Chorley Walk – 2026

Once upon a time it was 2022 and I was in Chorley.

Then all of a sudden it wasn’t and I was elsewhere – fast forward to yesterday and I was in Chorley again.

Arriving at the Railway Station.

White Coppice

The current railway station is a modern version from the 1980s that was built on top of the original station – it is entirely functional, but more than somewhat undistinguished.

Crossing over the road to Market Walk.

Whether it’s fashion, gifts, everyday essentials or an entertaining day out that you’re after, Market Walk has it all. With over thirty shops along an outdoor parade, plus entertainment and hospitality venues, there’s something for everyone.

AEW Architects were appointed by Chorley Council in 2015 as Architects for the Market Walk Scheme.

The Council’s aspiration was to breathe life back into the town centre by enhancing Chorley’s retail and leisure offer and refocusing Chorley’s centre as a destination for local residents and surrounding towns. The development needed to entice new, and retain existing, businesses in the town. Aesthetically, the development also needed to be a landmark for, and create a modern gateway into, the town – driving footfall towards Chorley’s commercial centre.

Next door is the Bus Station, opened in February 2003 replacing the previous structure.

Opening of the previous Bus Station – Ribble the area’s operators, before the Stagecoach arrived.

Red Rose Collections.

The Post Office – with its later extension.

Though dated 1935 the architect  Charles Wilkinson died in 1927 – posthumous construction following his earlier plans?

Former Fine Fare finds a new occupant the Big Bargain Store.

The NatWest Bank is still a NatWest Bank.

Next the Royal Bank of Scotland presenting and passing as a Post Office.

My good friend Mainstream Modern informs me that the architects were Cruickshank & Seward.

The distinctive white tiles of 2020 having become a living wall.

Long gone – this swish interior with its alarmingly charming calendar.

Let’s have a look around the back.

Next door this sinister functionalist brick structure.

Next to the Chorley Theatre, formerly the Empire Electric Theatre and currently the Empire Cinema.

Opened on on 3rd September 1910, one of the nation’s longest continuously running cinemas.

I spent some time chatting to the chatty guardian of the booking office, I learnt that the recently installed blue plaque commemorates the areas links to esteemed Beano artist Leo Baxendale.

Leo attended St Mary’s School which was sited opposite the theatre, he had a miserable time there, an experience which formed the basis for the famed Bash Street Kids.

He may well now chuckle to himself in comic book heaven, knowing that the school was demolished in 1982.

Red Rose Collections

It’s only right that the town boasts a Leo Baxendale Trail.

Furthermore, I was ever so excited to hear that the really surreal Leonora Carrington, was a local lass and that the theatre were screening her biopic Leonora in the Morning Light.

Back down to earth with a bang and just around the bend – here’s a former Social Services building, very much in the post-war manner.

Next thing you know we are at the Police Station.

County Architect’s Report: 1963-64.

The design team was Roger Booth, Lancashire County Architect; CA Spivey, Assistant County Architect; DB Stephenson, Design Architect; and DG Edwards, AG Gass, responsible for the detailed design and construction. The seven-storey in-situ concrete framed main block was the last bespoke police station to be built in Lancashire, following this the department developed a systemised concrete construction method which was deployed across the county. The dramatic cantilevers gave the new building a stature and presence that signalled authority. The lower levels were accessed by ramps and provided space for police vehicles. To enter the police station one ascended a set of external stairs across a pool that once contained koi carp – fittingly, one boy described the new building as a ‘fishtank’ upon its completion. The magistrates’ court was finished externally in a grey brick and carried the signature pyramid rooflights that were synonymous with the Department.

Many thanks to Richard at Mainstream Modern

Next door its partner in crime the Magistrates Courts.

Opened in 1968.

The courts are up for sale – offers in the region of £800,000 – the property has planning permission for an eleven storey apartment building with fifty two flats, three ground floor retail units and roof terrace.

The disused court building was last sold in 2022 for £300,000, according to the Land Registry.

Designs for the scheme were drawn up by FWP Group.

Next door is a pub no longer a pub.

Once upon a time a Vaux Brewery house the White Hart – implausibly renamed the Snooty Fox for a brief period.

