A Short Stockport Walk

Posted on by modernmoocher

I was asked by SMBC to take folks on a short Stockport walk – beginning at Stockport War Memorial Art Gallery and concluding at the Stockroom, a distance of less than a mile.

So here we are beginning at Stockport War Memorial Art Gallery a Grade II* listed building opened in 1927.

Designed in Neoclassical Greek Revival style with central tetrastyle Corinthian portico, the order loosely based on Temple of Apollo at Bassae

The Gallery has a long history of exhibitions from some of the art world’s finest artists. Today the gallery boasts an extensive exhibition program, which gives emerging artists a chance to showcase their work.

 Designed by James Theodore Halliday of Halliday Paterson & Agate of Manchester.

Sculpture by Gilbert Ledward.

© National Portrait Gallery

Crossing over the Wellington Road South to the site of the former Mount Tabor Chapel 1868 designed by William Hill.

Closed in 1954 demolished in 1969.

The capitals of Chapel’s Corinthian columns, surround the site of the Cockleshell Hero memorial 2017 – sculptor Luke Perry.

The former Edgeley milkman James Conway took part in the Royal Marines’ most famous wartime raid, where he was one of the twelve men who paddled more than eighty miles in canoes up the Gironde to plant limpet mines on shipping in the German occupied French city of Bordeaux in 1942.

Royal Navy UK

Down the hill to Stockport Town Hall 1908 another Grade II* listed building – designed by Sir Alfred Brumwell Thomas, built in a free English Baroque style.

Although much simpler than continental Baroque architecture, English Baroque designs were equally heavy, sensual and decorative.

Across the road the former Stockport Infirmary l832 Grade II listed – architect Richard Lane.

Currently named Millennium House, home to the Department of Works and Pensions.

Around the back of the Town hall we find Stopford House built in 1975 and designed by JS Rank OBE, Director of Development & Town Planning, Stockport Council.

The painting has recently been much improved by the folks from Merseyway Workshop along with local volunteers.

They also staged the hugely successful Stopford House Party in August.

Back down the road to the old Grand Central.

Formerly a large coal yard, replaced by a huge leisure facility and now a hotel and office complex, with a municipal swimming pool attached.

Next door the former Royal Mail sorting office.

The transformation of a building once dubbed Stockport’s ugliest has been completed, now known as The Mailbox.

When it was built in the 1970s, it was given extra reinforcement due to the risk of IRA letter bombs. The sorting office closed and moved sites in 2010, from when the building was vacant for nearly a decade.

The state-of-the-art development is now home to 117 ‘stunning’ new one and two-bedroom apartments and 12,500 square feet of commercial space. There is an atrium at its heart a roof terrace with views across the town centre.

It also has an eighteen -metre high green ‘living wall’ covering the front and other parts of the exterior, which with 114,500 plants is the largest of its kind by surface area in the North of England.

MEN 2023

Over the road the Grade II listed former Central Library – architects Bradshaw Gass and Hope, funded by Andrew Carnegie, opened in October 1913.

Current plans are to use the building as a new home for the Stockport Music Service.

Adjacent is the Garrick Theatre.

The Stockport Garrick Theatre was founded on 24th of October 1901, by engineer Edwin Heys and his fellow actors: fugitives from the disbanded dramatic society of Stockport Unitarian Church. Meeting in what was then The Church Coffee Tavern on St Petersgate, Heys and his friends resolved to found a new society ‘to perform the best plays by the most capable amateur actors and with the finest scenic effects’.

The society purchased its current building, an old mill occupied by an assortment of small businesses, in 1920. Since then, the building’s labyrinthine interior has undergone various refurbishments to enhance the society’s ability to produce theatre to the highest standards possible.

The newly painted murals are by Captain Kris.

Next door the Hat Works – the UK’s only museum dedicated to the hatting industry, hats and headwear.

Occupying part of the Grade II listed Wellington Mill, a cotton mill of 1831 which became Ward’s Hat Works.

Both cotton spinning and hat making contributing to the economic development of Stockport in the C19th.

Across the way the long gone Carlton Cinema Architects: Francis Edison Drury and Joseph G Gomersall.

Opened on 28th July 1937.

In July 1948 the cinema was taken over by the Essoldo Cinemas chain. In 1954 the Essoldo became the town’s first CinemaScope cinema and for many years was the only cinema to offer full stereophonic sound. Richard Burton in The Robe was the first widescreen film to be shown, followed by Marilyn Monroe in How to Marry a Millionaire.

At the height of the Davy Crockett craze, in 1956, Fess Parker made a personal appearance at the Essoldo.

It was converted into a twin screen cinema in 1971, by converting the balcony into Screen 2, it was taken over by the Classic Cinemas chain in 1972. Its final owners were the Cannon Group who ran the cinema from 1982 to its final closure on June 21st 1990.

The cinema was demolished in 1994 and a small park occupied the site for several years.

By 2011, offices had been built on site.

Cinema Treasures

Until March 2025 home to the Sky call centre.

Further down the road the former Wellington Hotel.

Known variously as Ups ‘n’ Downs, Glitz, Bentley’s and the Bees Knees.

Finally, partial occupation by a forlorn Pound Shop – defying economic trends by closing.

Street art by Cats and That.

Next to the Transport Interchange aka the Bus Station.

In collaboration with Transport for Greater Manchester and Stockport Metropolitan Borough Council, the project redesigned a 10,000 sq m bus interchange, linking the rail station with new landscaped parks. 

The development includes a fifteen-storey building with one hundred and ninety six apartments, commercial space, and parking. New parks and riverside spaces improve connectivity and enhance urban living, marking a transformative step in placemaking for Stockport.

BDP Design

Replacing the former Bus Station closed on Saturday 28th August 2021.

Down to the top of the Lowry Steps

LS Lowry snapped in 1962, the Viaduct in the not too distant distance – Grade II* listed structure and remains one of the world’s biggest brick structures.

Railway viaduct opened 1840 by GW Buck for Manchester and Birmingham Railway in brick and stone.

Twenty eight arches of total length over 540m – three spans at either end of 18ft, twenty two spans between of 63ft, and nearly 34m high above the river.

Said to contain eleven million bricks.

Stone moulded impost bands and rusticated faces to piers.

Took 21 months to build, at a cost of £72,700.

Widened to the west 1888 to 1889.

Historic England.

Down on the corner the former George Hotel.

Premises To Let as of 13th May 2018 – on the 2nd April 2018 the licence has lapsed, so this proved to be a barrier to it re-opening.

A former pub in Stockport town centre could be knocked down to make way for a tower stretching 17-storeys high. Plans have been sent to Stockport council for consideration and would bring 76 new apartments to the town replacing The George on Wellington Road, based opposite Merseyway Shopping Centre and near Stockport Viaduct.

MEN November 2025

Across the way the Heaton Lane Car Park is now rubble.

It is to become the site for the re-sited bus depot, as the current bus depot is demolished to make way for housing.

Though Place North West reports in August 2026:

Talks over a deal for a bus depot off Daw Bank have broken down after the council refused to meet the operator’s financial demands, prompting the authority to use compulsory purchase powers to acquire the site.

Despite protracted negotiations, Stockport Council and Stagecoach have failed to reach an agreement over an important piece of land the authority needs to deliver Stockport 8, a £350m, 1,300-home regeneration scheme.

Leaving Wellington Road we head for the Merseyway Precinct – 1965 architects Bernard Engle & Partners.

Where we find the Alan Boyson screen wall, screening the multi storey car park, now no longer above the Co-operative store, but above Primark.

Next in line the new occupants of Adlington Walk – Stockport’s fabulous Stockroom.

Stockroom is an exciting new creative and cultural centre in Stockport, designed for getting together, getting involved or just popping by for a brew. It has been developed with and for local people and the creative community to build an exceptional communal resource for entertainment and learning.

There’s room for everyone: to make noise, meet friends or find some peace, play, take part, think or do new things.

Part of Stockport’s £1 billion transformation, Stockroom is an ambitious £14.5 million cultural and creative centre that will breathe new life into the heart of the town.

Located in previously disused retail units, Stockroom has been brought to life through funding from UK Government’s Future High Streets Fund, which aims to rejuvenate town centres across the country.

The Stockroom have hosted a tribute to Alan Boyson, the exhibition The Marvel from Marple.

Otherwise open to access the Library service and archives, eat drink and play, use a computer, or a lavatory, read whilst relaxing in a comfy chair, stay cool or warm, stare into space either upstairs or downstairs.

Whatever floats your personal boat, though currently unsuitable for floating actual boats.

Mention must be made of near neighbours the Merseyway Workshop – the plant planters who we met up at Stopford House.

The Merseyway Workshop is a community focused, inspiring place for innovation and collaboration.

A DIY-style hub on Stockport’s pedestrianised high-street. Offering open use of creative workshops, drop-in activity sessions and skill exchanges.

Working in clay and wood, access to a fully equipped B&W darkroom and so much more.

One short mile or so a cornucopia of history – layer upon layer of exciting architecture.

Get out take a walk take a look!

Oldham Walk

Posted on by modernmoocher

1915

The Oldham area was once home to several railway stations – many of which have since closed.

There is currently no rail link to and from the town.

Tram services between Manchester and Oldham have returned – for the first time since trams stopped running in Oldham in 1946. 

The first service to Oldham Mumps left Manchester Victoria at 05:24 BST – calling at the eight stops on the line.

The tram then made the return journey, leaving Oldham at 06:00 BST and taking about 25 minutes to reach Manchester city centre.

BBC News

Oldham Central

To the right an huge Sainsbury’s supermarket 1999-2001 Pringle Richards Sharratt.

