Clacton to Great Yarmouth

Day four Thursday 4th September 2014 – leaving Clacton on Sea for Frinton on Sea is the equivalent of crossing continents, time zones, aesthetic and social sensibilities.

Leaving the razzle-dazzle, frantic fish and chip frazzle, for the sedate repose of germ free Frinton.

Green sward and restrained modernist shelters adorn the foreshore.

I love the bold optimism of Maritime Moderne – the bright eyed, forward looking window grid of these fine flats.

I have a cautious admiration for the faux Deco newcomers.

The modernist estate was attempted many times in the interwar years; visions of rows of fashionable white walled, flat roofed houses filled developers eyes. In practice the idea was less popular with potential house buyers. In the Metro-Land suburbs of London, estates were attempted in Ruislip and Stanmore, with a dozen houses at most being built. One estate that produced more modernist houses than most, albeit less than planned, was the Frinton Park estate at Frinton-on-Sea on the Essex coast.

Oliver Hill was known for his house designs, which spanned styles from Arts and Crafts to Modernist. Hill was to draw up a plan for 1100 homes, as well as a shopping centre, luxury hotel and offices. The plan was for prospective buyers to buy a plot and then engage architects to design their new house from a list of designers drawn up by Hill. The list featured some of the best modernist architects working in Britain at the time; Maxwell FryWells Coates, F.R.S. Yorke and Connell, Ward & Lucas.

As wonderful as this sounds today, the buying public of 1935 did not quite agree. The majority of potential buyers were apparently put off by the Estates insistence on flat roofs and modernist designs. Plan B was to build a number of show homes to seduce the public into buying the modernist dream. Of 50 planned show homes, around 25 were built, with about 15 more houses built to order. The majority of these were designed by J.T. Shelton, the estates resident architect, with a number designed by other architects like Hill, Frederick Etchells, RA Duncan and Marshall Sisson.

Modernism in Metroland

One million four hundred thousand pounds later

Nine hundred and fifty thousand pounds

These survivors are now much sought after residences.

The Modern House

The town is also home to this traditional confectioners – Lilley’s Bakery.

Leaving the coast for pastures new – well, a ploughed field actually.

Crossing the River Orwell over the Orwell Bridge on my way to Ipswich.

The main span is 190 metres which, at the time of its construction, was the longest pre-stressed concrete span in use in the UK. The two spans adjacent to the main span are 106m, known as anchor spans. Most of the other spans are 59m. The total length is 1,287 metres from Wherstead to the site of the former Ipswich Airport. The width is 24 metres with an air draft of 43 metres; the bridge had to be at least 41 metres high. The approach roads were designed by CH Dobbie & Partners of Cardiff. 

The bridge is constructed of a pair of continuous concrete box girders with expansion joints that allow for expansion and contraction. The girders are hollow, allowing for easier inspection, as well as providing access for services, including telecom, power, and a 711mm water main from the nearby Alton Water reservoir.

The bridge appears in the 1987 Cold War drama The Fourth Protocol, in which two RAF helicopters are shown flying under it, and at the end of the 2013 film The Numbers Station.

Wikipedia

Time for a Stymie Bold Italic stop – much to the obvious consternation of an over cautious customer.

It seems to still be extant – but with a tasteful coat of subdued grey paint according to its Facebook page.

Having completed this journey in 2016, then reacquainting myself in 2020, I have little recollection of visiting Ipswich, but I did, yet there are no snaps.

I photographed this and several other water towers, precisely where, I could not honestly say.

Suffice to say that it is somewhere – as is everything else.

An admiring nod to Bernd and Hilla Becher.

This the only time that I chose to have a glass of beer whilst awheel, normally waiting until the evening – I couldn’t resist this charming looking brew pub in Framlingham.

Earl Soham is a village close by, on the A1120. The Earl Soham Brewery beers started out in  life being brewed in local man Maurice’s old chicken shed. You may be pleased to hear they have a slightly more sophisticated set-up now, without forgetting their humble roots.

If you haven’t tasted them before, we think you’ll be as delighted with them as our regulars, and you can be guaranteed of a warm welcome if you come to try them out.

