Central Clinic 21 Orchard Street Swansea SA1 5AT

Whisking you back in time!

To 2015 when local artist and archivist Catrin Saran James is undertaking a little reverse vandalism by way of guerrilla restoration or adfer gerila if you will.

Leading to a full scale cleaning of the Harry Everington 1969 concrete mural adorning the Central Clinic.
It was under Harry’s guidance that students from the Swansea College of Art produced the mural which was put on the building’s exterior back in 1969.


It was fantastic to have had an email from the ABMU Health Board earlier this year.
Martin Thomas who leads the ABMU Heritage Team contacted me as he was researching what public art the health board owned.
Martin came across my Guerrilla Restoration work and the previous work I’d done in highlighting cleaning samples of Harry Everington’s 1969 abstract concrete sculptural mural over the last 5 years.
Taken from the ABMU Heritage blog, here’s what Martin said of the project:
When we started this group we carried out a scoping exercise to see what historical artefacts the health board owned and this mural came up.
When I did more research I found out about Catrin’s project and we thought it would be a good idea to help finish what she had started.
We thought this would be a great opportunity for us to clean a very neglected sculpture.
Subsequently her gallant restoration endeavours made headline news in Wales Online.
Fast forward to Wednesday May 11th 2022 – I am aboard the Transport for Wales train, Swansea bound!

Catrin had kindly forwarded me a clear and comprehensive guide to Swansea’s Modernist architecture.
Characteristically, I promptly got lost, fortunately we had arranged to meet at the National Waterfront Museum – which was clearly signposted. Following a chat and a cuppa we swanned off, visiting the Civic Centre and a lovely array of post-war retail outlets.
We parted and I went on my merry way – I can’t thank you enough for your company and erudition Catrin, diolch yn fawr.
Eventually I arrived at the Clinic, I feel that the best time to visit a medical centre is when you are fighting fit, with an overwhelming interest in cast concrete, rather than plaster casts.








I was very struck by the similarities between Swansea’s Concrete Relief done in 1969 and the large Ceramic Relief panels on the Queensgate Market Huddersfield done in 1970/71 that you posted about on 9th August 2021. Did they put something in the water at Art Colleges that stimulated this do you think? The Swansea panel seems more human than the ones in Huddersfield (I got a sense of Nude Descending a Staircase, No. 2, the 1912 painting by Marcel Duchamp), Fritz Steller’s panels in Huddersfield look much more earthy and subterranean. But maybe the difference between concrete and clay accounts for that?
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