But the boozer is now up and running serving cask ale to throngs of first class thirsty customers.
The Yorkshire Brewhouse 1904 ended mid week when we’re normally closed but we were asked to open for a group of very thirsty sailors. We moved on to Reet, another Yorkshire Brewhouse beer and thanks to the football that one has gone too. It’s back to the YBH Faithful Stout once again. I’d come quick and get it while you can.
Once two pubs the Hessle Road Inn was subsumed by the Alexandra. The area was once home to the city’s Jewish Community – the cemetery survives next door.
There are Star of David motifs incorporated into the windows, sympathetic to this local heritage.
I ride a bicycle, which seriously restricts my access to the world of the M – one and six or otherwise. Having a more than somewhat ambivalent outlook on motor cars and their ways I have nevertheless written a short history.
So to satisfy my idle curiosity, and fill the damp wasteland of a Bank Holiday Sunday afternoon, let’s go on a little trip back in time by means of archival images.
What of your history?
Tendering documents were sent out in 1962 describing it as a 17.7 acre site, requiring at least a £250,000 investment, including an eastern corner reserved for a picnic area, and an emphasis that the views to the west must be considered in the design, and facilities must be provided on both sides. Replies were received – from Telefusion Ltd, J Lyons, Banquets Catering Ltd, Granada and Rank
Top Rank’s plan came consistently highly rated by all the experts it was passed between. It showed a restaurant and a self-service café on the west side, the restaurant being at the top of a 96ft (29m) tower. At the top of the tower was a sun terrace – a roof with glass walls, which they had described but hadn’t included any suggestions for how it could be used, adding that maybe it could form an observation platform, serve teas, or be reserved for an additional storey to the restaurant.
Including a transport café on each site, seating was provided for 700 people, with 101 toilets and 403 parking spaces. A kiosk and toilets were provided in the picnic area.
“The winning design looks first class. Congratulations.”
Architects T P Bennett & Sons had been commissioned to design the services, along with the similar Hilton Park. At £885,000, it was the most expensive service station Rank built, and was considerably more than what had been asked of them.They won the contract, but on a condition imposed by the Landscape Advisory Committee that the height of the tower was reduced to something less striking.
Lancaster was opened in 1965 by Rank under the name ‘Forton’. The petrol station opened early in January, with some additional southbound facilities opening that Spring.
The southbound amenity building had a lowered section with a Quick Snacks machine and the toilets. Above it was the transport café which had only an Autosnacks machine, where staff loaded hot meals into the back and customers paid to release them. These were the motorway network’s first catering vending machines, and the Ministry of Transport were won round by the idea, but Rank weren’t – they removed them due to low demand.
In 1977, Egon Ronay rated the services as appalling. The steak and kidney pie was an insult to one’s taste buds while the apple pie was an absolute disgrace. He said everywhere needed maintenance and a coat of paint, the toilets were smelly and dirty, and the food on display was most unattractive.
A 1978 government review described the services as a soulless fairground.
The Forton Services and the typology generally have had a chequered career, rising and falling in public favour and perception. Purveying food and facilities of varying quality, changing style and vendors with depressing regularity – knowing the value of nothing yet, the Costas of everything.
Ironically the prematurely diminished tower has taken on iconic status in the Modernist canon – listed in 2012 yet closed to the public, admired from afar – in a car.
The Pennine Tower was designed to make the services clearly visible – the ban on advertising had always been an issue, and the previous technique of having a restaurant on a bridge, like down the road at Charnock Richard, was proving expensive and impractical. Rank commissioned architects T P Bennett & Sons to capitalise on the benefits of exciting design while trialling something different. The tower resembles that used by air traffic control, summarising the dreams of the ’60s.
The central shaft consists of two lifts, which were originally a pentagonal design until they were replaced in 2017. They’re still in use to access the first floor, but with the buttons to higher floors disabled. There are then three service lifts, and one spiral staircase – satisfying typical health and safety regulations.
At the top of the tower stood a fine-dining waitress service restaurant, offering views over the road below and across Lancashire. Above the restaurant the lift extended to roof-level, to allow the roof to serve as a sun terrace – although Rank admitted they weren’t sure what this could be used for, suggesting serving tea or eventually building another level.
In reality social changes and cost-cutting limited the desirability of a sit-down meal, and this coupled with high maintenance costs made the tower fall out of favour. The ‘fine dining’ restaurant became the trucking lounge that had been on the first floor, before closing to the public in 1989. It then soldiered on for another 15 years, partially re-fitted, as a head office, then staff training and storage, but even this became too impractical, and the tower is now not used at all.
Although the tower is unique to these services, the concept of large high-level floors can be seen in many Rank services of the era, the idea of each one being to have a visible landmark and a good view of the surrounding area, such as at Hilton Park. The lower-level restaurant at Forton sticks out over the first floor, and partially in to the road, to give an optimum view. Toilets and offices were in the ground floor buildings below.
