Huddersfield Walked Again

College of Technology: the central precinct with the two classroom blocks 1960 Frederick Gibberd.

Image – Henk Snoek 1960 RIBA pix

We no longer begin at the Kirklees College – it was knocked down and a Lidl built on the site.

So we begin at a new beginning, a new beginning for the Bus Station, during the current refurbishment the car park is closed.

We are transforming Huddersfield Bus Station into a fully accessible facility.

Work is underway on the £28 million facility, which is funded by the West Yorkshire Combined Authority and Kirklees Council.

I was informed by the seriously erudite Christopher Marsden, that the bus station and car park were the work of Derek C W Vane: Borough Architect 1972-1974.

We then cross over the road to the Civic Centre, with its gold leaf facade, and the perennially empty piazza, which along with the Magistrates’ Courts and Police Station, was the work of the Borough Architects team – led by Charles Edmund Aspinall.

Exsilite panels set in the stone faced columns – a brand name for a synthetic, moulded, artificial marble. 

Exsilite is made by fusing grains of silica and pigments to form a slab that simulates onyx marble.

Exsilite is a Latin word meaning – spring/leap/burst forth/out, leap up, start up, bound; emerge into existence.

It is to be note that the doors and distinctive handles from the Courts to the Piazza have been removed.

The Police Station is to be vacated on completion of the new Police Station.

Next to the curved and ribbed concrete wall, concealing an electrical sub-station.

Further on down the road the former Co-operative store 1936 JW Cropper.

On opening day, the Examiner said the Co-op gave:

The town of Huddersfield a store that is entirely modern in design and equipped on the most up-to-date lines-a store of which the townspeople generally, and co-operators in particular, can be proud.

It has subsequently been seriously disabused by insensitive refurbishment and extension.

We cross over to view the access road to the service area of the market – now closed.

It was formerly topped off by a multi-storey car park – since demolished.

Then onward to the Grade II Bath House at Broadbent’s Engineering in Huddersfield.

1955, by Abbey Hanson architects – designing architect Andrew Buck, project leader Geoffrey Rowe.

The building is a very rare, possibly unique example of a purpose built bath house for foundry workers

* Its continuing function as a bath house has preserved its original purpose in both its layout and its fixtures and fittings as well as its design

* The design of the building manifests inspiration from both W Dudok and Frank Lloyd Wright, and achieves a high standard of accomplishment in its interpretation of contemporary architectural influences

* The use of local stone for external walls distinguishes it from brick built pithead baths of similar style, and the imaginative use of finishes lends further distinction

* The interior survives almost entirely intact, with original wash basins, shower and tap fittings, lockers, floor and wall surfaces, doors and light fittings.

Historic England

One of Huddersfield’s hidden architectural gems has been transformed into an attractive and unusual gallery-cum-coffee house and restaurant, destined to become a popular public space for meeting, eating and art appreciation. But among the attendees at a special unveiling event there were men who remembered its original function – as a bath house where scores of foundry workers could shower away a day’s grime.

University of Huddersfield

Up around the the bend and here we are at the Grade II listed Queensgate Market, 1968-70 to the designs of the J Seymour Harris Partnership, with Leonard and Partners as consultant engineers. 

Another feature of Huddersfield Market which sets it apart from other post-war market buildings is its incorporation of works of art. Fritz Steller was a German-born refugee architect who had settled in Stratford-upon-Avon. He pioneered the production of large scale ceramic art, having been interested in the use of a wide variety of materials in sculpture. The development company Murrayfield had a policy of incorporating public art into their schemes, and the project manager of J Seymour Harris, the architects for the Huddersfield development, was Gwyn Roberts, a friend of Steller. One of the Borough Councillors at Huddersfield was Clifford Stephenson, an enthusiast for public art and particularly for modern ceramic sculpture. This combination led to the appointment of Steller to produce designs for the new market hall. The size of the panels necessitated the construction of a special kiln for their firing, and experimental mixes for the composition of the clay which was resistant to acid rain and chemicals.

