Hanover Chapel – Stockport

The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.

Italo Calvino – Invisible Cities

Paul Dobraszczyk posted this Shirley Baker photograph, he was puzzled by its exact location, it puzzled me too.

For nearly all that is depicted here, is now no longer extant, save one hopes, for the group of playmates.

All that is solid melts into air, all that is holy is profaned, and man is at last compelled to face with sober senses his real conditions of life, and his relations with his kind.

Manifesto of the Communist Party

Shirley Baker was a renowned documentary photographer, who worked extensively in Greater Manchester.

I love the immediacy of unposed, spontaneous photographs and the ability of the camera to capture the serious, the funny, the sublime and the ridiculous. Despite the many wonderful pictures of the great and famous, I feel that less formal, quotidian images can often convey more of the life and spirit of the time.

Her photograph was taken in Stockport 1967 – I first assumed it was taken from St Mary’s Church, looking toward the former power station.

I was mistaken.

Using the Stockport Image Archive, I found the possible site, in this photograph of Tiviot Dale Station.

There on the eastern edge of Lancashire Hill – Hanover Chapel.

Seen here on the maps of 1917 and 1936.

An area of intense activity, road, rail, housing and infrastructure.

Hanover Chapel closed 1962 – though we may assume from Shirley Baker’s photograph, that following its demolition the graveyard remained intact but untended.

The chapel still extant can be see in the 1954 film Hobson’s Choice, directed by David Lean and starring John Mills, seen here awaiting his bride to be – the parish church of St Mary’s on the skyline.

Though closer examination reveals that this is not Hanover Chapel – where did those pillars come from?

Where are we, in a labyrinth of invention with a superimposed Stockport backdrop?

My thanks to Robert Collister for these observations.

Improbably out of time, the cooling towers are yet to be built, or blown up.

Here John is joined by Salford born Brenda Doreen Mignon de Banzie, playing Maggie.

The demolished chapel rubble appears in the foreground of Albert Finney’s gold Roller CB 1E in Charlie Bubbles.

The film’s screenplay was the work of Shelagh Delaney, whose previous work A Taste of Honey also used local locations.

Where Finney has pulled up, feeling proper poorly.

As a serendipitous symmetry, Charlie Bubbles co-star Liza Minelli plays a photographer recording Salford’s disappearing streets.

Bit by bit everything disappears, Tiviot Dale Station closed completely on January 2nd 1967.

Where once there was a continuous run from the chapel to the town centre, the motorway has since intervened.

The Tiviot Dale pub on the right is no more, closed in 2013.

We had people from all parts of the country turn up on our final day, some of them brought their children who wanted to come because they remember the pub so fondly from their childhood. It was really humbling to see that our pub had touched so many lives.

Dave Walker landlord.

The King’s Head/Full Shilling on the left closed in 2015, though still standing.

I remember this pub as a Boddingtons house in the 1970’s. Excellent bitter served by handpump from small vault at the front and a larger “best room” behind, both very narrow given the width of the pub. The landlord employed an unusual method of ensuring everyone got a full pint; a half pint glass of beer was kept between the pumps and your pint was topped up from the half which was constantly replenished to keep it fresh. I have not seen this practice in any other pub.

Phil Moran

When’s the next tram due?

Millgate Power Station operated until 1976.

At the adjacent gas works – gas holder number three was dismantled in 1988, gas holders one and two were removed in 2019.

The nature of infrastructure, housing and industry has changed radically.

Lancashire Hill flats were built in the 60s, designed by City Architect JS Rank, two seven storey blocks containing 150 dwellings; two six storey blocks containing 120 dwellings.

Replacing tight rows of terraced housing.

They themselves clad and revamped.

The Nicholson’s Arms built to serve the flats closed and currently empty, signs say to let – replaced an earlier pub, sited on the corner of long gone Nicholson Sstreet.

The Motorway appears piecemeal in 1974, formerly the M63 now M60.

Today from the road there’s simply no trace of the site’s past purpose.

At the centre of what is now a compact civic grassed area – a trough.

Incongruously in memory of Elizabeth Hyde of Tufnell Park Road London.

