Sculpture – Page 8 – Modern Mooch

St Catherine of Sienna – Sheffield

Posted on December 7, 2016 by modernmoocher

Sir Basil Spence 1958-62. . Brown brick. Roof not visible. Slate cladding to entrance block of parish hall. Rectangular nave sweeping around into a semicircular apsed sanctuary .

EXTERIOR: entrance to liturgical south-west and parish hall to liturgical west with vestry. Carved words “The Church of St Catherine” to left of recessed entrance. Tower linked to liturgical south-east, and comprising two convex slabs forming a sacristy at ground level and linked by concrete beams above. Patinated bronze sculptural group with crucified Christ affixed to its east side.

INTERIOR: aisleless with vertical slit windows to north and south walls and roof sloping upwards towards chancel, on laminated timbers beams, so that roof deck is separated from the walls by a narrow glazed strip. Light is thrown onto the east wall by a concealed window at the east end of the nave. Sanctuary is raised two shallow steps, and altar was originally raised on two further steps against the east wall. It has now been moved forward. Altar is a black painted metal framed table with a varnished timber top. Font of polished limestone with fossils is in the original position to liturgical south side of sanctuary. Timber lid with schematic metal dove. Large timber cross behind altar, comprising two pairs of overlapping beams, penetrated symbolically by large nails. Timber sedilia on metal supports. Laminated timber pews. Organ above entrance to sacristy . A strongly sculptural design with a powerful presence.

British Listed Buildings.

St Catherine Sienna is a fine church, sited impressively and standing imperiously on the Sheffield outer ring road, high above the city. Brick curves, a tall detached tower and open for business, serving the outlying post war housing estate of Woodthorpe with regular services and a firm foundation of community activity.

Lit delicately from side slatted windows and higher apertures, the main body is calm and assured, the scale and proportion in harmony with the simple Spence seating and slightly raised altar. The detail of the wooden roof grid perfectly balancing the warm austerity of the walls.

My thanks to Father Phillip for his time and a fine cup of tea.

Coventry – Central Co-op

Posted on October 12, 2016October 13, 2016 by modernmoocher

Built between 1955-56 and opened November 1956 the central Co-operative Society store in Coventry is a clean, clear example of post-war design and redevelopment, epitomised by the city’s plan and realisation.

Picture – Natalie Bradbury

Sadly it finally closed its doors in 2015, along with many other of the Society’s larger stores, as they moved their focus to smaller food outlets.

Happily it has been listed, saved from the indignity of the wrecking ball and the building of further student flats. Coventry, along with other UK cities, has begun to rely on the expansion of higher education, in the face of industrial and retail decline. The future use of the site, is as yet uncertain. Sadly I am now informed that the listing did not go through, make of that what you will.

While such measures are not an ultimate protection from bulldozers or drastic renovation, it is considered the building helps tell the tale of the city centre’s contemporaneously vaunted but since controversial rebuilding after the Coventry Blitz.

One of the city’s largest and oldest stores was closed last year as a victim of flagging city centre trade in an internet era, and EDG Property bought the site.

No planning applications have been received, although the council says ‘prospective buyers’ have stated an intention to demolish the building to erect two 12-storey towers of student accommodation.

So it stands empty, the late summer foliage obscuring its splendid signage.

Still in clear view the stone relief work of John Skelton November 1956. Three of the eight column have incised Hornston stone works, depicting the activities of the CWS.

Kirkgate Market – Bradford

Posted on May 17, 2016April 16, 2024 by modernmoocher

Yorkshire is a county of market towns – Bradford is no exception, a mediaeval village expanding with the growth of the wool trade and the coming of the Industrial Revolution.

Flourishing.

The site was originally occupied by an imposing building of 1878.

Demolished in 1973.

To be replaced by a Brutalist build in the same year.

A structure of bold geometry, contrasting brick and warm, raw striated concrete.

The huge building, designed by John Brunton & Partners, was dubbed Bradford’s ‘space-age shopping centre’ when it opened in 1976. One of a series of American-style Arndale malls

Now the city council has purchased the centre for £15.5 million and agreed a deal that will see Primark – the largest of Kirkgate’s remaining stores – move to Bradford’s Broadway mall which opened in 2015.

The initiative will allow the authority to double the size of its proposed City Village programme, which it hopes will create better public spaces and 1,000 new homes in a ‘world-class sustainable urban’ across 5 acres of city centre land.

Architects Journal

The interior has several decorative features, tiles their authorship and origins unknown, consisting of four 2.5 metre, and one 6.5 metre square ceramic panels.

Alongside William Mitchell concrete reliefs.

We now know that they are the work of Fritz Steller – also responsible for Huddersfield’s Queensgate Market ceramics.

So farewell fair Kirkgate, I love your stairwell.

Well.

Eastford Square – Collyhurst

Posted on May 6, 2016April 5, 2020 by modernmoocher

Once there were homes, postwar social housing.

Once there were jobs, a measure of prosperity.

A settled community.

Time has not been kind to North Manchester, successive slumps, double-dip depressions, economic downturns, and centrally imposed recession hurts.

The local authority steps in, from 2009 the fate of Eastford Square is sealed.

Regeneration.

Spells demolition.

One wing is already gone, the maisonettes are tinned up.

The Flower Pot Café, still fully functional, fed me well for £2, Lee the proprietor is living on borrowed time though, hoping for relocation within the new development.

Other businesses have not survived the transition, awaiting CPO and who knows what.

The square is blessed with a concrete sculpture, whose fate I hope is secured, somehow.

Possibly by William Mitchell – possibly not.

This as ever, is a time of change, I hope that the area and its current inhabitants live to tell the tale, rather than fall victim to the tide of gentrification, forcing them further afield.

O Romeo Romeo, wherefore art thou Romeo?