The Benedictines came to Leyland in 1845 and the first Church of St. Mary’s was built on Worden Lane in 1854. The Catholic population was small at this time, but had grown to around 500 by 1900. Growth was assisted by the industrial development of Leyland and after the Second World War the town was earmarked as the centre of a new town planned in central Lancashire. By the early 1960’s, the Catholic population was 5,000. Fr Edmund Fitzsimmons, parish priest from 1952, was a guiding force in the decision to build a large new church of advanced liturgical design, inspired by progressive continental church architecture of the mid 20th century. The church was designed by Jerzy Faczynski of Weightman and Bullen. Cardinal Heenan blessed the foundation stone in 1962 and the new church was completed ready for its consecration and dedication by Archbishop Beck in April 1964.
The station was covered by twin train sheds, an architecturally detailed canopy that covered all platforms. In 2000, due to its decaying state, it was removed, changing the nature of the station in a £35 million regeneration project. A new building was built on the main island platform. The Grade II listed original entrance built in the 1880s,including the station buffet and former booking hall, was retained and refurbished.
Facing the station the 2015 development of hotel and office space.
Arriving by train into Blackburn Rail Station, visitors get the full impact of this carefully planned but ambitious regeneration project. Maple Grove’s aspiration was to offer something befitting of a city centre in one of the region’s largest towns. Cathedral Square comprises a six storey BREEAM Excellent office building, designed by BDP, a Premier Inn Hotel, restaurants and cafes positioned around a new public square that acts as a link between the rail station, cathedral and beyond to the shopping centre.
Left onto Jubilee Street where we find the Telephone Exchange.
The site was formerly occupied by the Grand Theatre – in the 1950’s, Blackburn had no fewer than fourteen cinemas. The Grand carried on being a live venue until its closure in 1956, before finally being demolished in 1958.
Further down the road the rear of another former cinema – The Olympia
The Olympia was opened on 19th May 1909 as a roller skating rink. It was a short lived venture and closed in November 1911. It was converted into the Olympia Theatre, presenting music hall/variety, opening on 12th December 1911. Seating was provided for 2,000, many on long wooden benches. The proscenium was 32 feet wide and the stage 50 feet deep. It was soon screening films as part of the programme.
It was converted into a full time cinema in 1921, although there were still some variety acts on the programme. All the original wooden benches used for seating in the theatre were removed and replaced by regular tip-up seats, reducing the seating capacity to 1,360. During the 1940’s, the Olympia Cinema boasted a café for the convenience of its patrons and it was operated by Jacksons’ Amusements, Ltd.
The Olympia Cinema was mainly independently operated, and closed in 1957. It stood empty for two years, then in 1959, it was taken over by Mecca Ltd, and converted into the Locarno Ballroom, later becoming a Mecca Bingo Club. It later became the Golden Palms Nightclub, Jumpin’ Jax, and since 2009 it operated as a trendy nightclub named Liquid & Envy.
Previous to 1900 the site at the corner of Mincing Lane and Mill Lane had housed a temporary circus, known as Ohmy’s Circus. The New Central Hall was built and opened in April 1900, and was used as a roller skating rink until November 1909, when it was converted into the 1,000-seat Central Hall Cinema.
Altered and enlarged to 1,372 seats in 1923, it was re-named New Central Hall Cinema. The proscenium was 20 feet wide, later enlarged to 22 feet.
The Central Cinema was closed in January 1957. Then in 1974, it was renovated and was converted into a Walkers Bingo Club, which remained open until at least 1995. It recently operated as a Riley’s American Pool and Snooker Club until early 2009. In November 2009 after a refurbishment, it re-opened as the VIP Snooker Club.
Turn right into Darwen Street along to the former Barclays Bank.
Next door Lloyd’s Bank extension.
On Astley Gate the brown tiled remains of the Shopping Centre now known as The Mall.
The shopping centre was built in three phases, with the final phase opening in 1979. The centre was refurbished in 1995, during which the lower floor of the former Co-Operative Department Store was transformed into the Ainsworth Mall.
The centre was bought by Standard Life in 1993 and its name was subsequently changed to Blackburn Shopping Centre. Standard Life sold the centre in 2003 to Reit Asset Management.
