was never planned, it just happened.

The Parkway Pub – Park Hill Sheffield

I’ve been here before, virtually – in my online guide to Park Hill Pubs.

I’ve been here before, actually – on my visits to Park Hill Estate

But hark, what news of the Parkway pub?

Your bold mosaic whilst once exposed, was sadly disabused, then unthinkingly covered.

Has subsequently been uncovered, steam cleaned and proudly on view, as a central part of the most recent of the estate’s phases of redevelopment.

The block is to become student housing, the distinctive tan, turquoise blue and bold red colours of the mosaic, integrated into the banding of the newly refurbished building.

My face was a picture of delight, viewing the multicoloured tesserae – as we were privileged to be guided around the site by Kier Construction, Matthew Borland from Whittam Cox Architects, who are working with Alumno on Béton House and Urban Splash – my thanks to all and particularly PR Surriya Falconer.

So here it is living and breathing the South Yorkshire air once more.

Alas the Parkway is a pub no more – simply an empty shell.

But hush – can you not catch the chink of pint pots and gales of merry laughter, carried gently on the passing breeze?

Holy Cross Church – Gleadless Valley Sheffield

Spotswood Mount, Sheffield S14 1LG

Constructed between 1964 and 1965 and designed by the architects Braddock & Martin-Smith.

Completed in 1936 John Keble Church in Edgware was also designed by DF Martin Smith 1900-84.

Martin Smith later went into partnership with Henry Braddock and together designed St. Mary’s church in Crawley. 

Holy Cross is positioned in a spectacular position among the houses on the Rollestone hillside.

Holy Cross is a church for people of all ages and stages of life.

Apart from the warm welcome at Holy Cross, you will always find something that is relevant to your age and stage in life – however old you are and whatever walk of life you come from.

Built to serve the Gleadless Valley Estate perched high above the Sheffield city centre.

It has a canted front which is triangular in shape which has a large white cross at its apex.

The interior features full height stained glass windows of the Virgin Mary and St John by John Baker Ltd.

Born in 1916, John aka Jack studied at the Central School in London and worked under James Hogan at the Whitefriars stained-glass studios before joining Samuel Caldwell junior at Canterbury Cathedral in 1948 to help reinstate the medieval glass removed for safekeeping during the Second World War.

He subsequently authored English Stained Glass; the revised edition of this work, English Stained glass of the Medieval Period , which was to become one of the most popular soft back books on English medieval glass ever published.

Apart from his conservation skills, John was also an inspired teacher at Kingston College of Art. He produced windows for a number of churches, including eleven windows for the church of the Holy Name, Bow Common Lane, Mile End; two windows and a brick sculpture for the church of Little St Peter, Cricklewood; eighteen windows for St Anne’s church, East Wittering, Sussex; two large abstract windows for Broomfield Chapel, Abbots Langley; ten large concrete and glass windows for the new parish church, Gleadless Valley, Sheffield; and twenty-two glass windows for the Convent Chapel, St Michaels, Finchley. He also created a huge Jesse window for the church at Farnham Royal. The church was demolished in 2004, but the glass is now in storage, and some of the panes will be installed in the welcome are of the new church.

His favourite works were the windows he produced for Auckland Cathedral, New Zealand – as seen above.

John Baker, born Birmingham, 11 March 1916, died Hastings, 20 December 2007.

Vidimus

The concrete altar is set on a raised paved podium, complemented by a silver cross and distinctive Arts and Crafts style oak chairs.

The original seating seems to be no longer in use, replaced by a newer more comfortable alternative.

There is a large carved stone font.

The main body of the steeply pitched roof space is illuminated by slotted windows.

Many thanks to the key holders and parishioners at Holy Cross, our Sheffield guide Mick Nott and Claire Thornley at Eleven Design – for making our visit possible.

Thanks also to all those who turned up on Saturday to walk a very, very wet Gleadless Valley.