Amble to Berwick upon Tweed

The final day the first sight of cloud and sea mist.

I awoke early and took an amble around Amble.

Then off on the road to Warkworth and beyond to Alnmouth – where I revisited a small group of asymmetric post-war dormer bungalows.

Stopping to view the flood plain of the River Aln, chatting perchance with the local environmental officer.

Who explained how the flood defences had been removed, as this encouraged the natural process of flooding and receding to proceed unhindered, thus preventing property from being interminably sodden.

We also discussed the decline in vernacular architecture and the fashion for all that is New England, much to the detriment of New Northumberland.

One day everywhere will look like a someone else’s vision of somewhere else.

The good folk of Craster have wisely prevented the local bus from entering the North Sea.

The way north took me over a well laid concrete track.

I came upon three wise men from Durham, Rochdale and Doncaster, gathered around a concrete-bag bunker.

They were all Grateful Dead fans who like me had attended the Bickershaw Festival in 1972.

The first and last outdoor festival I ever done attended, unforgettable.

Weaving down and around quiet lanes I encountered this Walker Evans workshop.

Armstrong Cottages is an estate originally built by Lord Armstrong for the workmen restoring Bamburgh Castle.

The 1901 Census lists the current inhabitants with their provenance and professions.

114 residents are listed for the 19 cottages, of whom 53 are working men employed in the building trade: their professions include stonemasons, joiners, plumbers, rope & pole scaffolders, blacksmiths, and plasterers.

Many come from Northumberland or Scotland, but a significant proportion are from further afield: Cumberland, Westmorland, Lancashire, Durham, Yorkshire, Derbyshire – and one from the Channel Islands.

Seven nights in November will now cost you the best part of a thousand pounds.

The Armstrong family the former owners, made millions from the sale of armaments.

If I thought that war would be fomented, or the interests of humanity suffer, by what I have done, I would greatly regret it. I have no such apprehension.

He also said:

It is our province, as engineers to make the forces of matter obedient to the will of man; those who use the means we supply must be responsible for their legitimate application.

I paused a wee while to take a sip of water and admire the agrarian architecture.

A couple on their bikes stopped to chat, as a babe in arms the lad had been transported by mam and dad, in a sidecar with tandem attached.

Such a delightful and poignant recollection – we wished each other well and went on our way.

I made my way from the rolling hills back down toward the coast.

Where a permissive path hugged the shore, which I cautiously shared with some equally cautious sheep.

Looking back toward Lindisfarne.

Looking forward to the past.

Pausing for the passing of a mainline train.

Berwick upon Tweed in view.

Come the evening I spent an hour or two in The Curfew, feasting on fine beer, company, haggis scotch egg and game pie.

Finishing with this well deserved and wonderful, bottle of Oude Geuze.

The final day – so many marvellous miles covered, forever stopping to chat, snap, look and learn.

No finer way to see the world, though so condensed and intense even at touring speed – apologies to all the things that I failed to see.

So long to Amble, Newcastle, Redcar, Scarborough and Hull.

Lynemouth Pithead Baths

Pithead Baths 1938 by FG Frizzell.

Pebbledashed over white brick. Roofs part concrete slab, part glazed behind parapet. Irregular plan, Modern Movement style. Group of blocks of varying height round tall central tower with rounded, glazed stair turret. Walls mainly sheer, with plinth and slight roof projection.

Long block on east of tower has central south projection with glazed, banded steel double door under high strip of windows beneath eaves overhang. Taller storeroom to west has similar doors in 2 recessed banded glazed bays; and abuts on south-east corner of tower. Similar double doors in base of tower. Large lower south-western canteen wing abuts on west side of tower and has banded glazing around two sides above a projecting sill. Slightly-projecting 3-bay office section to north has steel cross casements; on its return another casement and a door with hollow-chamfered jambs and flat hood. Taller bath block behind. Wave pattern on rainwater heads.

Listed 18th December 1985 Historic England

FG Frizell was also responsible for the Elemore Colliery Pithead Baths in James Terrace Sunderland.

This is the youngest colliery in the neighbourhood, having commenced operations for the Ashington Coal Co Lt. in 1934. The shafts, which are situated comparatively near to the coast, are two in number, and both were sunk to the High Main seam level, which is 486 ft from the surface. The downcast No. 1 is 18 ft in diameter and is used for coal-raising on two shifts per day, and the upcast, which has a diameter of 15 ft, is used for ventilation and emergency man riding only.

The seams being worked are the High Main, the Diamond, the Main, and the Yard. Each of these seams shows practically the same nature of roof and floor as throughout the two neighbouring collieries and the distance between the seams is also comparable. They are, of course, found at slightly greater depths at Lynemouth, the Yard seam, for example, being 660 ft. below the surface near to the shafts, as compared with some 300 ft. at Ellington.

Durham Mining Museum

April 1962

It was one of Britain’s largest collieries until it was closed in 1994.

I was cycling the coast in July 2012 and happened by, seeing the tower of the baths from an adjacent path, passing by the faded signage.

Into the raw expanse of a now empty post-industrial landscape.

And on towards the bath house.

I am not by nature an urbex urban explorer, simply an explorer.

Entering the open site, I was well aware of the significance of the building and its history – working lives that had constructed the baths, entered and left through those very same doors.