Harold Gosney – York Art Gallery

Posted on by modernmoocher

On Wednesday 4th January, I visited York Art Gallery.

I took a look at the pots and the paintings, ending with a stroll around the sculptures of Howard Gosney.

Having previously encountered his work at the Abbey Walk car park Grimsby in 2019.

Visiting again in 2025 prior to demolition.

Photo BBC

The Grimsby, Cleethorpes and District Civic Society has been campaigning to save the Harold Gosney reliefs on the 1960s Abbey Walk car park, which closed in May 2024 after North East Lincolnshire Council said it discovered structural defects. 

The authority has already taken 3D scans of the art and in an update said plans were in place to try and save one of each of the four designs, which are repeated on the building’s columns.

If they can be saved, the artwork would be put into storage until a new home is found, the council added.

January 2026

There are also works by Harold by the entrance to the Grimsby Central Library

And the Grim and Havelok themed copper relief on the side of Wilko store in Old Market Place.

All these works were first encountered on my Grimsby Walk for the modernist.

I was delighted to find that Harold himself was visiting the gallery with friends.

I stopped to chat and take a snap – thanking him for all his wonderful work and congratulating him on his excellent show.

Here is what I done seen.

Harold Gosney: Materials and Making
15 November 2025 – 28 June 2026
Included in general admission | Book now

Titled ‘Materials and Making’, this exhibition is a celebration of the work of renowned Yorkshire sculptor and artist, Harold Gosney – born 1937, who has spent over 65 years creating mixed media art pieces. 

The exhibition explores Gosney’s expert experimentation with various types of wood and metal throughout his career andconsiders the importance of drawing to his artistic practice. Materials and Making looks at how Gosney draws inspiration from his immediate environment and lived experiences, with horses, the human figure and music emerging as particularly influential subjects.

Featuring over 45 works, highlights include his striking ‘Four Horsemen of the Apocalypse’, crafted from copper and Perspex, the emotive ‘Father and Son, Bam’, his ‘Jazzman’, expertly carved from a single block of sycamore wood, and a trio of drawings depicting views of the nearby York Museum Gardens.

Abbey Walk Car Park – Grimsby 2025

Posted on by modernmoocher

Here we are again, six years after the first visit.

What’s been happening hereabouts in the interim?

The Abbey Walk car park was built in 1969 by Holst & Company of Scunthorpe at a cost of approximately £200,000. Whilst a key asset for the town centre, the car park was closed in May 2024, after structural defects were found. This was water ingress into key structural supports, making the car park potentially unsafe to use.

It has now been approved to proceed with plans to demolish the car park, and replace it with a 120-space surface car park, but with the capability in the foundations of being built on in future years if needed.

But what of the unique concrete relief panels, you may ask?

The four abstract concrete reliefs depict parts of a car, which were inspired by drawings in the handbook of the artist’s Austin Cambridge estate car, and were installed when the building was constructed.

Designed in the 1960s by artist and sculptor, Harold Gosney, having been asked to carry out the car park commission by the architects, Nicholson and Rushton.

These panels were cast in situ, with metal bars running through them, which were integral to the car park structure, which is likely to make removal of the artwork incredibly difficult.

NE Lincs

Last month, it was confirmed conservationists from the University of Lincoln had 3D scanned the sculptures to create digital 3D models to preserve them.

Grimsby Telegraph 

Photo – BBC

Which is all well and good, but will they ever be really remade and reinstated anywhere?

Only time will tell.

In 2023 the car park stairwell was transformed by young people from the local area, as part of a project by North East Lincolnshire Council and local artist Lynsey Powles, to try to tackle graffiti and anti-social behaviour.

Abbey Walk multistorey car park in Grimsby has been the site of a number of incidents of anti-social behaviour and graffiti in recent years.

NE Lincs

The demolition and subsequent construction will cost between £1.5m and £2.5m, according to the Local Democracy Reporting Service.

Fishermen’s Mission – Grimsby

Posted on by modernmoocher
Hope Street Grimsby DN32 7QL

If asked to name the UK’s biggest fishing port many people will answer Grimsby.

That was certainly true in the 1950’s when over 500 trawlers set out to sea, today only a handful of boats remain.

The Fishermen’s Mission

Opened in 1966 the Mission met the needs of those engaged in the most perilous of occupations.

Today it is a residential housing block – with flats for sale and rent.

Part of the town’s history a striking building, in many modern ways – most notably its strikingly modern mosaic.

