Huddersfield Walked Again

College of Technology: the central precinct with the two classroom blocks 1960 Frederick Gibberd.

Image – Henk Snoek 1960 RIBA pix

We no longer begin at the Kirklees College – it was knocked down and a Lidl built on the site.

So we begin at a new beginning, a new beginning for the Bus Station, during the current refurbishment the car park is closed.

We are transforming Huddersfield Bus Station into a fully accessible facility.

Work is underway on the £28 million facility, which is funded by the West Yorkshire Combined Authority and Kirklees Council.

I was informed by the seriously erudite Christopher Marsden, that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

We then cross over the road to the Civic Centre, with its gold leaf facade, and the perennially empty piazza, which along with the Magistrates’ Courts and Police Station, was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble. 

Exsilite is made by fusing grains of silica and pigments to form a slab that simulates onyx marble.

Exsilite is a Latin word meaning – spring/leap/burst forth/out, leap up, start up, bound; emerge into existence.

It is to be note that the doors and distinctive handles from the Courts to the Piazza have been removed.

The Police Station is to be vacated on completion of the new Police Station.

Next to the curved and ribbed concrete wall, concealing an electrical sub-station.

Further on down the road the former Co-operative store 1936 JW Cropper.

On opening day, the Examiner said the Co-op gave:

The town of Huddersfield a store that is entirely modern in design and equipped on the most up-to-date lines-a store of which the townspeople generally, and co-operators in particular, can be proud.

It has subsequently been seriously disabused by insensitive refurbishment and extension.

We cross over to view the access road to the service area of the market – now closed.

It was formerly topped off by a multi-storey car park – since demolished.

Then onward to the Grade II Bath House at Broadbent’s Engineering in Huddersfield.

1955, by Abbey Hanson architects – designing architect Andrew Buck, project leader Geoffrey Rowe.

The building is a very rare, possibly unique example of a purpose built bath house for foundry workers

* Its continuing function as a bath house has preserved its original purpose in both its layout and its fixtures and fittings as well as its design

* The design of the building manifests inspiration from both W Dudok and Frank Lloyd Wright, and achieves a high standard of accomplishment in its interpretation of contemporary architectural influences

* The use of local stone for external walls distinguishes it from brick built pithead baths of similar style, and the imaginative use of finishes lends further distinction

* The interior survives almost entirely intact, with original wash basins, shower and tap fittings, lockers, floor and wall surfaces, doors and light fittings.

Historic England

One of Huddersfield’s hidden architectural gems has been transformed into an attractive and unusual gallery-cum-coffee house and restaurant, destined to become a popular public space for meeting, eating and art appreciation. But among the attendees at a special unveiling event there were men who remembered its original function – as a bath house where scores of foundry workers could shower away a day’s grime.

University of Huddersfield

Up around the the bend and here we are at the Grade II listed Queensgate Market, 1968-70 to the designs of the J Seymour Harris Partnership, with Leonard and Partners as consultant engineers. 

Another feature of Huddersfield Market which sets it apart from other post-war market buildings is its incorporation of works of art. Fritz Steller was a German-born refugee architect who had settled in Stratford-upon-Avon. He pioneered the production of large scale ceramic art, having been interested in the use of a wide variety of materials in sculpture. The development company Murrayfield had a policy of incorporating public art into their schemes, and the project manager of J Seymour Harris, the architects for the Huddersfield development, was Gwyn Roberts, a friend of Steller. One of the Borough Councillors at Huddersfield was Clifford Stephenson, an enthusiast for public art and particularly for modern ceramic sculpture. This combination led to the appointment of Steller to produce designs for the new market hall. The size of the panels necessitated the construction of a special kiln for their firing, and experimental mixes for the composition of the clay which was resistant to acid rain and chemicals.

Historic England

Seen here on my visit in 2015, and subsequently in 2021.

Straight ahed to the service entrance at the rear of The Piazza.

The council wants to demolish the Piazza buildings as soon as possible.

Phase 3 was originally to be the Queen Street plot but Greenhead College’s plans for a new education building on the site failed to secure Government funding. Since then the council has been looking at alternatives – including a hotel, residential or offices – but now believes a new multi-storey car park could be the best way forward.

Phase 5 was to have been a £90 million events and concert venue with a multi-storey car park attached but that is no longer affordable. A review of the venue is underway and the council now thinks a “flexible multi-purpose” venue is the way forward. It would have a fully-seated capacity of 1,200 or 2,000 with a standing floor and seated balcony.

Huddersfield Hub

Turning our back on the market and away to Buxton House 1968.

Kirklees Council’s plans for the £16 million re-development of a Huddersfield town centre block of flats have collapsed.

Buxton House, between New Street and Albion Street, failed to meet modern fire safety standards and the council moved tenants and bought out owners and leases, pending a full-scale refurbishment.