Historic England

Seen here on my visit in 2015, and subsequently in 2021.

Straight ahed to the service entrance at the rear of The Piazza.

The council wants to demolish the Piazza buildings as soon as possible.

Phase 3 was originally to be the Queen Street plot but Greenhead College’s plans for a new education building on the site failed to secure Government funding. Since then the council has been looking at alternatives – including a hotel, residential or offices – but now believes a new multi-storey car park could be the best way forward.

Phase 5 was to have been a £90 million events and concert venue with a multi-storey car park attached but that is no longer affordable. A review of the venue is underway and the council now thinks a “flexible multi-purpose” venue is the way forward. It would have a fully-seated capacity of 1,200 or 2,000 with a standing floor and seated balcony.

Huddersfield Hub

Turning our back on the market and away to Buxton House 1968.

Kirklees Council’s plans for the £16 million re-development of a Huddersfield town centre block of flats have collapsed.

Buxton House, between New Street and Albion Street, failed to meet modern fire safety standards and the council moved tenants and bought out owners and leases, pending a full-scale refurbishment.

Planning permission was granted in July 2024 to re-model the tower block to create forty one, one and two-bedroomed flats along with five studio flats with construction set to start in November 2025.

However, it has now been revealed that the council has failed to find a contractor and the scheme is on hold indefinitely.

Huddersfield Hub

Design for refurbishment.

The flats are part of a larger retail development by Bernard Engle & Partners.

Across the way Ramsden House a slab on a podium, part of the Murrayfield Redevelopment 1968 J Seymour Harris Partnership.

This block was the first and only phase of four that’s still intact. It’s a slab and plinth project with underground servicing marble finishes and two art mosaics that relate to the town. The Ramsden Street elevation mosaic depicts ‘Development of the woollen industry from a cottage craft to the beginning of the industrial revolution’ designed by Huddersfield artist, Harold Blackburn.

Princess Street bears ‘Facets of the Local Scene’ by Mural Consultants Ltd.

Modernist Buildings Trail

Across the way Whitfield’s Department Store 1963 Ralph Hudson.

The longstanding furniture & piano dealers, Whitfield’s expanded from numbers five and seven with this six6 storey tower.

Influenced by a tour of modern European retail premises the company chairman supplied the architect with photos of ideas.The glossy metallic finish reflects the excitement of the notion of an Ercol show room on the fourth floor and G-Plan on the fifth. Pianos were on the first floor and TVs & radio and their servicing were in the basement. Welcome to stylish living sixties style!

Modernist Buildings Trail

Down the hill and away to:

Public Library 1940 Architect: EH Ashburner & James Arthur Woodford.

James Woodford at work – on the right, sculpting figure representing the Spirit of Literature

Reference Library.

Image – Charles Pickard 1940.

The food hall and library is due to open in summer 2026 but more problems have been uncovered with the former library and art gallery which will become the new museum. Internal works are underway and more asbestos than expected has been found and an extra £1 million has been needed to pay for removal.

The council has also found several other “significant issues” that also needed to be resolved.

It could be mid-2029 before the museum is ready to open.

Off we go to the Midland Bank – then HSBC then not a bank at all, 1970 Peter Womersley with Roger Shaw of Kitson & Partners.

Next door the Halifax Building Society 1981 Abbey Hanson Rowe.

back to the main drag and the Pearl Assurance Building 1963 Elsworth Sykes & Partners.

The nipping down the lane to Neaversons 1935 with two Moderne fascia elevations by shop fitters Sharp & Law of Bradford, Grade II Listed as part of the Kirkgate Buildings.

Once selling bijou household goods, following occupation by several bars and cafes, currently empty.

Finally just in time to catch the last post at the Royal Mail Sorting Office – Post Office extension 1968 Office of Public Works.