To the left can be seen the semi-derelict Grade II Listed Prudential Assurance Building 1898-91 Alfred Waterhouse & Son – now in the ownership of Oldham Council.

Image – Victorian Society

Back tracking toward Phoenix House – with its implausible heron.

It’s been four years since the Department of Work and Pensions left their Union Street office and eighteen months since plans were submitted to turn it into eighty two flats.

However, apart from hoardings being installed around the building, there doesn’t appear to have been much movement at the site – at least not legally.

Oldham Times

Turning the corner to Metropolitan Place.

Currently in use by Oldham Council – formerly home to the Registry Office, wedded couples referred to it as the Hobson Street Cathedral.

Though there seems to have been plans for both office and co-working space, along with conversion to apartments.

Back out onto Union Street and down to Gallery Oldham 2002 Pringle Richards Sharratt.

Linking to the older Library and Art Gallery 1883 T Mitchell with sculpture by JJ Milson.

Today the building has been restored to include the Council Chamber and Mayor’s Dining Room, public exhibition spaces and a new home for Oldham Theatre Workshop.

The Old Library is one of the earliest examples of an ashlar faced, in-situ formed concrete multi story building.

Oldham Gov

Take a turn up Greaves Street and here’s a faience clad Victoria House a former Billiard Club 1912 Winder & Taylor – subsequently the hall was used as council housing offices and a college before becoming vacant.

Oldham Boxing moved into the building in 2011.

Next door a Ponsonby And Carlile Solicitors Office 1902 Edgar Wood – Grade II Listed.

Back now onto Union Street and the GMB Offices.

Onwards to the former Oldham Evening Chronicle

Down the hill and left to the Walshaw Street Bus Depot 1936

Image: Jeff Smith Oldham’s Past

Home to the Pennine Lounge.

Next we head up Yorkshire Street to Harry’s Bar – formerly The Artizans Rest 1937.

Architects: CT Taylor – Roberts & Bowman.

In 2025, it was revealed by the Manchester Evening News that Oldham council planned to buy the building and demolish it with the price tag for the project reported to be £1m. The money comes from a £2.5m pot of regeneration finding given to the local authority by the government.

MEN

Image: Oldham’s Past

Image: George Symes

These two carved panels have been removed.

Just around the corner is the former Kings Picture Hall – currently Bees Knees.

Located in the town centre, directly opposite the Coliseum Theatre. The King’s Picture Hall was opened 18th September 1911. In October 1912 a café was opened in the building adding a further amenity to the cinema. In 1929 it was equipped with a British Thomson Houston sound system.

The King’s Picture Hall was closed on 25th June 1966 with Ryo Ikebe in Battle in Outer Space and Randolph Scott in Comanche Territory.

On 2nd July 1966 it was converted into a bingo club.

In 2006 it was a nightclub.

Cinema Treasures

A stand of shops – stepped the accommodate the incline, partially clad in Westmorland Slate.

Oldham Town Centre now has a new high-quality public space – Parliament Square

Six new restaurant units will be located within the Old Town Hall alongside a brand new 800-seat, seven screen ODEON cinema.

BDP 2017

A stunning glass extension to the side of the Grade II-listed building provides access to the various levels of the cinema and is also the frontage to the new restaurants.

George Woodhouse of Bolton 1841, extended by Edward Potts of Oldham 1879-80. 

Oldham Gov

To the left is a statue of Springhead born Annie Kenney – political activist, socialist feminist and suffragette, modelled by Denise Dutton, unveiled 14 December 2018.

The Egyptian Room Food Hall project extends BDP’s partnership with Oldham Council and the rejuvenated Grade II listed Old Town Hall building in Oldham town centre, the main transformation of which was also designed and delivered by BDP.

The Loom is a brand new events space next to Oldham’s new indoor market on Parliament Square in the town centre. The gala-sized event space can fit up to one thousand standing guests, seven hundred seated, or five hundred dining, or can be split-off into smaller rooms for exhibitions, gigs, or theatre performances.

Design for a war memorial chapel, St Mary’s Church 1920.

Architect: Nugent Francis Cachemaille-Day.

Artist: H Lewis Curtis.

Image: RIBA pix

Next to the former Yorkshire Bank 1970 John Brunton & Partners.

Under construction 1970

Image: Kayla Chadwick

Down to the Spindles Shopping Centre 1991

Originally the site of St Peter’s Shopping Centre architect Richard Seifert

St Peter’s House – housed Oldham Area Health Authority Administrative Offices

Images: Yesteryear Oldham then & now 

Spindles has been revamped by AEW Architects.

Stained glass by Brian Clarke installed in 1993.

Between 1990 and 1993, Brian Clarke designed a series of three interrelated roof lights in stained glass for the Spindles Shopping Centre in his hometown of Oldham, Lancashire. Among the largest stained glass windows in Europe, and some of the largest public artworks in the UK, these panels connect the main public areas of the principal shopping centre in the town.

No town walk would be complete without a former Burton’s.

Next to the Bus Stations 2008 Austin-Smith Lord situated either side of the Civic Centre.

In the midst of it all is the Queen Elizabeth Hall.

The Queen Elizabeth Hall in Oldham will soon open its doors for the last time before it permanently closes to the public and is prepared for demolition. Since being condemned for containing Reinforced Autoclaved Aerated Concrete – RAAC in 2023, its days have been numbered.

Now the old theatre is part of plans to bring 2,000 new homes into the town centre in a partnership between Oldham Council and the developers Muse.

Oldham Times

Chris Connor as Elvis at the Oldham Queen Elizabeth Hall.

Surrounded on two sides by the Civic Centre – the lower parts are by Richard Seifert & Partners 1962, the fourteen storey Tower and Hall 1974-78 are by Cecil Howitt & Partners.

Plans are underway at the civic centre, the largest site in the regeneration project, to create a vibrant community providing eight hundred and thirty eight homes rising up to fifteen-storeys with mixed-use commercial spaces on the ground floor. This development will integrate seamlessly with the surrounding neighbourhood, particularly the nearby Former Magistrates’ Court site. The Civic Tower at the edge of the site will be retained and redeveloped as a hotel in a later phase.

Where have the Magistrates’ Courts gone?

Architects: Leach Rhodes Walker 1977.

Demolished in 2019 to make way for further redevelopment.

The proposals for the Former Magistrates Court site include two hundred and nineteen new homes with the tallest block ten-storeys and a green route connecting Manchester Chambers with King Street. The designs have been developed to ensure a unified neighbourhood with a common design language and seamless movement between other sites. 

Team Civic

Oldham Council and Muse intend to work in partnership over the next 15 years to develop the sextet of council-owned brownfield sites across the town centre.

Place North West

Next door the Police Station – architects: Leach Rhodes Walker.

Next to the Mecca Bingo formerly Shopping Giant.

We conclude at the Telephone Exchange.

Viewed across the site where Bailey’s used to be – aka Romeo & Juliet’s, Butterflies, Astoria ballroom and Bowling Alley, Froggies and Riley’s.

The site originally started out as the Grand Theatre, a performance space designed by London architects Thomas Taylor and Ernest Simister who also designed Chadderton Town Hall.

In 1937, Gaumont Super Cinemas took over the building, gutted the auditorium and transformed it into stalls and one circle seating totalling 1,842 to open their 1930s cinema.

BBC

In 1991, the Chronicle reported on a mysterious haunting which was thought to have taken place in Butterfly’s nightclub in Oldham.

Before Butterfly’s had been a nightclub the building had been used for many purposes, and in 1939 was known as the ‘Grand Theatre.’ The building was undergoing renovations when Mr Lloyd was killed. ‘Witnesses said that Mr Lloyd was crushed underneath the beam which he was trying to guide down with a rope.’

However, Derek Lloyd’s theory of the origin of the ghost was not accepted by everyone at the time. Due to the fact the ghost appeared to be wearing a white T-shirt, people believed it was unlikely to be the spirit of a 1930s man. In response, Derek argued that ‘my father always had his sleeves rolled up at work because he suffered from a skin complaint.’ 

Gallery Oldham

In 2011 the building was converted into a roller derby centre known as the Thunderdome, once home to the Rainy City Roller Derby who moved out in 2020.

It was announced in April 2023 that the building was proposed for demolition and the end came in May 2025.

Image: Mark Hughes

Conran Street Market – Harpurhey

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Conran St Harpurhey Manchester M9 5PR

One of the last privately owned markets in the city, is to close on July 19th 2025, after serving the area for over a century.

The family which owns the Harpurhey site has decided to put the acre of land and its existing redbrick buildings up for sale. It will be auctioned off with a guide price of £450,000.

It’s so sad the stall holders, and the community that surrounds the market, have lost their place to go on weekly basis, meeting friends for brew and bacon butty, chats and last minute buys, rummaging around in boxes finding treasures. The previous owner Mike, would have fought tooth and nail to keep this beloved market open, he would be turning in his grave.

Helen Jessup

I visited on 30th January 2023 – the gate was open there was nobody home, except the cleaner and me.

Princess Cinema It is listed in Kinematograph Year Books from 1927 to 1954, but had gone from listings by 1962. It had a Western Electricsound system. The upper part was later removed after a serious fire and the remainder became an indoor market.

Cinema Treasures

All archive photos from Local Image Collection

Tib Street Manchester – Johnson & Nephew

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Thanks to L Kaye and the Manchester Local Image Collection there is a photographic record of Tib Street through the years.

Shot on 35mm black and white film, cautiously clad in gaberdine and trilby. The legwork aside the processing and printing of a whole heap of exposures was a gargantuan task.

