Castle House – Sheffield

I want it.

Historic England want it.

Hopefully you and the people of Sheffield want it,

– anyway it’s listed.

http://www.historicengland.org.uk/listing/the-list/list-entry/1393220

“1964 by George S Hay, Chief Architect for CWS, with interior design by Stanley Layland, interior designer for CWS. Reinforced concrete with Blue Pearl granite tiles and veneers, grey granite tiles and veneers, buff granite blocks, glass, and brick.”

The Liberal Democrat Council objected,  saying

“It could be a major barrier to regenerating Castlegate.”

http://www.sheffieldtelegraph.co.uk/what-s-on/saving-castle-house-controversial-listing-call-defended-1-453913#ixzz3sL3p5RAP

There is now the possibility of redevelopment as a creative hub.

It was a Co-op on the grandest of scales.

It has it all, public art, monolithic proportions and finish, bags of detail and scale in abundance. A fascinating building to explore and certainly one that fills my little heart with joy in superabundance

A building of period distinction, it deserves its preservation.

We do not require another patch of steel and wilfully wayward clad nowheresville non- architecture, replete with aspirational retail agogo.

Go see it soon!

Moore Street Electricity Substation – Sheffield

Moments from the centre of the City, bordered by dual carriageways and a substantial roundabout, sits a most remarkable building.

What is it?

It’s almost unfathomable.

A carpark lacking entrance and exit, abattoir, contemporary art space?

No – an electrical substation, on such a colossal scale as to relieve you temporarily, of a gasp or two.

Finished entirely in unfinished concrete, a great volume, broken by vertical and horizontal lines, punctuated by intermittent abutments.

Accessed externally via a most extraordinary glazed and enclosed staircase.

Wisely Historic England have had the site listed:

https://historicengland.org.uk/listing/the-list/list-entry/1415383

“Electricity substation. 1968 to designs by consulting architects Jefferson, Sheard and Partners, Sheffield, led by Bryan Jefferson, in association with the Regional Civil Engineers’ Department of the CEGB North East Region. Contractors, Longden & Sons Ltd, Sheffield. Reinforced concrete frame with board-marked finish with formwork bolt marks, construction and daywork joints emphasized, concrete floor slabs, blue engineering facing bricks, cladding panels of Cornish granite aggregate.”

Go see for yourself, if you don’t believe my eyes.

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Hexagon Tower – Blackley Manchester

Manchester Orbital – a coach trip around the outer and upper limits of the city’s Modernist Architecture.

Organised by the Manchester Modernist Society

http://www.modernist-society.org

“Seifert’s corporate buildings were regularly bold, those in Manchester no exception, but this is perhaps the most monolithic of his North-West schemes. The site, in a depression adjacent the River Irk in Blackley, was formerly owned by ICI, by whom the building was commissioned. At one time, a four storey ICI laboratory building by émigré architect Serge Chermayeff also stood close. Here, the simple massing, formed by the junction of horizontal and vertical volumes, bears several of Seifert and Partners trademark gestures; the hexagonal geometries, the cut away sections of wall to form entrance ways between structural elements, and the repetitive facade. The end wall is reminiscent of Tolworth Tower, also by Seifert. The tower and podium configuration is a product of the brief; the machine hall had to be at ground level and have no construction above. The narrow tower has no internal columns, the structural grid is mirrored in the services arrangement and the two co-exist outside the usable volume of the laboratory space, in the walls and floor. This solution is expressed in the deep reveals of the main façade, services travel vertically between the window modules. Whilst somewhat hidden, the building reveals itself fantastically from elevated vantage points, the tram south from Bowker Vale station being one such location. Originally it was intended that four of these towers would be built and run along the river valley in some sort of massive futurist domino arrangement.”

With thanks to Mainstream Modern

http://www.mainstreammodern.co.uk/casestudies.aspx/Detail/72/hexagon-tower

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Post Office Tower

The man from BT he says “No!”

I only asked.

Everyone’s life is towered over by one obsessive dream or other.

So why not have an overpowering, towering dream of a Tower?

I asked to come in, he said no.

What was once ours, opened in 1965 by PM Harold Wilson at the behest of Tony Benn, was sold by PM Margaret Thatcher.

– “It’s good to talk.”

It’s bad to gift ownership of other peoples’ towers to other people, in the name of “popular capitalism.”

So I dry my eyes, pick myself up and engage in an immersive therapy, absorbing the visual culture of the seemingly unobtainable Tower – like an eternally embittered Rapunzel in reverse.

Marine Court – St Leonards on Sea

It’s ever so easy to fall in love with a building, that’s ever so lovable.

So much of its time and place – a perfect piece of Seaside Moderne.

Sun soaked and whiter than white, against almost clear blue southern skies.

A luxury liner beached and beloved, now returned to showroom condition.