St John’s College Oxford – RIBA pix

St John’s College was founded as a men’s college in 1555, it has been coeducational since 1979. Its founder, Sir Thomas White, intended to provide a source of educated Roman Catholic clerics to support the Counter-Reformation under Queen Mary.

St John’s is the wealthiest college in Oxford, with assets worth over £790 million as of 2022, largely due to nineteenth-century suburban development of land in the city of Oxford of which it is the ground landlord.

Wikipedia

The Beehive North Quad: the entrance elevation.

Architects 1960 Co-Partnership

Reginald Hugo de Burgh Galwey 1960

The Beehive North Quad: seen from the archway on the western side.

Bill Toomey 1960

The Garden Quadrangle.

Architect 1994 MacCormac Jamieson PrichardMJP.

Detail of spiral stair.

The entrance courtyard.

A study bedroom at topmost level.

The lecture theatre.

Charles Martin 1994

Sir Thomas White Building.

Architects 1972-75 Philip Dowson of Arup Associates.

The pavilion looking through to the dining room.

A study bedroom.

The roof scape and service tower.

John Donat 1975

See also: St Catherine’s CollegeMaterials ScienceWorcester College, Keble College and The Florey Building

Keble College Halls of Residence 2026

The original buildings of the College were designed by William Butterfield 1814-1900. Although the darling of the Tractarian movement, Butterfield was a controversial choice, as his style – a form of High Victorian Gothic had long provoked argument in Oxford. The original Gothic revival of the 1840s was purely imitative, seeking to blend new buildings with the pre-existing architecture of the city. However, this did not satisfy Butterfield, who “sought a new form of Gothic which would both convey eternal truths and would express the spirit of the age”.

The College was lucky in that the ambitious vision of its founders allowed it to house the majority of its students for decades. However, by 1967, it had become clear to the College that there was a need to expand on a large scale. With the £500,000 cost funded via the Centenary Appeal, the project remained challenging – the site available was wedge-shaped, construction had to be phased, as funds became available, and the buildings had to stand next to Butterfield’s imposing work. To meet this challenge, the College chose an up-and-coming firm of architects, Ahrends, Burton and Koralek ABK.

Heritage Keble

We have previously taken a look at the Halls through the RIBA pix archive.

Paul Ahrends, architect, with a model of the ABK buildings, explaining them to HRH Princess Margaret, the Chancellor and the Warden.

Here are the photographs which I took on my flying visit of July 2nd 2026.

Keble College Oxford – Halls of Residence

Architect: Ahrends Burton & Koralek 1977

Ahrends, Burton and Koralek – ABK was established in London in 1961 by three young AA graduates, Peter Ahrends, Richard Burton and Paul Koralek. By the 1970s, ABK was known as one of the most creative and versatile of Britain’s younger practices, its workload ranging from college buildings in Oxford and Chichester to housing, public libraries, retail and industrial buildings.

While influenced by High-tech, their buildings were characterised by a concern for strong form and materiality. Major projects of the 1980s included stations for the Docklands Light Railway and the pioneering St Mary’s Hospital on the Isle of Wight, as well as buildings at Hooke Park in Dorset designed in collaboration with Frei Otto.

ABK’s victory in the prestigious 1982 competition for an extension to the National Gallery in London reflected the firm’s standing but the scheme was abandoned following a controversial intervention by the Prince of Wales.

C20 Society

The College was lucky in that the ambitious vision of its founders allowed it to house the majority of its students for decades. However, by 1967, it had become clear to the College that there was a need to expand on a large scale. With the £500,000 cost funded via the Centenary Appeal, the project remained challenging – the site available was wedge-shaped, construction had to be phased, as funds became available, and the buildings had to stand next to Butterfield’s imposing work. To meet this challenge, the College chose an up-and-coming firm of architects, Ahrends, Burton and Koralek – ABK.

The construction was completed in two phases, the De Breyne quad – completed in 1972, was largely funded by the Adeby Trust. The second phase – completed in 1976, was primarily funded by the Hayward Foundation.