Planning permission was granted in July 2024 to re-model the tower block to create forty one, one and two-bedroomed flats along with five studio flats with construction set to start in November 2025.

However, it has now been revealed that the council has failed to find a contractor and the scheme is on hold indefinitely.

Huddersfield Hub

Design for refurbishment.

The flats are part of a larger retail development by Bernard Engle & Partners.

Across the way Ramsden House a slab on a podium, part of the Murrayfield Redevelopment 1968 J Seymour Harris Partnership.

This block was the first and only phase of four that’s still intact. It’s a slab and plinth project with underground servicing marble finishes and two art mosaics that relate to the town. The Ramsden Street elevation mosaic depicts ‘Development of the woollen industry from a cottage craft to the beginning of the industrial revolution’ designed by Huddersfield artist, Harold Blackburn.

Princess Street bears ‘Facets of the Local Scene’ by Mural Consultants Ltd.

Modernist Buildings Trail

Across the way Whitfield’s Department Store 1963 Ralph Hudson.

The longstanding furniture & piano dealers, Whitfield’s expanded from numbers five and seven with this six6 storey tower.

Influenced by a tour of modern European retail premises the company chairman supplied the architect with photos of ideas.The glossy metallic finish reflects the excitement of the notion of an Ercol show room on the fourth floor and G-Plan on the fifth. Pianos were on the first floor and TVs & radio and their servicing were in the basement. Welcome to stylish living sixties style!

Modernist Buildings Trail

Down the hill and away to:

Public Library 1940 Architect: EH Ashburner & James Arthur Woodford.

James Woodford at work – on the right, sculpting figure representing the Spirit of Literature

Reference Library.

Image – Charles Pickard 1940.

The food hall and library is due to open in summer 2026 but more problems have been uncovered with the former library and art gallery which will become the new museum. Internal works are underway and more asbestos than expected has been found and an extra £1 million has been needed to pay for removal.

The council has also found several other “significant issues” that also needed to be resolved.

It could be mid-2029 before the museum is ready to open.

Off we go to the Midland Bank – then HSBC then not a bank at all, 1970 Peter Womersley with Roger Shaw of Kitson & Partners.

Next door the Halifax Building Society 1981 Abbey Hanson Rowe.

back to the main drag and the Pearl Assurance Building 1963 Elsworth Sykes & Partners.

The nipping down the lane to Neaversons 1935 with two Moderne fascia elevations by shop fitters Sharp & Law of Bradford, Grade II Listed as part of the Kirkgate Buildings.

Once selling bijou household goods, following occupation by several bars and cafes, currently empty.

Finally just in time to catch the last post at the Royal Mail Sorting Office – Post Office extension 1968 Office of Public Works.

Neaverson’s – Huddersfield

Kirkgate Buildings Byram Street

Commercial building with ground-floor retail units and offices to the upper floors, c1883, by W H Crossland with sculptural work by C E Fucigna. Sandstone ashlar, slate roof, substantial ashlar ridge stacks. C19 Queen Anne style with French influences and classical Greek sculpture. One of the ground-floor shop units was remodelled in 1935 by Sharp and Law of Bradford with Moderne shopfronts and interior fittings.

The cultural and visual collision is immediate – the pairing of Huddersfield’s grand Victorian manner with the latest of European Moderne.

Neaverson’s – purveyors of pottery and glass began life in 1893 in premises on Cross Church Street, before moving to the Grade I-listed Byram Street building in 1935.

Set to the ground floor of bay 4 is a 1935 Moderne shopfront by Sharp and Law of Bradford. The shopfront is of grey and pink/beige marble with unmoulded windows that are curved to eliminate reflection, and has a glazed door set within a recessed porch. Set below the top of the shopfront is a ribbon window with dark tinted glazing and slender vertical and horizontal muntin bars arranged in a geometric pattern. The original metal signage in stylised sans-serif relief lettering reads ‘NEAVERSONS’, ‘pottery’ and ‘four’.

Thought to echo Susie Cooper’s London shop and unswervingly now – the fascia must have been something of a shock to the taciturn Tykes.

Neaversons glass and china shop closed in 2007.

Gerry’s Tea Rooms occupied the building for less than two years.

There is not a day goes by when I don’t see some of my customers asking what went wrong. They think I was a failure and that is so not the truth.

Along came a restaurant:

The Grade II 1930’s interior has been refurbished by the new owners and exudes understated sophistication.

“Wow, I feel like I’m in London,” said Trish as she stepped into the newly-opened Neaversons restaurant, having just arrived on the train from the capital.

It closed not long after.

Currently home to the Zephyr Bar and Kitchen

A prohibition stylised venue offering a selection of drinks, food and an environment that really sets us apart from the crowd.

The listed frontage has survived intact – let’s take a look.