William Walton’s and Sons – 152 Stamford Street, Ashton-under-Lyne, OL6 6AD
Founded in 1832 – when Stamford Street looked a lot like this.
Much has changed during the ensuing years, Walton’s it seems has not.
On Monday 24th October 2011 I had the privilege of meeting current owners Marilyn and Dave, spending time chatting and taking photographs.
Thank you.
They tell their own tale – take a look.
A mighty river valley was formed in the second Ice Age, as the glaciers receded and rushed seaward.
The mighty River Mersey was formed on the eastern edge of Stockport, at the confluence of the Tame and Goyt/Etherow rivers.
Thousands of years in the making, as the water-powered mills of the adjacent Pennine Hills migrate to the lower reaches of the towns, in search of water, workers and steam, the full force of the Industrial Revolution takes shape in the west.
The mixed farming of the alluvial valley, which opens up onto the Lancashire and Cheshire Plains, meets and greets the incursion of dye and brick works, mills and manufacturing.
Fred Schofield’s farm 1930
View towards Stockport from Heaton Mersey Park
Serviced by a complex and competing rail system based around Heaton Mersey Shed.
Opened in 1889 and served until May 1968 operating steam locomotives to the end -Coded 9F.
Here we were at the centre of a rail hub spreading out in all directions, to and from the ports, cities and resources of the country and beyond.
Great movements of steel, cotton, coal, people and manufactured goods.
Fireman Eddy “Ned” Kelly
Heaton Mersey railway station was opened on 1 January 1880 by the Midland Railway and lay on the newly opened line which ran from Heaton Mersey East Junction to Chorlton Junction and on to Manchester Central station.
The station was situated at the southern end of Station Road which still exists. The station was later operated by the London Midland and Scottish Railway and was closed by the London Midland Region of British Railways on 3 July 1961.
The area was criss-crossed by railways – its bridges traversing the roads, fields and river, dominating the landscape in a wild flurry of steam and smoke.
Further photographs from Grip 99
Crossing the Mersey – the link between Gorsey Bank and the Shed
Surviving until 2007
B&W photographs Stockport Image Archive
The end of steam – as drivers, fireman and staff were transferred to Newton Heath, was followed by the slow demise of the rail network, freight moved to road and passengers purchasing their first cars and a passport to illusory freedom.
The mighty Mersey is now flanked by newer neighbours, a shiny blue administrative pyramid, business park, car showrooms and nature reserve, the only certainty is change.
Great volumes of earth are moved to from a new topography a topography of leisure – the gentle stroll, jog and cycle replaces the clank of fire doors and shovel on coal.
But take a look around you and you will see the remnants of the industrial age, shrouded in fresh hawthorn and enshrined in birch and beech.
To walk this landscape is to traverse geological, agrarian, industrial and post-industrial time – they all coexist and coalesce. Have an eye, ear and heart open to their resonance and presence, transcend time and space in the Mersey Valley today, you’re part of the leisured generation.
O day and night, but this is wondrous strange!
And therefore as a stranger give it welcome.
There are more things in heaven and hell, Horatio,
Than are dreamt of in your philosophy.
We have seen things come and go in, on and around Stockport Station’s little acre.
From coal drops to tear drops.
Before
During
Archive photographs courtesy of John Eaton
After
The post-industrial leisure complex has come almost full circle – overwritten by the complex needs of the modern day service-worker – Holiday Inn, Espresso Bar and Mini-mart complement the hot-desked, twenty-four hour online access all areas open-plan office operative.
Gone now the Laser Quest, Super Bowl, Multiplex, Theme Pub days of old.
Photographs from Stockport Image Archive
Time has been called on the post-modern film-set, cast and clad in plastic, brick, steel and concrete.
The future is here today and it means business.
Commercial premises or showroom. Dated 1889. Red brick with stone dressings and terracotta decorative details, tiled roof. Rectangular building of 4 x 3 bays with canted corner entrance. Jacobean style. Single storey articulated by pilasters supporting a sculptured frieze. Doorway with arched head and fanlight. One, two and three-light mullion and transom windows to the Parsonage Street front. The Wellington Road front has two large plateglass windows divided by paired pilasters. The windows have removed two pilasters. Cornice, panelled parapet, aedicule with console supporters, swan – neck pediment and date over the doorway. Tall hipped roof. Very prominently sited and under restoration at the time of inspection.
Grade: II listed: 23rd March 1987 – Historic England
This is a building of some substance, decorated with terracotta work of the highest order, a striking yet diminutive landmark to the north of the town. Situated on a once busy commercial site, where it would have been surrounded by a plethora of retail, industrial and residential property.
My research has shown that its earliest recorded use was under the ownership of JE Jones manufacturing agent for ropes and cords, allied to the local hatting and cotton trades in 1907. Subsequently the base of John Roberts in 1910 – leather merchant, manufacturing belts, strapping and laces – the company also had premises nearby at 138 Heaton Lane.
It has latterly been in use as Topp’s Tiles, Gordon Ford and Little Amigos Discount Nursery Store – it is currently empty, shuttered and unloved on off at a rent of £1,833 per calendar month from Rightmove.
As Stockport continues to invest in and develop its town centre, it remains a more than somewhat sorry beacon of decline, an indicator that all too often architecture of local and historic importance, seems to have little or no place, in this thrusting modern milieu.
If passing, pause and reflect on the sense of permanence that imbues this building, in an all too impermanent world.