There are lots of myths flying around that the tower was forced to close by safety regulations, and that it is about to fall down. Like any building which hasn’t been used for 30 years it would take a lot of investment to get it open again, and with roadside restaurants across the country closing due to a lack of trade, nobody has come up with an convincing plan to justify investing in the Pennine Tower.
Commercial premises or showroom. Dated 1889. Red brick with stone dressings and terracotta decorative details, tiled roof. Rectangular building of 4 x 3 bays with canted corner entrance. Jacobean style. Single storey articulated by pilasters supporting a sculptured frieze. Doorway with arched head and fanlight. One, two and three-light mullion and transom windows to the Parsonage Street front. The Wellington Road front has two large plateglass windows divided by paired pilasters. The windows have removed two pilasters. Cornice, panelled parapet, aedicule with console supporters, swan – neck pediment and date over the doorway. Tall hipped roof. Very prominently sited and under restoration at the time of inspection.
This is a building of some substance, decorated with terracotta work of the highest order, a striking yet diminutive landmark to the north of the town. Situated on a once busy commercial site, where it would have been surrounded by a plethora of retail, industrial and residential property.
My research has shown that its earliest recorded use was under the ownership of JE Jones manufacturing agent for ropes and cords, allied to the local hatting and cotton trades in 1907. Subsequently the base of John Roberts in 1910 – leather merchant, manufacturing belts, strapping and laces – the company also had premises nearby at 138 Heaton Lane.
It has latterly been in use as Topp’s Tiles, Gordon Ford and Little Amigos Discount Nursery Store – it is currently empty, shuttered and unloved on off at a rent of £1,833 per calendar month from Rightmove.
As Stockport continues to invest in and develop its town centre, it remains a more than somewhat sorry beacon of decline, an indicator that all to often architecture of local and historic importance, seems to have little or no use in this thrusting modern milieu.
If passing, pause and reflect on the sense of permanence that imbues this building, in an all too impermanent world.
Church. 1937, by N.F.Cachemaille-Day. Red brick in English bond with some stone dressings (roof concealed). Star-shaped plan formed by the diagonal intersection of two unequal squares, plus a wide rectangular narthex enclosing the west end. The main vessel is a lofty structure with plain walls, sill-band carried round, and plain parapet, except for the upper part of each side of the cardinal projections, which have windows in tall intersecting Romanesque arcading with Y-tracery, all in brick, with a central pilaster strip rising to a moulded cornice. Large plain cross rising from roof. The single-storey flat-roofed narthex has coupled plain rectangular doorways in the centre and 3 narrow rectangular lancets to each side. Interior (as reported 16.01.81): ingenious plan with lofty columns supporting flat ribbed roof. Forms group with Rectory attached to south side.
The Corporation of Manchester acquired the Wythenshawe Estate in 1926 and began laying out the garden suburb in 1930. It was eventually to have 25,000 houses and a population of 100,000. The garden suburb was designated part of the parish of Church of St Wilfrid, Northenden, but that small parish church proved insufficient to accommodate the rising congregation. A mission church was therefore opened in 1934, and in 1935 the diocese approved plans for the construction of a new parish church at Orton Road. The budget was £10,000.Nugent Francis Cachemaille-Day was appointed as architect for both the church and the adjoining parsonage. The foundation stone for the church was laid on 8 May 1937, by the Bishop of Manchester. The builder was J. Clayton and Sons of Denton.
So has the redoubtable Nikolaus Pevsner:
A sensational church for its country and its day. The material is brick, bare in four of the corners, with large brick windows in the other four. The intersecting arches of the windows are the only period allusion.The interior has very thin exposed concrete piers and a flat ceiling. The church make sit clear that the architect had studied Continental experiments, the parsonage points to Germany and Mendelssohn. Stained glass by Geoffrey Webb.
Geoffrey Webb lived and worked in the centre of East Grinstead at the height of his career and is noted among enthusiasts of fine glass for his use of brilliant blues. In his early career he worked with Charles Eamer Kempe, the most prolific and best-known stained glass artist of his generation. Webb’s work can also be found in many other places around the UK including Manchester Cathedral and Tewkesbury Abbey, and in Daresbury parish church in Cheshire where he designed a memorial window in honour of Lewis Carroll.
So I cycled by one almost sunny Sunday morning, engaged in the porch by an elderly joke telling gent, awaiting his more devout partner.
I love the bible, they all rode on motor bikes – “the roar of Moses’ Triumph is heard in the hills, Joshua’s Triumph was heard throughout the land.”
The Apostles were in one Accord. – Acts 5:12
We waited out the end of the morning service, exchanging gags, eventually I entered. Met by cheery parishioners and priest, welcomed with open arms, happy to chat and allow me to go about the business of snapping this enchanting building. Take yourself down there and bathe in the stained glass light from the sun drenched east windows, feel the warmth of the open elevating space, everything’s looking up:
A sensational church for its country and its day – today.