Fresco – Modern Mooch

186 Victoria Ave Manchester M9 0RR

Architect: Weightman & Bullen 1958

Thy were also responsible for St Mary’s Leyland.

This is the result of my two visits to St Clare’s – an urban church which is kept open each day. I urge you to visit as and when you can, you will be rewarded by an uplifting experience – the most refined, calm and spiritual space.

A striking example of post-war church design built for the Franciscans, combining original modern forms and references to historic ecclesiastical architecture. The church predates the Second Vatican Council, and is of traditional basilican plan. Apart from the original sanctuary arrangements, the interior is well preserved, with furnishings of note – the large mosaic over the high altar, depicting St Clare of Assisi raising the Blessed Sacrament by Georg Mayer-Marton, stained glass by Joseph Nuttgens, Stations of the Cross by David John.

Taking Stock

Mayer Marton was also responsible for the fresco and mosaic mural at the Church of the Holy Rosary, Oldham – which is currently under threat.

There is a large west window grid, continued at the base, where it is angled out, to form a canopy over the entrance. Mosaics in this position have been overpainted or lost.

The first mission in the Fitton Hill, a post-war housing estate, was due to the work of Fr Buckley, an assistant priest at St Patrick’s Oldham. He arranged for the purchase of land in the Fitton Hill area in 1940, before the new housing was built. Once the estate had begun to be developed, Fr Buckley said Mass in an upper room in Maple Mill. The foundation stone of Holy Rosary was laid by Bishop Marshall on 2 October 1954 and the church was officially opened by Mgr Cunningham in July 1955. The presbytery was built in about 1970. The first campanile blew down and had to be rebuilt. In 2009, the parishes of Holy Family and Holy Rosary were merged.

Taking Stock told me so and will tell you even more.

Architect: W and JB Ellis who were also responsible for Our Lady of The Assumption in Langley.

I first passed by one sunny day in April 2016 – happily snapping the exterior of this ever so pleasingly prosaic Italianate brick building.

Following a cue from pal Tim Rushton, I was alerted to the significant decorative work within.

The mosaic and fresco work of Georg Mayer-Marton – born in Hungary 1897, died in Liverpool 1960 was one of Britain’s very few experts in the art of face or facetted mosaic.

Sadly the fresco is no longer visible – painted over with emulsion when thought to be too tatty – a tiny fragment has been revealed by conservators.

There is currently a campaign to restore and preserve these important works.

The church is now closed, but we were ever so fortunate to have Bernard Madden on hand to open up and show us around, a warm welcoming space once full to overflowing.

Now sadly silent.

We all deserve better.