Whilst ABK’s architecture did not seek to imitate Butterfield, it nevertheless adopted elements from his work. The buildings follow the exterior line of the College and the roofline varies along its length, gradually decreasing as it approaches the Butterfield buildings. Yet, the architecture also manages to be innovative. The exterior is fortress-like, punctuated by slot windows, with the buff coloured brick forming a contrast to the red of the original buildings. Internally, the walls are formed by overlapping layers of glass, creating a “soft underbelly”, which mirrors Butterfield’s patterns in its reflective surface.

Once again, Keble’s choices proved to be controversial. The Architectural Review of 1977 claimed the walls “suggest the exterior of some strange zoo”, yet the Royal Institute of British Architects saw fit to award it their Southern region award in 1978 and in 2001 it became one of the youngest Grade 2* listed buildings, a ranking reserved for “particularly important buildings of more than special interest”.

Keble Heritage

John Donat 1977

John Donat 1980

John Donat 1977

A typical study bedroom.

The glazed walkway

John Donat 1973

The common room and bar.

John Donat 1977

Charles Martin 1983

RIBA pix

See also: St Catherine’s CollegeMaterials Science, Worcester College and The Florey Building

Launderette Rochdale

30 Milkstone Rd Rochdale OL11 1EB

At some time in the not too distant past it seems to have lost its fascia board.

After also trading as HMA Launderette.

Google streetview.

On my way somewhere else with time to spar I popped in.

Rochdale Observer

The Rochdale Observer is a local newspaper published on Wednesdays and Saturdays for the  Metropolitan Borough of Rochdale.

It has been Rochdale’s main newspaper since 1856.

This is the original building on Drake Street.

This was replaced by the current building, which is no longer home to the newspaper.

Its foundation stone was laid in 1954 by the Rochdale-born singer and actress Gracie Fields.

Architect – Frank Bradley of Bolton.

Image – Mike Ashworth

It has subsequently been converted to apartments.

Behind the Observer offices on Drake street are the former Observer print works on Greenwood Street.

Worcester College Oxford

I was walking from the railway station, a map of Oxford folded in my back pocket.

Having no real notion of anything really, I simply followed my intuition and ended up here.

Worcester College was founded in 1714 by the benefaction of Sir Thomas Cookes, 2nd Baronet 1648–1701 of Norgrove, Worcestershire, whose coat of arms was adopted by the college. Its predecessor, Gloucester College, had been an institution of learning on the same site since the late 13th century until the Dissolution of the Monasteries in 1539.

Founded as a men’s college, Worcester has been coeducational since 1979.

Wikipedia

This Mediaeval terrace is thought to be the oldest surviving domestic building in the city, known as the cottages – forming one side of the Quad.

This is the Casson Building – undergraduate accommodation.

The Linbury Building is a dedicated conferencing and private dining venue enjoying a beautiful natural setting among mature trees and landscaped lawns.

Accommodating up to one hundred guests for receptions or forty eight on a fully-catered basis, the Linbury Building offers the perfect venue for your mid-sized event. Set among the College’s award-winning gardens, the Linbury allows you to enjoy our unique natural setting thanks to floor-to-ceiling glazing which can be retracted to create an al fresco space in the summer.

With its own bespoke furniture made from English oak and College-crested leather chairs, the main conferencing space can be adapted into a wide variety of configurations, from seminar, cabaret or theatre to private dining and drinks receptions. The adjacent foyer area is a perfect space for delegate registration, break-out coffee and pastries or buffet lunch service. 

Worcester College

John Davan Sainsbury – Baron Sainsbury of Preston Candover 1927 – 2022 was a British businessman and politician. He served as the President of Sainsbury’s, and sat in the House of Lords as a life peer and member of the Conservative Party

Robert Alfred Maguire 1931–2019 was an influential British modernist architect and leading thinker in the British liturgical architectural movement of the Church of England. Maguire and Keith Murray formed an architectural practice in 1959.