Chapeau!

Mr L Kaye member of the Manchester Amateur Photographic Society.

The street is named for the culverted River Tib.

The river’s source is a spring in Miles Platting , from where it flows underneath Oldham Road and the eponymous Tib Street to reach the city centre. After flowing underneath West Mosley Street, the Tib crosses Princess Street to flow underneath the Manchester Town Hall Extension, the Central Library and the Midland Hotel’s dining room, before joining the Medlock at Gaythorn (now First Street,  close to Deansgate railway station.

Wikipedia

The distinctive street signs the work of my old pal Tim Rushton.

There are those who will remember Tib Street, as a street of pet shops.

Whilst on Sundays the area was transformed into an al fresco menagerie – a land of caged birds and cuddly coneys.

I have long been curious about the faience fronted shop on the corner of Tib and Swan Streets, it featured on my modernist mooch around the north of the city centre.

I have been informed by Lee Hutchings that it had originally been home to Tuttils Ltd.

Ensign Cameras existed until 1961.

It was also, formerly the showrooms for local manufacturers Johnson & Nephew.

Here it is in 1959 – with a Burton’s for a neighbour.

Pragmatic Manchester is far from awash with Art Deco – the lost Paramount/Odeon of Oxford Street comes to mind, demolished in 2017.

The Paramount Theatre was built in 1930 to the designs of architects Frank T. Verity & Samuel Beverley for the U.K. arm of the American Paramount Theatres Ltd. chain. The Manchester Paramount Theatre was a sumptuous American import.

Cinema Treasures

Along with the Rylands Building on High Street – currently receiving a facelift following the demise of Debenhams.

The building was originally built as a warehouse by J. Gerrard & Sons of Swinton for the Rylands textile company, which was founded by the entrepreneur John Rylands. That firm had occupied warehouses in High Street ever since 1822; its west-facing side is on High Street. The building was designed by the eminent Manchester architects, Fairhursts – Harry S. & P. G. Fairhurst, in an Art Deco style. It is clad in Portland stone and features a decorative corner tower and eclectic ‘zig zag’ window lintels. The work was completed in 1932.

Wikipedia

Rylands will be sensitively restored to its elegant past. The building will comprise workspace, retail and leisure, creating an exciting new destination in Central Manchester.

Rylands

Also of note are the works of Joe Sunlight the Express Building and Kendals.

The Tib/Swan Street site has now ceased trading as the last of the area’s pet shops.

Time alone will tell what fate awaits it.

Bury Walk

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Arriving at and looking around the Interchange – 1980 architects: Essex Goodman & Suggitt

It is the northern terminus of the Manchester Metrolink’s Bury Line, which prior to 1992 was a heavy-rail line.

A new short spur line was constructed to connect the new station. The railway had originally run into Bury Bolton Street which was further away from the town centre, and was closed by British Rail on the same day that Bury Interchange opened.

It also incorporates a bus station.

Bury Interchange replaced the bus termini scattered around Bury town centre, notably around Kay Gardens.

Wikipedia

Image courtesy of Roy Banks

An £80m transformation is coming to the Bury Interchange, which will see step-free access at the Metrolink, a “vertical circulation core” to better connect the Metrolink with the bus facility, and an integrated travel hub with spaces for cycle storage.

The work is much-needed, explained Transport for Greater Manchester’s Alan Lowe, he said that the interchange was built in the 1980s and very much is of its time.

Onward to the Art Picture House which is Grade II Listed – currently operating as a Wetherspoons.

The Art Picture Palace was a 1923 rebuild of the earlier Art Picture Hall both designed by architect Albert Winstanley. The Art Picture Palace was opened on 26th January 1923. A remarkably complete survivor of a 1920’s cine-variety house executed in an elaborate style.

Films ceased in February 1965 and it became a bingo club. Later converted into a billiard hall until 19th May 1991 when it became a bingo club again, it later became a Chicago Rock Cafe.

Cinema Treasures

Next door a typical steel glass and brick banded office block Maple House.

Around the corner and over the road to the Town Hall 1939-40 architects: Reginald Edmonds of Jackson & Edmonds then 1947-54.

Large and Dull – Niklaus Pevsner.

Back through the Interchange to the former Cooperative Store of the 1930’s.

The Portland Stone towers still visible – the elevation largely retro-clad in glass.

Passing through the Millgate Shopping Centre of the 1980’s.

Unambitious but successful, the floors cheerfully tiled – Niklaus Pevsner.

Down in the subway at midday.

The better to get a view of the Market Hall 1971 – architects: Harry S Fairhurst.

The Indoor Market Hall is currently closed due to the discovery of Reinforced Autoclaved Aerated Concrete – within the building structure. RAAC is a lightweight type of building material that was used between the 1950s and 1990s.

Back under the road – where we find a delightful Telephone Exchange.

With an adjacent Multi Story Car Park.

Around the bend to The Rock.

The Rock is a vibrant retail and leisure centre which is home to a range of high street fashion brands, independent retailers, tantalising eateries and fantastic entertainment – it’s the perfect place to visit any day of the week. 

It is the work of architects BDP – completed in 2010 at a cost of £350 million.

Our masterplan for The Rock took into account the historical street pattern and public realm context to give the scheme its own identity, and make visual connections to local landmarks.

The retail and leisure scheme brings many exciting brands to Bury for the first time.

New pedestrian streets rejuvenate and improve connections to adjacent areas stitching the town back together.

The development will also contain 408 one and two-bedroom apartments.

Back to basics at a former Burton’s hiding its faience facade.

Typical inter-war infill on our crazy mixed up mongrel high streets.

Ribblesdale House

Application by Shop and Store Developments Ltd submitted August 1965. Architect on application was Samuel Jackson and Son of Ocean Chambers in Bradford but during the application process this changed to John Brunton & Partners – Brunton was a partner in Jackson’s firm, at the same address. It had a restaurant and shops on the first floor.

Off now to the Bury Bolton Street Station – currently home to the East Lancashire Railway.

The street level buildings were destroyed by fire on 14 May 1947 and were replaced with a new brick and concrete entrance and footbridge in 1952. 

British Rail closed the station on 17 March 1980, when it was replaced by a new bus/rail interchange station further east into the town centre. Bury Interchange railway station served up until 1991 before the entire Bury Line was converted to light rail operation. It reopened in 1992 for Metrolink operation.

Bury was once the centre of multiple train links and the lost station of Knowsley Street.

Over the road the former Temperance Billiard Hall 1910 architect Norman Evans.

Down the side and up the steps to the Unitarian Church.

The new church was designed and constructed by local architects James T Ratcliffe.

The church was opened in 1974, with a service of dedication on Saturday, 9th March. The total cost, including furnishings, was £85,000.

The People Praising by Elizabeth Mulchinock is a 12 foot high original sculpture at the front of the church which represents the family of the church.

Her work can also be seen at Sainsbury’s in West Ealing and Reading.

Next door is the former Trustee Saving Bank.

Planning application January 1965 – work started in June 1965. The architectural firm was Richard Byrom, Hill and partners. Richard Byrom was submitting building applications in the 1930s in Bury and locally.

The rendering on the building is original but the windows have been changed. The Job Centre took over the building in 1993. It is in a conservation area and the Civic Trust had some concerns!

Many thanks to David French for the above information.

Adelphi Picture Theatre – Attercliffe

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Vicarage Road Sheffield  S9 3RH

Architects: William Carter Fenton

The Adelphi Picture Theatre is located in the Attercliffe district in the east of Sheffield. It opened on 18th October 1920 with Irving Cummings in Auction of Souls. The red brick building has buff and blue coloured terracotta enrichments on the façade, especially on the small turret dome over the entrance, which also has stained glass windows.

Seating in the auditorium was provided in stalls and circle, and the projection box was located in the rear stalls, underneath the circle. The cinema was in reverse, and patrons entered the auditorium from behind the screen. The decoration includes pilasters, a segment-arched panelled ceiling and a moulded proscenium arch with a central crest which is flanked by torches. The circle has a lattice-work plaster front.

Single photo enhanced with easyHDR 3.15.2: Adelphi 1920 10 18.jpg

It underwent some restoration in 1936 and a re-decoration in August 1939. It received some bomb damage during the second week of the blitz and was closed for around a month. It received further renovation in August 1946. It remained an independently operated cinema throughout its cinematic life and was usually tied in with the Coliseum Cinema on Spital Hill.

The Adelphi Picture Theatre closed on 28th October 1967 with Robert Vaughn in The Karate Killers and Glenn Ford in The Rounders. It became a bingo club, last operated by the independent Walkers Bingo. After this closed in around 1995 it became a nightclub and since March 2000 was converted into a music teaching centre. This closed in 2006, and the building stood unused, and by 2013, it was in use as a storage facility. It was announced in November 2022 that the city council were seeking to purchase the building to renovate and convert it into a community centre.

Since early 1996, the Adelphi Picture Theatre was designated a Grade II Listed building by Historic England.

Cinema Treasures

Just the other day I came across an old ticket stub issued by The Savoy in Heaton Moor.

They used a Automaticket machine, but with dead stock tickets.

Evolving from being gear and lever driven, to powered by electric motors, these ticketing machines served as somewhat of an industry standard for over eighty years.

While there are still a few of these machines in use, the theatre industry generally abandoned such ticketing systems, in favor of computerized ticketing, by the late 1980’s.

Cinelog

The striking art deco – sic. building later hosted Sheffield’s famous Gatecrasher club nights, among other events, and was also used as a music teaching centre.

It sat empty from 2006 until 2013 and has since been used only for storage.