The Station

The sort of wayside boozer where I could have easily idled away an hour or two – hopefully I’ll pass by again some time and linger longer.

Another water tower – somewhere.

The most enchanting of shop fascias.

Something of a curiosity – David Frost’s father’s ironmongers in Halesworth – and the Ancient House with its ancient carving.

The bressumer beam at the front of the is linked with Margaret de Argentein in the late 14th and 15th century, it is believed t it could have been a manor or toll house. 

Currently trading as a Bistro with paranormal problems;

Things in the window were swaying the other day and when we went to stop them they almost fought back.

I’ve seen two ghosts in the kitchen. One was clearly a man, the other was when I thought my daughter was over my shoulder but when I looked around she wasn’t there, and we were the only two in the building.

Eastern Daily Press

The long and ever so slightly winding road of the lowlands, sad eyed.

Service station highlight of the tour – with its National graphic identity intact.

A no longer a bakers bakery.

Ghost sign.

All at sea again – caravans to the left of us, sea to the right of us, onwards onwards.

The eternal puzzle of the paddling pool.

Terracotta tiling on the Lifeboat House.

Crossing the estuary of the River Yare – yeah, yeah!

Finally arriving in Joyland.

Rides include the world famous Snails and Tyrolean Tub Twist.

A huge toy town mountain incorporates the Spook Express kiddie coaster, Jet Cars and Neptune’s Kingdom undersea fantasy ride, Pirate Ship, Major Orbit, Balloon Wheel and Skydiver complete the rest of the rides.

Hungry – why not grab a bite at the American Diner.

I actually went to the Wetherspoons.

Though the town is full of tiny pubs.

And a chippy.

I wandered the highway byways and promenade of Great Yarmouth, all alone in a neon nightmare!

Finally settling down for a pint or two – again.

Lastly encountering the late night skaters.

Night night.

Southend to Clacton

Day three Wednesday 3rd September – leaving Southend under a cloud.

The huge slab of the Civic Centre shrouded in sea mist

Oops actually Alexander House – built around 1970 to house the then new V.A.T. HQ.

Designed by borough architect – PF Burridge.

Queen Mum Opens Civic Centre – It took a while to get there, since 1958 when the council agreed to embark on a quest to build a new home for itself;  but on 31st October 1967 HRH the Queen Mother did the honours and formally opened the spanking new Civic Centre.  During its build Southend was classed as being in the top ten in the country for full employment, due to this workers were hard to come by and bus loads of workers were brought in to complete this and the many other projects shooting up along Victoria Avenue at the same time. 

Cllr Beryl Scholfield commented later on the day – The Queen Mother opened the Civic Centre in 1967, when my husband was chairman of the town hall committee, and we had lunch with her at Porters.  We were presented to her when she came in. There were no more than about 30 of us there.  It was a most exciting day.

She was as natural as you see her on the television.

Postscript 2002

A Union Jack lowered to half-mast in tribute to the Queen Mum has been stolen from Southend’s Civic Centre. A council spokeswoman today denounced the theft as – a despicable act at a time of great sadness and national mourning.

The outrage has caused extra sadness for royalist residents in the town because of the Queen Mother’s special place in the history of the Civic Centre.

The Leda and the Swan statue by Lucette Cartwright, which used to be in the Civic Centre atrium, gets a polish in May 1987.

A bronze statue depicting a mythological rape has finally found a new home at the mayor of Southend’s official residence. The controversial statue of Leda and the Swan was specially commissioned by Southend Council in the Sixties and first stood outside the courthouse in Victoria Avenue.

Later it was moved to the Civic Square and then to the courtyard of the Palace Theatre, in Westcliff. Later, it was moved to the Civic Centre when it caused outrage among staff. Workers claimed the statue, representing the rape of Leda by the Greek god Zeus disguised as a swan, glorified rape as an art form.

Last week, the statue was removed from the Civic Centre and is now at the mayor’s residence, Porters, in Southend.

Rob Tinlin, Southend Council’s chief executive and town clerk said – The statue of Leda and the Swan was located at the Civic Centre until a suitable location was found. The statue is permanently on display in the garden of the mayor’s residence, Porters in Southchurch Road.

