Where is the North and what does it look like?
It’s up there somewhere isn’t it, a dark elsewhere, a mythological other place.
I was curious, searching for clues.
I began in a nearby place in a faraway time, my first reference point, the film adaptation of Shelagh Delaney’s play A Taste of Honey.
Set in Salford by Salford born teenager Shelagh.
A teenager becomes pregnant by a black sailor. She leaves her feckless mother and her flashy new boyfriend to set up her own home. She moves in with a young gay man, who helps look after her as she faces an uncertain future.
I have compiled a series of photographs of the film’s locations.
The film’s release in 1962 broke new ground in terms of its matter of fact depiction of contentious and sensational subject matter. My interest in this instance rests with the visual image of the North that it created.
Larkhill Road Edgeley Stockport
Shot almost entirely on location in black and white by cinematographer Walter Lassally, we are treated to dark treeless vistas, cobbled streets, industrial areas almost perpetually in decline, bleak canals and terraced homes.
As shown in these archive images of the 1950s, illustrating locations that would subsequently be used in the film adaptation.
There is a comprehensive list of locations here at Reel Streets
Cambrian Street Holt Town Manchester
Phillips Park Gasworks Manchester
Director Tony Richardson was a product of the British Free Cinema movement, which had previously produced short, sharp documentary and drama work, driven by a leftist outlook and using a restless, immediate approach, aided by the new lightweight cameras and faster film stocks. This is an ethos and methodology that would be carried over into the feature productions of the Woodfall Films company.
Rochdale Canal Manchester
The film was shot in the flat, low, even light of the Winter which heightened the mildly desolate character of the landscape, though ostensibly Salford set many of the locations are in nearby Manchester and Stockport. An early long and free flowing title sequence and establishing shot, is a bus tour around Central Manchester, a city centre which at the time was still graced by a thick accumulation of dark industrial emissions and miasma.
A soot blackened Queen Victoria mute and imperious in Piccadilly Gardens, the freshly blooming cranes of post-war renewal tentatively appearing in the background.
The skyline punctuated by factory chimneys, the tight huddled streets of terraced houses chuffing billowing great grey clouds of smoke – a view familiar in the work of LS Lowry.
Trafford Swing Bridge
Stockport Rail Viaduct
Phillips Park Gasworks
The location of the home that Jo sets up was ironically the stage set workshop of the Royal Court Theatre (the very theatre where the play was developed and produced) in London – that most northern of cities.
There is a brief respite from this milieu, through a picture in picture sequence based on the image of a suburban bungalow – which along with the coming age of mass motor car ownership, offers the promise of escape.
A giddy day trip to Blackpool represents the temporary release from a contrasting and constricting world, a trip which for Jo emphasises the divide between Mother and her lover.
So we the viewers are left with a cloudily clear, black and white world, a pervasive construct that the North and Manchester is eagerly beginning to casually shuffle off.
Where streets are no longer paved with Eccles Cakes and whippets are hip.
Identity through landscape and location can both define and constrain, but that landscape, its representation, and the identity that it produces are all mutually mutable.
Take some time to watch and rewatch the film, freeze frame where are we?
Who are you?
19 thoughts on “A Taste of the North”
Marvelous! (I’ll tell you an embarrassing secret about my first viewing of a Taste of Honey. One day.)
That’s embarrassing stupid not embarrassing saucy. I didn’t notice that the father of the baby was black.
HiStephen, really interesting, I’m going to revisit the film very soon…
got the cd of taste of honey very nice film
Me too – sure is!
Great stuff, Stephen. I remember it well. It caused such a stir. For years I was almost in love with Rita Tushingham, She seemed to exude young, vulnerable sexuality coupled with high intelligence. Had to believe that she is now 74 years old. Well written, mate, as always
Thanks for the support – much appreciated.
What a fab little blog! Stumbled on you through a kitchen sink film page on Facebook. Always been interested in Woodfall locations. Surprised to discover that one of the scenes was filmed in Edgeley, in my hometown of Stockport. I’d thought that much of the filming took place in and around Manchester and Salford. Still curious to know where that ‘idyllic’ bungalow (with crazy paving!) was situated?! Perhaps the production team plucked it out of an aspirational estate agent catalogue! I was always fascinated by the Murray Melvin character. Sharp edged, but desperately vulnerable. Think he was one of the original actors in Joan Littlewood’s Theatre Workshop. Might I suggest your next subject; a foray into the making of ‘Charlie Bubbles’, again, filmed in Manc and a great favourite of mine!
Thanks Daphne, fascinated by ATOH and its locations have a fuller exploration of the subject that I need to post. Murray was the original cast member he was 86 last week! saw I’m interviewed at The Cornerhouse in Manchester one years ago, he was a gent. Love Charlie Bubbles to quirky little flick, will dig around. The Edgeley house they flit from is a short walk from my flat as are many other locations.
Excellent Blog a truly great Northern Film up there with Kes.
Wonderful site. A lot of useful info here. I am sending it
to several pals ans also sharing in delicious. And of course,
thank you for your sweat!
Thanks you for your kind words – feel free to share happy to help – Steve
One of my favourite films and a contrast to the feel evoked in hell is a city (partially filmed in burnage)