Sheffielder

My dad was a regular at The Adelphi during the war years. He remembers that the showings were always like a theatre with two matinees during the week and two evening showings everyday unlike the continuous showing at other cinemas and a children’s matinees on a Saturday.

He and his friends had six seats booked on Q row for every Monday and Saturday night as more often than not the films ran for three nights Mon, Tues and Wed, then a new picture Thurs, Fri, and Sat – no show on a Sunday. Occasionally a good film, now known as a blockbuster, would run for longer; if this was the case they just put up with seeing it twice.

The cost of the film was 4d or 6d upstairs, the cinemas in town were dearer.

Called up in February 1944 he did not return to Attercliffe until his first leave from the army a week before VE day in 1945. He returned from Germany, said hello to his Mum and Dad, dropped off his kit bag then caught the tram the three stops to the Adelphi where he knew his friends would be. The smartly dressed commisioner, in blue with plenty of gold braid, standing outside immediately recognised him even in army uniform. He showed him in telling him the lads were all there. He crouched in the aisle next to his friends and caused quite a commotion once he was spotted – he has no memory of the film showing but great memories of the reunion to this day.

Sheffield History

It was bought by Sheffield City Council earlier this year, as part of the Attercliffe Levelling Up project, and has now gone on the market as the council seeks someone to revive the Grade II-listed building as a vibrant cultural hub.

Councillor Ben Miskell, chair of the council’s Transport, Regeneration and Climate Policy Committee, said:

We’re thrilled to announce the Adelphi Cinema building in Attercliffe is now on the market and we’re eager to hear from interested parties. The building forms one part of our ambitious plans for the area which will all come together to breathe new life into the community.

These were taken by me in September 2023.

The Adelphi has a Burton’s for company.

Photo: David Edge April 2024

AMC – The Point Milton Keynes

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602 Midsummer Blvd Milton Keynes MK9 3NB

Famous in the history of British cinema as being the first purpose built multiplex cinema to be built in the UK. The 10-screen AMC-The Point opened on 23rd November 1985 with a Royal Premiere of the Harrison Ford film Presumed Innocent which was attended by Sarah, Duchess of York.

Built for and operated by American Multi-Cinemas, it has a foyer section, designed in the shape of a pyramid, hence the name The Point. The supporting struts were originally edged in red neon. The structure containing the auditoriums is just a plain block. Also in the complex is a Gala Bingo Club located under the cinema foyer entrance, a nightclub and cafes and restaurants.

In December 1988, it was taken over by UCI and re-named. In April 2003 it was leased to easyCinema, operated by the budget airline easyJet, when a policy of taking bookings only online and charging a minimum admission, created interest, but turned out to be a failure. In May 2006 it was taken over by Odeon Cinemas Group. Seating capacities in the screens range from 248, down to 156.

The Odeon was closed on 26th February 2015 with Kingsman, The Last Service being the final film in one its auditoriums. There had been hope that the cinema would be given a Grade II Listed status due to its historical relevance as the UK’s first multiplex cinema, but it was turned down by English Heritage. It will be demolished and replaced by new shops and leisure facilities. The Gala Bingo Club – re-named Buzz Bingo Club from June 2018, was closed on March 21, 2020 due to the Covid-19 Pandemic. It was announced on 15th July 2020 that the closure would be permanent.

Milton Keynes now has a new 16-screen Odeon Stadium + IMAX, located at the MK Dons Stadium, which has an IMAX screen and two screens equipped with Atmos sound. It opened on 27th February, 2015.

Cinema Treasures

Designed by Building Design Partnership, the Point was reputedly inspired by the work of avant grade provocateurs Archigram and became an instant Milton Keynes landmark upon its opening in 1985. As well has being one of the UK’s first multiplex cinemas, the unconventional structure housed a games arcade, bingo hall and nightclub. These individual functions are externally expressed as stacked, mirrored boxes beneath the 70ft bright red steel pyramidal frame – illuminated at night as a space-age beacon across the low-rise city centre.

c20

An application as been submitted by developers GHL – Galliard Holdings Ltd, the intention is to demolish the famous pyramid structure and replace it with 487 new flats in tower blocks of up to 21 storeys high.

MK Citizen

There is a local grassroots campaign to save the Point – with its own Facebook page.

On the day of my visit April 10th 2024 – this is what it looks like.

I’ve known about The Point for as long as I can remember. It’s always been there. When I was a lot younger and we’d drive into MK at night, we’d always look out for the glowing red beacon in the shape of a pyramid on the horizon. It’s an iconic and even historic to Milton Keynes building, and it’s a shame to see that it’s just being left to become a shadow of its former self. I mean it surely wouldn’t cost much to put some led lights on it and light it up at night time again. So much money is wasted elsewhere in the city they should think about the upkeep of the actual landmarks they have.

Bobby D – Local Guide

Odeon and Ritz Cinemas – Sunderland

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44 Holmeside  Sunderland  SR1 3JE

Architects: Frederick Evans, Edwin Sheridan Gray

Black’s Regal Theatre was built on the site of the Olympia Exhibition Hall and Pleasuredrome 1897-1910 and it was built for the northern independent Black’s circuit. It opened on 28th March 1932 with Jessie Matthews in Out of the Blue.

The theatre was equipped with a Compton three manual, nine ranks theatre organ which had an Art Deco style console on a lift.

This was opened by organist J Arnold Eagle. The policy of the theatre for many years was pictures and variety and it had a fifty seven feet wide proscenium, the stage was forty feet deep and there were ten dressing rooms. Other facilities included a cafe and roller rink.

Regal/Odeon, Holmeside, Sunderland, Co. Durham

In 1955 the Black’s circuit was taken over by the Rank Organisation and the Regal was re-named Odeon from 28th November 1955. It was divided into a three screen cinema in 1975 with 1,200 seats in the former circle and two 150 seat screens in the rear stalls.

On 28th March 1982 a special 50th Anniversary concert was given by Phil Kelsall on the Compton organ. Three months later, on 26th June 1982 the Odeon was closed with One Flew Over the Cuckoo’s Nest, Star Wars & The Empire Strikes Back, Mary Millington’s True Blue Confessions.

The building was boarded up and abandonded for a long period of time.

However it was to re-open as a Top Rank Bingo Club and remains in use today as a Mecca Bingo Club. The sub-division of the auditorium has been removed. In July 2009, it was announced that the building and the entire block had been the subject of a compulsory purchase order.

Cinema Treasures

I happened by the other day – attracted by the distinctive Deco tower.

And the building’s amazing mass.

I walked around the corner to find the side entrance – as the original lobby is no longer in use.

I was ever so fortunate to happen upon a convivial cleaner, who kindly invited me inside the auditorium.

Much of the interior detail is intact though the balcony was no longer in use.

On exiting, I noticed the ghost of the Regal.

Though the exterior is a pale shadow of its former self, the building is still intact and in use.

A close neighbour is the what was the Ritz latterly ABC Cinema.

Architects: William Riddell Glen

Opened on 1st March 1937 with Fred Astaire & Ginger Rogers in Swing Time, the Ritz Cinema was built by the Union Cinemas chain. They were soon taken over by Associated British Cinemas – ABC. It was lavishly fitted with deep pile carpets and chandeliers.

In 1961 it was re-named ABC. It was converted into a two screen cinema from July/August 1974 when the former circle became a 534 seat screen and the front stalls a second screen seating 212. The rear stalls area was converted into a Painted Wagon pub. Sadly the conversion destroyed much of the original interior of the auditorium. It was later taken over by the Cannon Cinemas group, but later went back to the ABC name.

Sadly it closed on 29th April 1999, the last of Sunderland’s major cinemas.

It has recently reopened as The Point a nightclub which has four dance floors and has now completely lost all features of its cinematic past.

Cinema Treasures

Get y’self pumped!

St Helens Stroll

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By wandering aimlessly, all places became equal, and it no longer mattered where he was.

Paul Auster  City of Glass.

The station as built in 1961 to a design by the architect William Robert Headle, which included and advertised a significant amount of the local Pilkington Vitrolite Glass. The fully glazed ticket hall was illuminated by a tower with a valley roof on two Y-shaped supports. The platform canopies were free standing folded plate roofs on tubular columns.

The new station building and facilities were assembled just a few yards from the 1960s station building and is the third build on the same site. The project came in at a total estimated cost of £6 million, with the European Union contributing £1.7 million towards the total funding. The new footbridge was lifted into place in the early hours of 22 January 2007.

The striking Pilkington’s glass-fronted building was designed by architect SBS of Manchester. Construction work was completed in the summer, with the new waiting rooms and footbridge opened to passengers on 19 September. The new station building was officially opened on 3 December 2007.

Wikipedia

Emerging from the space age bubble of St Helens Central Station.

Turn right towards The Hippodrome

In the early Edwardian era a fine theatre was opened on 1st June 1903. It had been designed by local architect J A Baron and was on the site of an earlier theatre known as the Peoples Palace. It was operated as the New Hippodrome Cinema from 8th August 1938 when it reopened with Anna Neagle in Victoria the Great. On 1st September 1963 it was converted to a Surewin Bingo Club by Hutchinson Cinemas which continued to operate in 2008. By May 2019 it was independently operated as the Hippodrome Bingo Club.

Cinema Treasures

Onwards down Corporation Street to Century House, currently awaiting some care and attention and tenants.

Century House is a prominent landmark in St Helens town centre, being the tallest office building in place. The accommodation ranges over 9 floors, providing offices from a single person, to whole floors. In addition, all tenants benefit from the use of a modern break out space and meeting rooms, in addition to manned reception desk.

On The Market

Next to the Courthouse low lying, lean and landscaped.