Nazrin Shah ascended the throne of Perak in 2014. As Sultan of Perak, he has been a strong advocate for education, Islamic moderation, and national unity. He has served as deputy king under Sultan Muhammad V of Kelantan, Sultan Abdullah of Pahang, and Sultan Ibrahim of Johor.

The Sultan Nazrin Shah Centre is a new building of 2017 housing a large lecture theatre, a student learning space, seminar rooms and a dance studio. The project is not simply the provision of new facilities, but also the development and enhancement of the setting of this significant part of the College site. Whilst the relationship between the new buildings and the listed parkland is important, it is only one part of a complex arrangement.

Níall McLaughlin Architects

Elizabeth Frink’s sculpture Seated Man II – on loan from Yorkshire Sculpture Park, in accordance with the wishes of the artist’s late son, Lin Jammet, 2020.

He overlooks The Sainsbury Building student accommodation – 1983 Architect: Richard MacCormac

View from the loggia to the upper terrace.

Archive images 1983 – Charles Martin RIBA pix

The common room.

The central lobby.

A study bedroom.

The College Chapel was built in the 18th century. George Clarke, Henry Keene, and James Wyatt were responsible for different stages of its lengthy construction 1720–1791, owing to a shortage of funds. The interior columns and pilasters, the dome, and the delicate foliage plastering are all Wyatt’s work. His classical interior was insufficiently emphatic for the tastes of militant Victorian churchmen, and between 1864 and 1866 the chapel was redecorated by William Burges.

It is highly unusual and decorative; being predominantly pink, the pews are decorated with carved animals, including kangaroos and whales, and the walls are riotously colourful, and include frescoes of dodos and peacocks. Its stained glass windows were to have been designed by John Everett Millais, but Burges rejected his designs and entrusted the work to Henry Holiday.

Wikipedia

My first visit to Oxford and the centuries wide cornucopia of architectural styles and fashion.

See also: St Catherine’s College, Materials Science, and The Florey Building.

Materials Science University of Oxford

The Denys Wilkinson Building was designed by Philip Dowson at Arup in 1967.

The building houses the astrophysics and particle physics sub-departments of the Department of Physics at Oxford University, plus the undergraduate teaching laboratories. It was originally built for the then Department of Nuclear Physics and named the Nuclear Physics Laboratory. From 1988, the building was known as the Nuclear and Astrophysics Laboratory after the Sub-Department of Astrophysics moved from the University Observatory in the Science Area. On 21st June 2002, the building was renamed as the Denys Wilkinson Building, in honour of the British nuclear physicist Sir Denys Wilkinson, who was involved in its original creation.

Wikipedia

Denys Wilkinson Building Oxford photo – Webb Aviation.

Department of Nuclear Physics, Oxford Arup Associates 1971 – Colin Westwood RIBA pix.

The University of Oxford is relocating its undergraduate physics practical teaching from the Denys Wilkinson Building amid concerns about the presence of asbestos at the ageing site.

From Michaelmas this year, some practical teaching labs will move to the former Biochemistry and Biological Sciences Teaching Centre, with the remainder moving by Michaelmas 2027. The Biochemistry and Biological Sciences Teaching Centre will be adapted for physics practical teaching. Around six hundred undergraduates currently take part in compulsory practical coursework in the Denys Wilkinson Building across the first three years of Oxford’s physics degrees. 

A University spokesperson told Cherwell that the decision to relocate had been taken proactively to avoid the risk of a sudden building failure causing disruption later. The spokesperson added that the Denys Wilkinson Building:

 Is being carefully managed through the later years of its usable life, adding that the building has some legacy issues, including asbestos.  

Cherwell

Originally completed in 1967, the building had not been maintained and required significant repairs to the roof structure of the accelerator tower, which had suffered from prolonged water ingress.