Along with its striking colour scheme interesting use of textured materials and angular geometry.

Shopping Precincts – UK Again

Posted on by modernmoocher

This time of year, with limited light and an inclement climate, it’s far easier to travel by picture postcard. Researching and searching eBay to bring you the finest four colour repro pictures of our retail realm.

We have of course been here before – via a previous post.

It is however important to keep abreast of current coming and goings, developments are ever so often overwritten by further developments.

Precincts my appear and disappear at will – so let’s take a look.

What the CMYK is going on?

Abingdon

Aylesbury

Blackburn

Bradford

Chandlers Ford

Coventry

Cwmbran

Derby

Eastbourne

Exeter

Gloucester

Grimsby

Hailsham

Irvine

Jarrow

Middlesborough

Portsmouth

Scarborough

Solihull

Southampton

Stockport

Torquay

Wakefield

Central Library – Grimsby

Posted on by modernmoocher

This is Grimsby Central Library – a proud public building of real quality, reflecting the cautious optimism and fierce civic pride of the Sixties. Built to last, in the modern manner – gently monumental, softened by the easy grace of the restrained decoration and a refined palette of stone, glass and concrete.

By the Borough Architect – JM Milner ARIBA assisted by E L Shepherd 

This image was used as the Mayor’s Xmas card in 1969.

The bold exterior grid is enhanced by a honeycombed grille above the entrance, along with a mosaic depicting the town’s seal.

The mosaic is the work of Harold Gosney – who is also responsible for the Abbey Walk reliefs

The Guardians of Knowledge which adorn the south facing elevation of the library are the work of Peter Todd former head of Grimsby Art School

To the rear of the building is a modular relief.

Inside the entrance porch a commemorative plaque.

Once inside, what a pleasure it is tread upon this interstellar inset stone flooring.

Either side of the lobby display case there are two vertical tapestries.

Along with a further plaque commemorating the opening on the 3rd September 1968 – by the then local MP Anthony Crosland.

Crosland looked ahead to a time where “personal freedom, happiness and cultural endeavour; the cultivation of leisure, beauty, grace, gaiety and excitement… might be pursued.” After he was elected MP for Grimsby in 1959, he referred to the above passage in an early speech, insisting – to much laughter, cheering and applause from the audience, that “it is possible to achieve all these things in Grimsby, and especially at Blundell Park.”

May I take this opportunity to thank the ever so helpful library staff – for kindly granting me permission to photograph the main body of the library.

Many original fittings and fixtures are intact – particularly the distinctive vertical suspended lighting system and the steel and wood stairways.

The facilities were well used and lit by the expansive window space.

Let’s take another final look outside, and say a fond farewell to this fine building – go on treat yourself, take a trip to the East Coast and feast your eyes, heart and mind on this beauty.

Ta-ra Grimsby!

I’ll be back real soon.

Abbey Walk Car Park – Grimsby

Posted on by modernmoocher

I was in town, just looking around, just looking for modernity, just looking.

I found you by chance between the railway and the high street, so I took a good look around, fascinated by the concrete sculptural panels on your fascia columns, those facing Abbey Walk.

Research tells me that they the work of Harold Gosney – born in Sheffield, he studied at Grimsby School of Art and London’s Slade School of Fine Art.

The majority of Gosney’s early commissions were collaborations with architects and he has made a significant contribution to public art in Grimsby. He is the artist responsible for the reliefs on the Abbey Walk car park, the large Grimsby seal by the entrance to the Grimsby Central Library and the Grim and Havelok themed copper relief on the side of Wilko store in Old Market Place.

Wikipedia

The car park has been the subject of some speculative repairs and refurbishment:

In total, the scheme will cost the council £1.54 million.

The authority will borrow £1.34 million to fund the project with a further £200,000 coming from a local transport grant. But the council said that the improvements made could help increase revenue from the car park of around £34,000 a year.

Councillor Matthew Patrick, portfolio holder for transport at the council, said that the work is essential to “brighten up” the building and attract people into Grimsby.

“It’s one of the largest car parks in the town,” he said.

“It will attract more people into the town centre and help to improve the offering of the car park.”

Lincolnshire Reporter

So here we are faced with a rare, precious and beautiful example of municipal modernism, a bold and brave attempt to decorate what is often the most functional of functional structures.

Owing something to the work of both Henry Moore and Pablo Picasso the imagery is derived from automotive parts, along with it seems to me, vague intimations of figuration.

Let’s talk a look!