Refurbished in 2012

Further on down the road the former Unitarian Chapel – now the Lucem House Community Cinema.

On the corner the YMCA offers a cornucopia of architectural styles and fun.

Including this geometric brick panel.

Around the corner to the Police Station by Lancashire County Architect Roger Booth.

Down the way the derelict Job Centre.

There are plans afoot for conversion to apartments.

Former Capitol Cinema.

Architects: Frederick Evans and Edwin Sheridan Gray

The Capitol Cinema opened on 3rd October 1929 by an independent operator. It stood on a prominent corner site at North Road and Duke Street – known as Capitol Corner.

The Capitol Cinema was taken over by Liverpool-based Regent Enterprises Ltd. in 1929, and by the Associated British Cinemas – ABC chain in 1935. It underwent a renovation in the 1960’s, and was closed by ABC on 9th December 1978.

The building was converted into a sports centre, by 2009 it was a Central Fitness gymnasium.

Cinema Treasures

Along the way to St Mary Lowe House RC – the style is a combination of Gothic and Byzantine elements. One of the most unusual fittings is the carillon, one of the largest in the British Isles with 47 bells, which was installed in 1930 and is still played regularly.

Architect: CB Powell 1924-30 Grade II Listed

Taking Stock

Next to the Ormskirk Street United Reformed Church

Ken Fisher’s first APEC project 1976

The main approach is identified by a beak-like porch which projects from the main cladding.  In this space hangs a recast eighteenth century bell, from the original chapel.

Let’s take it to the Midland, Nat West and Barclays Banks.

With an intermediate former Gas Showroom.

Next to the Church of St Helen.

Architect: WD Caroe 1920-26 Grade II Listed

A chapel has been on the site since at least the 16th century. The chapel was doubled in size in 1816, but burnt down in 1916. It is the parish church of the town, and stands in a prominent position.

St Mary’s Car Park a multi-storey masterpiece straight outa Dessau.

Next crossing a complex web of inner ring roads designed with the beleaguered pedestrian at the forefront of the planners’ minds.

To the inter-war Pilkington’s Offices – Reflection Court

Architects: Herbert J Rowse and Kenneth Cheeseman 1937-41 Grade II Listed.

Historic England

Onwards to the Post office – sorted.

Staffordshire University

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Moments from Stoke Station lies the central campus.

Staffordshire University was founded in 1914 as a polytechnic intistution, and was officially given University Status on 16 June 1992. Our University is famous for its forward-thinking approach, and has become a figurehead for its vocational and academic teaching, innovative grasp of industry, and student employability.

Although our campus continues to expand to create dynamic opportunities, we are proud of our heritage in the great city of Stoke-on-Trent. Steeped in the history of ceramic manufacture and production, industry in Stoke-on-Trent has been fuelled by Staffordshire University for over 100 years.

The Flaxman Building 1970 was designed by City Architect Thomas Lovatt and built by the City Works Department – the last public works assignment before competitive tendering opened up public restrictions to private enterprise.

Named for to Wedgwood’s famous modeller the classical artist, John Flaxman RA 1755-1826. 

Fred Hughes

The Regional Film Theatre opened in College Road, on the premises of North Staffordshire Polytechnic now Staffordshire University in 1974.

The North Staffordshire Film Society moved there to screen films one evening a week, while the Film Theatre operated on three nights a week. 

 

Across the way is the assertive slab tower of the 1950’s Mellor Building with its curvy cantilevered porch cover.

Currently Pozzoni are undertaking posed refurbishment.

Out back is the wavy roofed Dwight Building.

Over the road the new build of the Cadman Studios 2016 ABW Architects.

Carlton Theatre – Hull

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470-476 Anlaby Rd Hull HU3 6SH

Opened on 9th September 1928 with the silent film Lonesome Ladies.

The Carlton Picture Theatre in Anlaby Road was designed by the firm of Blackmore & Sykes and was built by Messrs. Greenwood and Sons.

It was run by Hull Picture Playhouse Ltd.

This was a lavish suburban cinema, with an elaborate green and gold sliding dome utilising Venetian glass and housing hundreds of concealled lights. Roman marble mosaics and painted plaster panels on the walls added to the sense of occasion engendered by a trip to the flicks.

A Fitton & Haley organ was installed, but this was later removed to the more central Cecil Theatre and was destroyed when that theatre was bombed during WW II.

The cinema had two entrances, one in each of the two towers on the front corners of the building. Above the proscenium was the inscription, rather inapt given how soon talkies arrived :

“A Picture is a poem without words”.

There was a single balcony and, for its date, a surprisingly large car park.

It continued unaltered, save for minor war damage, until its closure in April 1967, after which it was simply converted to bingo usage which continued as a Mecca Bingo Club until 2008.

Cinema Treasures

This is an immense and noble building, a once great single screen cinema.

Unluckily closed for some thirteen years, now looking neglected and forlorn.

Tinned up and awaiting an uncertain future, planning was applied for conversion to apartments, it was refused.

It is unlisted and unloved in need of friends and funds, who could operate a cinema and theatre in the manner of The Plaza in my hometown of Stockport.

The interior has been recorded by 28 Days Later.

We all deserve better.

The number of cinemas in Hull peaked at thirty six in 1938.

British film making flourished during the war years and cinema attendances were much higher, but by the end of the Second World War there were only twenty five – several had been bombed.

In 1964 competition from radio and television, and latterly bingo, reduced the number of cinemas to ten.

Now there are four.

Hull Walk 2021

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Turn right out of the station toward the Cecil Cinema.

The Theatre De-Luxe was built in 1911 at the corner of Anlaby Road and Ferensway with its entrance in Anlaby Road and its auditorium along the side of the pavement in Ferensway. Kinematograph Year Book of 1914 lists 600 seats and the owners as National Electric Picture Theatres Ltd.

In 1925, the theatre was rebuilt to a radically altered ground-plan and renamed the Cecil Theatre. 

The Cecil Theatre’s demise came during bombing on the night of 7/8 May 1941 when German incendiary bombs reduced the building to a shell; and it remained like that until demolition in 1953.

Work on the new Cecil Theatre was begun in April 1955 and it was opened on 28th November 1955 with 1,374 seats in the stalls and 678 in the balcony.

Architects: Gelder and Kitchca

At the time of opening it had the largest CinemaScope screen in the country measuring 57 feet wide, and the first film shown was Marilyn Monroe The Seven Year Itch.

In the 1980’s it was taken over by the Cannon Cinemas chain. The cinema operation was closed on 23rd March 1992 and the cinemas were ‘For Sale and/or Lease. It was taken over by Take Two Cinemas and renamed Take Two Cinema. It was closed on 27th February 1997 and the two screens in the former circle were stripped out and converted into a snooker club.

Whilst bingo continues in the former stalls area of this post war 
cinema, the former mini cinemas in the circle still contain the snooker tables, but the space is unused. The screen in the former restaurant/cafe area remains basically intact, but is unused.

Cinema Treasures

Whilst circumnavigating the Cecil one can’t help but notice the KCOM HQ – and its distinctive white telephone kiosks.

The work of City Architect A Rankine OBE RIBA

When Hull City Council founded KCOM back in 1904, as Hull Telephone Department, it was one of several local authorities across the country granted a licence to run its own phone network.

1952 Call Father Christmas service was introduced.

Having heard of a recorded message service in Scandinavia, Hull Councillor J M Stamper suggested the idea of putting Father Christmas on the telephone. The Call Father Christmas service was introduced shortly afterwards, the first of its kind in the UK. By dialling a Hull Central number children could hear recordings of a Christmas story and carol singing. 

The success of the Father Christmas service led to the creation of other recorded information lines, such as Bedtime Stories, Teledisc and Telechef. 

This recipe line was introduced in 1950s and was still going strong until the 1990’s, with 50s recipes such as meat loaf and corned beef with cabbages being replaced by dishes such as Italian Chicken Bake.

Returning to Ferensway we are confronted by the Danish Seaman’s Church.

Sea trade created a large Danish community which Hull’s very own Amy Johnson was descended from. Her grandfather was Anders Jorgensen, who anglicised his name to the more pronounceable Andrew Johnson. A Danish pastor was appointed and an old chapel in Osborne Street was purchased in 1841.

It was on May 9, 1954, that the present church, with its now familiar separate bell tower, was consecrated by the Bishop of Copenhagen.

Around the corner we find Porter Street Housing.

Hull was the most severely damaged British city or town during the Second World War, with 95 percent of houses damaged. It was under air raid alert for one thousand hours. Hull was the target of the first daylight raid of the war and the last piloted air raid on Britain.

Of a population of approximately three hundred and twenty thousand at the beginning of the war, approximately one hundred and fifty two thousand were made homeless as a result of bomb destruction or damage. 

Overall almost one thousand two hundred people were killed and three thousand injured by air raids.

Despite the damage the port continued to function throughout the war.

The earliest housing was built just after World War II, starting with what is known locally as Australia Houses. 

A circular five storey housing block off Porter and Adelaide Streets, with a communal garden in the middle. These flats consist of deck access flats and some traditional style Art Deco tenements. Some are three bedroom, and have been refurbished over the years.

UK Housing

Porter Street – three six-storey blocks containing seventy dwellings of 1954

Contractor J Mather

New Michael Street and Melville Street aka Upper Union Street one hundred and eight dwellings in three nine-storey blocks of 1958

Contractor Truscon

The designer behind Hull’s tower blocks was Andrew Rankine RIBA, who from 1939 remained City Architect until his retirement in 1961.