Go see for y’self.

http://www.modernistbritain.co.uk/post/building/Marine+Court/

The Wash Inn – Hastings

Standing alone in an unattended laundrette can be a chilling experience, a heightened state of awareness abounds, accentuating that all pervasive absence of presence.

The unseen hand, that write the notes, that speak to you in emphatic hurried caps, pinned or taped precisely on the walls.

The ghosts of clothes, still warm, now gone.

A Proust defying amalgam of aromas, that almost fills the air.

Just you and a series of slots, demotic instructions, care worn utilitarian surfaces and time.

Wash Inn get out.

Pevensey – Oyster Bungalows

Hardly by accident, passing Pevensey Bay by bike one sunny summer’s day, hurriedly intent on catching up with old friends.

Having visited here some years ago, under the guidance of pal Pauline, I was as ever, over eager to renew our previously brief acquaintance.

There they were waiting patiently, to the left of a long straight road, running parallel to the adjacent shore.

Oyster Bungalows – so called for their cylindrical form and formerly scalloped barge boards.

Holiday homes the work of designer / architect: Martin & Saunders Limited built: 1937 – 1939.

Small and perfectly formed, they all seem to have suffered the indignities of ageing none to gracefully.

Subject to the whims of fashion and the uPVC expediency of our age.

Typically no two are the same, variegated planting, neglect and graceless addenda grace the previously pristine homes.

For all that, their diminutive charm remains undiminished.

My spirits lifted as I strolled by, inevitably yours will too.

Margate – Turner Contemporary

Mr Turner came here way back when,

The same sea lapped a different shore,

A gallery stands where he passed,

If passing pop in,

Or wander the perimeter in search of a sense,

Of well being, or otherwise,

Seeking a link with some not too distant past,

When a different sea lapped the same shore.

https://www.turnercontemporary.org

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Margate – Arlington House

Arlington House is a 58 metre high eighteen-storey residential apartment block in Margate, Kent, England.

It was built in 1964, it has 142 apartments, and was designed by Russell Diplock & Associates, developed by Bernard Sunley Trust, and built by the contractors Bernard Sunley & Sons.

The sides of the building have a wave-like design, providing both inland and sea views.

It was initially advertised as Britain’s first park and buy shopping centre with luxury flats , incorporating a theatre, restaurant and rooftop swimming pool.

Arlington Margate

I’ll try anything twice.

So off I went to Margate, on a train, again.

Rushing out of the station agog, eager, looking for a long lost friend.

An impudent exclamation mark at the end of a rowdy Georgian row.

Arlington House.

A mad amalgam of angles, incautious concrete surfaces and glass.

Entranced, enchanted, we both stare out to sea and eye each other admiringly.

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Deal – Seaside Shelters

Two.

Parachuted from who knows where, onto the unsuspecting seafront.

Backed by a rambling range of well behaved Georgian terraces, facing a remorselessly mutable sea.

Affording space age shelter to the passing pilot of an ever imminent future.

Sit in, look through, out and beyond.

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North Wales – Shelters

There are days when there is little else to do on the seashore than stare endlessly out to sea, seeking respite from the unrelenting rays of the sun, or conversely turning one’s back on the incoming squall.

Hunker down and hope.

For these very same and sane reasons, the urban district councils have provided you with the very means to realise the wildest of your wildest dreams.

The shelter

No two are the same, look carefully – they are nuanced, under financed, resilient and emboldened against the elements. Design applied by untutored hand, cast in concrete, stone and brick, glazed, unglazed and amazing.

Set a spell, take your shoes off.

Y’all come back now, y’hear?

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Hove – Seafront Flats

The seashore seems ideally suited to tall well appointed private housing, this is the architecture and landscape of wealth and privilege.

Built and maintained in the finest sixties and seventies Modernist style and fashion, affording panoramic visits across the Hove Lawns to the sea, and the soft rolling hinterland of the Downs.

If you’ve got the dollar, you’ve got a room with a view, or two.

Hastings – Sea Front Shelters

The very first time I visited Hastings, I was immediately enchanted by the seafront and its enchanting shelters.

Perfectly formed cast concrete poetry, facing the swelling channel.

Offering shade and respite from coastal sun, wind and rain.

Temporary home to some.

Decorated in the finest style.

A short endless walk, sea to the right, back again, to your left.

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Eastbourne – The View Hotel

Standing immutable on the south coast seafront is the View Hotel, forever almost changing.

A seventies delight of exuberant geometry, tiled detail, protruding balconies and audacious window frames.

Its confidence is overwhelming.

Recently refurbished this trade union run hotel and conference centre has preserved much of its period  interior detail, a swirling spiral stairway, unique circular light fittings, dark hardwood fittings and furnishings.

Suitable setting for high espionage or low talking.

Swept along by the verve, vivacity and capacious volume, I suggest you take a peak.

http://www.theviewhoteleastbourne.com

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Brighton – Embassy Court

Embassy Court has always had a very special place in my heart.