The dense stand of trees is impenetrable – no longer a view of the non existent power station and beyond.

And they that shall be of thee shall build the old waste places: thou shalt raise up the foundations of many generations; and thou shalt be called, the repairer of the breach, the restorer of paths to dwell in.

Isiah 58:12

As a footnote I did meet brothers Stephen, Derek and Peter who appeared in this Shirley Baker photograph 55 years ago – she promised them an ice cream each – they never got an ice cream.

They are seen in Sunnyside Street Ordsall – long since demolished.

A commemorative plaque from the Chapel still exists, sited now on the wall of Wycliffe Congregational Church Georges Road Stockport.

Archival Images – Stockport Image Archive

Hamilton Street – Ashton under Lyne

Prompted by Gillian and Adam’s – A Different North project, my thoughts turned once again to notions of the North, similar notions have been considered in my previous posts:

A Taste of the North and A Taste of Honey.

I recalled the 2016 season Sky Football promotional film, it had featured a street in Ashton under Lyne, it had featured Hamilton Street.

A street spanning the West End and the Ryecroft areas of the town, the town where I had lived for most of my teenage years. The town where my Mam was born and raised in nearby Hill Street, nearby West End Park where my Grandad I had worked, nearby Ashton Moss and Guide Bridge.

This is an area familiar to me, which became the convergent point of a variety of ideas and images, mediated in part by the mighty Murdoch Empire.

Here was the coming together of coal and cotton, an influx of population leaving the fields for pastures new.

In the film, Leytonstone London born David Beckham is seen running down the snow covered northern street.

A credit to our emergent mechanical snow generation industry.

According to snowmakers.com, it takes 74,600 gallons of water to cover a 200 by 200-foot plot with 6 inches of snow. Climate change is cutting snow seasons short, we make snow to compensate, more energy is spent making snow, more coal is burned, more CO2 is released.

The Inertia

It is to be noted that locally there has been a marked decline in snowfall in recent years, the Frozen North possibly a thing of the past.

The temperatures around the UK and Europe have actually got warmer over the last few decades, although when you are out de-icing your car it may not actually feel as though it has. Whilst this can not be directly link to climate change, it is fair to assume that climate change is playing a part.

The Naked Scientists

It is also to be noted that Sky Supremo Rupert Murdoch has described himself as a climate change “sceptic”.

Appearing arms raised outside of the home of a family clustered around the television, in their front room.

Filming the ad was great and the finished piece is a really clever way of showing that you never know what might happen in football, I always enjoy working with Sky Sports and I’m proud to be associated with their football coverage.

The Drum

The area does have a football heritage, Ashton National Football Club played in the Cheshire County League in the 1920s and 1930s. They were sometimes also known as Ashton National Gas, due to their connections with the National Gas and Oil Engine Company based in the town.

Illustrative of a time when sport and local industry went hand in glove.

The National Ground was subsequently taken over by Curzon Ashton who have since moved to the Tameside Stadium.

Ashton & Hyde Village Hotels occupy the front of shirt sponsors spot on our new blue and white home shirt, while Seed of Speed, our official conditioning partners, feature on the arm, and Minuteman Press occupy the back of the shirt. Meanwhile, Regional Steels UK Ltd. are the front of shirt sponsors on our new pink and black away kit. 

Illustrative of a time when sport and local industry continue to work hand in glove.

Local lad Gordon Alexander Taylor OBE  is a former professional footballer. He has been chief executive of the English footballers’ trades union, the Professional Footballers’ Association, since 1981. He is reputed to be the highest paid union official in the world.

His mobile phone messages were allegedly hacked by a private investigator employed by the News of the World newspaper. The Guardian reported that News International paid Taylor £700,000 in legal costs and damages in exchange for a confidentiality agreement barring him from speaking about the case.

News International is owned by our old pal Rupert Murdoch, the News of the World no longer exists.

The view of Hamilton Street closely mirrors LS Lowry’s Street Scene Pendlebury – the mill looming large over the fierce perspective of the roadway. The importance of Lowry’s role in constructing a popular image of the North cannot be overestimated.