Just around the corner:

Over the last three years both companies have worked on undertaking the complex development of an off-site constructed, low carbon, Code 5 housing product. Working with Hodson Architects on the design the project will provide 3-bed family houses on the Thornton Estate in Hull. The scheme will increase provision of suitably sized accommodation in the area for families.

The project will see Premier Interlink manufacture the steel framed modules at the factory in Brandesburton East Yorkshire starting this March. The five houses are to be prefabricated off-site, with each house comprising of four separate units which are then assembled on site. This offers the benefit of reducing construction time, improving efficiency, reducing material wastage and offering an improved thermal envelope.

Premier Modular

The Goodwin Trust, a brilliant and pioneering community group, decided the new version of pre-fab, or ‘modular’ housing, was exactly what was needed to provide affordable housing for the people it also cares for in so many other different ways.

Locality

Onward to Holy Apostles Church now home to Hull Truck and renamed Thornton Village Hall.

Architects: Ferrey and Mennim

Back toward the station and Hammonds of Hull/House of Fraser – soon to be a food court, artisan everything outlet.

Built in 1952 on Paragon Square to designs by T. P. Bennett, with extensions added in 1954 and 1957. Within a couple of years the business had grown again by opening its own hairdressing salon, and in 1960 added a new warehouse to accommodate their furniture workshops and stock rooms. This itself was extended within four years, while a fourth floor was added to the main store.

On the right a civic building Festival House of 1951.

Architect: John Brandon-Jones.

Apprenticed to Lutyens‘ assistant Oswald Milne and later working with Charles Cowles-Voysey

With his good friend, John Betjeman, he helped found the Victorian Society in 1958.

On 1st May 1951, the foundation stone of Festival House was laid, to commemorate the first permanent building to be built in the city centre since the 1941 Blitz. Placed under the stone was a time capsule containing coins, stamps, a Festival of Britain programme, a copy of that day’s Hull Daily Mail, and a booklet about the city. Festival House was owned by Hull Corporation on behalf of the people of Hull.

Before us Alan Boyson’s Three Ships – now listed and set for preservation.

The fate of the attached former CO-OP/BHS is less secure.

Architect: Philip Andrew

Onward to the Queens Gardens the almost filled in former Queens Dock – forever fourteen feet below sea level.

We encounter Tonkin Liu’s Solar Gate – a sundial that uses solar alignment to mark significant times and dates in Hull. The super-light innovative two-shell structure is place-specific, responding to pivotal historic events and to the cultural context of its location in Hull’s Queens Gardens adjacent to the ancient site of Beverley Gate.

Carved stone panels Kenneth Carter 1960 – Ken’s art career began as an inspiring teacher, first at his alma mater, Hull College of Art, and later as principal lecturer at Exeter College of Art.

A number of decorative fountains featured in the ponds; those at the eastern end designed as part of the sculptured panels of 1960, by Robert Adams, described by Herbert Read as belonging to: 

The iconography of despair. Here are images of flight, of ragged claws, scuttling across floors of silent seas, of excoriated flesh, frustrated sex, the geometry of fear.

And behind we glimpse Frederick Gibberd’s fine Technical College.

Adorned by the William Mitchell relief.

Pedestrian In A Car Park

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One of the great glories of cinema is that it has the power to take the mundane and make it magical. To most of us, car parks signify a world of pain, where fearsome red-and-white crash barriers dictate our fate and where finding a space is often like finding meaning in the collective works of Martin Lawrence. To others, they meant lost Saturday afternoons spent waiting for your mum to finally come out of Woolworths so you could rush home to catch Terrahawks.

Either way, car parks are grey and dull. In the movies, however, they are fantastic places, filled with high-level espionage, and high-octane chases. 

According to The Guardian

I beg to differ, the cinema and TV has helped to define our perception and misconception of the car park.

The modern day pedestrian may reclaim, redefine and realise, that far from mundane each actual exemplar is different, in so many ways. The time of day, weather, light, usage, abusage, condition, personal demeanour and mood all shape our experience of this particular, modern urban space.

To walk the wide open spaces of the upper tier, almost touching the sky.

Is a far cry from the constrained space of the lower levels.

To walk the ramps with a degree of trepidation, visceral and fun.

This is an inversion of the car-centric culture, walking the concrete kingdom with a carbon-free footprint.

I was inspired by a recent viewing of All The Presidents Men to revisit my local multi-storey on Heaton Lane Stockport.

Cinematographer Gordon Hugh Willis Jr constructs a shadow world where informer and informed meet to exchange deep secrets, ever watchful, moving in and out of artificial light, tense and alert.

Look over your shoulder- there’s nobody there, and they’re watching you.

But they have been here.

To party.

To tag.

To live.

Pay here, your time is time limited, your presence measured.

Let’s explore this demimonde together, wet underfoot, lit laterally by limited daylight, walking through the interspersed pools of glacial artificial glow.

Time’s up, check out and move on – tomorrow is another day, another car park; in a different town.

Cinema and car parks wedded forever in the collective popular cultural unconscious.

Exmouth to Bridport

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Another day another breakfast – reduced rations and rashers, the now inevitable hash brown and a far too common failure to recognise my preference for tinned tomatoes.

Soldier on.

Friday 31st July 2015 leaving town beneath the bright morning sun.

Following a shady lane.

Crossing a drain.

Noting one curious prefabricated concrete lean to too.

Up over the Devon Downs.

Arriving in Sidmouth

A beautiful coastal town with a regency feel which is ideal for visitors of all ages. Sat in the middle of spectacular countryside Sidmouth is home to beautiful beaches, stylish eating places and great shopping, with everything from unusual gifts, designer clothing and lifestyle goods available.

The day of my visit the Folk Festival was in full swing – I encountered hardened drunken cider drinkers, drunk in the park and more tie-dyed clothing, than you would consider it humanly possible to produce.

With a hey nonny no I left town – up a very steep hill.

At the top of the hill, I unexpectedly came upon an observatory.

The Norman Lockyer Observatory to be precise.

It is both a historical observatory and home to an active amateur astronomical society. It is a centre for amateur astronomy, meteorology, radio astronomy, and the promotion of science education.

The observatory is regularly open to the public, staffed entirely by volunteers, and each summer hosts the South West Astronomy Fair.

Norman Lockyer was a Victorian amateur astronomer, who discovered the element Helium in the Sun’s corona in 1868 and was one of the founders of the science journal Nature in 1869. He became the director of the Solar Physics Observatory at South Kensington and the first professor of astronomical physics in the Normal School of Science – now the Royal College of Science, in 1887, he was knighted in 1897.

Using one’s own skill and ingenuity it is entirely possible to deduce that one arrived at such an august hill top observatory – at exactly X o’clock!

We’re now on the road to Beer, more of which in a moment first we’re on the way to Branscombe.

The Church of St Winifred’s set in a sylvan glade.

Characteristic Saxon chiselling on stones hidden in the turret staircase suggest the probability of an earlier, 10th century, Church on the site. Saint Winifred’s is among the oldest and most architecturally significant parish churches of Devon. The 12th century square central tower is one of only four completely Norman towers in Devon.

The church contains a rare surviving example of wall painting, dated about 1450 and discovered in 1911, the couple in this fragment illustrate Lust.

Sadly much of our ecclesiastical art was removed, destroyed or over painted during the Reformation, exacerbated by Cromwell and a general disdain for pictures and such.

Lust was also to be removed, destroyed or over painted.

The reverence for royal succession was and is actively encouraged.

Well that’s quite enough of that, next stop Beer!

The beautiful picturesque village of Beer is located on the UNESCO World Heritage Jurassic Coast in Devon.  Surrounded by white chalk cliffs, the shingle beach is lined with fishing boats still bringing in their daily catches and is famous for its mackerel.

On the edge of the South West Coast Path, Beer has some of the most stunning coastal walks in the county, one of the best being from Seaton to Beer with dramatic views across the Jurassic Coastline. Beer was also named recently by Countryfile as the Top Picnic spot in the UK from Jubilee Gardens at the top of the headland, chose for its stunning view of the beach and village from the hillside.

A narrow lane leads to the bay, clogged with oversized Toytown motor cars, full of folk in search of something which they’re doing their level best to remove, destroy or over paint.

Toytown is home to Larry the Lamb,and his clever sidekick, Dennis the Dachshund. Each day a misunderstanding, often arising from a device created by the inventor, Mr. Inventor, occurs which involves Ernest the Policeman, the disgruntled Mr Growser the Grocer and the Mayor.

Delightful home compromised by the curse of the ubiquitous uPVC.

Next thing you know we’re in Seaton.

Whether you are looking for interesting attractions, wanting to explore stunning natural landscapes, experience thrilling outdoor activities, or just wanting somewhere to stay, eat or shop, you’ll find it all in Seaton.

I found a pie shop and a pastie.

I found an ironmongers with a Stymie Bold Italic/Profil fascia.

Frequented by men who tend to adopt a combative stance when confronted with displays of ironmongery.

I found the road to Lyme Regis and the Regent Cinema.

1985

The Regent Cinema opened on 11th October 1937 with Hugh Wakefield in The Limping Man. It was built for and was operated by an independent exhibitor.

Bristol based architect William Henry Watkins designed a splendid Art Deco style inside the cinema which has seating on a stadium plan, originally the seating capacity was for 560. It has a raised section at the rear, rather than an overhanging balcony. Lighting in the auditorium is of a ‘Holophane’ type, which changes colours on the ceiling. The proscenium opening is 35 feet wide. There was a cafe located on the first floor level.

In recent Years it has been operated by the independent Scott Cinemas chain. The Regent Cinema has been recently restored. From October 2000, English Heritage gave it a Grade II Listed building status.