In 2004, Reit Asset Management sold the centre to The Mall Fund. The centre was sold again in 2022 to the Adhan Group from The Mall Fund for £40 million.
Around the corner the Mother and Child monument, created by Welsh sculptor Robert Thomas in 1974, who used his wife and child as models.
In 1974 the statue was placed in Lord Square, removed in 2007 and placed in storage, it was placed in Cardwell Place in 2012.
The Mall has been significantly remodelled, along with the adjacent Tower Block.
Above the Mall is a dizzying array of multi storey car parks – reflecting the various stages of development.
Next to the Central Library, the former Co-op Emporium by Walter Stirrup in Town Hall Street, opened in 1930, was converted into a £1m library by BDP, it opened on September 1st 1975.
Onward to 10 Duke Street – home to council offices and the NHS, the Tower Block is now no longer in use.
Blackburn’s former town hall tower block has over the years become one of our most recognisable buildings. Sadly it is now starting to be given derogatory names, such as the ‘Big Empty’ and ‘Mothballed Monolith’. But compared to how it looked some years ago, before being reclad in today’s design, it still impresses many visitors to our town. Wouldn’t it be great if Blackburn’s ‘Big Empty’ could become full again.
These tower blocks were the flats at Queens Park and in the background you can see the co-called ‘deck-access’ flats at Shadsworth.
Bowland House was one of three tower blocks built in 1963 and the only one still standing after the others, Ribble and Pendle, were torn down in 2001 to be replaced by homes.
In 2022 Bowland House was refurbished.
Former four-time World Superbike champion Carl Fogarty was the guest of honour as Great Places’ Bowland House in Blackburn was officially unveiled.
Three thirteen-storey slab blocks built as public housing using the Sectra industrialised building system. The blocks contain 183 dwellings in total, consisting of 72 one-bedroom flats and 111 two-bedroom flats. The blocks are of storiform construction clad with precast concrete panels. The panels are faced with exposed white Cornish aggregate. Spandrel panels set with black Shap granite aggregate are used under the gable kitchen windows. The blocks were designed by the Borough architect in association with Sydney Greenwood. Construction was approved by committee in 1966.
1987 view of Birley Street development, with Trinity Court in the foreground: Tower Block
Back now into the centre – passing the now empty site of Thwaites Brewery, demolished in 2019.
Also missing in action is the 1960’s Market Hall – architect Tom Brennan.
The new Bus Station designed by Capita Symonds – replacing the old bus station.
The outward facing elements of the building are flat and orthogonal. In contrast, the underside of the canopy is free flowing and consists of a number of glazed slots cut in the canopy to allow daylight to penetrate onto the concourse area. Directly below each of the slots is a hanging loop which appears to be pulled down from the canopy to reveal a glazed opening. The composition of these draws inspiration from the cotton weaving looms, and drying cotton bundles, a reference to the town’s industrial past.
There are four loop types (A, B, C & D) which are arranged to alter the scale of the concourse and create a rhythm of peaks and troughs along its length. Loop A is designed to provide support to the whole canopy allowing the canopy to appear as one floating unified element.
Newspaper House – once the home to the LancashireTelegraph, converted to apartments in 2017.
Finally to the Garde II* listed BlackburnCathedralchurch – since 1926, formerly parish church, 1820-6 by John Palmer of Manchester.
Central concrete corona by Lawrence King 1961 – it was rebuilt in stone by Brian Lowe in 1998.
The Healing of Nations in steel and copper by Mark Jalland 2001.
It is a reflection on the opening of chapter 22 of the book of Revelation, new Jerusalem, and ‘the leaves of the tree are for the healing of the nations’.
Traditionally a stained-glass window at the east end of a cathedral would reflect a spectrum of light into the building but this sculpture projects the light out in a kaleidoscope of colour reminding us of Jesus the light of the world and the hope that we have in him.
Annunciation and Christ in Majesty sculptures by Siegfried Pietsch 1965.