He finds a grim beauty in his views of red facades, black smoke and figures in white, snowy emptiness. He is a modern primitive, an industrial Rousseau, whose way of seeing is perhaps the only one that could do justice to the way places like Salford looked in the factory age.

The Guardian

For many years cosmopolitan London turned its back on Lowry, finally relenting with a one man show at the Tate in 2013 – I noted on the day of my visit, that the attendant shop stocked flat caps, mufflers and bottled beer, they seemed to have drawn the line at inflatable whippets.

Drawing upon other artists’s work, in a continuous search for ways to depict the unlovely facts of the city’s edges and the landscape made by industrialisation.

But Murdoch’s Hamilton Street is as much a construct as Lowry’s – the snow an expensive technical coating, Mr Beckham a CGI apparition. Our contemporary visual culture is littered with digital detritus, saving time and money, conjuring up cars, kids and footballers at will.

An illusion within an illusion of an illusory North.

Green screen chroma keyed onto the grey tableau.

Mr Beckham himself can also be seen as a media construct, for many years representing that most Northern of institutions Manchester United – itself yet another product of image manipulation, its tragic post-Munich aura encircling the planet, with an expensive Empire Made, red and white scarf of cultural imperialism.

David’s parents were fanatical Manchester United supporters who frequently travelled 200 miles to Old Trafford from London to attend the team’s home matches, he inherited his parents’ love of Manchester United, and his main sporting passion was football.

Mr B’s mentor was of course former Govan convener – Mr A Ferguson, who headed south to find his new Northern home, creating and then destroying the lad’s career, allegedly by means of boot and hairdryer.

Here we have the traditional Northern Alpha Male challenged by the emergent Metrosexual culture, celebrity fragrances, posh partner, tattooed torso, and skin conditioner endorsements.

It is to be noted that the wealth of the region, in part created by the shoemaking and electrical industries, have long since ceased to flourish, though still trading, PIFCO no longer has a local base.

The forces of free market monopoly capitalism have made football and its attendant personalities global commodities, and manufacturing by and large, merely a fanciful folk memory.

Hamilton Street would have provided substantial homes to workers at the Ryecroft Cotton Mills.

Ryecroft Mill, built in 1837,was the second of a series of four mills built on the site, the first was built in 1834. In 1843, over 10,000 people were employed in Ashton’s cotton mills – today there are none.

This industrial growth was far from painless and Ashton along with other Tameside towns, worked long and hard in order to build the Chartist Movement, fighting to establish better working conditions for all.

The tradition of political and religious non-conformity runs wide and deep here, the oft overlooked history of Northern character and culture.

Textile production ceased in the 1970s and the mill is now home to Ryecroft Foods, a subsidiary of Weetabix.

Ashton like many of Manchester’s satellite towns created enormous wealth during the Nineteenth and Twentieth centuries. The workers of Ashton saw little of that wealth, the social and economic void left by the rapid exodus of the cotton industry to the Far East, is still waiting to be filled, in these so called left behind towns.

Photo Ron Stubley

Here is a landscape nestled in the foot of the Pennines, struggling to escape its past and define a future.

Census 2011

Holt Town – Part Two

Here we are again in Holt Town, back in 2017 the area was in transition, its past almost erased and its future somewhere, over some far horizon.

1860
1880 the streets appear
Cambrian Street seems to have been known as Gibson Street until 1960.
1900

Things have changed, the trees are taller, the buildings decayed – the cafe closed, and the Corporation Manure Depot long long gone.

Plans have promised new affordable homes as part of the Eastlands Masterplan.

Things have changed since A Taste of Honey was in town.

Nothing now remains of this mill complex on Upper Helena Street
The homes on Upper Cyrus Street are long gone
Cyrus Street now over grown and Big Bertha demolished
The New Inn now the Hong Kong Funeral Home
St Annes School and the shop now closed
It had become the Luchbox Café now also closed
Still standing

Archive images – Local Image Collection

The area was my playground. Holt Town was always a but scary, there were old factories along the opposite side with wartime helmets in. A scrap yard under the arch. I remember sucking up mercury off the floor with a straw obviously from a spillage, no thoughts of danger, I’m alright now. The Seven Wonders, as we knew it, River, canal, railway, road, waterfall all crossing each other, not sure why? A fantastic industrial area to grow up in. The Don Cinema at the top corner at Mitchell Street and Ashton New Road.