Photo Alan Winfield 1988 – The Never Ending Pub Crawl

This was a really big looking pub.

The pub was decent enough inside with a large room which was empty on our Friday dinner visit, the pub was a Vaux tied house so we were well pleased as we had not done many of them.


We had a drink of Vaux bitter which went down well.

Interior from Red Rose Collections.

Currently the Ukraine Unit Donation Centre.

Our group was created in February 2022 to try and help raise awareness of the crisis in Ukraine and to help organise and coordinate local efforts to send support from across the Borough of Chorley in Lancashire. We have since grown into a major hub for donations.

Across Chorley & District multiple educational facilities, community groups and organisations reacted and began to spread awareness and collect donations. In order to sift and sort a lot of local donations, a unit has been loaned by Chorley Council. A large percentage of the region’s aid has come into this unit and we are regularly packaging aid and supplies in preparation for the next leg of the journey to Ukraine, whether it’s transported there by us or other charitable organisations.

Our philosophy is that if we can all do a little bit, together we can make a big difference.

Bouncing back to what was and never shall be no more Barclays Bank.

Almost finally we find ourselves at the Council Offices 1982.

You will be delighted to hear that Chorley Council has a Masterplan

Self Architects generated a high level Masterplan for this prominent site. The scheme proposes a boutique hotel, offices, restaurants/bars, along with apartments, aiming to transform the town centre by intervention to enhance the overall vision by:

  • Establish a series of formal/informal public spaces
  • Diagonally link public spaces
  • Greening pedestrian streets
  • Reducing dominance of cars
  • Improving evening economy

Having a moment or two on my hands I ventured to the land beyond beyond – the land of the concrete bench, bin and planter combo.

They are on Hollinshead Street.

Google Streetview 2022.

St Mary’s Church Interior

Broadfield Drive Leyland Lancashire PR25 1PD

May I first thanks Parish Administrator Catherine, for taking the time to open the church for our visiting group of Modernists this Saturday – and providing us with the warmest of welcomes, along with a brew and a biscuit or two.

The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation stone in 1962  and the new church was completed ready for its consecration and dedication by Archbishop Beck in April 1964.

The church is a testament to the ambition, imagination and optimism of its age. Significantly, the building was the collaborative work of both immigrant and native architects, artists and designers.

This has been celebrated by Owen Hatherley’s recent book The Alienation Effect.

A folded slab roof of ninety five feet in diameter, its concrete cast on site, bearing the marks of the wooden shuttering, contrasting with the smooth surface of the pre-cast valley beams.

The Crucifix Rex frame is by Alan Roberts and the ceramic figure by Adam Kossowski.

The organ is designed by JW Walker & Son.

The candlesticks and metal furnishings in all the Chapels were fashioned in the foundry of Messrs Bagnall of Kirkby to the design of Robin McGhie.

The curved benches are of Ghana mahogany and were made by the Robert Thompson Craftsmen of Kilburn, the steel work by GS Graham of Stokesley. The distinctive Mouseman mouse can be found on several of the bench ends.

Dalle de Verre stained glass by Patrick Reyntiens, thirty-six panels abstract totalling two hundred and thirty three feet in length.

The theme for the windows is taken from the first nine verses of Genesis, and the passage of Proverbs c. vii. Amorphous undifferentiated matter with the beginnings of definition and pattern, with here and there the promise of order and system.

The Stations of the Cross are the work of Liverpool sculptor Arthur Dooley.

The Chapel of the Blessed Sacrament is designed to seat one hundred and twenty.

The lettering on the green marble frieze is by George Thomas.

The tabernacle, crystal lamp and altar furniture were designed by Robin McGhie.

The tapestry, designed by architect Jerzy Faczynski and woven by the Edinburgh Tapestry Company, under H Jefferson Barnes and Anthony Brennan.

The etched glass panels are also by Jerzy Faczynski.

This is a church whose design and integral interior order and design, sits alongside both Coventry Cathedral and Liverpool Cathedral of Christ the King.

The finest materials and skills, working in harmony to produce a majestic whole.

Take a look outside too!

St Mary’s Church Exterior.