Council House former Civic Centre – Armada Way Plymouth PL1 2AA
Former Civic Centre 1958-62 by Jellicoe, Ballantyne and Coleridge with city architect HJW Stirling. In-situ concrete structure with pre-cast aggregate panels. It comprises a fourteen storey slab block on a raised raft foundation which straddles a two storey block to the north and a bridge link to the two storey Council House to the south. The bridge link is elevated on pilotis to create an open courtyard with a reflecting pond, part of the designed landscape of the civic square.
I rode into town on my bicycle en route from Weston super Mare to Hastings one sunny afternoon in 2015. The pictures I took that day were largely left untouched, until today. I was prompted by an online postcard search to finally put them to some good use.
On the day of my visit the building was well and truly closed, and its future uncertain.
I took my time and explored the site, here is what I saw:
I subsequently found archival image of the interior – including examples of applied decorative arts.
Post War Buildings, Elain Harwood.
Plymouth Civic Centre, Royal Parade, Plymouth, Devon.
Interior, members entrance hall, detail of mural by Mary Adshead with light fittings by Chelsea glassware.
The building has suffered of late, from poor maintenance and general neglect.
Love it or hate it, it’s one of Plymouth’s most iconic post-war buildings – and it towers over the city centre. But the Civic Centre has been empty since 2015, with sad images revealing parts of the outside literally crumbling.
Today is the day Plymouth will finally discover what developer Urban Splash plans to do with the landmark 14-storey tower block it bought for £1.
Urban Splash are in the house – plans are to go ahead.
The proposal, by Gillespie Yunnie Architects, will see the 14-storey former council headquarters converted into 144 one and two-bedroom flats with the ground floors of the lower blocks providing about 4,600m² of office, retail and leisure space.
Unanimously approved last week, the scheme will open up the ground floor, making it ‘an active public space filled with outside seating for cafés, bars and restaurants’ and reuse the existing landscaped pools, while creating new pedestrian connections through the scheme from the Theatre Royal and Civic Square.
Whilst walking the length of Hessle Road, up and back – taking the air, snaps, the sights and sounds, I came upon a fine Faience tiled frontage.
I began photographing, wandering dangerously into the space between the slip road and the flyover. A shout rang out, emanating from the boozer, the landlord called me over.
“Do you want to take a look inside?”
“Yes”.
A listed interior the new landlord is working hard along with Historic England to restore the capacious rooms to their former glory, including the entrance mosaic and ceiling – images P Hampel
Inheriting a whole heap of issues and a grey parrot called Sparky.
But the boozer is now up and running serving cask ale to throngs of first class thirsty customers.
The Yorkshire Brewhouse 1904 ended mid week when we’re normally closed but we were asked to open for a group of very thirsty sailors. We moved on to Reet, another Yorkshire Brewhouse beer and thanks to the football that one has gone too. It’s back to the YBH Faithful Stout once again. I’d come quick and get it while you can.
Once two pubs the Hessle Road Inn was subsumed by the Alexandra. The area was once home to the city’s Jewish Community – the cemetery survives next door.
There are Star of David motifs incorporated into the windows, sympathetic to this local heritage.
Built around 1895, designed by Smith, Brodrick and Walker, with late C20 alterations – British Listed Buildings.
It’s a fabulous pub which deserves to thrive – pop in for a pint if you’re passing, just watch out for low flying parrots.
Built on the eve of war in 1939, the local paper feared that Brucciani’s might not be good for the sedate Victorian image of Morecambe and that its presence could be positively harmful to young people. Originally a milk bar, Brucciani’s typifies the simple, geometric ‘high street deco’ styling popular at the time. The brown wood and chrome exterior has black lacquer base panels to the street, porthole lamps above the doors, ziggurat pattern doors, classic deco handles and original menus. The interior preserves extensive wall panelling, a slightly reworked counter, red Formica tables, red upholstered chairs, wall-to-wall etched glass of Venetian canal scenes, mirrors, deco clocks and even the original penny-in-the-slot cubicles in the cloakrooms.
I’ve been coming here for over ten years now, alone or in company, come rain or shine and without fail, as sure as ice is nice, I have a banana spilt – or to be more precise a Banana Royal.
This is a café with a café menu, café furniture, café staff and service.