All defects were identified through a hammer test survey and thorough visual inspection, the original concrete was broken out back to a sound substrate and was square cut to depth of 10mm, thus preventing featheredging of the subsequent repair.

Exposed reinforcement was mechanically wire brushed, and prepared using high performing and sustainable products from Sika. Treated with Sika Monotop 1010; a bonding primer and corrosion protection, followed by the application of Sika Monotop 4012; a concrete repair mortar, to the original surface levels.

Structural Renovations

This building has been assessed under the Planning – Listed Buildings and Conservation Areas Act 1990 as amended for its special architectural or historic interest. The asset currently does not meet the criteria for listing.

It is not listed – the Secretary of State for Culture, Media and Sport disagreed with Historic England’s recommendation for this case 23rd July 2015.

Heritage Gateway

Let’s take a look at what I looked at:

St Catherine’s College Oxford

I visited St Catz on a student open day, and wandered amiably around the accessible areas – restricted by the refurbishment work being undertaken.

To better illustrate the beauty of Arne Jacobsen’s 1961- 68 Grade I Listed buildings I searched the RIBA pix archive.

In 1956, with University considering plans for expansion, Alan Bullock obtained approval to transform St Catherine’s Society into a fully residential college – the search for a site and funding began.

An ambitious fundraising campaign began, focusing on the national shortage of scientists and on Bullock’s proposal of an increased number of science students at St Catherine’s than was usual for an Oxford college. In 1960 almost eight acres of Holywell Great Meadow was acquired from Merton College and the College’s chosen architect, Arne Jacobsen of Denmark, began to implement his design. His modernist masterpiece was to become the most important 20th-century collegiate buildings in Oxford, and is now Grade I listed.

In 1962 St Catherine’s College opened its doors – while still under construction, with Alan Bullock as its Master. The first undergraduates were admitted, and were quickly dubbed the ‘Dirty Thirty’ owing to the lack of running hot water. 1964 saw the ceremonial opening of the College by the then Chancellor of the University, Harold Macmillan, and ten years later in 1974, staying true to its forward-looking ethos, it became one of the first colleges to admit women.

Catz History

This is what I saw:

As a footnote – it’s possibly not a great idea to rush around an unfamiliar city trying to snap as much as possible on a very hot day time limited by budget train bookings largely underfed and thirsty.

St Catherine’s College Oxford – RIBA pix

St Catherine’s College: 1961-66. Arne Jacobsen – Grade I Listed

Podium and all buildings upon it. GV I College buildings, raised on a podium, including dining hall, common room blocks; two residential blocks; library; Bernard Sunley Lecture Theatre; bell tower; piers and covering to walkways to east and west of library and east and west of hall; bridge adjoining west side of podium; brick walls enclosing canal and patio areas on western edge of podium; brick walls to patio areas to eastern edge of podium; twenty five short stretches of garden wall all running east-west, some incorporating seats; paving to podium surface and steps to east and south sides.

Historic England

The dining hall seen from the east 1970 – Roy Herman Kantorowic

The dining hall 1963 – Edwin Smith

The Fellows’ dining table with ‘Oxford’ chairs designed by Arne Jacobsen at the south end of the dining hall 1964 – Eric de Mare.

The cruciform-section columns which carry the precast beams of the dining hall 1964 – Bill Toomey.

The south elevation of the Master’s house 1964 – Bill Toomey

The music room located in the south-west corner of the campus 1964 – Bill Toomey.

Close-up of the fenestration of a residential block overlooking the quadrangle 1964 – Bill Toomey.

A student room with fitted bookcase 1964 – Eric de Mare.

The bell tower and library block seen from the north-west 1964 – Gilbert Davies.

Library block 1963 – Eric de Mare

The library seen from the gallery 1964 – Eric de Mare.

The library 1964 – Colin Westwood.

The bicycle store 1964 – Colin Westwood.

The small lecture room in the auditorium block furnished with ‘Pot’ chairs designed by Arne Jacobsen 1971 – Johnathan Moor.