I could go on.

Philip Gregson

Time’s up for the tiny urban cowboys.

Let’s see what’s going on.

Former football field
Upper Cyrus Street
Lind Street
Upper Helena Street
Pollard Street
Lanstead Drive
Cyrus Street
St Annes School
Cyrus Street
Devil’s Steps
River Medlock

A Taste Of Honey

This is a film that has stayed with me for most of my life – first seen as a nipper, fascinated by the fact that it was shot in a very familiar landscape.

As years have passed I have watched and rewatched it, finally resolving to track down the local locations used in its filming.

Studying and pausing the DVD, making thumbnail sketches of frames, researching online – referring to Reelstreets.

I have previously written about the way in which the movie shaped a particular image of the North.

And examined particular areas of Manchester such as Barmouth Street.

The film generated world wide attention and remains just as popular today.

Still watched, still loved, still relevant – here are a selection of photographs I took in 2011 – cycling around Manchester, Salford and just a little closer to home in Stockport.

Larkhill Road scene of the moonlight flit

The descent from Larkhill Road

Stockport Viaduct

Stockport Parish Church

Stockport running for the bus to Castleton

Midway Longsight – where Dora Bryan sang

Barmouth Street were the school scenes were filmed.

Timpson’s shoe shop now demolished opposite the Etihad

Phillips Park the back of the gas works in Holt Town

The Devil’s Steps Holt Town

Rochdale Canal

Ashton Canal

All Souls Church Every Street Ancoats

Piccadilly Gardens as we view the city from a moving bus.

Manchester Art gallery – where they watched the Whit Walks.

Albert Square part of the earlier bus ride.

Trafford Swing Bridge

Dock Offices

Chimney Pot Park Salford

Pendleton

Barton Aqueduct

Through my tour I have attempted to capture a sense of the settings as they are – how, if at all, the areas have changed.

There may be some minor inaccuracies or omissions which I am happy to amend.

You may wish to visit the sites yourselves, the majority of which are easily accessible, above all watch the film and appreciate that which is around you.

Portrait of Shelagh DelaneyArnold Newman

Barmouth Street – Bradford Manchester

Once again I am following in the footsteps of Rita Tushinghan and the Taste of Honey film crew, this time my research has lead me to Barmouth Street, Manchester.

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To the east of the city centre, Bradford Park School was the scene of the opening scene, Jo’s netball match. The school is now long gone, now the site of a much enlarged public park, as can be seen from the map above.

Shelagh Delaney, author of the original play on which the film was based, can be seen fleetingly in this opening scene, appearing momentarily over the games teacher’s shoulder.

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I have found one archive image of the school, as the scholars prepare for the annual Whit Walks, this along with many other community traditions and conventions, have all but disappeared from the streets of the city.

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This was once a tight knit community, surrounded by industry, full employment and a short lived period of post-war growth and optimism.

A corner shop on very corner, though by the time I worked as a Mothers Pride van lad in the late sixties, many were already on their last legs. A lethal cocktail of closing factories, incipient supermarkets, and an urban renewal programme, which lead to slum clearance, would change the character of the area forever.

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I am indebted to the photographic work of T Brooks who seems to have spent much of the mid Sixties documenting the streets, his pictures are now kept here in the Manchester Image Archives. Sadly I have found no further reference to him or his images, but have nothing but admiration for all those who pass unnoticed amongst us, camera forever poised.

Central to the social and sanitary life of that that community were the Barmouth Street Baths and Washhouse, where citizens would swim, wash, dry, iron, chat convivially, and surprisingly – play bowls.

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Now long gone, along with the provision of local authority nursery care. There were similar low level pre-fabricated buildings dotted all over the city. Built quickly and cheaply, to provide for a growing population, of largely working-class families, with no shortage of work opportunities.

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This was a time of great social change, a time which the film attempts to anticipate -a more diverse, and hopefully more tolerant time, a time of possibilities and opportunities for all.