Cinema Treasures

2016 – Following the devastating fire at the Regent Cinema on Tuesday 22nd March, we can now confirm that the auditorium block of the Regent has been damaged beyond repair, and will have to be rebuilt. Damage to front of house areas is largely cosmetic, and will be attended to as part of the wider build scheme. We have every intention to rebuild the cinema to its former glory.

2019 – The WTW-Scott Cinema group is still actively engaged in a potential rebuild scheme for the Lyme Regis cinema. We’re currently working on our fourth set of design proposals, from which we need to reach the point where the rebuild scheme is both financially and architecturally viable. At present, we have not consulted with local authorities as there is little point in wasting everybody’s time presenting a scheme design that isn’t viable. New build cinemas are architecturally very complicated, and the Lyme Regis venue being a listed building presents challenges to overcome, all of which add significantly to any build schedule. Once we have a viable, workable scheme, we look forward to working with the local authority and Historic England to progress this.

The remainder of my time in Lyme was spent desperately seeking a bed for the night, to no avail. Following multiple enquiries and dead end directions to no-go destinations, I headed out of town.

Bridport bound – where I chanced upon a Pub/B&B the magnificent Lord Nelson where the owners allowed me to store my bike in the ninepin bowling alley.

I sat in the beer garden at the Lord Nelson and boozed – chatting to a local lad that worked in the local brewery, brewing the local beer, that was served in this very same local pub.

Palmers Ales are brewed in one of Britain’s oldest and prettiest breweries and have been since 1794. The only thatched brewery in the UK, Palmers sits adjacent to the river Brit just a mile from Dorset’s Jurassic Coast. All our fine ales are brewed using water from our own naturally rising spring. 

Our Head Brewer uses only the finest Maris Otter malt and carefully selected whole leaf hops to produce ales in a way they have been made for generations. Palmers historic brewhouse has a traditional Mash Tun, an open top Copper, along with top fermentation, this is the way ale should be brewed.

I finished up somewhere else, sat outside chatting to someone else, about something else.

Wandered happily home to bed.

Night night.

Modernist Model Village

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I’ve always dreamt of a Modernist Model Village.

So much so I bought a book.

Drew up a list of buildings, made plans – dream on.

The best laid schemes o’ mice an’ men gang aft a-gley.

However, whilst on my 2015 cycle tour of the south west coast I arrived almost accidentally yet serendipitously outside Babbacombe Model Village.

A good place to visit as dogs are welcome and this is important to us. The models were very cleverly designed and each one is recognisable and very funny anecdotes and labels. It was much bigger than it looked but flowed easily and was fun and charming to walk around. There is also a free mini crazy golf room which makes a change to not charge for something like this and a joy to see. I really enjoyed myself and it is all so well maintained you can feel the passion of the people creating it.

I went in – how could I have done otherwise?

Many of the buildings reflect the areas’ Seaside Moderne styles, from the holiday chalets to the substantial Modernist Villa, plus all the up to the minute services and infrastructure one would expect in a modern model village.

Let’s take a look:

Other model villages are available – Bondville Bridlington and virtually in Hastings

Weston super Mare

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Although there is evidence in the local area of occupation since the Iron Age, it was still a small village until the 19th century when it became a seaside resort, and was connected with local towns and cities by a railway, and two piers were built. The growth continued until the second half of the 20th century, when tourism declined and some local industries closed. A regeneration programme is being undertaken with attractions including the Helicopter Museum, Weston Museum, and the Grand Pier. The Paddle Steamer Waverley and MV Balmoral offer day sea trips from Knightstone Island to various destinations along the Bristol Channel and Severn Estuary. Cultural venues include The Playhouse, the Winter Gardens and the Blakehay Theatre.

Wikipedia

I arrived mid-morning on Saturday 25th July 2015 – having travelled some two hundred miles or so from Stockport by train.

The Iron Age seemed to be over and regeneration slowly but surely under way.

This marked the start of another coastal tour, following last year’s epic which began in Hastings.

This time I was heading for Hastings – but that can wait until tomorrow, let’s have a look around town.

Directly opposite the station is a group of Seaside Moderne homes in various states of whiteness – standing in line along Neva Road.

Reasonably priced, cheaper than Frinton – check it out

I pushed my bike along the prom heading for my pre-booked digs in a stylish seafront hotel.

Past the Marine Causeway linking the shore to some kind of modern day Post Modern Shangri-La.

A mystical, harmonious valley, gently guided from a lamasery, enclosed in the western end of the Kunlun Mountains, possibly not.

You can stroll onto Knightstone Island, where you will find some cafes serving light snacks and refreshments, or to the other side which takes you along the causeway, accessible to walk across according to the tides. At the other side of the Causeway you will find a small rocky beach with tidal rockpools ideal for exploring.

Just along the prom stands one of my all time favourite seaside shelters.

Even further along – what’s all this here then?

The foundation stone of the Birch-designed Birnbeck Pier was laid in 1864. It opened on 5th June 1867 and consisted of a 1040 foot cantilever construction to Birnbeck Island and a short jetty extending westwards from the island.

National Piers Society

It seems to have changed hands several times in its relatively short life, including the stewardship of the infamous Urban Splash and the mysterious mystery owners, the current custodians it seems, have done little to secure a secure future.

It remains alone and untended, stretching aimlessly out to sea.

In April 2015, Friends Of The Old Pier Society created a novel fund raising scheme in which 1p and 2p coins would be lined up to stretch from the Grand Pier to Birnbeck Pier.

September 2019 Councillor Mr Crockford-Hawley said:

It’s this end of Weston which is the sore, it’s the carbuncle, it’s clearly well past its prime and it needs some serious attention. I mean it would be wonderful if somebody came along with an open ended bank account and said ‘yup, I’d love to restore it for the sake of restoring it’, but quite clearly there’s got to be an economic future for the pier, there’s got to be a purpose for the pier.

Possibly a wealthy Beatle could bail the ailing pier out of deep water?

Having made a bob or two since they appeared here in 1963.

Next thing I know I’m outside the imposing and impressive sounding Ocean Hotel. Sad to say on the day/night of my visit it wasn’t just this weary traveller that appeared to be over tired, happy to report the the New Ocean Hotel has been revamped and in tip-top condition by all accounts.

Any road up, let’s get out, take a walk up the road – have look at some local type.

Watney’s mythical Red Barrel.

Watney’s was the Evil Corporation which sought to crush plucky small brewers and impose its own terrible beer on the drinking public. It acquired and closed beloved local breweries, and it closed pubs, or ruined them with clumsy makeovers.

Its Red Barrel was particularly vile – a symbol of all that was wrong with industrial brewing and national brands pushed through cynical marketing campaigns.

A page-spread from Design Research Unit 1945-1972 – Koenig Books 2011 via A Practice for Everyday Life via Boak and Bailey – who examine the truth behind the myth.

A palimpsest ghost within a ghost.

A seaside outing for dear old Brush Script – a casual connecting script typeface designed in 1942 by Robert E. Smith for the American Type Founders.

The face exhibits an exuberant graphic stroke emulating the look of handwritten written letters with an ink brush.

It came third as a Least Favorite nomination in a 2007 designers’ survey.

It was rated fifth in The Eight Worst Fonts In The World list in Simon Garfield’s 2010 book Just My Type.

Why have just one identity when you can have two, welcome to the 21st Century schizoid Savoy – don’t it jus’ make you want to stomp?

First but surely not the last sighting of Profil aka Stymie Bold Italic – in a none inline variant.

Classical kerning down at the local estate agents, tasteful Gill Condensed Bold – from the hand and eye of the far from tasteful Eric.

Ay up it’s a launderette that almost thinks it’s a scooter!

Cheap beer, raffle, singer and bingo on a Wednesday afternoon.

Amazing and great atmosphere with friendly service staff and atmosphere, love it, real nice people

Facebook

Russell Davies Flickr

Keeler Productions has taken over Locking Road Car Park, opposite Tesco, and The Regent Restaurant, in Regent Street, to film a BBC period series The Trial of Christine Keeler, based on the Profumo Affair in the 1960s.

Weston Mercury

Enough of all that period drama, let’s have a look at some period architecture.

Madeira Court – 67 flats built in 1988.

Weekly Social Activities include – coffee mornings, card evenings and occasional days out, organised by social club. New residents accepted from sixty years of age, both cats and dogs generally accepted.

I can find no reference for this dalle de verre stained glass window.

Boulevard United Reformed Church – Waterloo Street

Architects Gordon W. Jackson and Partners 1959

Constructed on part of the site of the former Electric Premier Cinema, the Odeon Theatre was opened on 25th May 1935 with Jack Buchanan in Brewster’s Millions. Built as one of the original Odeon Theatres in the then emerging Oscar Deutsch Odeon Theatres circuit, it was built on a prime corner street position in this sea-side town and was the first of several Odeon Theatre’s to be designed by architect Cecil T Howitt.

The Odeon was Grade II Listed on 21st August 1986.

Cinema Treasures

The Weston-super-Mare Odeon was built by C Bryant & Son Ltd of Birmingham on the site of the former Electric Premier Cinema. It opened on 25 May 1935, at which time it was described in the souvenir programme as ‘modernity at its best’, with seating accommodation that was ‘luxurious and spaced to give ample room for true comfort’.

A short walk along the prom snapping shelters and the sheltered – no two the same.

I then chanced to fall into a Beer Festival and bad company – the rest is a blur, see you all tomorrow there’s some cycling to be done.

Night night.

Redrock – Stockport

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Much maligned, universally loathed – the Stockport leisure facility everyone loves to hate.

