Well it’s almost a mighty long way to cycle from Stockport to here, but well worth it.
A clear functional design of the 1970s, designed to place all the internal focus on the top-lit altar, which beneath its modern cladding incorporates a pre-Reformation altar stone. The external appearance of the church is slightly forbidding but the interior is enhanced by vibrant slab glass.
More than somewhat bunker like in its recessed situation, well below street level, yet interesting and engaging nonetheless – I’m rather fond of grey.
Working around the comings and goings of the adjacent school, I half circumnavigated the site, capturing something of the detail and exterior views of the stained glass. The interior will have to wait until another day.
Planned and newly constructed housing developments in Norden and Bamford made it apparent that a new church was needed nearer the geographical centre of the parish. In June 1975 the present church of St Vincent de Paul was opened, nearly a mile away from the old church. The architect was Bernard Ashton of the Cassidy & Ashton Partnership, Preston.
Internally the church is simply fitted with plain white plastered or boarded walls. The low level of daylighting enhances the effect of the four corner windows, which are filled with rainbow glass, and of the top-lit altar. The dalle de verre glass was designed by Eddie Blackwell and made in Dom. Charles Norris’s workshop at Buckfast Abbey. The figure of the risen Christ on the roof over the entrance porch were also designed by Blackwell.
All in a day’s work cycling around north Manchester searching out and snapping five churches in a day.
This just happens to be one of my favourites, tough and uncompromising, monumental and modern – set hard against a main road.
A simple brick, concrete and glass construction, an immovable mass with strong vertical accents.
Though over time it has lost its colourful mosaics and concrete relief – gains a pitched roof and obtrusive gutters and drainpipes along the way.
My thanks to Andrew Spence for the info and photo.
In 1964, Fr Edward Glyn commissioned Massey & Massey of Warrington to design a new larger church in place the previous church, to be built on the same site. The foundation stone was laid on 10 April 1965 by Bishop Holland. R. Partington & Sons Ltd were the contractors and the building cost around £48,000.
The church is concrete- framed and faced in brick, with dark red brick to the flat-roofed aisles and buff brick to the upper part of the nave. Tall brick piers connected by concrete beams form a vertical accent on the northwest corner, carrying a steel cross.
The shallow-pitched roof is laid with concrete tiles, on deep eaves (originally the roof was flat). Windows are now mostly uPVC, with some stained glass; the six-bay nave is lit by tall narrow windows at clerestory levels, with similar narrow lights to the aisles.
A church of the early 1960s, built before the Second Vatican Council on a traditional basilican plan. The design is striking and unusual, with an interesting combination of Gothic, classical and modern architectural motifs. The architect, Tadeusz Lesisz of Greenhalgh & Williams, is a little known figure but a designer of some interest. The church exhibits a scheme of sculpture, stained glass and mosaic on Marian themes, mainly by local designers, and retains almost all of the original furnishings and fittings in little altered state. It also retains furnishings from the late-nineteenth-century predecessor church.
A typical example of a post-war church built to serve a growing residential suburb; it retains some attractive ‘Festival of Britain’ features and fittings.
The church was built to seat 360, with room for fifty people in the Lady Chapel. The architect was Geoffrey Williams of Greenhalgh & Williams, the builder Whitworth, Whittaker & Co Ltd of Oldham, and the cost £27,140. Bishop Beck blessed the foundation stone on 7 December 1957, and the church was formally opened in 1958.
Well worth the effort to visit a well kept suburban church, constructed with load bearing walls faced in brown and buff bricks and steel roof trusses. The shallow-pitched roof was originally clad in copper but is now felted, flat roof areas are concrete.