BAFTA

Built between 1954-5 by the Manchester City Architect’s Department, Chief Architect Leonard C Howitt, for the Manchester Corporation Waterworks. Alan Atkinson, engineer. Incorporates large relief by Mitzi Cunliffe, signed and dated 1955. Yorkshire sandstone, with Westmorland greenstone from Broughton Moor used as relief. Roof not seen above dentiled overhang.

Carved relief is a highly stylised depiction of the bringing of water from Haweswater to Manchester with contemporary figures supporting the pipeline and a curious flat relief designed to be seen from below. It was designed to commemorate those who constructed it as well as the origin and course of the aqueduct. Beneath it five plaques tell the history of the Haweswater supply.

Haweswater Dam – Paul King

Completely preserved interior fully lined in beige marble, with contrasting green marble skirting continued as door surround. Behind the Cunliffe mural is a wood relief section in sycamore depicting the 82 mile route of the pipe.

The bringing of water to Manchester from a new reservoir at Haweswater was a major undertaking which cost £14,000,000. The sectional relief plan and the mural were conceived as part of the original brief to give a ‘monumental’ character to the city’s remarkable achievement. Included as a remarkable synthesis of architectural design and fine sculpture, with the dominance of the latter in this tiny building. The building materials and the reliefs are all symbolic of the achievement in bringing of water from the Lake District to Manchester.

Historic England Grade II Listed

In 1929 work started to build the dam wall across the valley floor. At the time of construction, its design was considered to be at the forefront of civil engineering technology because it was the world’s first hollow buttress dam.

Chapel Bridge Mardale

Before the valley was flooded in 1935, all the farms and dwellings of the villages of Mardale Green and Measand were demolished, as well as the centuries-old Dun Bull Inn at Mardale Green. The village church was dismantled and the stone used in constructing the dam; all the bodies in the churchyard were exhumed and re-buried at Shap.

Wikipedia

I have previously led Mitzi Cunliffe walks in south Manchester – taking in her works at Owens Park and Manchester High School for Girls.

Mitzi Cunliffe is primarily known as the designer of the BAFTA Award, but her work encompasses both ceramics and textiles, in addition to her extensive public art works – as illustrated here.

Mitzi Cunliffe – An American in Manchester is available from the Modernist Shop.

I took the tram to Heaton Park Station and walked the rest of the way.

The imposing structure, clad in the dramatic relief dominates this domesticated street of well behaved semis. As I stood admiring the work, a passerby joined me in a mutual appreciation of its beauty and significance.

Do yourself a favour – take a trip, take a look for yourself.

Mitzi Solomon Cunliffe January 1st 1918 December 30th 2006

American born, resident of Didsbury Manchester, sculptor and designer, responsible for, amongst other things, the BAFTA mask.

Her first large scale commission was two pieces for the Festival of Britain in 1951. One, known as Root Bodied Forth, shows figures emerging from a tree, and was displayed at the entrance of the Festival. The second, a pair of bronze handles in the form of hands, adorned the Regatta Restaurant. She created a similar piece, in the form of knots, in 1952 which remains at the School of Civic Design at Liverpool University, along with The Quickening in the rear courtyard.

Cunliffe developed a technique for mass-producing abstract designs in relief in concrete, as architectural decoration, which she described as sculpture by the yard. She used the technique to decorate buildings throughout the UK, but particularly in and around Manchester.

Particularly this example of four modular panels named Cosmos, set in the wall of the student halls of residence in Owens Park, Fallowfield, Manchester.