What’s the story?

No more darkness, no more night.
Now I’m so happy, no sorrow in sight.
Praise the Lord, I saw the Light.

1900

The area between Princes Street and Bridgefield Street was a tight warren of housing, shops and industry, eventually demolished in the 1970s, designated as slum clearance.

Prior to the arrival of the ring road the space remained undeveloped and turned over to car parking.

Little changes as the M60 is opened.

Images TS Parkinson –  Stockport Image Archive

So for over forty years the land lies pretty vacant, but far from pretty.

Until 2015 when planning permission is granted for the £45m Redrock leisure scheme, which includes a 10-screen cinema, restaurants and shops.

Councillor Patrick McAuley, the council’s executive member for economic development and regeneration, said:

This is a very exciting time for Stockport. Developments such as these help our ambition of putting Stockport on the map to bring more people to work, shop and socialise here. We have been keen to involve the public in plans for both developments, by holding various consultation exercises.

We look forward to an exciting few years improving Stockport’s offer.

So good bye to all this, the local authority is making serious progress, developing Stockport’s future, against a background of structural decline and the dominance of Manchester city centre.

The architects for the scheme are BDP – the building was not well received as it was awarded the Carbuncle of the Year 2018.

Judges were left unimpressed by the – awkward form, disjointed massing and superficial decoration, while readers called it an absolute monstrosity.

Though to be fair The Light has a house style that leans heavily towards the anonymous industrial shed.

Sittingbourne

The development has however become a commercial success – once inside customers seem more than happy with the facilities.

The people of Stockport have welcomed us with open arms since opening in 2017. We’ve now had over one million guests join us for everything from the latest blockbusters to opera, theatre and concerts.

It’s been that busy that we’ve just added two additional screens and now offer freshly made pizzas, burgers and sliders. We’ve got plenty more exciting additions up our sleeve for next year too!

Tom Dean – Business Manager at The Light Cinema

Yet it continues to attract wave after wave of criticism on local Facebook groups, perhaps the former car parking area should be reinstated, or the Victorian slums rebuilt?

I went to take a look for myself during lockdown – see what you think.

Real attempts have been made to make the landscaping and street view amenable to pedestrians, it feels like an attractive and safe urban space.

The view from the north is less successful, the scale and decorative work looks over ostentatious and confused.

Look away if you wish, it won’t be here forever – and if you fancy something different try The Plaza or The Savoy.

Possibly see what’s playing at The Palladium.

That should keep everyone happy shouldn’t it?

Cecil Cinema – Hull

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Anlaby Road and Ferensway Hull HU1 2NR

After you, Claude – no, after you Cecil

The Theatre De-Luxe was built in 1911 at the corner of Anlaby Road and Ferensway with its entrance in Anlaby Road and its auditorium along the side of the pavement in Ferensway. Kinematograph Year Book of 1914 lists 600 seats and the owners as National Electric Picture Theatres Ltd.

In 1925, the theatre was rebuilt to a radically altered ground-plan and renamed the Cecil Theatre. The opening night was Monday 28th September 1925. The entrance was in a curved façade at the Anlaby Road/Ferensway corner. The alignment of the new, larger, auditorium was at right angles to Ferensway, and parallel to Anlaby Road. Effectively, the length of the Theatre De-Luxe auditorium became the width of the Cecil Theatre’s. Seating was 1,700 with 700 of those in the balcony, according to the Hull Daily Mail. The Cecil Theatre was originally designed for silent movies with a full orchestra pit. KYB 1931 lists it having Western Electric sound installed; and a 1931 aerial view shows that a brick horn-chamber had been built onto the wall at the rear of the stage. It had a 35 feet wide proscenium. The cinema also had a café attached.

The Cecil Theatre’s demise came during bombing on the night of 7/8 May 1941 when German incendiary bombs reduced the building to a shell; and it remained like that until demolition in 1953.

Cinema Treasures

Work on the new Cecil Theatre was begun in April 1955 and it was opened on 28th November 1955 with 1,374 seats in the stalls and 678 in the balcony.

Architects: Gelder & Kitchca

At the time of opening it had the largest CinemaScope screen in the country measuring 57 feet wide, and the first film shown was Marilyn Monroe The Seven Year Itch. The proscenium was 60 feet wide, and the cinema was equipped with a Marshall Sykes 3Manual/15Ranks organ, which was opened by organist Vivian Newall.

There was also a 100-seat restaurant & bar which in 1971 was converted into a second screen seating 137 (Cecil 2). The following year the main auditorium was spilt into 2 smaller cinemas in the balcony (Cecil 1 & 3 each seating 307) and an entertainment hall in the former stalls which became a Mecca Bingo Club, with Mecca also operating the cinemas.

In the 1980’s it was taken over by the Cannon Cinemas chain. The cinema operation was closed on 23rd March 1992 and the cinemas were ‘For Sale and/or Lease. It was taken over by Take Two Cinemas and renamed Take Two Cinema. It was closed on 27th February 1997 and the two screens in the former circle were stripped out and converted into a snooker club.

Whilst bingo continues in the former stalls area of this post war 
cinema, the former mini cinemas in the circle still contain the snooker tables, but the space is unused. The screen in the former restaurant/cafe area remains basically intact, but is unused.

Cinema Treasures

I worked at the Cecil in the three years before it closed in the 90’s. MGM owned the place before the Virgin group bought it and closed it. It was a good place to work and an interesting building. Behind the scenes had remained unchanged since Anna Neagle first opened it. The organ had been removed however but the organ room was still in tact in the bingo section of the building. The fire exits led to long dark corridors that were always being infiltrated by kids sneeking in for a free shows. I understand that this was always the case. The resturant kitchen was fully intact and resembled something out of a Kubrick film – very spooky place!

Bilko2000

And so the projectors whirr no more, house is called at the Cecil – possibly the most oddly named cinema in the land.

Happily it remains an imposing presence in the centre of the city – a mammoth modern temple of entertainment – reflecting the ever changing tastes of the day and the morning after.

Odeon – Guide Bridge

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285 Stockport Road Guide Bridge Ashton-under-Lyne

This was planned to be the Verona Cinema, a project of local builders – P Hamer Verona Cinema Ltd. The construction of the cinema was almost completed when Hamer sold the building to Oscar Deutsch and it opened as one of his Odeon theatres.

Hamer then used the proceeds of the sale to build the Roxy Cinema Holinwood, which was designed by Drury & Gomersall.

Opening date of the Odeon Theatre was 29th June 1936, when the first programme was Bing Crosby in “Anything Goes” and Harold Lloyd in “The Milky Way”. Designed by the noted cinema architectural firm of Drury & Gomersall, the frontage had a neat entrance in brick, with white stone facings on the window surrounds. There was a parade of shop units on each side of the entrance which had matching brickwork and a white stone trim.

Inside the auditorium the seating was arranged for 834 in the stalls and 330 in the circle. The side splay walls on each side of the proscenium was decorated in wide horizontal bands, and topped with a backlit illuminated grille.

The Odeon was closed by the Rank Organisation on 11th March 1961 with Kenneth More in “Man in the Moon”.

It was converted into St. Paul’s Roman Catholic Church. Former cinemas have made good conversions to churches and the fabric of the buildings are generally respected. In this case though, the sad story is that the front entrance has been rendered over and inside all details of it cinematic past have been erased. You would never know you were inside what had been been an Art Deco styled building.

Contributed by Ken Roe Cinema Treasures

I passed by nearly every day for years travelling to and from school, I played there at a wedding reception in the church social club. I sadly have no recollection of the building in use as a cinema.

It has been closed since 2010 – currently it has no purpose or seemingly any future use, there are no For Sale signs in evidence.

Fallen so quickly and absolutely from grace.

The Odeon née Gaumont – Ashton Under Lyne

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Opened 22 April 1920 with “The Forbidden City” and designed by Arnold England, the Majestic Picture House was part of the Provincial Cinematograph Theatres circuit. With 1,233 seats in stalls and balcony and a splendid facade faced in white faience tiles on two sides of the building on its prominent town centre corner site of Old Street and Delamere Street, the cinema was a great success.

It had an oak panelled foyers which had beautiful coloured tapestry’s on the walls. The interior was in a Georgian style and it was equipped with a pipe organ and a seperate tea room and cafe which were located on the upper floor.

It passed, with all the other PCT houses to Gaumont British Theatres in 1929, but it was not until 12th July 1946 that it was renamed Gaumont. The Majestic Picture House was renovated in July 1936, with new seating installed and a re-recoration of the foyer and auditorium. A new Compton 3Manual/6Rank organ was installed that was opened by organist Con Docherty.

Later being merged into the Rank Organisation, the Gaumont was re-named Odeon on 11th November 1962. It was eventually sold to an independent operator who renamed it the Metro Cinema from 6th November 1981.

With capacity now down to 946 seats, the Metro Cinema continued as a single screen operation until the middle of 2003, sometime after a multi-plex had opened in the town. In 2008 (with seats and screen intact) the building was unused except for the long foyer area, linking the front and back elevations of the Metro, which was a Slotworld Amusement Arcade. By 2011, the entire building had been stripped out and stood empty and unused.

Cinema Treasures

The cinema was used as a location for the film East is East.

Archive images Metro Majestic

It was my local cinema as a lad – attending Saturday morning matinees as a member of the Odeon Boy’s and Girls club. Hundreds of the nosiest kids. regularly warned by the manager that the film would be stopped if the raucous behaviour continued.

Now it’s just an empty shell, superseded by multiplex and latterly a lost Slotworld.

Unlisted unloved sitting at the heart of the town – too late for the last picture show.