Oriel Mostyn – Llandudno

I have posted here previously regarding the Naples of the North.

With particular reference to its seaside shelters.

This is a town with a visual culture defined by carefully created picture postcards – conjuring images from land, sea, sand and sky.

New technology arrives, dragging Llandudno from the sepia soaked past into the CMYK age!

So it’s only right and proper that the town should have an art gallery.

Oriel Mostyn Gallery was commissioned by Lady Augusta Mostyn after the Gwynedd Ladies’ Art Society asked her for better premises than their existing home, in a former cockpit in Conwy. The ladies’ gender prevented them from joining the Royal Cambrian Academy, also based in Conwy.

Designed by architect GA Humphreys, the new gallery opened in 1901. From 1901 to 1903, the gallery housed works by members of the GLAS. As a patron of the arts and president of the society, Lady Augusta was aware that the ladies needed more space to display their work and gave them the opportunity to rent a room in the new building.

Lady Augusta was keen for the gallery to be used by local people, so the society was asked to leave and a School of Art, Science and Technical Classes was set up. Alongside the many classes, there were art exhibitions, lectures. social events, and even a gallery choir and shooting range!

The current shop area was the location for a ‘Donut Dugout’ – a rest and recreation area for the many American servicemen in the town. Coffee and doughnuts were served and the men could read magazines from home.

After the war, Wagstaff’s Piano and Music Galleries occupied the building. In 1976 the artist Kyffin Williams, and others, suggested the building should become the proposed new public art gallery for North Wales. Architects Colwyn Foulkes supervised its restoration and it reopened, as Oriel Mostyn, in 11 August 1979.

History Points

Once the Post Office had vacated the adjacent building, expansion and development took place – Ellis Williams Architects were responsible for the design.

RL Davies undertook the construction work.

Acknowledged to be ‘one of the most beautiful galleries in Britain’, Mostyn in North Wales was an existing listed Victorian museum with two lantern galleries tucked behind a listed facade. We were appointed by Mostyn after winning the Architectural competition with a design combining a gallery space refurbishment with a gallery expansion and a new dramatic infill section linking new and old. The project has won a number of awards and increased footfall by over 60%.

Why not let your feet fall there soon – Oriel Mostyn is open.

The very first time I visited the town as a child back in the early 1960s, it rained almost every day.

Subsequent visits have almost always been bathed in warm sunshine.

WH Smiths – Colwyn Bay

I have been here before.

I’ve been there too – Newton Powys home to the WH Smiths Museum

Now here I am in Colwyn Bay generally minding my own and everybody else’s business, when all of a sudden I noticed a cast iron glazed awning.

Proudly announcing the proprietors – sadly supported by a distressing modern addition – now I’m not one to decry and debunk the rising tide of modernity, I’m all in favour of unisex clothing and central heating.

But the unchecked encroachment of vacuous vinyl really is the limit.

Businesses displayed a degree of dignified permanence unknown to the current high street trader. So here it is writ larger than life in stained glass and Carter’s Tiles.

Loud and proud.

And as an addendum here are the delightful tiles from the Llandudno branch, snapped two years previously.

On The Waterfront – Llandudno

A welwyd eisoes.

I’ve been here before, as have others before me.

The town of Llandudno developed from Stone Age, Bronze Age and Iron Age settlements over many hundreds of years on the slopes of the limestone headland, known to seafarers as the Great Orme and to landsmen as the Creuddyn Peninsula.

Some years later.

In 1848, Owen Williams, an architect and surveyor from Liverpool, presented landowner Lord Mostyn with plans to develop the marshlands behind Llandudno Bay as a holiday resort. These were enthusiastically pursued by Lord Mostyn. The influence of the Mostyn Estate and its agents over the years was paramount in the development of Llandudno, especially after the appointment of George Felton as surveyor and architect in 1857.

4358C48B00000578-0-image-m-113_1503056487584

The edge of the bay is marked by concrete steps and a broad promenade, edging a pebbled beach which arcs from Orme to Orme.

Walk with me now and mark the remarkable shelters, paddling pools and bandstand screens, along with the smattering of people that people the promenade.

P1270521

P1270522

P1270445

P1270447

P1270448

P1270449

P1270450

P1270453

P1270456

P1270458 1

P1270460 1

P1270461

P1270463

P1270465

P1270466

P1270467

P1270469

P1270470

P1270471

P1270473

P1270476

P1270477

P1270481

P1270482

P1270484

P1270485

North Wales – B&B

Just two Bs and an ampersand, but what volumes they speak, secrets they contain, what does go on behind closed doors?

Bed and breakfast, an immovable feast.

Various does not begin to describe their variety, a cornucopia of dolorous decor, quizzical cuisine, curios, carpets and cohabitees.

So knock on, walk into the hall, up the stairs, open that door – who knows what fate awaits you.

P1070107 copy

P1070280 copy

P1070440 copy

P1070443 copy

P1070444 copy

P1070445 copy

P1070446 copy

P1070447 copy

P1070612 copy

P1070614 copy

P1070615 copy

P1070616 copy

P1070617 copy

P1070619 copy

P1070620 copy

North Wales – Shelters

There are days when there is little else to do on the seashore than stare endlessly out to sea, seeking respite from the unrelenting rays of the sun, or conversely turning one’s back on the incoming squall.

Hunker down and hope.

For these very same and sane reasons, the urban district councils have provided you with the very means to realise the wildest of your wildest dreams.

The shelter

No two are the same, look carefully – they are nuanced, under financed, resilient and emboldened against the elements. Design applied by untutored hand, cast in concrete, stone and brick, glazed, unglazed and amazing.

Set a spell, take your shoes off.

Y’all come back now, y’hear?

P1070626 copy

P1070637 copy

P1070535 copy

P1070625 copy

P1070374 copy

P1070636 copy

P1070639 copy

P1070480 copy

P1070635 copy

P1070633 copy

P1070623 copy

P1070627 copy