It only ever wanted and wants to be a café, unchanged by the uncaring winds of vicissitude and fashion. To tread the turquoise and tan linoleum, ‘neath the period lighting fixtures and fittings, to be seated on the warm red leatherette, one elbow on the circular Formica table is to enter into into a pact with a perfect past.
It’s on the front you can’t miss it – overlooking the Sunset Bay.
Designed by architects Cruickshank and Seward in the Sixties, to house the cutting-edge computing power of the time, the ICT later ICL Tower, towered over Wenlock Way, Gorton in East Manchester.
A landmark for many from bus, train, car, Shanks’s pony or low flying VC10.
A place of work for thousands.
At a time when modern technology looked a little like this:
Sadly ending like this:
Two weeks into the demolition process the east elevation is no more, revealing a concrete honeycomb of torn steel and fresh air.
A few weeks time and it will be little more than so much dust and memories.
The first American company to arrive was Westinghouse Electric, in 1899, and purchased 130 acres on two sites. Building work started in 1900, and the factory began production of turbines and electric generators in 1902. By the following year, British Westinghouse was employing about half of the 12,000 workers in Trafford Park. Its main machine shop was 899 feet long and 440 feet wide; for almost 100 years Westinghouse’s Trafford Park works was the most important engineering facility in Britain.
In addition to the factory Westinghouse built a village for his workers on the American style grid system of avenues and streets. The community had shops, eating rooms, a dance hall, schools, a church, and a cinema.
And where there is people there is almost inevitably pubs, as sure as night shifts follow day shifts.
Built in 1902 to keep the Trafford Park industrial dust down, quenching the thirst of the workers employed in the world’s first and largest industrial estate – get in and get outside a pint or two.
Speed headlong through the years and by 1984, a mix of industrial and economic decline and the general move away from the urban mix of housing and factories, the end is in sight for most of the Village’s homes.
Move a little further along the line and by 2009 and the pub is closed, temporarily home first to a marijuana farm, and subsequently squatters.
Paul, 46, originally from Chew Moor, Bolton, was left homeless in May when his house was repossessed after he lost his job as a mechanical engineer. He found The Freedom Project through its Facebook group and was invited to move in to the Trafford Park Hotel. He said: “The group is apolitical – it’s about freedom of expression, activity and thought.” Enterprise Inns have taken members of The Freedom Project to Salford County Court where a judge gave the brewery an order for possession of the building.
Enterprise Inns declined to comment.
It takes a whole judicial system and corporate clout to deny a man home.
In February 2017 pub was sold for £900,000, though on the day of my August visit there were few signs of the planned conversion to flats or hotel.
One day time will be called on time itself, in the meantime take a walk down the Avenue and feast your eyes on a Grade II listed terracotta and brick behemoth.
Cast Aluminium portals and reveals to Ceremonial Entrance by Geoffrey Clarke.
Staff on reception were once able to notify officials of the arrival of guests and dignitaries, using this right bang up to the minute electrical intercom.
To the right is the engraved John Hutton Screen engraved glass panels depicting – the inventive genius of Tyneside’s most famous sons and daughters.
From left to right: George Stephenson the steam locomotive, Sir Charles Parson the turbine engine, Sir Joseph Swan electric light bulb, Lord Armstrong the gun.
Brigantia – Celtic Goddess of the tribe, The Three Mothers – offering fruit for fertility, Mithras – the slaying of the bull , Coventina the goddess of a well, she reclines on a water-borne leaf and below her are three intertwined figures of nymphs of streams, for in those days every self-respecting stream had its own tutelary deity. All have been found when Roman temples have been unearthed on the Roman wall.
A twenty three foot high, eleven tiered chandelier of hand cut Bavarian crystal from Westphalia, hangs above your head. This chandelier was commissioned on behalf of Newcastle City for the opening of the building in 1968. It has 119 light bulbs, the crystal on the top is in the shape of a castle on the base of the chandelier are sea horses. The walls are lined with random English oak, the floor down stairs is Portuguese Verde Viana marble.
Elegant Arne Vodder designed sofas litter the entrance, this truly is a palace of delights a temple of Municipal Socialism, take your shoes off set a spell.
Modern Mooch 