Gasometers

1878 Gas making at Portwood commenced

1969 Old retort house demolished

1988 Gas holder number 3 dismantled

2003 Last aerial view showing the gasometers in the raised position

2019 Removal of gas holders 2 & 3

Thanks to 28 Days Later

The area was formerly a dense web of housing and industry.

With the gas works at its heart .

High speed gas once the fuel of the future is almost a thing of the past. Coal Gas produced in coke retorts long gone, North Sea Gas hissed off.

Low carbon heating will replace domestic boilers from 2025, the need for gas storage holders is minimal.

Goodnight Mr Therm.

There are currently 53 listed holders on the Historic England site.

Some have been repurposed – WilkinsonEyre has completed work on Gasholders London; a development of 145 apartments within a triplet of listed gasholder guide frames.

Little now remains of the Portwood Gas Works.

These are the rearranged remnants re-sited by Dunelm Mill – it’s curtains for our industrial heritage.

What’s left?

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One of the UK’s largest retail parks, Stockport Retail Park benefits from a strategic location on the M60 Manchester orbital motorway making it one of the city’s most accessible parks. The park forms a natural extension to the town centre, offering a wide range of uses from value convenience to fashion and home as well as a number of cafés and restaurants.

This is the post industrial landscape of consumption and its infrastructure that faces the defunct and mothballed site, whatever next?

I have admired the work of Bernhard and Hilla Becher ever since seeing their photographs in the one and only Tate at the time, in old London town.

An early example, possibly twelve small black and white prints of pit head winding gear, assembled in a three by four grid.

I became intrigued by the notion of serial art and typology, later in the seventies working as a Systems printmaker.

Very much in the tradition of Max Bill and Richard Paul Lohse.

In more recent years I have worked as a documentary photographer, at time paying homage to Bernhard and Hilla.

By placing several cooling towers side by side something happened, something like tonal music; you don’t see what makes the objects different until you bring them together, so subtle are their differences.

So on hearing of their exhibition at the National Museum of Wales in Cardiff, I excitedly booked my train ticket from Manchester.

Saturday 29th February 2020 – an auspicious Leap Year – knowingly taking a leap into the known unknown.

Braving the imminent threat of Storm Jorge.

I was given the warmest of welcomes by the gallery staff, spending a good while chatting to James, a fellow enthusiast.

My first surprise was the Bechers’ drawings, painting and notebooks.

A revelation.

Then onwards into two large, light spaces, with the work – actual Becher archive prints, displayed with the reverence that they deserve.

Given space to breath, in a calm contemplative area.

With a quiet attentive audience.

So here that are in situ – worth the wait, worth the train ticket, worth the two way seven hour rail trip. Seeing the prints close up reading the exposure, the thrill of the dodge and burn, a lifetime’s ambition realised.

Thanks to all.