Forty years ago as a young art student attending nearby Portsmouth Polytechnic, we were taken by Maurice Denis in a minibus to visit the modernist buildings in our locale, this was my first love.

Two days ago I returned to Brighton, sprinting spryly along the prom to meet an old friend.

We were ever so pleased to see each other after all these years, I walked around admiringly and smiled.

Embassy Court is an 11 storey block of flats situated on the Brighton seafront on the corner of Western Street and the Kings Road. It was designed by the architect Wells Coates and completed in 1935.

It is amongst of the most outstanding examples of pre-war Modernism in the UK, it has a grade II* listed status and remains a major Brighton landmark. This beautiful, elegantly proportioned block contains 72 flats, with awe-inspiring sea views, is considered one of the coolest places to live in Britain.

Restored in 2005 after a long period of decline, Embassy Court is now owned by a limited company, Bluestorm Ltd., born from a Leaseholders Association which obtained the freehold of the  building in 1998.

Huddersfield – Buxton House

Slap dab in the middle of the town stands a lone tower block of residential, social housing.

Buxton House backs onto the lower rise Civic Centre and is conjoined to the main shopping street and precinct, linked by a low wide underpass. Adorned on its street entrance by the most enchanting mosaic, announcing a spry geometric optimism to those shoppers and residents that pass under, through the underpass.

Ten floors of homes are bound in brick concrete and glass – a truly commanding central location, graced by the inclusion of an incongruous Chinese restaurant – The Mandarin.

Take a stroll around.

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Huddersfield – The Piazza

Huddersfield West Yorkshire shares a legacy with many other towns, a legacy of successive shopping developments of varying styles and quality. Shaped by fashion, topography and finance each makes a more or less bold statement on the fabric of the area.

In order to survive each geo-retail layer of architecture, must reinvent itself or die – adding new branding, covering period detail with newer, ever more impermanent fascias, flagging flagging and flags of all stripes.

I encircled the Piazza – its monumental nether regions, enlivened with almost temple like scale and applied brick, stone and concrete surfaces, the dark and forbidding, cinematic subterranean service tunnels, and the open walkways of the main shopping areas.

I came away impressed, hope you do too.

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Huddersfield – University née Polytechnic

Spanning the Huddersfield canal and set on a hillside site of a hilly Yorkshire town, the University Buildings dominate the Colne Valley area to the south.

Typically their history spans an earlier site which evolves during the 50s and 60s, as part of the drive to develop the industrial/educational base of the area and the burgeoning growth of the provincial Polytechnics.

The result is a confident yet dizzying panoply of styles and materials on a fairly compressed but expanding site.

Brick, concrete, glass and more recent modern clad additions collide in a bun fight of assertive volumes.

It all seems very exciting.

“David Wyles, The Buildings of Huddersfield: four architectural walks – facing us now is the impressive bulk of the Central Services Building in front of which stood a six-storey building; its structure emphasised by the reinforced concrete frame which projected skeleton-like above the main roof level. This was part of the earlier Technical College development which included several buildings of similar style designed from 1957 onwards by Frederick Gibberd. The six-storey blocks have since been demolished.

The focal point of the campus, the Central Services Building, was designed by Hugh Wilson and Lewis Womersley of Manchester and constructed between 1973 and 1977 at a total cost of £3,651,000. The building contains the main non-teaching facilities.

Much of the layout derives its form from the hillside site and this is accentuated by the undercover concourse leading through to the canal, which gives access to all parts of the building. The construction is based on a grid of reinforced concrete with floors supported on circular columns. The building is clad in light buff coloured bricks intended to harmonise with local sandstone.”

https://www.hud.ac.uk/about/the-university/history-of-huddersfield/

Congleton – Trinity Methodist Church

How incongruous, to find a little of the space age in a suburban provincial Cheshire street, keeping company with solid, stolid brick built homes and sensible Victorian stone structures.

Trinity is dominated by its diamond shaped stained glass, framed in unfinished concrete, emboldened like a wide ecstatic grin, extending beyond the bounds of the street, beaming towards heaven.

To the side are concrete columns pierced by irregular rectangular windows.

Completed in 1968, architect was Gorden Ball from VWB Architects.

This tiny gem deserves your attention – take yourself off to Mill Street pronto.

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Huddersfield – Queensgate Market

One can only marvel at the ingenuity and vision that brings together modern architecture, technology and municipal functionality. It has produced an indoor market place of lasting and everlasting beauty and wonder.

Vaulted concrete roof columns and high side lighting from the pierced window strips between the split level roofing lead the eye up towards eternity.

The exterior and interior walls are both adorned by some of the finest mid-century public art.

A lasting provincial splendour that offers more with each visit – it’s irresistible.

Inside and outside.

Get y’self along there pronto!

http://www.c20society.org.uk/botm/queensgate-market-huddersfield/

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