It is in an appropriately landscaped area next to the pond.

Photo Phil Parsons

Misty eyed I missed the sculptural fountain – William Mitchell I presume?

Said farewell to Neptunes unilluminating assorted fish.

Heading out of town past noisy scenes of quiet despair, no more fancy goods, no more confectionary – shake that.

Heading inland, away from the wibbly wobbly estuarine coast of higgledy piggledy Essex, through freshly mown pasture and solitary haywains.

This is Constable country:

Like many artists practising at the time, Constable used sketches as source material for fully worked-up compositions. He did not find the production of finished paintings easy, which probably contributed to his late recognition by the art establishment.

V&A

Passing by solitary bus shelters, patiently awaiting passengers.

Waterworks works in the palatial neo-classical manner, with a restrained nod to incipient Art Deco.

Encountering the occasional leafy lane.

I eventually found myself on the outskirts of Colchester, outside St Theresa Of Lisieux .

A striking pre-cast concrete frame design of 1971, with a dramatic and well-lit interior, lively modulation of wall surfaces and some furnishings and artworks of note.

Architect – JH Dabrowski 

The entrance façade has a large gable and projecting entrance canopy, above which is a bronze statue of the Risen Christ, by local artist Tita Madden – 1977

This is a large modern church, built with a pre-cast concrete frame with a crossover roof beam system, allowing for dramatic internal effects. Within the bays created by the frame, the walling is mostly brick, with some pre-cast concrete panels, and large areas of glazing. Concrete is also used for the window mullions and surrounds. Each bay has the brickwork slightly angled or faceted, giving the design a great sense of movement and liveliness, both inside and out.

Taking Stock

Struggling to go around a Straight Road.

ÂŁ240,000 will get you an Art Deco maisonette in Vint Crescent from Wowhaus:

This one is a ground floor apartment, which has undergone a complete refurbishment, but with one on keeping those period features to the fore – period features such as original radiators and those distinctive windows and doors are intact, rubbing shoulders with some new, high-end finishes like oak floors and updated kitchen and bathroom.

Foolishly I became more than somewhat lost and on making enquiries concerning my whereabouts and destination, I was met with gently derisive laughter. Therefore, I bypassed Colchester, took the wrong route along a mainly main road and ended up much too quickly in Clacton.

Home to several shops to let, as we shall subsequently see.

Also home to a fabulous concrete frieze on the exterior wall of the library.

Quickly ensconced in my bijou digs – I hit the town to take a look around.

I was staying right opposite this here boozer – a little too early for a pint, I’ll pop back in a bit.

Seaside shelter in a faux vernacular manner, calm seas ‘neath an azure sky – perfect.

Artifice and authenticity the sunbathing citizens sit beside an inflatable pool – perched above the sea on the pier.

Clacton Pier, which opened on 27 July 1871 was officially the first building erected in the then-new resort of Clacton-on-Sea. A wooden structure 160 yards in length and 4 yards wide, the pier served as a landing point for goods and passengers, a docking point for steamships operated by the Woolwich Steam Packet Company, and a popular spot for promenading. By 1893, Clacton had become such a popular destination for day trippers that the pier was lengthened to 1180 ft (360m) and entertainment facilities, including a pavilion and a waiting room, were added to accommodate them.

Wikipedia

The pier seems to have changed hands several times, as is the way with such things, subjected to fires, storms and pestilence – yet still prevails.

Key attractions include Stella’s Revenge – a family Galaxi rollercoaster. Formerly operated at Barry Island Pleasure Park as Galaxy, and later Viper.

Pause to consider the prospect of magical fun, fun, fun.

Let’s return to dry land, where we find certain signs of decline in these uncertain times.

Hope springs eternal in the Arcade hairdressers.

We place our trust in the tried and tested condiments of this most sceptered of isles.

Life goes on at the Linen Shop – yet another Profil/Stymie gem!

A limited choice is widely available from the far from extensive menu, though mushrooms do come with princely, premium price tag attached.

Another long day closes with a well deserved pint – God bless the Old Lifeboat House and all who sail in her.

Night night.