The quadrangle seen from the junior common room with the gable of a residential block on the left and the dining hall on the right 1964 – Bill Toomey.

The east elevation of the Master’s house 1964 – Eric de Mare.

The living room with connecting dining room in the Master’s house 1964 – Eric de Mare.

Close-up of the covered way to the dining hall from the west residential block 1964 – Bill Toomey.

Tthe junior common room furnished with ‘Swan’ armchairs by Arne Jacobsen 1964 – Bill Toomey.

The main auditorium of the lecture-room block with raked seating of swivel ‘Series 7’ chairs by Arne Jacobsen 1964 – Bill Toomey.

All images from RIBA pix.

Florey Building – Oxford Queens College

Florey Building, a residential student block.

RIBA pix 1977 Alastair Hunter

Designed by James Stirling and Partners in 1966-1967 for Queen’s College, Oxford, and built 1968-1971, with Roy Cameron as associate, and Frank Newby of F J Samuely and Partners as engineer.

RIBA pix 2005 Jeremy Harrison

Listed at Grade II* for the following principal reasons:


* as a highly significant work by Sir James Stirling, one of Britain’s foremost post-war architects; 


* as the last of a triumvirate of university buildings that are without doubt amongst Stirling’s most significant works in England; 


* as a highly creative re-working of a familiar formal language, executed with masterful handling of form and colour, characteristic of Stirling’s style;


* for the high degree of survival of the original plan form, fixtures and fittings, which have been little altered since the building’s completion, including but not limited to the bedrooms, porter’s lodge, and breakfast room;


* as a distinctive and popular piece of post-war university architecture.

Historic England

On the day of my visit the building was secured and in a state of semi-dereliction, mothballed by the owners The Queens College Oxford.

There have been plans and a competition for refurbishment:

Perhaps the most charismatic of James Stirling’s surviving buildings; the Florey Building is hugely admired worldwide for its boldness and heroism.

Despite some practical and infamous failings, the Florey has a cult presence in Oxford: a modernist’s riposte to a city defined by traditional architectural masterworks.

The Queen’s College Fellows seek a dedicated team who are inspired by Stirling’s exhilarating vision. The challenge: to use advances in technology to update the building, provide modern facilities and achieve exemplary energy design.

The competition has now concluded — 27th February 2014

The Queen’s College, Oxford is delighted to announce that the team led by Avanti Architects has won the design competition to update the Grade II listed Florey building, widely regarded as an emblem of modernism. Avanti will now work to develop their scheme for the project and determine construction priorities.

The plans however were poorly received:

Alas the proposal for Florey lets down the practice, the college and most importantly Jim Stirling and the Modernist corpus, with a design that all but wrecks the essence of this unique building.

Alan Berman – founding partner at Berman Guedes Stretton

These proposals must be thrown out and consigned with distaste to the dustbin as a gross violation of Stirling’s intentions.

If permitted, they would constitute the comprehensive betrayal, by alteration, of one of the internationally most important buildings of the 20th century.

Thomas Muirhead – Stirling’s friend and former colleague.

Architects Journal

Furthermore there has been a history of criticism of the building:

At the official opening in 1971, the Queen Mother was rumoured to have said it was the ugliest building she had ever seen.

College bursar AA Williams described it as – a structure revolting and inhuman in its hideousness and defective in practically every aspect of its functioning.

Just a year later, students were complaining that it leaked, was noisy, too hot in summer, too cold in winter, they couldn’t stand up straight in the showers, and there were no baths.

Lord Florey, the pioneer of penicillin after whom the building is named put up the money, and was almost the architect’s sole supporter in the college.

This culminated in a legal battle, an intense dislike of the building throughout the college, a reluctance to spend anything but the minimum on maintenance, and decades later, to the possibility of demolition.

Oxford Mail.

So with little institutional love and a soupçon of general loathing, we are left with a Listed building in limbo.

Happily Leicester University are taking care to care for their Stirling building.