Broadfield Drive Leyland Lancashire PR25 1PD

I was first here in 2019 – it was raining, so snapping the exterior was a soggy task.

Returning in 2025 on a sunny day was a blessing.

This is a suburban church with the ambition of a Modernist cathedral – a radical construction in concrete, brick, stone and glass.

It more than deserves its Grade II Listing.

The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century.  The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation  stone  in  1962  and  the  new  church  was  completed  ready  for  its consecration and dedication by Archbishop Beck in April 1964.

Dalle de Verre stained glass by Patrick Reyntiens.

Large polychrome ceramic mural representing the Last Judgment by Adam Kossowski occupies the width of the porch above the two double-doored entrances.

Let’s take a turn around this stunning building – the etched glass on the Chapel of the Blessed Sacrament is by Jerzy Faczynski.

Take a look inside too!

St Mary’s RC Church – Denton

Duke Street Denton Manchester M34 2AN

I remember you being built.

I remember our visit with the Manchester Modernists in 2015 – arranged by Angela Connelly and Matthew Steele of Sacred Suburbs

I popped by to see you yesterday – a truly remarkable structure set amongst the terraced housing of an unremarkable street.

The foundation stone for the present building laid by Bishop Beck in August 1962. He returned to bless and open the church on 25 June 1963. The new church was built from designs by Walter Stirrup & Sons – job architect Kevin Houghton, at a cost of about £60,000. The church is notable for its dalle de verre glass, by Carl Edwards of Whitefriars.

The church is a very striking and characterful building with a hyperbolic paraboloid roof rising in peaks on four sides, with clerestory lighting in the angles, that on the west side jutting out to form a canopy over the entrance. It was described by Nikolaus Pevsner as ‘wildly expressionist’.

Taking Stock

I suggest that you do the same and pop by to see St Mary – Our Lady of Sorrows soon.

Leyland – St Mary’s Church

It never fails to surprise, turning the corner of a somewhat anonymous suburban street to find:

A building of outstanding importance for its architectural design, advanced liturgical planning and artistic quality of the fixtures and fittings.

Broadfield Drive Leyland Lancashire PR25 1PD

The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century.  The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation  stone  in  1962  and  the  new  church  was  completed  ready  for  its consecration and dedication by Archbishop Beck in April 1964.

Stained glass by Patrick Reyntiens.

Pink brick, reinforced concrete, copper covered roofs, zig-zag to main space and flat to aisle. Circular, aisled plan with projecting entrance and five projecting chapels.

Central altar. Entrance in large projecting porch with roof rising outwards and the roof slab cantilevered above the doors, its underside curving upward.

Large polychrome ceramic mural representing the Last Judgment by Adam Kossowski occupies the width of the porch above the two double- doored entrances.

Brick rotunda with projecting painted reinforced concrete chapels to left and right, of organic round-cornered form.

Folded radial roof above main space, leaning outwards to shelter triangular clerestory windows. Circular glazed light to centre of roof, its sides leaning outwards, culminating in a sculpted finial of copper or bronze.

Internally, sanctuary is floored in white marble, raised by a step, and the white marble altar is raised by three further steps.

Fixed curved timber benches are placed on slightly raked floor.

`Y’ shaped concrete aisle posts, designed to incorporate the Stations of the Cross, sculpted by Arthur Dooley.

Above these the exposed brick drum rises to the exposed, board-marked concrete folded roof. The aisle walls comprise thirty-six panels of abstract dalle-de-verre stained glass, totalling 233 feet in length, by Patrick Reyntiens, mostly in blues and greens. The theme is the first day of Creation. Suspended above the altar is the original ring-shaped light fixture, and also Adam Kossowski’s ceramic of Christ the King.

Further original light fittings are suspended above the congregation.

The font is placed in the narthex, in a shallow, marble-lined depression in the floor. It comprises a concrete cylinder with an inscribed bronze lid.

The Blessed Sacrament Chapel, with its rising roof slab, contains a green marble altar with in-built raking supports.

Behind it is a tapestry representing the Trinity, designed by the architect J. Faczynski.

Text from Taking Stock

Many thanks to Father John and the members of the congregation for the warm welcome that they extended to us on the day of our visit to their exceptional Grade II Listed church.