William Walton’s and Sons – 152 Stamford Street, Ashton-under-Lyne, OL6 6AD
Founded in 1832 – when Stamford Street looked a lot like this.
Much has changed during the ensuing years, Walton’s it seems has not.
On Monday 24th October 2011 I had the privilege of meeting current owners Marilyn and Dave, spending time chatting and taking photographs.
Thank you.
They tell their own tale – take a look.
Commercial premises or showroom. Dated 1889. Red brick with stone dressings and terracotta decorative details, tiled roof. Rectangular building of 4 x 3 bays with canted corner entrance. Jacobean style. Single storey articulated by pilasters supporting a sculptured frieze. Doorway with arched head and fanlight. One, two and three-light mullion and transom windows to the Parsonage Street front. The Wellington Road front has two large plateglass windows divided by paired pilasters. The windows have removed two pilasters. Cornice, panelled parapet, aedicule with console supporters, swan – neck pediment and date over the doorway. Tall hipped roof. Very prominently sited and under restoration at the time of inspection.
Grade: II listed: 23rd March 1987 – Historic England
This is a building of some substance, decorated with terracotta work of the highest order, a striking yet diminutive landmark to the north of the town. Situated on a once busy commercial site, where it would have been surrounded by a plethora of retail, industrial and residential property.
My research has shown that its earliest recorded use was under the ownership of JE Jones manufacturing agent for ropes and cords, allied to the local hatting and cotton trades in 1907. Subsequently the base of John Roberts in 1910 – leather merchant, manufacturing belts, strapping and laces – the company also had premises nearby at 138 Heaton Lane.
It has latterly been in use as Topp’s Tiles, Gordon Ford and Little Amigos Discount Nursery Store – it is currently empty, shuttered and unloved on off at a rent of £1,833 per calendar month from Rightmove.
As Stockport continues to invest in and develop its town centre, it remains a more than somewhat sorry beacon of decline, an indicator that all too often architecture of local and historic importance, seems to have little or no place, in this thrusting modern milieu.
If passing, pause and reflect on the sense of permanence that imbues this building, in an all too impermanent world.
I’ve passed this way before, 2012 at the behest of Richard Hector Jones in the company of Owen Hatherley and others – recreating the legendary White Bus Tour.
So have Historic England:
GV II*
Church. 1937, by N.F.Cachemaille-Day. Red brick in English bond with some stone dressings (roof concealed). Star-shaped plan formed by the diagonal intersection of two unequal squares, plus a wide rectangular narthex enclosing the west end. The main vessel is a lofty structure with plain walls, sill-band carried round, and plain parapet, except for the upper part of each side of the cardinal projections, which have windows in tall intersecting Romanesque arcading with Y-tracery, all in brick, with a central pilaster strip rising to a moulded cornice. Large plain cross rising from roof. The single-storey flat-roofed narthex has coupled plain rectangular doorways in the centre and 3 narrow rectangular lancets to each side. Interior (as reported 16.01.81): ingenious plan with lofty columns supporting flat ribbed roof. Forms group with Rectory attached to south side.
So have Revolvy:
The Corporation of Manchester acquired the Wythenshawe Estate in 1926 and began laying out the garden suburb in 1930. It was eventually to have 25,000 houses and a population of 100,000. The garden suburb was designated part of the parish of Church of St Wilfrid, Northenden, but that small parish church proved insufficient to accommodate the rising congregation. A mission church was therefore opened in 1934, and in 1935 the diocese approved plans for the construction of a new parish church at Orton Road. The budget was £10,000. Nugent Francis Cachemaille-Day was appointed as architect for both the church and the adjoining parsonage. The foundation stone for the church was laid on 8 May 1937, by the Bishop of Manchester. The builder was J. Clayton and Sons of Denton.
So has the redoubtable Nikolaus Pevsner:
A sensational church for its country and its day. The material is brick, bare in four of the corners, with large brick windows in the other four. The intersecting arches of the windows are the only period allusion.The interior has very thin exposed concrete piers and a flat ceiling. The church make sit clear that the architect had studied Continental experiments, the parsonage points to Germany and Mendelssohn. Stained glass by Geoffrey Webb.
Geoffrey Webb lived and worked in the centre of East Grinstead at the height of his career and is noted among enthusiasts of fine glass for his use of brilliant blues. In his early career he worked with Charles Eamer Kempe, the most prolific and best-known stained glass artist of his generation. Webb’s work can also be found in many other places around the UK including Manchester Cathedral and Tewkesbury Abbey, and in Daresbury parish church in Cheshire where he designed a memorial window in honour of Lewis Carroll.
So I cycled by one almost sunny Sunday morning, engaged in the porch by an elderly joke telling gent, awaiting his more devout partner.
I love the bible, they all rode on motor bikes – “the roar of Moses’ Triumph is heard in the hills, Joshua’s Triumph was heard throughout the land.”
The Apostles were in one Accord. – Acts 5:12
We waited out the end of the morning service, exchanging gags, eventually I entered. Met by cheery parishioners and priest, welcomed with open arms, happy to chat and allow me to go about the business of snapping this enchanting building. Take yourself down there and bathe in the stained glass light from the sun drenched east windows, feel the warmth of the open elevating space, everything’s looking up:
A sensational church for its country and its day – today.
Modern Mooch 